Event Comment: By Command of Their Majesties. Tickets to be had and places for the Boxes to be taken of Fosbrook, at the Stage Door of the Theatre, at half a guinea each. Pit. 5s. 1st Gallery 3s. 6d. 2nd Gallery 2s. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]

Event Comment: [Burkett is identified by MS annotation on Kemble playbill; he was from the Crow Street Theatre, Dublin.] Receipts: #223 15s. 6d. (221.10.0; 2.5.6)

Event Comment: Mainpiece [1st time; C 5, by Hannah Cowley.] Miss Younge had a song [Wake, thou son of dullness] composed by Michael Arne. Authors of Prologue and Epilogue unknown]: New Scenes and Dresses. Account-Book, 16 June: Paid Mrs Cowley for suspending the publication of the Belle's Stratagem #100. Public Advertiser, 1 Apr. 1782: In a few Days will be published The Belle's Stratagem. A spurious Copy having been published in Ireland [in 1781] make[s] it necessary to observe that the above is the genuine Comedy, as performed at Covent Garden Theatre. Ibid., 9 Apr. 1782: This Day is published The Belle's Stratagem (1s. 6d.). Receipts: #213 19s. (212.15.6; 1.3.6)

Event Comment: [This was a puppet show, rewritten by Charles Dibdin from his Comic Mirror; it consisted of 7 different acts, presented in 3 Parts. The audience was both misled into thinking that it was to be performed by actual persons, and made angry because of the "almost unintelligible manner of conveying [the various acts], as the singers were scarcely audible, and the objects very indistinctly visible.' A riot ensued. Lighted candles were thrown on the stage against the curtain, chandeliers broken, benches torn up. The audience was not "satisfied" until Colman the proprietor of the theatre, disclaimed any concern with the entertainment, and Dibdin made an apology. Although announced for repetition on 3 Mar., it was not again performed. (See Dibdin, II, 65; Morning Chronicle, 2 Mar. )]

Event Comment: Benefit for Mrs Mattocks. Morning Chronicle, 25 Mar.: Tickets to be had of Mrs Mattocks, Russel-street, Covent-garden. 2nd piece: Founded on Nancy; or, The Parting Lovers [by Henry Carey]. Books of the Interlude to be had at the Theatre. Receipts: #203 1s. (179.11; tickets: 23.10) (charge: #105)

Event Comment: Afterpiece [1st time; CO 2, by William Augustus Miles]: The music entirely new, composed by Michael Arne. With new Scenes, Dresses, and Decorations. Books of the Opera to be had at the Theatre. Public Advertiser, 15 Apr. 1780: This Day is published The Artifice (1s.). Receipts: #119 8s. 6d. (71.12.0; 47.1.6; 0.15.0)

Event Comment: Benefit for Bannister Jun. Mainpiece: As originally written by Shakespeare. [Genest's remark (VI, 133), "Garrick's alteration [which had been performed uninterruptedly at this theatre since Dec. 1772] seems never to have been acted after this night", is correct.] Public Advertiser, 15 Apr.: Tickets to be had of Bannister Jun., No. 8, Air-street, Piccadilly. Receipts: #280 8s. 6d. (124.18.0; 20.0.0; 0.5.6; tickets: 135.5.0) (charge: #105)

Event Comment: [Mrs Arne was from the Crow Street Theatre, Dublin.] Receipts: #137 19s. (136.13; 1.6)

Event Comment: Benefit for Wright and Butler. Morning Chronicle, 17 Apr.: Tickets to be had of Wright, No. 24, Bennet-street, Westminster; of Butler, next door to the Theatre. Afterpiece: With Alterations and Additions. Not acted these 4 years. To conclude with a Grand Sea-Fightv, Dance, etc. [These were included in both subsequent performances.] The Scenery designed by DeLoutherbourg, and executed under his direction. Receipts: #276 14s. 6d. (52.9.0; 12.5.6; 0.4.0; tickets: 211.16.0) (charge: #74 14s.)

Event Comment: 1st piece [1st time; PREL I, by George Colman, the elder]. "The ground-work was the apologies received from the great actors, who all preferred their suburban shades to the temperature of the Haymarket...The prompter enters to apologize to the audience and return the money, but his plea is rendered nugatory by certain oratorical and mimetic personages stationed in the pit and boxes, who not at first being recognized by the house as professional people, a great confusion was produced. When Mrs Webb arose to address the audience, the joke became apparent, and a prodigious interest was excited' (Boaden, Siddons, 1,208). [In 2nd piece the playbill lists Baddeley, but "Previous to the beginning of the Play, Palmer came forward...and acquainted [the audience] that Baddeley then lay speechless [as the result of a stroke], and Hitchcock, the prompter, would, with their permission, read Baddeley's Part" (London Chronicle, 31 May). The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. Places for the Boxes to be taken of Rice at the Theatre. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Public Advertiser, 6 July 1780: This Day is published The Manager in Distress (1s.)

Event Comment: Mainpiece: Never acted here. Afterpiece: With new Scenes, Dresses, and Decorations. Books of the Masque to be had at the Theatre

Event Comment: Mainpiece: Never acted here. [Staunton, who was from the Crow Street Theatre, Dublin, is identified in Westminster Magazine, July 1780, p. 397.

Event Comment: Afterpiece [1st time; CO 2, by Miles Peter Andrews]: The Overture from the celebrated Fire and Water Music of Handel. The new Airs and Chorusses by Dr Arnold. With new scenes by Rooker. Books of the Songs may be had at the Theatre. Public Advertiser, 8 July 1780: This Day is published the Songs in Fire And Water! (6d.). Ibid, 22 July 1780: This Day is published Fire And Water! (price not listed)

Event Comment: Benefit for Du-Bellamy. Mainpiece: In Act I the Statute Scenev. Tickets to be had of Du-Bellamy, next door to the Theatre Coffee-House, Bow-street, Covent Garden

Event Comment: Afterpiece [1st time; MF 1, by James Cobb; music by Samuel Arnold. Larpent MS 530; not published]: Books of the Songs to be had at the Theatre

Event Comment: Benefit for Jewell, treasurer. 2nd piece: Altered [in 3 acts from the original 5] from Dryden. Tickets to be had of Jewell at his house, adjoining to the Theatre, Suffolk-street

Event Comment: Afterpiece [1st time; P I, by George Colman, the elder. His authorship has hitherto been questioned, but for its authentication see Peake, II, 54. Larpent MS 532; not published]: An Original, Whimsical, Operatical, Pantomimical, Farcical, Electrical, Naval, Military, Temporary, Local Extravaganza.The Overture and new Musick by Dr Arnold. With new Scenes [by Canter (Public Advertiser, 5 Sept.)], Dresses and Decorations. The Views of the Temple of Health and the Camp in St. James's Park designed and executed by Rooker. Books of the Songs to be had at the Theatre

Event Comment: [Mrs Ward was from the Manchester theatre.] Afterpiece: To conclude with a perspective Representation of the Grand Camp at Cox-Heathv [see 15 Oct. 1778. This was included in all subsequent performances.]. Receipts: #225 11s. (179.2.0; 44.19.6; 1.9.6)

Event Comment: By Permission of the Lord Chamberlain. [1st time; M.ENT 3, by George Alexander Stevens. Larpent MS 533; not published. Songs published by R. Snagg, 1780.] The Overture, most of the Airs [see 6 Nov.], and Decorations entirely new. Ne Quid Nimis; or, Too much of one Thing is good for Nothing. Boxes 5s. Pit 3s. Gallery 2s. The Public are respectfully informed that the Upper Gallery will not be opened. The Doors to be opened at 6:00. To begin at 7:00. The Songs, written by G. A. Stevens, are to be had at the Theatre

Event Comment: [Mrs Yates's 1st appearance as Portia was at this theatre, 27 Mar. 1770. On this present night Moody acted in the mainpiece at dl and in the afterpiece at cg.] Receipts: #246 4s. (244.17.6; 1.16.6)

Event Comment: Mainpiece [1st time; CO 3, by Charles Dibdin, based on L'Isle Sauvage and on La Colonie, both by Germain Francois Poulain de Saint-Foix. In 1781 abridged by the author as The Marriage Act. Larpent MS 537; not published]: With new Music [by the author], Scenes, Dresses, and Decorations. And a new Overture. Books of the Songs to be had at the Theatre. Account-Book, 1 Feb. 1780: Paid Dibdin in full for withholding publication of The Islanders #120. Receipts: #208 4s. 6d. (205.9.0; 2.15.6)

Event Comment: [This was Vestris Jun.'s 1st appearance in England.] "Young Vestris astonished John Bull more by his agility than his grace, and some have been known to count the number of times he turned round like a tee-totum. This may be called les tours des jambes-not dancing' (Angelo, II, 320). "The theatre was brimful in expectation of Vestris. At the end of the second act he appeared; but with so much grace, agility, and strength, that the whole audience fell into convulsions of applause: the men thundered; the ladies, forgetting their delicacy and weakness, clapped with such vehemence, that seventeen broke their arms, sixty-nine sprained their wrists, and three cried bravo! bravissimo! so rashly, that they have not been able to utter so much as 'no' since, any more than both Houses of Parliament' (Walpole [17 Dec. 1780], XI, 340-41)

Event Comment: A Serious Opera; the Music by Sacchini. [This was Sga Lorenzini's 1st appearance in England.] Public Advertiser, 25 Dec.: The spirit of Vestris seems to diffuse itself throughout the whole Body of Dancers at this Theatre; even the Figurants acquit themselves in a manner that deserves the encouragement of the Public