Event Comment: Afterpiece: (With Alterations) perform'd but once. Books of the Entertainment to be had at the theatre. Receipts: #171 8s

Event Comment: Benefit for the Theatrical Fund instituted by the performers of this theatre. Charges #67 19s. Balance to Fund #126 6d. (Account Book). Receipts: #187 19s. 6d

Event Comment: [See note for 9 Jan. 1770 of a mild riot this night during best scene of The Orphan.] Afterpiece: A New Opera [by George Alexander Stevens] the Music composed by Mr Fisher. Books of the entertainment to be had at the theatre. Gave Duke of Glocester's Footmen #2 2s. (Account Book). [Afterpiece a roaring burlesque of Lee's Rival Queens. Larpent MS 302 includes Semi Chorus, Grand Chorus, and Perdiccas, not listed in the Playbill. The Court awakes with total hangover. Alexander orders a pot of coffee to clear his head. Thais begs him to leave the gout giving juice-Retire with me @ In my Chinese pavilion, drink some Tea." Afterpiece reviewed inthe Freeholder's Magazine for Jan.] Mr Shuter and Mrs Mattocks gave great satisfaction in their different characters; the words of the songs were written by Mr George Alexander Stephens, author of the celebrated Lecture upon Heads, and several other whimsical productions; and the airs which had Uncommon merit, were composed by Mr Fisher, a young genius, who has hitherto been but little known in the musical world. Receipts: #215 8s. 6d

Event Comment: TThe Freeholder's Magazine, Jan. (p. 247): A Card to the Managers of Covent Garden Theatre. A Citizen whose circumstances will not allow him often to attend Theatrical amusements, and who wishes to be entertained for his money, desires a nuisance may be removed which has totally deprived him of all satisfaction the few nights that he has been in the first gallery of your house. Of a cool evening the company within generally draw up the wooden shutters of the openings improperly called windows. An when the gentry without, who are admitted at half-price, find them shut, they begin a violent noise with their sticks, while those within as obstinately insist, that being in a violent heat, they will not let them down to the endangering their healths, by sudden letting in the cold air. Thus a riot is commenced, which frequently stops the play. It was the case in the Best Scene in the Orphan, the first night the Court of Alexander was performed. N.B. The orange girls shamefully encourage it. But the covetousness of the managers is the origin of the evil, by suffering intruders at half-price, after the inside of the gallery is completely filled. If this remonstrance fails, you may expect worse effects, from the injured parties. [See performance of 5 Jan.

Event Comment: [W+Winston MS 10 notes that O. Smith suggests Miss Spencer. Winston suggests Mrs Greville. The Town and Country Magazine (From Theatre No XIII): "Mrs Gladeau...has appeared as Rosetta in Love in a Village." Comments that she does not know much about music but "has a pleasing voice and an agreeable figure and will probably be a valuable acquisition to the stage. Received with applause."] Receipts: #217 16s. 6d

Event Comment: [The Young Gentleman who played Posthumus is identified by Kemble and Winston as Mr Warboys.] Gave Duke of Cumberland's Footmen #2 2s. (Account Book). [Town and Country Magazine (quoting Theatre No XIII) remarked on Warboys acting: "The success he met with will probably deter him from following the profession of the stage...not happy either in person or in physiognamy."] Receipts: #250 6s

Event Comment: The Afterpiece a New Pantomime [by Henry Woodward, satirizing Garrick's Jubilee] with New Music by Fisher. New Scenes painted by Messrs Dahl and Richards. Nothing under Full Prices will be taken. [Full Prices notice throughout the run of the pantomime this season. Town and Country Magazine (from Theatre No XIII) comments: "In the Pageant scene several of the characters that walk at Drury Lane are highly ridiculed, particularly Mark Antony and Cleopatra, who dance off with their black retinue to the playing of casquets." The scene closes with the descent of the statue of the late Mr Rich under the name of Lun, and the Harlequins all pay him honour.] Receipts: #250 6s

Event Comment: Pit and Boxes to be laid together at 5s. First Gallery 3s. Upper Gallery 2s. Tickets to be had and places to be taken for the Boxes at Mr Sarjeant's (only) at the Stage Door of the Theatre. Books of the Performance will be sold there. The doors to be opened at Five. To Begin at Half past Six. Received of Toms and Arnold Charges of the House. #35

Event Comment: This Comedy was written by Mr Kelly as soon as the Curtain was drawn up they began to hiss--a party was made against it--because he was suspected of Writing for the Court party. Much hissing. Mr Garrick call'd for. No play &c. Cry'd out, at last the play was got thro' with much hissing and Groaning When the play was given out again One Party was for it no more and Kelly's party was for it again so that no play at all was given out (Hopkins Diary). [See Criticism in "British Theatre" article, London Magazine, March, also an extended account of the attack upon the piece. This occurs also in the Town and Country Magazine, which mentions that since the curtain was not drawn up for the farce the audience received a refund.

Event Comment: Books of the Performance to be sold at the Theatre. Charges: #35

Event Comment: Books of the Entertainment [i.e., of The Spanish Lady] to be had at the theatre. The Comedy of Man and Wife cannot be perform'd, on account of Mr Shuter's hoarsness. Receipts: #202 6s. 6d

Event Comment: Benefit for Smith. Part of Pit laid into Boxes. To prevent confusion Servants are desired to be at the theatre by 4 o'clock. Charges #73 19s. Balance to Smith #62 3s. plus income from tickets #141 9s. (Box 413; Pit 162; Gallery 139). Paid Miss Potts for walking 12 nights in Man and Wife #1 10s. and Mrs Morris for walking 26 nights in Harlequin's Jubilee #3 5s. (Account Book). Receipts: #136 2s. 6d

Event Comment: Benefit for Miss Macklin. Part of Pit will be laid into the Boxes. Come as early as possible to avoid confusion. Charges #64 10s. Balance to Miss Macklin #79 18s., plus #146 from Tickets (584 Box & Pit at one price of 5s. each); Paid Mr Monk #2 12s. 6d. for mending the Owl & a new Spring (Account Book). [The bonus value of the benefit to an actor or member of the company staff may be seen when one considers that Miss Macklin's regular salary was #7 per week, or about #28 per month. On this one benefit performance she made a profit in book value equal to her previous eight month's salary. Book value because the Account Book records, for the tickets which she delivered, only the face value of 5s. each. It is probable that many a wealthy theatre-goer gave her on this occasion, by way of appreciation for the pleasure of her performances, much more than the face value of the ticket.] Receipts: #144 8s

Event Comment: Receiv'd of Messrs Toms and Arnold for the use of the Organ this season #21; and for coals burnt at the Oratorios #2 2s. (Account Book). [There were 11 oratorio's. The average cost per night for heating the theatre these spring months would seem to have been about 3s. 9d.] Receipts: #157 5s. 6d

Event Comment: Benefit for Sarjant and his Son (Book and Box-keeper). Charges #81 5s. plus extras #3 5s., total #84 10s. Deficit to Sarjant #20 18s., covered by income from tickets #166 14s. (Box 272; Pit 252; Gallery 109), half value of tickets paid up by Ansell, Symonds, Abbott, Furkins, Mrs Trott, Pilfold, Doe and Claridge. Paid half year's Paving tax for theatre #18 15s. (Account Book)

Event Comment: [Review of Miss Catley's performance in Town and Country Magazine this month, from Theatre No XXI.

Event Comment: Afterpiece: A Pantomine not acted these two years. [See 22 Sept. 1768.] Alterations to The Elopement (Cross Diary). [The Rejoicing Night Scene described in Town and Country Magazine (from Theatre No XXI) as representing Ludgate Street and St Paul's with Houses illuminated.

Event Comment: A new comic Opera. The music by Several Composers. With new Dances, new Cloaths, new Decorations. Pit and Boxes together and no persons to be admitted without Tickets, which will be delivered at the Office of the Theatre at Half a Guinea. First Gallery 5s. Second Gallery 3s. By their Majesties Command, no Persons whomsoever to be admitted behind the Scenes or into the Orchestra. The Galleries, Pit, and Boxes to be opened at Five. To begin at 6:30 p.m. Vivant Rex et Regina

Event Comment: Several of the songs dew-set by Mr Fisher. [The Tete-a-Tete in the Town and Country Magazine for this month (pp. 569-70) tells of Miss Catley's affair with Col. Lascelles. Her father a hackney coachman, her mother a washerwoman. She met Lascelles in Dublin where she was playing in Mossop's theatre, and condescended to live with him.

Event Comment: Books of the Interlude to be had at the Theatre

Event Comment: Mainpiece: With New Scenes, Dresses and Decorations. This New Comedy by Mr Bickerstaff much hiss'd (Hopkins Diary). [See comment on mainpiece in Town and Country Magazine (from Theatre No. XXII, p. 593.

Event Comment: Afterpiece: A Musical Entertainment [by Isaac Bickerstaffe] never acted before. This Piece was performed last Summer at Ranelagh; but though very much approved by the best judges of Musical Composition, by being performed in an Orchestra, lost the better part of its effect. It was thought it would please more in action upon the Theatre; and with the Addition of a New Scene, and Chorus and Ballet suitable to the subject; is now accordingly once more presented to the Public, with the necessary Advantages of Dresses and Decorations (Edition of 1770)

Event Comment: At Panton St., Haymarket. By the Italian Fantocini of Carlo Perico. This piece of the Italian theatre is in three acts, and decorated with many agreeable changes of brilliant scenery; in which Harlequin is to eat a Dish of Maccoroni. With a Large Addition of new Metamorphoses. [This ran for considerable time, and will not be noted further.

Event Comment: Mainpiece: By Particular Desire. [Account of afterpiece in Town and Country Magazine, from Theatre No. XXIII.