SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Theatre in Dublin"/1) | (@(roleclean,performerclean) "Theatre in Dublin")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2521 matches on Event Comments, 411 matches on Performance Comments, 62 matches on Performance Title, 16 matches on Roles/Actors, and 0 matches on Author.
Event Comment: GGeneral Advertiser: Last week the celebrated Mr and Mrs Lampe and Mrs Vincent arrived in Dublin from England

Performances

Mainpiece Title: None

Performances

Mainpiece Title: Auction Of Pictures

Performance Comment: also an Oration in Praise of Sight-as at Edinburgh, Oxford, Cambridge, Dublin, Foreign Universities.

Music: A Piece of Musick-the Child

Performances

Mainpiece Title: Auction Of Pictures

Performance Comment: Also An Oration in Praise of Sight-as at Edinburgh, Oxford, Cambridge, Dublin and Foreign Universities.

Dance: A Dance in Character-

Performances

Mainpiece Title: The Committee

Performance Comment: Teague-Morgan; with a Roratorio (introduc'd in the part of Teague) the Cries of Dublin-.
Cast
Role: the Cries of Dublin Actor: .

Afterpiece Title: Trick upon Trick; or, Vintner in the Suds

Event Comment: Benefit for Barry. Pit and boxes laid together, and Front and Side Boxes built on Stage [see 7 March]. Tickets to be had at Mr Barry's, the corner of Bow St., Covent Garden. Mr Garrick first play'd Iago (Cross). [He had played it in Dublin 28 Feb. 1746.] Receipts: #289 (Cross); house charges, #60 (Powel)

Performances

Mainpiece Title: Othello

Afterpiece Title: The Devil to Pay

Dance: Cooke, the Aurettis

Performances

Mainpiece Title: Merope

Performance Comment: Eumenes-Garrick; Poliphontes-Havard; Narbas-Berry; Euricles-Lee; Erox-Bridges; Priest-Winstone; Ismene-Mrs Green; Merope-Mrs Pritchard; From London edition of 1749 but listed in the order as given for the actors in General Advertiser. London edition gives Beard as a Priest, and Dublin edition of 1749 lists Priests-Winstone, Beard.
Event Comment: Play never acted. 'Tis hoped no gentleman will take it ill that he cannot possibly be admitted behind scenes this night (General Advertiser). This play was wrote by Mr Whitehead Tutor to my Lord Jersey,--it was receiv'd with Extravagant applause--& it was Agreed Mr-(Cross). Paid Mr Ackman for writing voice parts in Don Severio #1 1s.; Salary list #305 6d. Norton 6 chorus #1 10s. (Treasurer's Book). [Of some interest is the fact that a ship plying between London and Dublin was named the Roman Father, perhaps in response to the popularity of this play. See note of its safe arrival in Crookhaven in General Advertiser 25 Oct. 1750.] Receipts: #190 (Cross); #191 7s. 6d. [Treasurer's Book)

Performances

Mainpiece Title: The Roman Father

Event Comment: TThe Suspicious Husband oblig'd to be deferr'd on account of Mrs Ward's indisposition. Last night (i.e., 29 Oct. in Dublin) were married Mons Granier and Miss Vandersluys, two celebrated dancers (General Advertiser). Receipts: #180 (Cross)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Lying Valet

Performances

Mainpiece Title: The Careless Husband

Performance Comment: Lady Easy-Mrs Davies from Dublin; Foppington-Woodward; Morelove-Palmer; Lady Graveairs-Mrs Bennet; Lady Betty-Mrs Pritchard; Edging-Mrs Clive; Sir Charles Easy-Havard.

Afterpiece Title: The Chaplet

Performances

Mainpiece Title: The Revenge

Performance Comment: Zana-Giffard from Dublin 1st appearance this stage; Alonzo-Ryan; Carlos-Dyer; Alvarez-Anderson; Manuel-Ridout; Isabella-Mrs Bambridge; Leonora-Mrs Bland.

Afterpiece Title: The Devil to Pay

Event Comment: MMiss Bellamy has lain in & is up (Cross). [This month published, The Upper Gallery, a poem, neatly descriptive of the opening scene in a playhouse from the vantage point of the first Gallery. This is an expanded, revised and modernized version of The Upper Gallery inscribed to the Rev Dr Swift, Dublin, 1733.] Receipts: #170 (Cross)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Genii

Event Comment: [The customary notice refusing admittance of Gentlemen to the Orchestre-see 7 Oct.-appears in connection with all subsequent performances and will not be noted further this season.] We are assured the report industriously spread of Mr Barry's having quitted the English Stage, and being engaged this winter in Dublin, is entirely groundless. Receipts: #80 (Cross)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Mercury Harlequin

Event Comment: About this time Mr Theo: Cibber Mr Maddocks the wire Dancer, & several other Theatrical performers, with & number of other Passangers embark'd on board the Dublin, Captain White, in order to go to Ireland but the Ship was lost & every Soul perish'd (Cross). As Mr Sparks & others complain'd of Mr Wilkinson for taking them off, it [Diversions of ye Morning] was intended to be omitted this Night, But the Audience call'd so violently for it, that we were oblig'd to let him do it--he took off Foote & Sheridan, & wou'd have left out Sparks but ye Audience wou'd not be satisfied without it--when they first call'd Mr Foote went forward & said as some of the performers had complain'd it was to be omitted; as for being taken off himself he had no Objection to it, as he was always glad to contribute to their Entertainm[en]t &c. (Cross). Mainpiece: Not acted these 2 years [see 14 Oct. 1756]. Receipts: #130 (Cross); #139 10s. (Winston MS 8)

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: The Diversions of the Morning

Event Comment: This Day Publish'd elegantly printed in one Volume Octavo (Dedicated to the Right Hon. Garret, Lord Mornington) A General View of the Stage, by Mr Wilks, of Dublin. Printed for J. Coote. [Contains 355 pages on the stage and its usefulness in presenting tragedy, comedy, opera, farce and pantomime. Discusses the art of acting, reviews plays and parts. Chapter VI on [Dress and its propriety" suggests the growing interest in historical authenticity in costume: [The judicious propriety in 'dress' adapted with sufficient exactitude to the age, time, and circumstances of [the] character...may be call'd the last colourings and finishings of [the] picture; and in this case very much will depend on knowledge of ancient history and historical paintings." Thirty-two pages praising Garrick the actor, and discussing in some detail all the characters he had performed to that time.

Performances

Mainpiece Title: Judas Maccabaeus

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: Young Bevil-Fleetwood1st time; Myrtle-Palmer; Sir John-Burton; Sealand-Havard; Cimberton-Philips; Humphrey-Blakes; Daniel-Vaughan; Tom-King (from Dublin); Phyllis-Mrs Abington; Lucinda-Mrs Baker (from cg); Mrs Sealand-Mrs Cross; Isabella-Mrs Bennet; Indiana-Mrs Cibber; In Act II Singing-Miss Young.

Afterpiece Title: The Englishman in Paris

Event Comment: Mainpiece: A Tragedy [by Henry Brooke]. New dressed in the habits of the times. This tragedy was wrote by Mr Brooks and performed some years ago at Dublin. The first four Acts went off heavy, the last very well--Miss Mowat made her first appearance in this Piece at Drury Lane--Prologue by Mr Murphy heavy. Epilogue by Mr Garrick, great applause (Hopkins MS Notes)

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: Polly Honeycombe

Event Comment: Mainpiece: Never Acted Before. [Printed play, Dublin 1762 lists Talthybius-$Castle; Lycus-$Ackman; Cratander-$Moody; Paeonian-$Fox; Officer-$Scrase; Sigea-$Miss Hippisley.

Performances

Mainpiece Title: Hecuba

Afterpiece Title: Edgar and Emmeline

Performances

Mainpiece Title: The Stratagem

Performance Comment: Archer-Griffith from Dublin; Aimwell-Palmer; Sullen-Burton; Bonniface-Love; Scrub-Yates; Foigard-Moody; Sir Chas Freeman-Packer; Gibbet-Bransby; Dorinda-Miss Plym; Lady Bountiful-Mrs Cross; Cherry-Miss Pope; Mrs Sullen-Mrs Palmer.
Cast
Role: Archer Actor: Griffith from Dublin

Afterpiece Title: The Musical Lady

Dance: IV: The Provencalle-Miss Rogers

Performances

Mainpiece Title: The Confederacy

Performance Comment: Dick-Aikin, from Dublin; Clarissa-Mrs Lessingham, 1st time; Jessamin-Vaughan; Moneytrap-Yates; Gripe-Love; Araminta-Mrs Hopkins; Brass-King; Clip-Ackman; Corinna-Miss Pope; Mrs Cloggit-Mrs Cross; Mrs Amlet-Mrs Bradshaw; Flippanta-Mrs Clive; Occasional Epilogue-Tomlinson in the character of a Buck (playbill).
Cast
Role: Dick Actor: Aikin, from Dublin

Afterpiece Title: The Musical Lady

Dance: III: The Irish Lilt, as17641011

Event Comment: Jan. 30, 1766, died Mrs Cibber. Was Miss Arne, born 1715. Married Theo Cibber 21 April 1734. Brought to bed of a son 5 April 1736. Left stage 1738 with Mr Sloper, who was charged with damages. Acted Dublin 1741. Returned to Covent Garden and performed till 1747. Joined Garrick till 1750. Returned to cg till 1753. Returned to dl and remained till she died (Winston MS 9 from Burney's Actor's MS)

Performances

Mainpiece Title: None

Performances

Mainpiece Title: The Lyar

Performance Comment: Old Wilding-Bannister; Sir James-Davis; Young Wilding-Palmer; Papillion-Weston; Sir James's Servant-Pynn; Miss Grantham's Servant-Quick; Miss Grantham-Mrs Jefferys(, from Dublin); Miss Godfrey-Mrs Burden; Kitty-Mrs Gardiner; Occasional Prologueas17670529-J. Palmer. Occasional Prologueas17670529-J. Palmer.

Afterpiece Title: The Mayor of Garratt

Event Comment: NNeville MS Diary: He [Foote] does Paragraph, Strap and Slaughter. In the first he took off Faulkner, the printer of the Dublin Journal; am uncertain who in the last two. In the Counsellor, who examines the witness in the affair of El Can...he takes of Willes, son of the late Chief Justice. That examination and other anecdotes are not in the printed copy of the Orators...Mrs Jeffereys could scarce do her part for laughing at Foote

Performances

Mainpiece Title: The Orators

Afterpiece Title: The Taylors

Dance: Miss Froment

Event Comment: [T+Theatrical Monitor, No VI appeared this day with a blast, in the form of an occasional Epilogue, at the morals, language and plan of the Oxonian in Town. This was the first performance of Macklin's afterpiece in London. It had been played in Dublin. "Its curious idiom, half-brogue, and half Cockney, puzzled the audience, as did its highly topical Irish allusions. With his usual candor, Macklin observed: 'I believe the audience are right. (The play was withdrawn after this single performance.) There's a geography in humor as well as in morals, which I had not previously considered--'" Cooke, Macklin, p. 270. According to Kirkman, in his curtain speech Macklin "courageously admitted: 'Ladies and Gentlemen, I am very sensible tha there are several passages in this play which deserve to be probated and I assure you that they shall never offend your ears again!' As soon as Mr Macklin had finished this address, the audience testified their approbation of his determination, by loud and reiterated plaudits" (Kirkman, Memoirs of the Life of Macklin, II, 3). See Also Charles Macklin: An Actor's Life by William W. Appleton (Cambridge, Mass., 1960), p. 141.

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Irish Fine Lady

Dance: End: The Dutch Milkmaid, as17671114

Event Comment: SSamuel Foote is arrived in Dublin, engag'd by Mossop (London Evening Post)

Performances

Mainpiece Title: The School For Lovers

Afterpiece Title: Queen Mab

Performances

Mainpiece Title: The Minor

Performance Comment: Mrs Cole, Smirk-Foote; Sir William Wealthy-Castle; Richard Wealthy-Aickin; The Minor-Forde (from Dublin, his first appearance on this stage); Dick-Morgan; Shift (with Imitations), Dr Squintum-Bannister; Loader-Davis; Tally-Jacobs; Transfer-Weston; Lucy-Miss Ogilvie.

Afterpiece Title: The Mayor of Garratt

Dance: As17690515