Event Comment: [Kelly was from the Court Theatre, Vienna.] Receipts: #114 6s. 6d. (93.0.0; 20.15.6; 0.8.6; ticket not come in: 0.2.6)

Event Comment: A new Comic Opera; the music by Paisiello. Under the direction of Storace. [Sga Storace was from the Opera, Vienna.] Morelli "was an actor such as the Italian stage has seldom witnessed. He was, I used to think, in his prime, quite upon a par with King of Drury Lane Theatre. Like him, he was distinguished for neat articulation, and an unremitting attention to the business of the whole stage" (Boaden, Kemble, I, 449). Receipts: #165 19s. 6d. [non-subscription]

Event Comment: Afterpiece: Books of the Songs to be had at the Theatre. Receipts: #168 17s. (162.16; 6.1)

Event Comment: Benefit for Browne. [Miss Eccles, who was from the York theatre, is identified in European Magazine, July 1787, p. 64.] Public Advertiser, 16 July: Tickets to be had of Browne, No. 13, King-street, Covent Garden

Event Comment: Mainpiece [1st time; CO 3, by George Colman ynger]: With new Scenes, Dresses, and Decorations. The Overture, new Airs, and Accompaniments by Dr Arnold [partly adapted from Paisiello]. The Scenes painted by Rooker. Books of the Songs to be had at the Theatre. Public Advertiser, 5 Sept. 1787: This Day is published Inkle and Yarico (1s. 6d.)

Event Comment: On Account of the approaching Close of the Theatre, Vimonda is necessarily discontinued till next Season [see 28 Aug. 1788]

Event Comment: The Doors to be opened at 5:30. To begin at 6:30 [see 13 Nov.]. Places for the Boxes to be taken of Brandon at the Theatre. [No playbill this season lists the various prices of admission; they were probably, as usual: Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s.] Receipts: #213 6s. 6d. (208.10.0; 4.16.6)

Event Comment: Books of the Songs [in mainpiece] to be had at the Theatre. [London Chronicle, 19 Oct. lists the new songs: in Act I Charming Clorinda by Bowden; in Act II When spring has chac'd the winter's snow by Mrs Wells and When generous wine by Bowden; in Act III The morn, who night adorning and Bright Sol now darts by Mrs Billington.] Receipts: #284 18s. 6d. (283.7.6; 1.11.0)

Event Comment: Afterpiece [1st time; MF 2, by John O'Keeffe]: A new Overture by Tommaso? Giordani, the rest of the Music composed and selected from Paisiello, Storace and Morelli] by Shield. Books of the Songs to be had at the Theatre. Account-Book, 27 Nov.: Paid O'Keeffe in full for the Farce & Copyright of The Farmer #150. Receipts: #130 11s. 6d. (124.0.0; 6.11.6)

Event Comment: "The leaving Percy untaken up [by Falstaff, in V.iv of mainpiece] was an improvement. The best acting was that of Mrs Pitt" (World, 6 Nov.). Afterpiece: With new Music, Scenes, Machinepy, Dresses, and Decorations. A few of the Airs compiled from Purcell, Travers, Sacchini, &c. The rest of the Music composed by Shield. The Scenery and Machinery designed by Richards and Carver, and executed by them, Hodgins, and many assistants. To conclude with the Representation of the inside of a Nabob's Palacev. Books of the Songs to be had at the Theatre. Receipts: #199 0s. 6d. (193.16.0; 5.4.6)

Event Comment: [Farren's 1st appearance as Shore was at this theatre, 20 Dec. 1785.] Receipts: #182 7s. 6d. (174.16.0; 7.11.6)

Event Comment: Benefit for the Author [of mainpiece]. [In mainpiece the playbill retains Mrs Crouch, but she "had, in her way to the theatre, been overturned in a coach. Mrs Brereton read the part of Miss Harley " (London Chronicle, 14 Nov.). The playbill also lists the song, as 12 Nov., but it was not sung on this or any subsequent night. As afterpiece the playbill announces Comus, in which Mrs Crouch was to appear, but it was not acted. Its substitute is listed in the Account-Book.] The Doors to be opened at 5:15. To begin at 6:15 [see 23 Apr. 1788]. Receipts: #124 14s. 6d. (107.12.0; 15.15.0; 1.7.6; tickets: none listed) (charge: #105)

Event Comment: Afterpiece: Not acted these 2 years. To conclude with a Splendid Representation of the Fairy's Palacev. The Paintings by Greenwood. The Music compiled and composed by Linley? Sen. Books of the Songs, Introduction, &c. to be had at the Theatre. Receipts: #121 9s. (92.0.0; 27.18.6; 1.10.6)

Event Comment: [The playbill announces The Tender Husband, and Three Weeks after Marriage, but the former "was last night obliged to be deferred on account of the real or feigned Indisposition of Mrs Abington, of which was sent to the Theatre at Two o'clock. The Merry Wives of Windsor was substituted...Mrs Wells, to whom the part of Mrs Page belongs, could not or would not play...Mrs Bernard read the part. Bernard also supplied the place of Cubitt in Slender. The Farmer was substituted for Three Weeks after Marriage" (Public Advertiser, 27 Nov.).] Receipts: #158 18s. (151.8.6; 7.9.6)

Event Comment: Mainpiece: Sir Richard Steele's Comedy. Never acted at this theatre [acted 17 Mar. 1760, and advertised for performance on 10 Apr. 1764]. Receipts: #229 8s. 6d. (213.19.6; 15.9.0)

Event Comment: [Hollingsworth was from the Liverpool theatre.] Receipts: #89 19s. 6d. (57.13.0; 31.7.0; 0.2.0; tickets not come in. 0.17.6)

Event Comment: Mainpiece: Never acted at this Theatre. By Beaumont and Fletcher, with Alterations [by Thomas Harris (Boaden, Kemble, I, 378)]. Public Advertiser, 15 Jan.: The alterations consisted of many curtailments, the last scene of Act IV being entirely omitted. [Prologue by Henry Sampson Woodfall Jun. (European Magazine, Dec. 1787, p. 503; Feb. 1788, p. 105).] Receipts: #150 2s. (146.18; 3.4)

Event Comment: Smith's last Benefit. The Pit and Boxes will be laid together. Servants, who keep Places, are desired to be at the Theatre by Half past Four o'Clock; and those Ladies and Gentlemen who have Seats in the Pit are humbly requested to come early, to prevent Confusion. [Author of Epilogue unknown.] Receipts: #363 19s. 6d. (162.4.0; 0.0.0; 5.0.6; tickets: 196.15.0) (charge: #72 13s. 10d.)

Event Comment: Benefit for Edwin. Mainpiece: By Permission of George Colman, Esq. [the holder of the copyright]. Public Advertiser, 24 Mar.: Tickets to be had of Edwin, No. 19, Piazza, Covent-garden. Receipts: #386 7s., as follows: money taken at the doors was #256.0.6, on which he paid charge of #100.11.6, leaving a balance due him of #155.9.0, which he was paid on 7 Apr.; after money, #4.8.6, was retained by the theatre; he sold 411 box tickets, 83 pit tickets, 107 gallery tickets for #125.18.0, free of charge; his total profit therefore was #281.7.0

Event Comment: The Manager of the Opera House hopes for the Indulgence of the Public, in laying before them the great Complaints which have been made to him, on account of Invoncenience in the Entertainments, arising from the enormous Caps and Bonnets which several Ladies make it a Practice to appear in, within the Pit of this Theatre, excluding thereby that Part which is presentdd from the Dancing in a great Degree. The Manager is therefore under the Necessity of soliciting the Ladies to take the same into their Consideration, and humbly presumes for their Indulgence on the Occasion. Receipts: #246 8s. [non-subscription]

Event Comment: Benefit for Mrs Mattocks. [In mainpiece Squire Tally-ho is assigned to Edwin, and he is also listed as acting in the afterpiece, but "On the night of Mrs Mattocks' benefit [he] absented himself from the theatre, and at his next appearance [on 4 Apr.] was obliged to make an apology" (Town and Country Magazine, Apr. 1788, p. 188). Who substituted for him, in both pieces, has not come to light.] Receipts: #249 15s. (180.3.6; 4.7.6; tickets: 65.4.0)

Event Comment: A new Serious Opera (1st time [in London; 1st performed at Venice, 1781]); the music by Sarti, under the direction of Mazzinghi. "At length in the spring arrived the celebrated Marchesi, whose fame had long reached this country, and who had been extolled to such a degree that impatience and expectation were raised to the highest pitch; and on the first night of his appearance the theatre was not only crowed to the utmost in every part, but on the rising of the curtain, the stage was so full of spectators that it was some time before order and silence could be obtained, and with some difficulty that Marchesi, who was to open the opera, could make his way before the audience. Marchesi was at this time a very well-looking young man, of good figure, and graceful deportment. His acting was spirited and expressive: his vocal powers were very great, his voice of extensive compass, but a little inclined to be thick (Mount-Edgcumbe, 66-67). Receipts: #437 15s. 6d., i.e. 560 tickets delivered to Prendergrass [see 8 Dec. 1787], who sold 558; 110 to Toosey, who sold 86; 400 to Butler, who sold 285; 236 to Snelson, who sold 204. Total non-subscription tickets sold: 1133