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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Theatre de Gherardie"/1) | (@(roleclean,performerclean) "Theatre de Gherardie")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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4218 results for: Keyword - Theatre de Gherardie
We found 2601 matches on Event Comments, 1042 matches on Performance Title, 779 matches on Performance Comments, 159 matches on Author, and 0 matches on Roles/Actors.

101
05 April 1788 @ King's Theatre

Event Comment: A new Serious Opera (1st time [in London; 1st performed at Venice, 1781]); the music by Sarti, under the direction of Mazzinghi. "At length in the spring arrived the celebrated Marchesi, whose fame had long reached this country, and who had been extolled to such a degree that impatience and expectation were raised to the highest pitch; and on the first night of his appearance the theatre was not only crowed to the utmost in every part, but on the rising of the curtain, the stage was so full of spectators that it was some time before order and silence could be obtained, and with some difficulty that Marchesi, who was to open the opera, could make his way before the audience. Marchesi was at this time a very well-looking young man, of good figure, and graceful deportment. His acting was spirited and expressive: his vocal powers were very great, his voice of extensive compass, but a little inclined to be thick (Mount-Edgcumbe, 66-67). Receipts: #437 15s. 6d., i.e. 560 tickets delivered to Prendergrass [see 8 Dec. 1787], who sold 558; 110 to Toosey, who sold 86; 400 to Butler, who sold 285; 236 to Snelson, who sold 204. Total non-subscription tickets sold: 1133

Performances

Mainpiece Title: Giulio Sabino

Dance: End: The Military Dance, as17880115; End Opera: Les Fetes de Tempe, as17880228

102
23 September 1788 @ Drury Lane Theatre

Event Comment: Afterpiece: With entire new Dresses and Decorations. The Music by the celebrated Gretry. The Paintings by Greenwood. Kemble Mem.: This day I undertook the Management of dl Theatre. Receipts: #232 15s. 6d. (175.18.0; 56.13.6; 0.4.0)

Performances

Mainpiece Title: A Trip To Scarborough

Afterpiece Title: Richard Coeur de Lion

Dance: In III afterpiece: dance-the young D'Egvilles, Miss DeCamp. [This was danced, as here assigned, in all subsequent performances.

103
09 November 1789 @ Drury Lane Theatre

Event Comment: An accurate Edition of [King Henry the Fifth] to be had at the Theatre. Receipts: #165 17s. 6d. (132.8.0; 30.18.0; 2.11.6)

Performances

Mainpiece Title: King Henry The Fifth

Afterpiece Title: Richard Coeur de Lion

Dance: As17891026

104
09 May 1791 @ Pantheon, Oxford Street

Event Comment: Benefit for Mme Theodore D'Auberval. Tickets to be had of Mme Theodore D'Auberval, No. 52, Poland-street, Oxford-road. 2nd ballet: With new Decorations painted by Munich [recte Moench], late painter to the Theatre in the Haymarket, and new Machinery by Bernard. The Dresses entirely new, invented and executed by Lupino

Performances

Mainpiece Title: La Bella Pescatrice

Dance: End I: La Fille Mal Gardee, as17910430; End Opera: a new Pantomime Ballet in 3 acts (composed by D'Auberval) Le Siege de Cythere-Didelot, D'Egville, Vigano, Fialon, Mlle Leonore Simonet, Mlle Troche, Mlle Deligny, Mme Vigano, Mme D'Auberval. [For assignment of parts see17910517.

105
19 November 1793 @ Covent Garden

Event Comment: Afterpiece [in place of THREE WEEKS AFTER MARRIAGE, advertised on playbill of 18 Nov.]: Books of the Songs to be had at the Theatre. [Occasional Address by Miles Peter Andrews (see 23 Mar. 1793).] THE SIEGE OF BERWICK [advertised on playbill of 18 Nov.] is unavoidably postponed till Thursday next on account of Mrs Pope's sudden Indisposition. Receipts: #233 2s. (216/19/6; 16/2/6)

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: MOTHER SHIPTON TRIUMPHANT or Harlequins Museum

Dance: In afterpiece The Burlesque Pas de Russe by Byrn and Miss Smith; Hornpipe by Holland

Song: In afterpiece God save the King by Gray, Linton, Street, Kendrick, Little, Miss Barnett, Miss Stuart, &c

Monologue: 1793 11 19 End of mainpiece An Occasional Address, in the character of Goldfinch, by Lewis

106
20 October 1794 @ Covent Garden

Event Comment: Mainpiece: With new Scenery, Dresses and Decorations. The Words of the Dirge and the Elegy to be delivered Gratis, at the Doors of the Theatre. Receipts: #299 13s. (294.17; 4.16)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Oscar and Malvina

Dance: I: a Masquerade Scene incident to the Play, in which a favorite Pas de Deux-Byrne, Mme Rossi

Song: End IV: Juliet's Funeral Procession; with a favourite Elegy- (composed by Dr Arne); the Solemn Dirge-; Vocal Parts-Johnstone, Incledon, Bowden, Townsend, Gray, Linton, Rock, Blurton, Abbot, Miss Poole, Mrs Mountain, Mrs Clendining, Miss Hopkins, Miss Stuart, Mrs Arnold, Miss Leserve, Mrs Lloyd, Mrs Bayzand, Mrs Blurton, Mrs Master, Mrs Martyr

107
27 October 1796 @ Drury Lane Theatre

Event Comment: [Denman was from the Margate theatre.] Receipts: #218 0s. 6d. (149.10.6; 65.12.6; 2.17.6)

Performances

Mainpiece Title: The Beaux Stratagem

Afterpiece Title: Richard Coeur de Lion

Dance: As17961019

108
25 November 1797 @ Drury Lane Theatre

Event Comment: [Longley is identified in European Magazine, Dec. 1797, p. 410, but Monthly Visitor, Jan. 1798, p. 64, says that he was Clarke, "from the Shakesperian Theatre at Tottenham Court Road." Afterpiece in place of The Shipwreck, advertised on playbill of 24 Nov.] "[Longley] is not inferior to some Falstaffs we have seen upon the London stage, and he possesses all the traditionary shrugs, winks and bye-play usual in the representation of the part" (True Briton, 27 Nov.). Receipts: #140 18s. (101.15; 38.3; 1.0)

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: Richard Coeur de Lion

109
02 February 1782 @ King's Theatre

Performances

Mainpiece Title: I Viaggiatori Felici

Dance: End of Act I Pastoral Dance [see17811117] by Henry, Bournonville, Raymond, with a Pas Seul by Mlle Simonet, and to conclude with the Dances introduced in the Masquerade [held at this theatre, 24 Jan.: The Prince of Wales's Minuet, The Emperor's Cossac, The Queen's Allemande, Quadrilles] (composed by Noverre) by Gardel and Mme Simonet, Nivelon, Mlle Theodore, Simonet, Sga Crespi, Slingsby, Mlle Baccelli; End of Act II Le Triomphe de 1'Amour Conjugal, as17820110

110
01 May 1783 @ King's Theatre

Performances

Mainpiece Title: Lolimpiade

Dance: End of Act II an entirely new ballet, composed by Simonet, Le Dejeuner Espagnol, in Part I of which Sento ch' in Seno by Giordani, sung by Miss Theresa Simonet, only 8 years old, and who will dance a Minuet with her Father, and in Part II the Minuet de la Cour by Lepicq and Mme Simonet, a Gavotte by Henry and Mlle Theodore, a Chaconne, composed by Simonet, by Miss Theresa Simonet, a Fandango and two Pas Seuls, both as17830410; End of Opera Let Ruses de l'Amour, originally composed by Noverre, by Lepicq, Henry, Zuchelli, Sga Crespi, Mlle Theodore, Mme Rossi, in which Mme Simonet, in Man's Cloaths, will dance a Pas de Deux, incident to the Ballet, with Mlle Theodore, and another ballet, Les Caprices de Galatee, with Mlle Baccelli. The part of Cupid in the above Ballet by Miss De Camp, daughter to the celebrated Flute Player of that Name

Song: New set of Airs, as17830306athi

111
04 January 1725 @ Haymarket Theatre

Performances

Mainpiece Title: Arlequin Protee Avec La Scene Comique De Titus Berenice Du Plaidoyer De Colombine Darlequin

Afterpiece Title: Attendez Moy sous LOrme

112
22 January 1725 @ Haymarket Theatre

Performances

Mainpiece Title: Le Medecin Malgre Luy

Afterpiece Title: Les Filles Errantes Avec La Scene des Moeurs de Francois

Dance: Un Ballet Nouveau-Mr Roger the Pierrot

113
03 February 1735 @ Covent Garden

Performances

Mainpiece Title: The Drummer

Afterpiece Title: The Toy Shop

Dance: Scot's Dance by Glover, Miss Rogers, Le Sac, Miss Baston, De la Garde, Mrs De l'Orme. Tambourine by Miss Rogers. The Medley by S. Lally, de la Garde, Miss Baston

114
05 May 1791 @ King's Theatre

Performances

Mainpiece Title: Entertainments Of Music And Dancing

Dance: End I: La Mort d' Hercule, as17910411, Hercule -Vestris Sen

Ballet: End II: a new Historical Dance L'Amadriade; ou, La Nimphe des Bois. Pheruse Amadriade-Mlle Hilligsberg; Hilas Berger Thesalien, Amant d' Amadriade-Vestris [Jun.]; Bergere Thesalienne-Mlle Mozon; Berger Thesalien-Victor; Faulne-Vermilly; Nimphe de Bois-Mlle St.Amand; Minuet de la Cour-Vestris Sen

115
December 1695 @ Drury Lane Theatre

Performances

Mainpiece Title: Agnes De Castro

116
29 April 1730 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Provokd Wife

Afterpiece Title: The Wedding

Music: Vocal Music proper to the Play,-Leveridge, Laguerre

Dance: FFingalian-Newhouse, Mrs Ogden; A new Pierrot and Pierrette by de St.Luce-de St.Luce, Pelling; Numidian-Glover, Miss LaTour

117
08 January 1735 @ Haymarket Theatre

Performances

Mainpiece Title: Le Festin De Pierre Ou Latthee Foudroye Or Don John Or The Libertine Destroyd

Afterpiece Title: Le Francois a Londres

Dance:

118
10 April 1735 @ Haymarket Theatre

Performances

Mainpiece Title: Ines Des Castro

Afterpiece Title: Agnes de Chall1ot

119
23 May 1735 @ Goodman's Fields

Performances

Mainpiece Title: Lembarras De Richesses

Afterpiece Title: Harlequin Hulla

Dance: By Castiglione

120
08 April 1736 @ Covent Garden

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: Le Mar1age Force ou Les Fourberies dArlequin de Scaramouch

Dance: I: Louvre and Tambourine by Mlle D'Hervigni. II: A new Comic Dance by Nivelon and a Scholar of his. III: A Serious Ballet by another Scholar of Nivelon's. V: French Peasants by Lalauze, Mlle D'Hervigni, &c. End I of Afterpiece: Wooden Shoe Dance by another Scholar of Nivelon's. End of the Whole: Sailors (from Orestes) by Glover, &c

121
31 October 1775 @ King's Theatre

Performances

Mainpiece Title: La Sposa Fedele

Dance: I: New Pantomime Ballet, Apollon e Daphne-Helm, Mlle Sophie; with new Pastoral Entree-Sga Tinti; End Opera: New Grand Pantomime Ballet, PigmalionAmoureuse de La Statue-Fierville, Helm, Mlle Baccelli, Sga Tinti, Mlle Sophie

Ballet: II: Le Triomphe D'Euthime sur Le Genie de Liba. Euthime-Fierville; La Victime-Baccelli; L'Ombre-Helm; with Pas de Deux-Henery, Mlle Sophie

122
31 March 1778 @ King's Theatre

Performances

Mainpiece Title: Lamore Artigiano

Dance: End II: Masquerade Dance, as17780303Minuet de la Cour and Gavot, as17780303Provencal, as17780303Allemande a la Strasbourgoise, as17780303End Opera: La Serenade Interrompuee, as17780224

Ballet: End I: new Ballet Pastoral (composed by Simonet; the introduction by Banti), La Surprize de Daphnis et Cephise. Pas de Deux-Sg and Sga Zuchelli; Daphnis Banti; Cephise-Mlle Banti

123
27 April 1786 @ King's Theatre

Performances

Mainpiece Title: La Scuola De Gelosi

Dance: End of Act I L'Amour Jardinier, as17860406, but added: With an additional Pas Seul by Mlle Mozon; End of Opera an entirely new Ballet, composed by D'Egville, La Fife Marine, in which La Provencale by Mlle Mozon; also a Pas de Trois to the favourite tune of Bon Andre taken from the French Comic Opera L'Epreuve Villageoise, the music by Gretry, performed by Vestris, Duquesney Jun., Mlle Baccelli; and to conclude with the Pas de SLuatre, so much admired in Paris, in the Opera called Pamrge, and got up here under the direction of Vestris, and performed by Vestris, Mlle Baccelli, Fabiani, Mlle Mozon. [In a review Morning Herald, 1 May, adds: Sequedilla by Miss De Camp and Master D'Egville.]

124
06 June 1791 @ King's Theatre

Performances

Mainpiece Title: Entertainments Of Music And Dancing

Dance: End II: La Capricieuse-Mlle Aime will perform one principal Character; Pas de Trois, as17910526; the harp-Meyer? Jun; End III: Ninette a la Cour-(composed by Vestris Sen.) Vestris Sen.; will perform the principal Character and dance the Minuet de la Cour-Mlle Dorival, Vestris Sen

Ballet: End I: L'Amadriade. As17910517

125
10 May 1798 @ King's Theatre

Performances

Mainpiece Title: Elfrida

Dance: End I: Le Triomphe de Themis, as17971226; Pas Russe-Laborie, Mme Hilligsberg; End Opera: a new Pastoral Ballet in 4 acts, composed by S. Gallet, Elisa; ou, Le Triomphe de la Nature-Laborie, Mme Hilligsberg, Didelot, Mme Rose, Miss Hilligsberg, Mme Laborie, Gourlier, Master Laborie