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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Theatre Royal at Bath"/1) | (@(roleclean,performerclean) "Theatre Royal at Bath")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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4458 results for: Keyword - Theatre Royal at Bath
We found 3416 matches on Event Comments, 808 matches on Performance Title, 483 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

4001
06 December 1786 @ Covent Garden

Performances

Mainpiece Title: Love In A Village

Performance Comment: As17861117, but Madge [i.e. Margery ] (1st time at this theatre)-Mrs Wells.

Afterpiece Title: The Girl in Style

Dance: As17861117

4002
21 December 1786 @ Drury Lane Theatre

Event Comment: Afterpiece: A Dramatic Entertainment of Singing, Dancing, and Dialogue, in Honour of Shakespeare. In which a Pageantv, the Music by Dibdin. Books of the Songs to be had at the Theatre. Receipts: #224 12s. 6d. (181.14.0; 41.13..6; 1.5.0)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Jubilee

4003
26 December 1786 @ Covent Garden

Event Comment: Afterpiece [1st time; P 2, by Miles Peter Andrews. Larpent MS 752, as The Castle of Wonders; not published; synopsis of action in Morning Post, 27 Dec.]: With new Music, Scenes, Machinery, Dresses, and Decorations. A few of the Airs compiled from Purcell, Travers, Sacchini, &c. The Rest of the Music composed by Shield. The Scenery and Machinery designed by Richards and Carver, and executed by them, Hodgins, and many Assistants. To conclude with a Representation of the Inside of a Nabob's Palacev. Books of the Songs [which assign only Colombine ] to be had at the Theatre. Nothing under Full Price will be taken. Account-Book, 6 Mar. 1787: Paid Shield in full for Compositions #100. Receipts: #242 4s. (239.8; 2.16)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Enchanted Castle

4004
23 January 1787 @ Covent Garden

Event Comment: Paid the Duke of Bedford One Year and 9 Mos. Rent for the Theatre, the House in Bow Street, and the House in the passage #336 17s. 6d. Receipts: #180 (176.16; 3.4)

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: The Enchanted Castle

4005
02 February 1787 @ Drury Lane Theatre

Event Comment: "Friday night, about 20 minutes before eight o'clock, on the conclusion of the third act, a very serious alarm took place at Drury Lane Theatre. A fire broke out at an oil-shop, the corner of Little Brydges-street. The flames appearing through the windows at the back of the upper gallery, the alarm of fire spread through many parts of the house. [The audience was dismissed, those in the boxes] passing over the stage into Russel-street...Some of the box and pit company continued for a time on the stage with the performers, some of whom were dressed in character, others half dressed, and the appearance [was] truly motley" (Public Advertiser, 5 Feb.). Receipts: #133 12s. (129.10; "An Alarm of Fire prevented the 2nd Acct."; 3.12; tickets not come in: 0.10)

Performances

Mainpiece Title: Rule A Wife And Have A Wife [1st 3 Acts Only]

4006
01 March 1787 @ King's Theatre

Event Comment: A Serious Opera in 2 acts; the music entirely by Handel, and selected from the various Operas set by that admirable composer, under the direction of [i.e. arranged and added to by] Dr Arnold. Benefit for Carnevale, deputy manager. No receipts listed. "In order to induce the king to visit the theatre called his own [see 17 Mar.], but which he seldom frequented, the Giulio Cesare of Handel was revived, or rather a medley from his Italian works, for little of the original music was retained, and many of his most favorite songs from other operas were introduced, Verdi prati [from Alcina], Dove sei [from Rodelinda], Rendi sereno il ciglio [from Sosarme], and others. This ancient music was particularly suited to Rubinelli, and was familiar to Mara, both of whom sung it incomparably well" (Mount-Edgcumbe, 61)

Performances

Mainpiece Title: Giulio Cesare In Egitto

Dance: End I: a new ballet, representing The Muses on Mount Parnassus-; End Opera: a new ballet, The Triumph of Julius Caesar-

4007
12 March 1787 @ Covent Garden

Event Comment: Afterpiece [1st time; CO 2, by Robert Jephson and John O'Keeffe, i.e. an abridgement by O'Keeffe of Jephson's The Campaign (see 12 May 1785). Not in Larpent MS; not published; synopsis of plot in Universal Magazine, Mar. 1787, p. 155]: With new Scenes, Dresses, &c. A new Overture composed by the celebrated Haydn. The Airs by Gretry, Hook, J. C.? Bach, Paisiello, Duny [recte Duni], Carolan, Shield and Tenducci. Books of the Songs to be had at the Theatre. Receipts: #265 11s. 6d. (257.11.6; 8.0.0)

Performances

Mainpiece Title: Such Things Are

Afterpiece Title: Love and War

4008
26 March 1787 @ Red-Lion Inn, Lordship Road, Stoke Newington

Event Comment: Benefit for Sidney. Pit 1s. Gallery 6d. To begin at 7:00 precisely. Tickets to be had at the Theatre

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Citizen

Song: End: The Wedding Day-Wilson

Entertainment: Monologue. Afterpiece to conclude: with an Occasional Address of Thanks-Sidney

4009
20 April 1787 @ Drury Lane Theatre

Event Comment: [Kelly was from the Court Theatre, Vienna.] Receipts: #114 6s. 6d. (93.0.0; 20.15.6; 0.8.6; ticket not come in: 0.2.6)

Performances

Mainpiece Title: A School For Fathers

Afterpiece Title: The First Floor

Song: [Kelly introduced a song by Giuseppe Sarti with English words by Richard Tickell, and a duet composed by himself and Stephen Storace with words by French Laurence (Kelly, I, 296). Neither one of these is listed on the playbill]

4010
24 April 1787 @ King's Theatre

Event Comment: A new Comic Opera; the music by Paisiello. Under the direction of Storace. [Sga Storace was from the Opera, Vienna.] Morelli "was an actor such as the Italian stage has seldom witnessed. He was, I used to think, in his prime, quite upon a par with King of Drury Lane Theatre. Like him, he was distinguished for neat articulation, and an unremitting attention to the business of the whole stage" (Boaden, Kemble, I, 449). Receipts: #165 19s. 6d. [non-subscription]

Performances

Mainpiece Title: Gli Schiavi Per Amore

Dance: As17870329

4011
15 May 1787 @ Covent Garden

Event Comment: Afterpiece: Books of the Songs to be had at the Theatre. Receipts: #168 17s. (162.16; 6.1)

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Nina

Dance: End: The Piping Pedlar- [see17861002]

Song: Afterpiece: an additional song by Piccinni-

4012
19 July 1787 @ Haymarket Theatre

Event Comment: Benefit for Browne. [Miss Eccles, who was from the York theatre, is identified in European Magazine, July 1787, p. 64.] Public Advertiser, 16 July: Tickets to be had of Browne, No. 13, King-street, Covent Garden

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Flitch of Bacon

Entertainment: Monologue End: a monody, The Shadows of Shakespeare; or, Shakespeare's Characters doing Homage to Garrick (written by Samuel Jackson? Pratt)-Browne

4013
04 August 1787 @ Haymarket Theatre

Event Comment: Mainpiece [1st time; CO 3, by George Colman ynger]: With new Scenes, Dresses, and Decorations. The Overture, new Airs, and Accompaniments by Dr Arnold [partly adapted from Paisiello]. The Scenes painted by Rooker. Books of the Songs to be had at the Theatre. Public Advertiser, 5 Sept. 1787: This Day is published Inkle and Yarico (1s. 6d.)

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: The Guardian

4014
10 September 1787 @ Haymarket Theatre

Event Comment: On Account of the approaching Close of the Theatre, Vimonda is necessarily discontinued till next Season [see 28 Aug. 1788]

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: The Village Lawyer

4015
17 September 1787 @ Covent Garden

Event Comment: The Doors to be opened at 5:30. To begin at 6:30 [see 13 Nov.]. Places for the Boxes to be taken of Brandon at the Theatre. [No playbill this season lists the various prices of admission; they were probably, as usual: Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s.] Receipts: #213 6s. 6d. (208.10.0; 4.16.6)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Poor Soldier

4016
18 October 1787 @ Covent Garden

Event Comment: Books of the Songs [in mainpiece] to be had at the Theatre. [London Chronicle, 19 Oct. lists the new songs: in Act I Charming Clorinda by Bowden; in Act II When spring has chac'd the winter's snow by Mrs Wells and When generous wine by Bowden; in Act III The morn, who night adorning and Bright Sol now darts by Mrs Billington.] Receipts: #284 18s. 6d. (283.7.6; 1.11.0)

Performances

Mainpiece Title: Robin Hood; Or, Sherwood Forest

Afterpiece Title: The Intriguing Chambermaid

4017
31 October 1787 @ Covent Garden

Event Comment: Afterpiece [1st time; MF 2, by John O'Keeffe]: A new Overture by Tommaso? Giordani, the rest of the Music composed and selected from Paisiello, Storace and Morelli] by Shield. Books of the Songs to be had at the Theatre. Account-Book, 27 Nov.: Paid O'Keeffe in full for the Farce & Copyright of The Farmer #150. Receipts: #130 11s. 6d. (124.0.0; 6.11.6)

Performances

Mainpiece Title: Zenobia

Afterpiece Title: The Farmer

4018
05 November 1787 @ Covent Garden

Event Comment: "The leaving Percy untaken up [by Falstaff, in V.iv of mainpiece] was an improvement. The best acting was that of Mrs Pitt" (World, 6 Nov.). Afterpiece: With new Music, Scenes, Machinepy, Dresses, and Decorations. A few of the Airs compiled from Purcell, Travers, Sacchini, &c. The rest of the Music composed by Shield. The Scenery and Machinery designed by Richards and Carver, and executed by them, Hodgins, and many assistants. To conclude with the Representation of the inside of a Nabob's Palacev. Books of the Songs to be had at the Theatre. Receipts: #199 0s. 6d. (193.16.0; 5.4.6)

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: The Enchanted Castle

4019
09 November 1787 @ Covent Garden

Event Comment: [Farren's 1st appearance as Shore was at this theatre, 20 Dec. 1785.] Receipts: #182 7s. 6d. (174.16.0; 7.11.6)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Enchanted Castle

4020
13 November 1787 @ Drury Lane Theatre

Event Comment: Benefit for the Author [of mainpiece]. [In mainpiece the playbill retains Mrs Crouch, but she "had, in her way to the theatre, been overturned in a coach. Mrs Brereton read the part of Miss Harley " (London Chronicle, 14 Nov.). The playbill also lists the song, as 12 Nov., but it was not sung on this or any subsequent night. As afterpiece the playbill announces Comus, in which Mrs Crouch was to appear, but it was not acted. Its substitute is listed in the Account-Book.] The Doors to be opened at 5:15. To begin at 6:15 [see 23 Apr. 1788]. Receipts: #124 14s. 6d. (107.12.0; 15.15.0; 1.7.6; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: The New Peerage

Afterpiece Title: All the World's a Stage

4021
21 November 1787 @ Drury Lane Theatre

Event Comment: Afterpiece: Not acted these 2 years. To conclude with a Splendid Representation of the Fairy's Palacev. The Paintings by Greenwood. The Music compiled and composed by Linley? Sen. Books of the Songs, Introduction, &c. to be had at the Theatre. Receipts: #121 9s. (92.0.0; 27.18.6; 1.10.6)

Performances

Mainpiece Title: The New Peerage

Afterpiece Title: Hurly-Burly; or, The Fairy of the Well

Dance: In afterpiece: Ferrere, the Miss Stageldoirs

4022
26 November 1787 @ Covent Garden

Event Comment: [The playbill announces The Tender Husband, and Three Weeks after Marriage, but the former "was last night obliged to be deferred on account of the real or feigned Indisposition of Mrs Abington, of which was sent to the Theatre at Two o'clock. The Merry Wives of Windsor was substituted...Mrs Wells, to whom the part of Mrs Page belongs, could not or would not play...Mrs Bernard read the part. Bernard also supplied the place of Cubitt in Slender. The Farmer was substituted for Three Weeks after Marriage" (Public Advertiser, 27 Nov.).] Receipts: #158 18s. (151.8.6; 7.9.6)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Farmer

4023
05 December 1787 @ Covent Garden

Event Comment: Mainpiece: Sir Richard Steele's Comedy. Never acted at this theatre [acted 17 Mar. 1760, and advertised for performance on 10 Apr. 1764]. Receipts: #229 8s. 6d. (213.19.6; 15.9.0)

Performances

Mainpiece Title: The Tender Husband; Or, The Accomplished Fools

Afterpiece Title: The Farmer

Dance: As17871029

4024
12 December 1787 @ Drury Lane Theatre

Event Comment: [Hollingsworth was from the Liverpool theatre.] Receipts: #89 19s. 6d. (57.13.0; 31.7.0; 0.2.0; tickets not come in. 0.17.6)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Englishman in Paris

Dance: I: a Country Dance, as17870927; End II: The Capricious Lovers, as17870920; In afterpiece: The Minuet de la Cour, as17871006

4025
14 January 1788 @ Covent Garden

Event Comment: Mainpiece: Never acted at this Theatre. By Beaumont and Fletcher, with Alterations [by Thomas Harris (Boaden, Kemble, I, 378)]. Public Advertiser, 15 Jan.: The alterations consisted of many curtailments, the last scene of Act IV being entirely omitted. [Prologue by Henry Sampson Woodfall Jun. (European Magazine, Dec. 1787, p. 503; Feb. 1788, p. 105).] Receipts: #150 2s. (146.18; 3.4)

Performances

Mainpiece Title: King And No King

Afterpiece Title: The Dumb Cake

Song: II: a Grand Chorus-Johnstone, Davies, Darley, Cubitt, Blurton, Janson, Bonville, Mrs Martyr, Mrs Mountain, Mrs Morton, Miss Stuart, Mrs Watts, Mrs Byrne, Miss Rowson, Miss Francis, Miss Paye, Miss Blower, Mrs Kennedy