SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Theatre Royal in Crow Street Dublin"/1) | (@(roleclean,performerclean) "Theatre Royal in Crow Street Dublin")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4551 matches on Event Comments, 828 matches on Performance Title, 705 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: "The farce waited some time for Bannister, who performed at Covent-Garden Theatre in The Woodman. An apology was made for his absence, and, in a few minutes after, he came" (Gazetteer, 14 June)

Performances

Mainpiece Title: I'll Tell You What

Afterpiece Title: The Agreeable Surprise

Performance Comment: Sir Felix Friendly-Wilson (1st appearance on this stage these 6 years); Compton-Bannister; Eugene (1st time)-Bland; Chicane-Usher; Lingo-Cornellys (from the Theatre Royal, Dublin [1st appearance on this stage]); Thomas-Burton; John-Phillimore; Laura-Mrs Bannister; Mrs Cheshire-Mrs Webb; Fringe-Mrs Edwards; Cowslip-Mrs Wells.
Event Comment: [Miss Hill, who was from the Plymouth theatre, is identified in European Magazine, Oct. 1794, p. 285.] Receipts: #257 11s. (250.12.6; 6.18.6)

Performances

Mainpiece Title: She Stoops To Conquer

Performance Comment: Hardcastle-Munden; Young Marlow-Bernard; Hastings-Davies; Sir Charles Marlow-Powel; Diggory-Burton; Sland-Rock; Landlord-Thompson; Jeremy-Farley; Roger-Ledger; Tony Lumpkin-Quick; Mrs Hardcastle-Mrs Davenport (from the Theatre Royal Dublin; 1st appearance on any [sic] stage); Miss Neville-Miss Cornelys; Miss Hardcastle-A Young Lady (1st appearance on any [sic] stage [Miss Hill]).sic] stage [Miss Hill]).

Afterpiece Title: Rosina

Event Comment: Benefit for H. Johnston. Mainpiece: 1st time at this Theatre; by Permission of Mr Colman. Morning Chronicle, 9 Apr.: Tickets to be had of H. Johnston, No. 47, Great Queen-street, Lincoln's Inn Fields. Receipts: #334 3s. 6d. (174.7.6; 1.14.0; tickets: 158.2.0)

Performances

Mainpiece Title: The Iron Chest

Performance Comment: Sir Edward Mortimer-H. Johnston; Adam Winterton-Fawcett; Rawbold-Murray; Fitzharding-Betterton; Samson-Suett (By Permission of the Proprietors of the Theatre Royal, Drury-Lane); Armstrong-Mansel; Orson-Emery; Robbers-Whitmore, Thompson, Master Webb; Wilford-A Young Gentleman (1st appearance [unidentified]); Helen-Miss Betterton; Blanch-Mrs Gibbs; Judith-Mrs Litchfield; Barbara-Mrs Chapman; Chorus of Robbers-Linton, Oddwell, Thomas, Everett; Chorus of Servants-Street, Curties, Abbot, Lee, J. Linton, Smith, Tett, Ms Castelle, Ms Morton, Ms Leserve, Ms Burnett, Ms Follett, Ms Iliff, Ms Gilbert.

Afterpiece Title: The Follies of a Day

Dance: End: a new Scotch Ballet, The Highland Lovers (under the direction of Bologna Jun.)-Bologna Jun., Hawtin, King, Mrs Watts, Miss Brugier (1st appearance)

Song: In course Evening: Sally in our Alley-Incledon

Event Comment: Benefit Kitty Pawlet. Tickets for She Would and She Would Not taken. At 6 p.m. In Cross-street, Hatton Garden

Performances

Mainpiece Title: Love Makes A Man

Performance Comment: Angelina-Miss Purdon; Louiza-Miss Seal; Elvira-Miss Ben; other Parts-Persons from Theatre Royal in Drury-Lane.

Dance: A Gentleman for his Diversion

Event Comment: Benefit for Mrs Webb. Morning Herald, 20 Apr.: Tickets to he had of Mrs Webb at her house, No. 15, Bedford-street, Covent-garden. Afterpiece: Never performed here. Receipts: #198 19s. (154/14; rickets: 44/5) (charge: #105)

Performances

Mainpiece Title: The Duenna

Performance Comment: As17820202, but Jerome-Mills (from the Theatre-Royal, Edinburgh; 1st appearance on this stage) . 1st appearance on this stage) .
Cast
Role: from the Theatre Actor: Royal, Edinburgh

Afterpiece Title: The Deserter

Dance: As17820409

Event Comment: By Permission of the Lord Chamberlain. Benefit for Berry. Afterpiece: Written by the late Samuel Foote, Esq. The Doors to be opened at 5:30. To begin at 6:30. Tickets to be had at Mrs Richman's@Masquerade@Warehouse, Oxford-street; of Berry, at the George in the Haymarket; and of Rice at the Theatre, where Places for the Boxes may be taken. No Money to be returned

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: Taste; or, Diversion in the Morning

Performance Comment: Carmine-Martin (1st appearance on any stage [see above]); Brush-A Gentleman (from the Theatre Royal, Richmond [unidentified]); Novice-Scott; Lord Dupe-Holiday; Alderman Pentweazel-Well; Caleb-Johnson; Boy-Sharp; Puff-Wilkinson; Lady Pentweazel-Mr Berry (2nd appearance on any stage).

Dance: I afterpiece: Mock Minuet-Alderman, Lady Pentweazel

Song: End: The Tobacco Box-Johnson, Miss Chatterley

Entertainment: Monologues After Singing: British Loyalty[; or, A Squeeze to St. Paul's-Wilkinson; End II afterpiece: Bucks have at Ye All-a Gentleman (1st appearance on any stage [unidentified])

Music: Between Acts: several pieces of Martial Music-his Royal Highness the Duke of Gloucester's Band(, in full uniform, by Permission)

Event Comment: Benefit for Mrs Kemble. Afterpiece: The [first] and only time of performing it [this season] at this theatre. Morning Herald, 31 July: Tickets to be had of Mrs Kemble, No. 24, corner of Panton-street, Haymarket

Performances

Mainpiece Title: The Life And Death Of King Richard The Iii

Afterpiece Title: No Song No Supper

Performance Comment: Crop (for that night only)-Huttley (from the Theatre Royal, Bath; 1st appearance on this stage); Frederick-Bland; Endless-Suett; Robin-Bannister Jun.; William-Sedgwick (of dl); Dorothy-Miss DeCamp; Louisa-Miss Dall; Nelly-Mrs Hatton; Margaretta-Mrs Kemble (1st appearance in that character).
Event Comment: Benefit for Johnston. [He had 1st acted Hamlet at Edinburgh, 9 July 1794: Egerton's 1st appearance at cg was on 5 June 1797.] 2nd piece [1st time at this theatre; M. PAST 1, author unknown. Larpent MS 1207; not published. 1st acted at Sadler's Wells, 28 May 1787, when the playbill gives the 2nd title as "The Highland Laddie", and adds "The Words of the Airs selected from Allan Ramsay"]. Times, 13 Apr.: Tickets to be had of Johnston, No. 31, King-street, Covent-garden. Receipts: #230 19s. 6d. (110.2.6; 1.14.0; tickets: 119.3.0)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Hooly and Fairly; or, The Highland Lad and Lowland Lass

Performance Comment: Donald-Gray; Jockey-Clarke; Kate-Miss Wheatley; Old Woman-Mr Graham (from the Theatre Royal Edinburgh, 1st appearance on this stage).

Afterpiece Title: A Divertisement

Dance: 2nd piece to conclude with: Highland Reel-; In 3rd piece: Ballet, as17971013

Song: In V 1st piece: a Dirge, as17970925; In 2nd piece: Highland Laddy-; Hooly and Fairly-; Katharine Ogie- [recte Oggy]; Andrew and his Cutty Gun-; Todlen Hame-; Tulloch Goram-; The Little Farthing Rushlight-Graham

Event Comment: By Permission of the Lord Chamberlain. Mainpiece: Written by the celebrated Mrs Eliza Haywood. Not acted these 6 years. Afterpiece [1st time; F 2 (?)]: Written by a Comedian [unidentified. not in Larpent MS; not published]. The above Pieces have been a long Time in Rehearsal, and as no Expense has been spared in procuring respectable Performers from capital Theatres, there is no doubt (as the Comedies have sterling Merit) of their giving Satisfaction to the Audience. The Doors to be opened at 5:15. To begin at 6:15

Performances

Mainpiece Title: A Wife To Be Lett

Performance Comment: Graspall-Barrett (of hay); Captain Gaylove-Turner; Fairman-Stannard; Sneaksby-Digby; Sir Harry Beaumont-Lyon (from the Theatre Royal, Edinburgh); Shamble-Williams; Courtly-Johnson; Tim-Benson; Toywell-Russell (from the Theatre Royal, Norwich); Mrs Graspall-Mrs Harley (1st appearance); Dogwood-Mrs Gardner; Marilla (with a song)-Miss Green (1st appearance); Celemena-Miss Harrison; Widow Stately-Mrs Russell (from the Theatre Royal, Norwich); Amadea (with songs)-Miss Hemet.

Afterpiece Title: The Sharper's Last Shift

Song: End I: Stand to your Guns-Digby

Entertainment: Monologue. End: Bucks have at ye All-Benson

Event Comment: Benefit Mills. By Command of His Royal Highness. To which (By Command) will be added, The Coronation of Anna Bullen, with the Military Ceremony of the Champion in Westminster-Hall, for the Entertainment of . . .the Prince of Orange, who accompanies his Royal Highness to the Play. [Prince of Wales, Prince of Orange, Princess Caroline present.]

Performances

Mainpiece Title: Henry Iv, Part Ii

Performance Comment: King-Mills; Prince-W. Mills; Shallow-Johnson; Silence-Miller; Feeble-Griffin; Falstaff-Harper; Pistol-Cibber; Lancaster-A. Hallam; Gloster-Cross; York-Mil ward; Justice-Boman; Poins-Oates; Bardolph-Shepard; Hostess-Mrs Shireburn; Doll-Miss Mann. A new Prologue upon the Company's Return to the Theatre Royal, spoken by Mills .
Related Works
Related Work: The Destruction of Jerusalem by Titus Vespasian, Part II Author(s): John Crowne
Related Work: The Destruction of Jerusalem, Part II Author(s): John Crowne

Song:

Dance:

Event Comment: [Extra night] Benefit for the Widow and Children of the late Hugh? Kelly. Tickets delivered for a Comedy, May 28th, will be admitted. Morning Chronicle, 10 May: Tickets to be had of Mrs Kelly, No. 3, Racquet Court, Fleet-street. Receipts: #108 -16s. (52.1; tickets: 56.15) (charge: #52 1s.)

Performances

Mainpiece Title: A Word To The Wise

Performance Comment: As17770513, but Capt. Dormer-Powell (from the Theatre Royal, Edinburgh; 1st appearance in London); Miss Dormer-Mrs Mattocks (1st appearance in that character).

Afterpiece Title: The Deuce is in Him

Song: End I: a new cantata, Diana-Mrs Farrell

Music: End Epilogue: concerto on the violin-Fisher

Event Comment: By Authority [of the Lord Chamberlain]. Benefit for West. The Doors to be opened at 5:30. To begin at 6:30. Tickets to be had of West, No. 4, Stanhope-street, Clare-market. [Authors of Prologue and Address unknown.

Performances

Mainpiece Title: King Richard Iii

Performance Comment: King Richard-A Gentleman (1st appearance on any stage [unidentified]); King Henry-Lucas; Duke of Buckingham-Thompson; Prince of Wales-Master Benson (1st appearance on any stage); Duke of York-Master Kenny; Norfolk-Massey; Oxford-Stevens; Lord Stanley-Painter; Blunt-Bell; Ratcliff-Kenny; Catesby-Bailey; Tressel-Mills; Lieutenant-Newton; Lord Mayor-Bowles; Tirrell-Edwards; Richmond-A Gentleman (1st appearance on any stage [unidentified]); Lady Anne-Mrs Lefevre; Duchess of York-Mrs Leister; Queen Elizabeth-Mrs Robinson (from the Theatre Royal at Bath); An occasional Prologue (written by a Gentleman eminent in the Republic of Letters [unidentified])-West.

Afterpiece Title: The Deuce is in Him

Song: A variety of Entertainments of Singing, particularly The Soldier tir'd-a Lady [unidentified]

Entertainment: Monologue. End: an occasional Address-Master Benson

Event Comment: Benefit for Parsons. Public Advertiser, 18 Aug.: Tickets to be had of Parsons, No. 60, Stanhope-street, Clare-Market

Performances

Mainpiece Title: The Provoked Husband; Or, A Journey To London

Afterpiece Title: The Quaker

Performance Comment: The Quaker-Bannister; Lubin-Brett; Easy-Painter; Solomon-Parsons; Floretta-Mrs Brett; Cicely-Mrs Love; Gillian (for that night only)-Miss Sharpe (from the Theatre Royal, Richmond).

Song: End: Hunting@song-Griffin

Event Comment: Benefit for Miss Harper. Mainpiece: Never acted here. Tickets to be had of Miss Harper, No. 16, Catherine-street, Strand

Performances

Mainpiece Title: Lionel And Clarissa

Performance Comment: Colonel Oldboy-Edwin; Jessamy-Wood; Jenkins-Bannister; Harman-Bowles [From the Theatre Royal in Norwich]; Sir John Flowerdale-Aickin; Lionel-Du-Bellamy; Diana (for that night only)-Mrs Cargill; Jenny-Mrs Wilson; Lady Mary Oldboy-Mrs Webb; Clarissa-Miss Harper.

Afterpiece Title: Comus

Event Comment: By Permission of the Lord Chamberlain. Benefit for Mrs Greville. Tickets and places to be had of Mrs Greville, No. 1, Queen's-court, King-street, Covent-garden. [This was Mrs Pinto's last appearance on the stage (but see 12 May 1786).]

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: Ranger-Mrs Greville (1st appearance in that character); Frankly-Walton; Bellamy-Cross; Jack Meggot-Benson; Tester-Follett; Buckle-Bell; Simon-Brown; Mr Strickland-L'Estrange; Mrs Strickland-Mrs Walcot (from the Theatre Royal, Edinburgh); Jacintha-Mrs Bolton; Lucetta-Mrs Waldron; Milliner-Mrs Benson; Clarinda-Mrs Hunter .

Afterpiece Title: The Irish Widow

Song: End of mainpiece The Soldier tired of War's Alarms by Mrs Pinto

Monologue: 1785 04 26 End of Act II of mainpiece Collins's Ode on the Passions by Mrs Walcot. imitations. End of Act I of afterpiece, as 17 Sept. 1784, but An entire new dialogue in the Shades between Foote and Weston; added: Prospero (in the manner of Mossop); omitted: Prologue to Barbarossa

Event Comment: Benefit for Mr and Mrs Bernard. [Mrs Mountain perhaps did not act Rosa (see 8 May).] Public Advertiser, 24 Apr.: Tickets to be had of Bernard, No. 19, Bedford-street, Covent Garden. Receipts: #255 2s. (147.19; 5.16; tickets: 101.7)

Performances

Mainpiece Title: Fontainbleau

Afterpiece Title: The Romance of an Hour

Performance Comment: Sir Hector Strangeways (for that night only)-Powell (from the Theatre Royal, Bath); Orson Strangeways-Quick; Brownlow-Davies; Colonel Ormsby-Macready; Pillage-Fearon; Bassore-Bernard; Lady Die Strangeways-Mrs Webb; Zelida-Mrs Bernard.

Dance: As17880301

Entertainment: Monologues. End I: A Dissertation on Macaronyism-Bernard; End: Shuter's Observations in a Post@haste Journey to Paris-Bernard

Event Comment: Benefit for Mrs Siddons, and the Last Night of her Engagement [see 6 and 16 May]. Mainpiece: Never acted here [1st acted at Bath, 1 Jan. 1788, as Such Things Were. Prologue by Richard Graves (Public Advertiser, 28 Jan. 1788)]. Oracle, 18 Apr.: Tickets to be had of Mrs Siddons, No. 49, Great Marlborough-street. Receipts: #590 14s. (292.16.0; 51.13.0; 4.10.0; tickets: 235.6.6; odd money: 6.8.6) (charge: #213 17s. 4d.)

Performances

Mainpiece Title: Julia; Or, Such Things Were

Afterpiece Title: The Devil to Pay

Performance Comment: As17951214, but Jobson (for this night only)-Hughes (Proprietor of the Theatre Royal, Weymouth).
Event Comment: Benefit for Sedgwick. 2nd piece: Never performed here. True Briton, 2 June: Tickets to be had of Sedgwick, No. 22, corner of George-street, Adelphi. Receipts: #409 1s. (91.8.6; 67.5.6; 2.10.6; tickets: 247.16.6) (charge: #211 19s. 5d.)

Performances

Mainpiece Title: The Child Of Nature

Afterpiece Title: Robin Hood

Performance Comment: Robin Hood (with O bring me Wine by Shield, and There the silver'd waters roam, from The Pirates by Storace)-Sedgwick; Little John (with All in preparation, from The Haunted Tower)-Bannister Jun.; Ruttekin-Wathen; Bowman-Caulfield; Fitzherbert-Dowton; Scarlet-Trueman; Edwin-Incledon (by permission of the Proprietor of the Theatre Royal, Covent-Garden); Clorinda-Miss Leak; Annette-Mrs Bland; Angelina-Miss DeCamp (Their 1st appearance in those characters).

Afterpiece Title: The Devil to Pay

Song: In the course of the evening: The Storm-Incledon

Event Comment: Benefit J. and Ch. Rich. A Farce of Three acts. All in the Characters of the Italian Theatre. Admission 5s., 3s., 2s. [The Prince present. Receipts: #157 12s. 6d.

Performances

Mainpiece Title: La Foire De St

Performance Comment: Germain. Parts-the French Company of Comedians , lately arriv'd from the Theatre Royal in Paris.
Event Comment: By Permission [of the Lord Chamberlain]. Mainpiece [1st time in London; C 5, by Robert Hitchcock, 1st acted at Hull, 14 Nov. 1775]. Afterpiece: Written by George Alexander Stevens. [This was not Charles Macklin's play, The True-Born Irishman, 1st published in Jones' British Theatre, 1795, but Stevens's The French Flogged; or, The British Sailors in America.] Tickets delivered for the 23rd of September and for the Evening will be admitted

Performances

Mainpiece Title: The Coquette; Or The Mistakes Of The Heart

Performance Comment: Principal Characters-Camery (1st appearance), Jackson, Davis, Tannett, Dowson, Curtis, Williams, Morris, Johnston, Miss Walton (the young Lady who performed in The Provok'd Wife [on 18 Sept.]), Miss Essex, Mrs Gardner, Mrs Bishop, Mrs Roche, Mrs Russell (from the Theatre Royal, Norwich), A Young Gentlewoman [unidentified]. [Text (Bath: R. Cruttwell, 1777) lists the parts, with cast as acted at Hull: Sedley , Captain Helm , Woodford , Sir Whifling Trifle , Flamwell , Spangle , Finesse , Swab , Ty'em , Miss Bloomer , Lady Younglove , Flora , Mrs Fashion , Miss Belgrove , Frippery , Fontange .]on 18 Sept.]), Miss Essex, Mrs Gardner, Mrs Bishop, Mrs Roche, Mrs Russell (from the Theatre Royal, Norwich), A Young Gentlewoman [unidentified]. [Text (Bath: R. Cruttwell, 1777) lists the parts, with cast as acted at Hull: Sedley , Captain Helm , Woodford , Sir Whifling Trifle , Flamwell , Spangle , Finesse , Swab , Ty'em , Miss Bloomer , Lady Younglove , Flora , Mrs Fashion , Miss Belgrove , Frippery , Fontange .]

Afterpiece Title: The True-Born Irishman; or, The English Sailors and Soldiers in America

Dance: End IV: a Hornpipe-Miller

Entertainment: ImitationsEnd: Imitations, Vocal and Rhetorical,-Decastro ; several new ones, and those which Foote introduced him in before their Majesties

Event Comment: By Permission of the Lord Chamberlain. Benefit for Digges. Mainpiece: Never acted here. [Barry had acted King Lear at this theatre on 15 July 1767, and Ross on 18 June 1770.] Afterpiece: Altered into 3 acts

Performances

Mainpiece Title: King Lear

Performance Comment: King Lear-Digges; Bastard-West; Kent-Gardner; Gloster-Mitchell; Gentleman Usher-Blissett; Albany-Taylor; Burgundy-Turner; Cornwall-Davis; Edgar-Dimond (from the Theatre-Royal, Bath); Goneril-Mrs Lefevre; Regan-Mrs West; Cordelia-Mrs Massey.
Cast
Role: Theatre Actor: Royal, Bath

Afterpiece Title: The Gentle Shepherd

Music: Afterpiece: With the Scots Musick incidental to the Piece-

Event Comment: By Permission of the Lord Chamberlain. Benefit for Harricks and Williams. Mainpiece: The Characters to be dressed in the Habits of the Times. [Author and speaker of Address not known.] Tickets delivered for The Wonder will be taken. The Doors to be opened at 5:00. To begin at 6:15. Tickets to be had and Places taken of Rice, at the Theatre

Performances

Mainpiece Title: Richard Iii

Performance Comment: Richard-Harricks (from the Theatre Royal, York); Henry-Hunter; Buckingham-Thompson; Tressel-Cross; Lord Stanley-Stannard; Catesby-Powell; Lieutenant-Kenrick; Norfolk-Farrell; Prince Edward-Miss Beaufield; Duke of York-Miss Barnard; Richmond-Brown (from the Theatre Royal, Edinburgh); Lady Anne-A Young Lady [unidentified]; Duchess of York-Mrs Barnard; Queen-Mrs Lefevre. Preceding the Play an Occasional Address .

Afterpiece Title: The Irish Widow

Monologue: 1783 12 15 End of Act I of afterpiece The Farmer's Blunder by Kenrick

Event Comment: [Extra night] Benefit for the General Lying-In Hospital, at Bays-water. Under the Patronage of Her Majesty. [Braham's 1st appearance at this theatre was on 21 Apr. 1787.]. The Orchestra under the Direction of Mountain. Principal Oboe by W. Parke. To the Renters of Covent Garden Theatre, it is humbly requested by the Promoters of the Charity, for which the Opera performed this Evening is appropriated, that they will humanely forego their claim on that Night, it being out of the Manager's Season, and an additional expence to the Charity. Those Gentlemen willing to resign their demand on the above occasion are requested to send word t the Theatre which will be thankfully received by the promoters of the Charity. The Doors to be opened at 6:00. To begin at 7:00. Tickets to be had at the Hospital; The Crown and Anchor Tavern, Strand; Longman and Broderip's; and of Brandon at the Theatre, where places for the Boxes may be taken. Receipts: none listed in Account-Book, but Monthly Visitor, July 1797, p. 63, reports that #401 was received

Performances

Mainpiece Title: The Duenna

Performance Comment: Antonio (by permission of the Managers of Vauxhall)-Dignum; Ferdinand-Clarke (from the Theatre Royal Edinburgh; 1st appearance on this stage); Don Jerome-Powel; Isaac-Baker; Father Paul-Haymes; Lopez-Pitt; Starved Friar-Evans; Carlos (by Permission of the Proprietors of the king's Theatre)-Braham (1st appearance in that character, and on this stage); Louisa-Mrs Martyr; The Duenna-Mrs Wentworth; Clara (by Permission of the Proprietors of the king's Theatre)-Sga Storace.

Dance: End II: Peggy's Love (by permission of the Proprietors of the king's Theatre), as17970614 End Opera: Cupid and Psyche, as17970614 With Corps de Ballet from the Opera House

Event Comment: The King's Company. The exact date of this performance is not known, but the Prologue refers to "After a four Months Fast," suggesting that the theatre did not reopen until the end of the Long Vacation (24 Oct. 1681 is the beginning of Michaelmas Term). The Epilogue also seems to refer to events at Bartholomew Fair, and the Prologue to the King's visit to Newmarket, from which the King did not return until 12 Oct. 1681. Furthermore, The Impartial Protestant Mercury, No. 54, 28 Oct. 1681, reports: A Revised Play was some days since Acted on an Eminent Publick Theatre, and the Prologue is extreamly talked of. [The periodical reprints some of the lines (which are essentially those in the printed version).] The Loyal Protestant, No. 70, 29 Oct. 1681, refers to the same performance and reprints part of the Epilogue (which also is essentially that of the separately printed Epilogue). All of these elements point to a performance in mid-October. Both the Prologue and the Epilogue were printed separately, and have been reprinted by Wiley, Rare Prologues and Epilogues, pp. 43-45. Broadside copies of the Prologue and Epilogue in the Huntington Library bear Luttrell's manuscript notations that both were written by Dryden. Luttrell's date of acquisition is 13 Feb. 1681@2, an instance in which Luttrell's date of purchase does not apparently correspond closely to a date of performance

Performances

Mainpiece Title: Mithridates, King Of Pontus

Performance Comment: For a previous cast, see February 1677@8. A Prologue spoken at Mithridates King of Pontus, the First Play Acted at the Theatre Royal this Year, 1681. Written by John Dryden. Epilogue written by Dryden and spoken by Goodman and Mrs Cox.
Event Comment: The United Company. There is uncertainty concerning this date; it appears on Luttrell's copy (Huntington Library) of the separately printed Prologue and Epilogue, and the date may represent the time of his purchase rather than a date of performance. The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 141-45. Downes (Roscius Anglicanus, pp. 39-40): All the preceding Plays, being the chief that were Acted in Dorset-Garden, from November 1671, to the Year 1682; at which time the Patentees of each Company United Patents; and by so Incorporating the Duke's Company were made the King's Company, and immediately remov'd to the Theatre Royal in Drury-Lane. Upon this Union, Mr Hart being the Heart of the Company under Mr Killigrew's Patent never Acted more, by reason of his Malady; being Afflicted with the Stone and Gravel, of which he Dy'd some time after: Having a Sallary of 40 Shillings a Week to the Day of his Death. But the Remnant of that Company; as, Major Mohun, Mr Cartwright, Mr Kynaston, Mr Griffin, Mr Goodman, Mr Duke Watson, Mr Powel, Sr, Mr Wiltshire, Mrs Corey, Mrs Bowtell, Mrs Cook, Mrs Montfort. [Joined the new company]. Note, now Mr Monfort and Mr Carlile, were grown to the Maturity of good Actors. The mixt Company then Reviv'd the several old and Modern Plays, that were the Propriety of Mr Killigrew, as Rule a Wife, and have a Wife: Mr Betterton Acting Michael Perez; Don Leon, Mr Smith, Cacofogo, Mr Cartwright: Margaretta, Mrs Barry: Estiphania, Mrs Cook. Next, @The Scornful Lady.@The Plain Dealer.@The Mock Astrologer.@The Jovial Crew.@The Beggars Bush.@Bartholomew-Fair.@The Moor of Venice.@Rollo.@The Humorous Lieutenant.@The Double Marriage.@ With divers others. George Powell, Preface to The Treacherous Brothers (1690): The Time was, upon the uniting of the Two Theatres, that the Reviveing of the old stock of Plays, so ingrost the study of the House, that the Poets lay dorment; and a new Play cou'd hardly get admittance, amongst the more precious pieces of Antiquity, that then waited to walk the Stage. Cibber, Apology, ed. Lowe, I, 95-96): I shall content myself with telling you that Mohun and Hart now growing old [for, above thirty Years before this Time, they had severally born the King's Commission of Major and Captain in the Civil Wars), and the younger Actors, as Goodman, Clark, and others, being impatient to get into their Parts, and growing intractable, the Audiences too of both Houses then falling off, the Patentees of each, by the King's Advice, which perhaps amounted to a Command, united their Interests and both Companies into one, exclusive of all others in the Year 1682. This Union was, however, so much in favour of the Duke's Company, that Hart left the Stage upon it, and Mohun survived not long after

Performances

Mainpiece Title: Title Unknown

Performance Comment: Prologue To the King and $Queen At the Opening of Their Theatre by Mr Dryden-Mr Batterton; Epilogue by the same Authour-Mr Smith.