SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Theatre at Amsterdam"/1) | (@(roleclean,performerclean) "Theatre at Amsterdam")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2479 matches on Event Comments, 360 matches on Performance Comments, 52 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: MMrs Cowper did Sylvia, for her first appearance here (she came from Bath, Richmond &c.)-Toll. Afterpiece as originally perform'd (Cross) [i.e., without the burlesque scenes of The Fair (see 6 Nov. 1752).] This piece [Harlequin Ranger] was now acted as originally written. It is surprising that Mr Garrick should be the first to introduce Pantomime Entertainments (this season) especially as his own universal talents are seconded by a good company of performers. We suppose he does it to gratify the taste of the town; but such Smithfield exhibitions should certainly be banish'd from all regular theatres; and as Mr Woodward is an excellent comedian, it would be more eligible in him if he chuses to wear the motley dress any more to appear in the character of a speaking Harlequin, after the manner of the Italian Comedy; and indeed it is not a little surprising that nothing of this kind has yet been admitted upon our stage (Gentleman's Magazine, Oct., p. 493, from Grays' Inn Journal, 13 Oct. 1753.). Receipts: #120 (Cross)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Harlequin Ranger

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Barry; Capulet-Sparks; Montague-Bridgwater; Escalus-Gibson; Benvolio-Usher; Paris-Anderson; Lady Capulet-Mrs Barrington; Friar Lawrence-Ridout; Gregory-Bennett; Sampson-Collins; Abram-Dunstall; Balthazar-White; Mercutio-Dyer; Tibalt-Cushing; Nurse-Mrs Pitt; Juliet-aYoung Gentlewoman (who never appeared on any stage before); [With a Masquerade Dance- [proper to the play; [and an Additional Scene introduced representing the Funeral Procession of Juliet-; [which will be accompanied with a Solemn Dirge-; the vocal parts-Lowe, Howard, Legg, Baker, Roberts, Mrs Lampe, Miss Young, Mrs Chambers; [With an Occasional Prologue-Barry.*c1753 10 10 cg A Prologue by Barry to introduce a young gentlewoman in Juliet (Miss Nossiter) who never appear'd upon any stage. Great Applause. The Prologue about Mrs Cibber's Leaving Rich (Cross). Romeo was perform'd by Barry and Juliet by Miss Nossiter, being the first time of her appearing on any theatre. The delicacy of her figure, and her gracefull distress, obtained for her the warmest applause; and as she grew more animated in the progress, she frequently alarmed the audience with the most striking attitudes. If this young actress studies the management of her voice, and attains a more simple elocution--she will prove a shining ornament to the stage (Gentleman's Magazine, Oct., p. 493, from Grays' Inn Journal, 13 Oct.). [The Occasional Prologue was printed in the Public Advertiser, 20 Nov.: @Who could have thought that Juliet could e'er prove@False to her Romeo, faithless to her Love?@She Mrs Cibber? on whose voice the raptured audience hung,@Caught with th'angelic music of her tongue;@Whose native tenderness so oft has charm'd;@Whose grief afflicted, and whose Rage alarm'd,@Deaf to her vows, and to her Romeo's calls,@Has fled alas from our Verona's walls!@In such a plight what cou'd poor Romeo do?@Why, Faith, like modern lovers, seek anew;@And happy shall I think me in my Choice,@If 'tis approv'd of by the public voice.@ Twenty three more lines present the qualifications for Miss Nossiter to play the part, and plead for an encouraging round of applause for her.] and as she grew more animated in the progress, she frequently alarmed the audience with the most striking attitudes. If this young actress studies the management of her voice, and attains a more simple elocution--she will prove a shining ornament to the stage (Gentleman's Magazine, Oct., p. 493, from Grays' Inn Journal, 13 Oct.). [The Occasional Prologue was printed in the Public Advertiser, 20 Nov.: @Who could have thought that Juliet could e'er prove@False to her Romeo, faithless to her Love?@She Mrs Cibber? on whose voice the raptured audience hung,@Caught with th'angelic music of her tongue;@Whose native tenderness so oft has charm'd;@Whose grief afflicted, and whose Rage alarm'd,@Deaf to her vows, and to her Romeo's calls,@Has fled alas from our Verona's walls!@In such a plight what cou'd poor Romeo do?@Why, Faith, like modern lovers, seek anew;@And happy shall I think me in my Choice,@If 'tis approv'd of by the public voice.@ Twenty three more lines present the qualifications for Miss Nossiter to play the part, and plead for an encouraging round of applause for her.]
Event Comment: MMacklin has built two magnificent Rooms, ground floor [one] for Coffee, the other a [meeting] Room (Winston MS 8). [The Tuner pub. at 1s. by Dr Hiffernan. Fifty-three pages touching on theatre in general but particularly on Boadicia. There is no plot in the play...Boadicia is a monster well deserving what she suffers; therefore is neither an object of Terror or Compassion: but of Detestation. Sh deserts us in the third act...Tender-hearted Venusia is introduc'd to be whined to death...There is scarce any sentiment throughout; no moral to be deduced...the Diction...favors more of the level, languid, and underepic, than of the vigorous marrowy, tragic style...Never was Author more oblig'd to Performers, they acted to the full amount of his meaning; the Matter often fail'd Mr Garrick's continued and vigorous exertion."] Receipts: #180 (Cross)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Fortunatus

Event Comment: This day publish'd at 3s. Printed on Five sheets of superfine paper, Five Principal Scenes in Romeo and Juliet, designed, drawn, and engraved by Mr Ant. Walker. Printed and sold by John Tinney, at the Golden Lion in Fleet St. The drawing and Engraving of the three following Plays of Shakespeare are in great forwardness, and the scenes of each play will be sold at a time: 1 Henry IV, 2 Henry IV, Merry Wives. These plates will serve for Mr Pope's edition of Shakespeare in quarto, Sir Thomas Hanmer's edn. 6 Vol. quarto, or for any of the Folio editions. And may be framed and glazed for furniture. There will be a few sets neatly coloured for Gentlemen and Ladies who chuse them so (Public Advertiser). [A set of these prints is available in the Folger Shakespeare Library. The Five Principal Scenes were: The scene in Capulet's Housev where Romeo kisses Juliet 's hand; the Balcony Scenev ; the scene in which Friar Lawrence hurries the young couple off to be married; the Apothecary scenev ; and the death scenev . If, as may be, these scenes were taken from--as they were certainly stimulated by--the Barry-Nossiter production, they may present a good likness of Maria Isabella Nossiter, who so captivated London that season. If, also, they were taken from the theatre production, they give evidence that Barry used a balcony, not only a window.

Performances

Mainpiece Title: Lo Studente A La Moda

Dance: As17540118

Event Comment: Words as wrote by Congreve; musick-Philidor. Pit and Boxes 5s. Gallery 3s. The Theatre will be kept warm until the Company comes. To begin at 6:00 p.m

Performances

Mainpiece Title: The Power Of Harmony

Event Comment: Benefit for Cibber. Mainpiece: Reviv'd. Tickets at the Stage Door of the Theatre

Performances

Mainpiece Title: The Relapse; Or, Virtue In Danger

Afterpiece Title: The Mock Doctor

Dance: Granier, Mlle Camargo

Event Comment: Box and Pit 10s. 6d. 1st Gallery 5s. Upper Gallery 3s. 6d. Pit and Boxes will be put together and no persons to be admitted without tickets, which will be delivered this day at the Office in the Theatre. Galleries opened at half an hour after Four. Pit and Boxes at Five. To begin at Half past Six

Performances

Mainpiece Title: Alexander Balus

Event Comment: For one night only, being desired by several Persons of Quality. Benefit for Mr Arne. Done in the manner of an Oratorio. To begin at 6.30 p.m. Boxes half a guinea. Pit 5s. Gallery 3s. Upper Gallery 2s. Tickets to be had of Mr Arne near the Roe Buck in Bow St., Covent Garden, and of Mr Varney at the Stage Door where Places may be taken for the Boxes only. Published for 1s. this day Alfred the Great, a Drama for Music, as it is to be performed this evening at the Theatre Royal in Drury Lane. Printed for A. Miller in the Strand

Performances

Mainpiece Title: Alfred

Music: Will be introduceda Solemn Dirge-in honour of the Heroes who died in the service of their country; After I: a Violin Concerto-DeGiardino, who will lead the performance; II: Duetto on the Hautboys-the two Pla's

Event Comment: Benefit Decay'd and Antient Masons. The Brothers are desir'd to meet at the Day of Performance at the Five Bells Tavern in the Strand, at 4 p.m. Tickets to be had of Mr Lauder at the Theatre

Performances

Mainpiece Title: The Old Woman's Oratory

Event Comment: Benefit for Sga Passerini. [From charges and countercharges published in great length in the Public Advertiser, it appears that Sga Frasi had earlier arranged to produce Samson at the King's on this night for her benefit. Learning that the subscribers to the opera season could enter on their own tickets on this night she decided to change nights to avoid any losses, only to find that her singers were engaged at one theatre or another on other nights. Meanwhile, Signor Passerini got permission to have this night scheduled at King's for his wife's benefit, and Sga Frasi lost out all around. Passerini asserted that the charge for renting the Great Room, Dean St. Soho was 5 guineas for a night.

Performances

Mainpiece Title: Didone

Event Comment: Benefit for White, Treasurer. No building on stage. Particular care will be taken to prevent any tickets sold at the doors of the theatre being admitted

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Contrivances

Dance: AA Peasant Dance-Cooke, Miss Hilliard; The Italian Peasants, as17531120

Performances

Mainpiece Title: The Messiah

Performance Comment: [Deutsch, Handel, pp. 750-52, lists 33 musicians, 18 singers, five servants, plus a number of organ blowers, porters, and constables who put on this performance. Among the singers the following from the theatres and the opera performed: Beard, Giulia Frasi, Sga Galli, Christina Passerini, Wass, Baildon, and Baildon Jr Champness, Wilder, Dupre, Walz, Cox, and Legg.]
Event Comment: The Dances, Music, Dresses, Scenes and other Decorations entirely new. The House to be illuminated with Wax candles, and particular care taken to keep it cool. The Performance by Particular Desire. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. To begin at 7:00 p.m. Places for Boxes will be taken at the Theatre. [Prices, places, and opening time repeated.

Performances

Mainpiece Title: The British Roratory; Or, Mrs Midnight's New Carnival Concert

Music: Will be introduced a NewConcerto for the Tambour de Basque-; accompanied with the Original Jews@Harp-; the Hurdy Gurdy-

Dance: DDancing-Banbaregines, Rerriminonies (just arived from +Piemons); End Concert: a New British Dance, The Cassey-a company of Lilliputians; to which will be added a new Entertainment of Music and Dancing-a company of Lilliputians just arrived, being their first time of performing in +England

Event Comment: By Particular Desire. The Dirge will be presented and given gratis at the Theatre

Performances

Mainpiece Title: Mrs Midnight's New Carnival Concert

Dance: As17540806; in which will be introduced a solemn Procession to the Monument of the Lunns-; Prologue-Carpentier. [All dancing reduced to this one.

Event Comment: Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Places for the Boxes to be had of Mr Varney at the Stage Door of the Theatre. No persons to be admitted behind the scenes, nor any money to be returned after the Curtain is drawn up. [Notice repeated throughout the season.] Receipts: #100 (Cross)

Performances

Mainpiece Title: The Miser

Afterpiece Title: The King and the Miller of Mansfield

Song: III: The School of Anacreon-Beard

Event Comment: Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. To begin exactly at Six o'clock. Places for the Boxes to be taken of Mr Crudge at the Stage Door of the theatre. [Customary notice for succeeding bills.

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Mock Doctor

Event Comment: On Saturday next will be publish'd in The Westminster Journal, (over and above the Essay as usual) No 1 of The Theatrical Kalander. In which not only will be kept an accurate register of all the plays, farces, and Entertainments exhibited as both Theatres Royal, but the respective merits of the performances, as well as performers, will be critically and impartially considered. To be continued weekly during the season. Note This is the first thing of its kind attempted in England, and it is humbly presumed, that it will have something still more than Novelty to recommend it (Public Advertiser). [See numbers 4 May 1754 and 17 Oct. 1755 of this magazine.

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Devil to Pay

Event Comment: [The Public Advertiser includes this day a 78-line poem in octasyllabic couplets on J. Lewis's portrait of Mrs Woffington: @Her Shape, her Features, and her Dress@As far as colour can express@Friend Lewis' pencil has design'd:@Poet 'Tis yours to paint her mind...@ And the versifier proceeds to describe her as she affects audiences in the theatre.

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Contrivances

Performances

Mainpiece Title: The Miser Outwitted; Or, Phelim In The Suds

Performance Comment: A company of comedians from the Theatre in Bath.

Dance: A Grand Dance in the British Manner-

Performances

Mainpiece Title: The Miser

Performance Comment: Miser-Shuter; Frederick-Gibson; Clerimont-Ridout; James-Collins; Decoy-Marten; Ramilie-Dyer; Mariana-Mrs Barrington; Harriet-Mrs Vincent; Mrs Wisely-Mrs Bambridge; Wheedle-Miss Ferguson; Lappet-Mrs Green (from the theatre in Dublin) in which character will be introduced the song of The Life of a Beau.

Afterpiece Title: The Lottery

Event Comment: SSg and Sga Sabatini have prepared a New Dance in Comic characters, call'd Pandours, which will be performed at Drury Lane tomorrow. The Comedy call'd the Chances will be performed at the same theatre this week. The characters will all be New-Dress'd after the old Italian and Spanish manner. Receipts: #150 (Cross)

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: Queen Mab

Song: IV: The Original Song, O' Gentle Sleep (New Set)-Beard

Event Comment: In a fews days will be reviv'd at Covent Garden, the Tragedy of Phaedra and Hippolytus, in which Mr Sheridan will perform the part of Theseus, and Mrs Woffington that of Phaedra. Sg Francel and Sga Rossina Balbi, two Italian Dancers, arrived on Friday last from the Court of Bareith in Germany, and are engaged to perform at the same theatre

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Schoolboy

Event Comment: Both pieces by His Majesty's command. [John Pringle wrote to Blayney Townley on 14 Nov.: Great are the disputes at present between the rival theatres, vieing with each other in different characters which afford unusual entertainment to all frequenting the stage. His Majesty on Saturday night paid his first visit to Covent Garden in perference to the opera at Drury Lane, when Lady Townley by Pegg Woffington gave him great pleasure, with the addition of unusual huzzas in a part of the Miller of Mansfield." -Historical MS Commission, 10th Report, Appendix, Part IV (London 1887), p. 257.

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The King and Miller

Event Comment: Play a New Italian Burletta. The first performance in England. Libertto by Goldoni; Music by Galuppi (Loewenberg, Annals of Opera, p. 107). Books of the Opera will be sold at the theatre. Ladies send servants by half past three. Nothing but full prices will be taken during the performance

Performances

Mainpiece Title: L'arcadia In Brenta

Event Comment: MMiss Haughton did second Constantia-Mrs Cibber gave it up-some days ago ($Cross). [Early in the next year was published The Devil upon Crutches in England; or, Night Scenes in London. By a Gentleman of Oxford. Chapter V gives a Short View of the Theatres including sharp criticism of 'the most barefaced bawdry Farce...that ever disgraced the stage, in which the Manager, who has caused it to be reviv'd, is to perform the principal part. The Play, Sir, is call'd the Chances...and this is the tenth night of its representation to crowded houses...Your fair country women...are fond of the most fulsome obscenity on the stage."] Receipts: #150 (Cross)

Performances

Mainpiece Title: The Chances

Song: II: (By desire) The School of Anacreon-Beard

Dance: IV: The Shepherd's Holiday, as17541008