SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Theatre Royal in Naples"/1) | (@(roleclean,performerclean) "Theatre Royal in Naples")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3364 matches on Event Comments, 742 matches on Performance Title, 477 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Barrymore and Wathen. 3rd piece: By permission of the Proprietor of the Theatre Royal, Hay-Market. Morning Chronicle, 8 Apr.: Tickets to be had of Barrymore, No. 20, Judd-place, Somers Town; of Wathen, No. 2, Frith-street, Soho. Receipts: #640 5s. 6d. (181.1.0; 53.7.0; 0.3.0; odd money: 14.17.0; tickets: 390.17.6) (charge: #212 6s.)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Village Lawyer

Performances

Mainpiece Title: The Inconstant

Performance Comment: Old Mirable-Aickin; Young Mirable-Talbot (from the Theatre Royal Dublin; 1st appearance on this stage); Captain Duretete-Bannister Jun.; Dugard-Trueman; Petit-R. Palmer; Bravoes-Maddocks, Wentworth, Webb, Sparks; Oriana-Miss Biggs; Bizarre-Mrs Jordan; Lamorce-Miss Tidswell.

Afterpiece Title: The Deserter

Entertainment: Vaudeville. In II afterpiece: Military Manoeuvres, as17990425; The Dead March, as17990425; Shooting a Deserter, as17990425

Event Comment: Benefit for Miss Waters. Afterpiece: By permission of the Proprietors of the Theatre-Royal, Drury Lane. Morning Chronicle, 3 May: Tickets to be had of Miss Waters, No. 43, Conduit-street, Hanover-square. Receipts: #461 0s. 6d. (172.11.0; 5.1.0; tickets: 283.8.6)

Performances

Mainpiece Title: Every One Has His Fault

Afterpiece Title: No Song No Supper

Song: End II: a song [Rosalie (Monthly Mirror, Aug. 1799, p. 109)]-Miss Waters; End III: The Death of Admiral Benbow-Incledon; End IV: a favorite duet-Incledon, Miss Waters; End: Old Towler-Incledon

Performances

Mainpiece Title: The Way To Get Married

Afterpiece Title: The Vanguard

Afterpiece Title: The Virgin Unmask'd

Performance Comment: Blister-Emery; Coupee-Betterton; Quaver-Clarke; Goodwill-Thompson; Thomas-Claremont; Lucy-Mrs Jordan (from the Theatre Royal, Drury-Lane, who has with the greatest kindness consented to perform).

Song: End II: The Storm-Incledon (written by G. A. Stevens); Black Ey'd Susan-Incledon; Sally in our Alley-Incledon

Entertainment: Monologue End: An Occasional Address-H. Johnston; Imitations-Rees

Event Comment: Afterpiece: By permission of the Proprietor of the Theatre-Royal, Covent-Garden

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: The Jew and the Doctor

Entertainment: Monologue As17990622

Performances

Mainpiece Title: The Road To Ruin

Performance Comment: Goldfinch-Fawcett; Silky-Suett; Harry Dornton-Holman (1st appearance on this stage); Milford-Clarke; Sulky-Davenport; Mr Smith-Abbot; Hosier-Waddy; Tradesmen-J. Palmer, Usher; Sheriff's Officer-Ledger; Jacob-Chippendale; Old Dornton-Gardner (from the Theatre Royal, York; 1st appearance in London); Sophia-Mrs Gibbs; Jenny-Mrs Norton; Mrs Ledger-Mrs Hale; Mrs Warren-Mrs Mattocks.

Afterpiece Title: Fortune's Frolick

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: No Song No Supper

Performance Comment: As17981002, but Crop-Trueman; Frederick-Caulfield; Robin-Wathen; Margaretta-Miss Griffiths (By permission of the Proprietor of the Theatre Royal, Hay-Market; 1st appearance on this stage); Nelly-_.

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Liar

Performance Comment: As17981020, but Old Wilding-Davies (by permission of the Proprietor of the Theatre Royal, Hay-Market); 2nd Servant-Ryder; Miss Grantham-Miss Heard; Miss Godfrey-Miss Wentworth.

Dance: As17981129

Event Comment: In II The Grand Triumphal Entry of Alexander into Babylonv. In IV a Grand Banquetv. [Macartney was from the Theatre Royal, Dublin.] Receipts: #222 18s. (218.2; 4.16)

Performances

Mainpiece Title: The Rival Queens; Or, Alexander The Great

Afterpiece Title: The Naval Pillar

Dance: As17991007

Song: In afterpiece: As17991011

Performances

Mainpiece Title: Jane Shore

Performance Comment: Hastings-Holman; Gloster-Murray; Belmour-Whitfield; Ratcliffe-Mansel; Catesby-Claremont; Derby-Thompson; Porter-Atkins; Servant-Curties; Shore-Pope; Alicia-Mrs St.Ledger (from the Theatre Royal, Dublin; 1st appearance on this stage); Jane Shore-Mrs Pope.

Afterpiece Title: The Naval Pillar

Dance: As17991007

Song: In afterpiece: As17991011

Performances

Mainpiece Title: The West Indian

Afterpiece Title: Peeping Tom

Performance Comment: Peeping Tom of Coventry (with The Little Farthing Rushlight)-Bannister Jun. (from the Theatre Royal, Drury Lane); Harold-Hill; Crazy-Simmons; Mayor of Coventry-Waddy; Count Louis-Claremont; Earl Mercia-Mansel; Emma-Miss Chapman; Mayoress of Coventry-Mrs Davenport; Lady Godiva-Mrs Gilbert; Maud-Mrs Martyr.

Performances

Mainpiece Title: The Castle-spectre

Performance Comment: As17991030, but Angela-Mrs Yates (from the Theatre Royal, Dublin; 1st appearance on this stage). 1st appearance on this stage).

Afterpiece Title: Of Age To-morrow

Event Comment: By Desire of His Excellency The Turkish Ambassador [Ismail Ferrouh Effendi]. Benefit for Miss Leak. ["His Excellency never made his appearance during the whole evening" (Dramatic Censor, II, 238).] Afterpiece: By permission of the Proprietor of the Theatre Royal, Covent Garden. Morning Chronicle, 22 May: Tickets to be had of Miss Leak, Upper Mews-gate, Castle-street. Receipts: #445 9s. (101.11; 64.1; 2.14; tickets: 277.3) (charge: #212 3s. 5d.)

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Afterpiece Title: Robin Hood

Song: End: a new song (composed by Dr Arnold,)-Miss Leak; accompanied on the Tamborine-Miss Leak

Ballet: After Singing: The Scotch Ghost. As17991202

Performances

Mainpiece Title: The Duenna

Performance Comment: Isaac Mendoza-Quick; Ferdinand-Clarke (by Permission of the Proprietors of the Theatre Royal, Drury-Lane); Don Jerome-Baynes (1st appearance on this stage); Antonio-Hill; Father Paul-Thompson; Lopez-Wilde; Don Carlos-A Lady (1st appearance [Mrs Baster]); The Duenna-Mrs Whitmore; Louisa-Mrs Martyr; Clara-Mrs Atkins (1st appearance in that character).

Afterpiece Title: The Sultan

Performance Comment: Solyman-Barrymore; Osman-Clarke (by Permission of the Proprietors of the Theatre Royal, Drury-Lane); Ismene-Miss Wheatley; (with a) song-Miss Wheatley; accompanied on the Harp-Weippert; Elmira-Mrs Follett; Roxalana (with The Blue Bell of Scotland)-Mrs Jordan [of dl].of dl].

Dance: End I: Hornpipe-Miss Rogers (2nd appearance on any stage see18000611); In course Evening: by Permission of the Proprietors of the Royal Circus, a new Anacreontic Pantomimical Ballet, composed by Byrne, The Animated Statue Principal Characters-Byrne, Mrs Byrne, Platt, Mrs Watts, the three Miss Adams', Master Byrne

Song: End: Laughing Song-Dighton

Entertainment: After Singing: Imitations-Rees (positively his last appearance on any stage)

Event Comment: [Extra night] By Grant from the Proprietors, a Free Night; Benefit for Lacy, formerly of the Theatre Royal, Drury Lane. [Address by John Taylor (Poems, I, 68).] Receipts: #97 3s. (53.15.6; 40.16.6; 1.10.0; odd money: 1.1.0; tickets: none listed) (charge: free)

Performances

Mainpiece Title: The Child Of Nature

Afterpiece Title: Othello: Moor of Venice

Song: End 2nd piece: Crazy Jane-Mrs Bland

Entertainment: Imitations. After Singing: Imitations-Caulfield; Monologue. Previous: An Address-Lacy

Event Comment: His Royal Highness the Duke present. Mainpiece: By Terence. Afterpiece: Imitated from the Phormio by Moliere, and translated into English by Mr Otway, with some Alterations; acted by the younger King's Scholars

Performances

Mainpiece Title: Phormio

Afterpiece Title: The Cheats of Scapin

Performance Comment: The Scholars of the School; A New Prologue, Epilogue , address'd to his Royal Highness-.
Cast
Role: his Royal Highness Actor: .
Event Comment: By Command of his Royal Highness the Duke, and her Royal Highness the Princess Caroline

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: Colombine Courtezan

Dance: I: Tambourine by Mlle Roland. II: Russian Sailor by Denoyer. III: Revellers by Essex, Mrs Walter, &c. IV: Le Chasseur Royal by Denoyer, Mlle Roland, &c

Performance Comment: II: Russian Sailor by Denoyer. III: Revellers by Essex, Mrs Walter, &c. IV: Le Chasseur Royal by Denoyer, Mlle Roland, &c .
Event Comment: Mainpiece: By particular desire. [Afterpiece call'd Merlin in the Treasurer's Account Book, but listed as Royal Chace; or, Harlequin Skeleton in the General Advertiser.] Receipts: #58 10s. 6d

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Merlin

Performance Comment: Chasseur Royal-Lowe; Merlin-Leveridge; Jupiter (Harlequin)-Oates; Mercury-Wilder; Doctor-Bencraft; Colombine-Miss Haughton; Pierrot-Lalauze.
Cast
Role: Chasseur Royal Actor: Lowe
Event Comment: Written by Shakespear. Play to begin at 6 o'clock. Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Hobson at the Stage-Door of the Theatre. As the Admittance of Persons behind the Scenes has occasioned a general Complaint on Account of the frequent Interruptions in the Performance, tis hop'd Gentlemen won't be offended, that no Money will be taken there for the future. [This notice appears on succeeding bills for the season and will hence not be repeated. See note on public objection to nonadmittance behind scenes 22 Feb. 1748.] Receipts: #150 (Cross); #I26 12s. (Clay MS). Nichols Literary Anecdotes, II, 319-20: There is one part of theatrical conduct which ought unquestionably to be recorded to Mr Garrick's honour, since the cause of virtue and morality and the formation of public manners are very considerably dependent upon it, and that is the zeal with which he ever aimed to banish from the stage all those plays which carry with them an immoral tendency, and to prune from those which do not absolutely on the whole promote the interests of vice such scenes of licentiousness and libertinism as a redundency of wit and too great liveliness of imagination have induced some of our comic writers to indulge themselves in, and to which the sympathetic disposition of an age of gallantry and intrigue had given a sanction. The purity of the English stage was certainly much more fully establish'd during the administration of this theatrical minister than it had ever been during preceding managements; for, what the publick taste had itself to some measure begun, he, by keeping that taste within its proper channel, and feeding it with a pure and untainted stream, seems to have completed; and to have endeavoured as much as possible to adhere to the promise made in the prologue which was spoken at the first opening of that theatre under his direction, @Bade scenic virtue form the rising age@And truth diffuse her radiance from the stage.

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: Shylock-Macklin; Antonio-Delane; Bassanio-Havard; Gratiano-Mills; Launcelot-Neale; Morochius-Sparks; Lorenzo (with proper songs)-Lowe; Portia-Mrs Clive; Nerissa-Mrs Bennet; Jessica-Mrs Ridout; Duke-Winstone; Solanio-Berry; Salarino-Blakes; Gobbo-Ray; Tubal-Taswell; Balthasar-Simpson; Prologue [written by Samuel Johnson]-Garrick; Epilogue-Mrs Woffington [Rosenbach copy of Prologue and Epilogue. Spoken at the opening of the Theatre in Drury Lane, 1747.]Rosenbach copy of Prologue and Epilogue. Spoken at the opening of the Theatre in Drury Lane, 1747.]
Event Comment: [In mainpiece the playbill assigns Ferdinand to Johnstone, but "The sudden illness of Johnstone gave much dissatisfaction, though Cubitt did all in his power to supply his place" (Town and Country Magazine, Sept. 1785, p. 451). William Palmer was from the Norwich theatre; Meadows from the HAY.] The Doors to be opened at 5:30. To begin at 6:30 [see 14 Nov.]. Places for the Boxes to be taken of Brandon, at the Stage-Door. [No playbill this season lists the various prices of admission; they were probably, as usual: Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s.] The Alterations and Improvements in the Theatre this Season are made by Richards, and executed under his Superintendance by Catton and others. [Public Advertiser, 22 Sept., notes that these improvements consisted of the enlargement of the boxes, in which "the seats are formed into recesses which communicate with the other boxes"; all the pillars, "even those of iron in the back boxes [being] capped, cased, fluted and gilt"; the front of the boxes and galleries being newly painted a "warm lilac"; the back of the boxes being wainscotted and painted crimson.] Paid Charewomen for cleaning Theatre #13 0s. 6d. Receipts: #214 2s. 6d. (210/10/0; 3/12/6)

Performances

Mainpiece Title: The Duenna

Performance Comment: Ferdinand-Cubitt; Isaac-Quick; Jerome-Wilson; Antonio-Palmer (1st appearance at this theatre); Lopez-Wewitzer; Father Paul-Booth; Carlos-Meadows (1st appearance on this stage); The Duenna-Mrs Webb; Louisa-Mrs Martyr; Clara-Mrs Bannister .

Afterpiece Title: St

Dance: End of mainpiece The Merry Sailors by Byrn, &c

Event Comment: Gentlemen are particularly entreated to observe that in consequence of the displeasure expressed by the Subscribers, as well as the Public, at the frequent interruption of the business of the Representation, by the pressure of people on the Stage, the Company will hereafter be admitted behind the Scenes, before and after the Opera, and during the intervals between the Opera and Ballets only; but while the Curtain is up, Gentlemen are earnestly entreated to withdraw from the Stage; otherwise the request of the Nobility and Gentry, in conformity also to the public opinion, of shutting entirely the doors between the audience part of the Theatre and the Stage, must at last be compiled with. Those persons entitled to Admissions previous to the year 1789, who may not have an opportunity of sending their Securities to be registered before the opening of the Theatre, are requested to produce them at the Door, as they pass. The Public are entreated to observe that Ladies dressed in Bonnets, and Gentlemen in Boots, cannot be admitted into the Pit of the Opera. Pit 10s. 6d. Gallery 5s. No Money to be returned. The Doors to be opened at 6:30. To begin at 7:30 [same throughout opera season]. The Nobility are entreated to give direction to their Servants to set down and take up at the Theatre with the Horse's head toward Pall Mall. On account of the abuses practised in the names of the Subscribers, it is become necessary to require the production of the Subscription Ticket at the Doors and the Boxes. At the Chair-door in Market-Lane, Subscribers only will be admitted. "Braham sustained his part so well that we trust he will give us an example that shall induce us to chace from an English stage the degrading and distusting form of a Castrato" (Morning Chronicle, 28 Nov.). [The playbill omits Rovedino, but his performance is reviewed in True Briton, 28 Nov. The only other male part in the opera is that of Sandro. And see 14 Feb. 1797.

Performances

Mainpiece Title: Zemire Et Azor

Performance Comment: Azor-Braham (1st appearance at this Theatre); Sandro-Rovedino; Ali-Morelli; Zemire-Mme Banti.

Dance: With Dances [(composed by Didelot) incidental to the Opera,-Didelot, Mlle Parisot, Mme Hilligsberg, Mme Rose; End Opera: Flore et Zephire- (originally composed by Didelot and now obligingly revived by him, in the absence of the Ballet-Master [Gallet], who is not yet arrived)

Event Comment: Benefit D'Urfey. By His Royal Highness's Command

Performances

Mainpiece Title: Court Gallantry; Or, Marriage A La Mode

Performance Comment: With an Oration [before it, address'd to his Majesty, and their Royal Highnesses the Prince and Princess of Wales, on the glorious Advantages of Unity and Amity amongst us; Written-D'Urfey [D'Urfey].D'Urfey].

Song: Several New Songs by D'Urfey-

Dance: Mrs Santlow

Event Comment: By Command of his Royal Highness the Duke, and their Highnesses the Princesses Caroline, Mary, and Louisa. Mainpiece: Written by the late Mr Congreve. [The Duke, Princesses Caroline, Mary, and Louisa present.]

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: Harlequin Restor'd

Music: As17351018

Dance: II: A new Grand Serious Ballet by Denoyer and others. IV: By Mlle Roland. End Afterpiece: Le Chasseur Royal by Denoyer, Mlle Roland, &c

Performance Comment: IV: By Mlle Roland. End Afterpiece: Le Chasseur Royal by Denoyer, Mlle Roland, &c .
Event Comment: By Their Majesties' Command. [Their Majesties and the rest of the Royal Family present.]

Performances

Mainpiece Title: Henry Iv, Part I

Afterpiece Title: The Harlot's Progress; or, The Ridotto Al' Fresco

Dance: I: Grand Serious Ballet by Essex, Mrs Walter, &c. II: Le Badinage de Provence by Poitier, Mlle Roland, &c. III: Russian Sailor by Denoyer and others. V: Le Chasseur Royal by Denoyer, Mlle Roland, &c

Performance Comment: II: Le Badinage de Provence by Poitier, Mlle Roland, &c. III: Russian Sailor by Denoyer and others. V: Le Chasseur Royal by Denoyer, Mlle Roland, &c .

Performances

Mainpiece Title: Siege Of Damascus

Afterpiece Title: Royal Chace

Dance: I: Two Pierrots-Dennison, Settree (Scholars of LaLauze); II: Shepherd's Dance-Settree; III: Pigmalion, as17510925; IV: Le je ne scay quois-Dennison, Madem Camargo, Settree; V: "By Desire"Louvre, Minuet-Settree, Miss Hillyard