SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Theatre Royal at Bath"/1) | (@(roleclean,performerclean) "Theatre Royal at Bath")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3416 matches on Event Comments, 808 matches on Performance Title, 483 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: By Particular Desire. Died Mr Sparks late of Covent Garden theatre (Lloyd's Evening Post, 30 Dec.). Gave Duke of Cumberland's Footmen #2 2s. (Account Book). Receipts: #172 15s. 6d. (Account Book)

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: Apollo and Daphne

Event Comment: Mainpiece: A New Comic Opera [by Joseph Reed]. Never Performed before. Books of the Opera to be had at the theatre. Receipts: #246 16s. (Account Book)

Performances

Mainpiece Title: Tom Jones

Afterpiece Title: The Country Wife

Dance: II: A New Pantomime Dance call'd The Gardeners-Mas. Blurton, Miss Besford, Miss Ford

Event Comment: The profits arising from the Entertainment will be applied to a Fund for opening an Academy the purpose of which will be the teaching of the English language Grammatically and the art of writing and speaking by rule. There have been Stoves kept constantly burning for days past, in order that the Theatre might be thoroughly warmed; Curtains also will be put up in the boxes. To begin at 7 p.m. Playhouse prices. By the Desire of many

Performances

Mainpiece Title: An Attic Evening's Entertainment

Event Comment: [Hardly worth keeping the theatre open this evening, as running expenses aside from salaries, (i.e., music, wardrobe, properties, Renter's interest, and kettle drum) came to #21 5s. 6d. See Account Book.] Receipts: #26 18s. 6d. (Account Book)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: Harlequin Skeleton

Event Comment: Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. No money taken at the Stage Door, nor any after the Curtain is up. Door open by 5 o'clock. Play begins at 6 o'clock. [Customary note repeated on all bills.] [This month publish'd A Letter to David Garrick on the opening of the Theatre, in which with great freedom he is told how he ought to behave, by H. W. The thesis of the pamphlet: The decline of dramatic genius is owing in great measure to your management (p. 16). "What I would earnestly recommend to you is to represent as many new plays as possible, and let them stand or fall on their own merit."

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: High Life below Stairs

Event Comment: Afterpiece: (With Alterations) perform'd but once. Books of the Entertainment to be had at the theatre. Receipts: #171 8s

Performances

Mainpiece Title: The Brothers

Afterpiece Title: The Spanish Lady

Event Comment: Benefit for the Theatrical Fund instituted by the performers of this theatre. Charges #67 19s. Balance to Fund #126 6d. (Account Book). Receipts: #187 19s. 6d

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Midas

Event Comment: [See note for 9 Jan. 1770 of a mild riot this night during best scene of The Orphan.] Afterpiece: A New Opera [by George Alexander Stevens] the Music composed by Mr Fisher. Books of the entertainment to be had at the theatre. Gave Duke of Glocester's Footmen #2 2s. (Account Book). [Afterpiece a roaring burlesque of Lee's Rival Queens. Larpent MS 302 includes Semi Chorus, Grand Chorus, and Perdiccas, not listed in the Playbill. The Court awakes with total hangover. Alexander orders a pot of coffee to clear his head. Thais begs him to leave the gout giving juice-Retire with me @ In my Chinese pavilion, drink some Tea." Afterpiece reviewed inthe Freeholder's Magazine for Jan.] Mr Shuter and Mrs Mattocks gave great satisfaction in their different characters; the words of the songs were written by Mr George Alexander Stephens, author of the celebrated Lecture upon Heads, and several other whimsical productions; and the airs which had Uncommon merit, were composed by Mr Fisher, a young genius, who has hitherto been but little known in the musical world. Receipts: #215 8s. 6d

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Court of Alexander

Event Comment: TThe Freeholder's Magazine, Jan. (p. 247): A Card to the Managers of Covent Garden Theatre. A Citizen whose circumstances will not allow him often to attend Theatrical amusements, and who wishes to be entertained for his money, desires a nuisance may be removed which has totally deprived him of all satisfaction the few nights that he has been in the first gallery of your house. Of a cool evening the company within generally draw up the wooden shutters of the openings improperly called windows. An when the gentry without, who are admitted at half-price, find them shut, they begin a violent noise with their sticks, while those within as obstinately insist, that being in a violent heat, they will not let them down to the endangering their healths, by sudden letting in the cold air. Thus a riot is commenced, which frequently stops the play. It was the case in the Best Scene in the Orphan, the first night the Court of Alexander was performed. N.B. The orange girls shamefully encourage it. But the covetousness of the managers is the origin of the evil, by suffering intruders at half-price, after the inside of the gallery is completely filled. If this remonstrance fails, you may expect worse effects, from the injured parties. [See performance of 5 Jan.

Performances

Mainpiece Title: The Brothers

Afterpiece Title: The Court of Alexander

Event Comment: [W+Winston MS 10 notes that O. Smith suggests Miss Spencer. Winston suggests Mrs Greville. The Town and Country Magazine (From Theatre No XIII): "Mrs Gladeau...has appeared as Rosetta in Love in a Village." Comments that she does not know much about music but "has a pleasing voice and an agreeable figure and will probably be a valuable acquisition to the stage. Received with applause."] Receipts: #217 16s. 6d

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Englishman in Paris

Dance: II: Dutch Dance, as17691111

Event Comment: [The Young Gentleman who played Posthumus is identified by Kemble and Winston as Mr Warboys.] Gave Duke of Cumberland's Footmen #2 2s. (Account Book). [Town and Country Magazine (quoting Theatre No XIII) remarked on Warboys acting: "The success he met with will probably deter him from following the profession of the stage...not happy either in person or in physiognamy."] Receipts: #250 6s

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Upholsterer

Dance: III: The Whim, as17691123

Event Comment: The Afterpiece a New Pantomime [by Henry Woodward, satirizing Garrick's Jubilee] with New Music by Fisher. New Scenes painted by Messrs Dahl and Richards. Nothing under Full Prices will be taken. [Full Prices notice throughout the run of the pantomime this season. Town and Country Magazine (from Theatre No XIII) comments: "In the Pageant scene several of the characters that walk at Drury Lane are highly ridiculed, particularly Mark Antony and Cleopatra, who dance off with their black retinue to the playing of casquets." The scene closes with the descent of the statue of the late Mr Rich under the name of Lun, and the Harlequins all pay him honour.] Receipts: #250 6s

Performances

Mainpiece Title: The Refusal

Afterpiece Title: Harlequin's Jubilee

Event Comment: Pit and Boxes to be laid together at 5s. First Gallery 3s. Upper Gallery 2s. Tickets to be had and places to be taken for the Boxes at Mr Sarjeant's (only) at the Stage Door of the Theatre. Books of the Performance will be sold there. The doors to be opened at Five. To Begin at Half past Six. Received of Toms and Arnold Charges of the House. #35

Performances

Mainpiece Title: The Messiah

Music: FFirst Violin, a Solo-Giardini; Concerto on French Horns-Sg Rodolpho

Event Comment: This Comedy was written by Mr Kelly as soon as the Curtain was drawn up they began to hiss--a party was made against it--because he was suspected of Writing for the Court party. Much hissing. Mr Garrick call'd for. No play &c. Cry'd out, at last the play was got thro' with much hissing and Groaning When the play was given out again One Party was for it no more and Kelly's party was for it again so that no play at all was given out (Hopkins Diary). [See Criticism in "British Theatre" article, London Magazine, March, also an extended account of the attack upon the piece. This occurs also in the Town and Country Magazine, which mentions that since the curtain was not drawn up for the farce the audience received a refund.

Performances

Mainpiece Title: A Word To The Wise

Afterpiece Title: Hob in the Well

Event Comment: Books of the Performance to be sold at the Theatre. Charges: #35

Performances

Mainpiece Title: Judas Macchabaeus

Music: FFirst Violin, Solo-Giardini; Concerto on Hautboy-Fischer

Event Comment: Books of the Entertainment [i.e., of The Spanish Lady] to be had at the theatre. The Comedy of Man and Wife cannot be perform'd, on account of Mr Shuter's hoarsness. Receipts: #202 6s. 6d

Performances

Mainpiece Title: Timanthes

Afterpiece Title: The Spanish Lady

Entertainment: As17700224

Event Comment: Benefit for Smith. Part of Pit laid into Boxes. To prevent confusion Servants are desired to be at the theatre by 4 o'clock. Charges #73 19s. Balance to Smith #62 3s. plus income from tickets #141 9s. (Box 413; Pit 162; Gallery 139). Paid Miss Potts for walking 12 nights in Man and Wife #1 10s. and Mrs Morris for walking 26 nights in Harlequin's Jubilee #3 5s. (Account Book). Receipts: #136 2s. 6d

Performances

Mainpiece Title: The Rival Queens; Or, The Death Of Alexander The Great

Afterpiece Title: The Englishman in Paris

Dance: End: The Whim, as17691123

Event Comment: Benefit for Miss Macklin. Part of Pit will be laid into the Boxes. Come as early as possible to avoid confusion. Charges #64 10s. Balance to Miss Macklin #79 18s., plus #146 from Tickets (584 Box & Pit at one price of 5s. each); Paid Mr Monk #2 12s. 6d. for mending the Owl & a new Spring (Account Book). [The bonus value of the benefit to an actor or member of the company staff may be seen when one considers that Miss Macklin's regular salary was #7 per week, or about #28 per month. On this one benefit performance she made a profit in book value equal to her previous eight month's salary. Book value because the Account Book records, for the tickets which she delivered, only the face value of 5s. each. It is probable that many a wealthy theatre-goer gave her on this occasion, by way of appreciation for the pleasure of her performances, much more than the face value of the ticket.] Receipts: #144 8s

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a-la-Mode

Dance: IV: The Whim, as17691123; End: A Minuet-Fishar, Miss Macklin

Event Comment: Receiv'd of Messrs Toms and Arnold for the use of the Organ this season #21; and for coals burnt at the Oratorios #2 2s. (Account Book). [There were 11 oratorio's. The average cost per night for heating the theatre these spring months would seem to have been about 3s. 9d.] Receipts: #157 5s. 6d

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Rape of Proserpine

Event Comment: Benefit for Sarjant and his Son (Book and Box-keeper). Charges #81 5s. plus extras #3 5s., total #84 10s. Deficit to Sarjant #20 18s., covered by income from tickets #166 14s. (Box 272; Pit 252; Gallery 109), half value of tickets paid up by Ansell, Symonds, Abbott, Furkins, Mrs Trott, Pilfold, Doe and Claridge. Paid half year's Paving tax for theatre #18 15s. (Account Book)

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: The Rape of Proserpine

Performances

Mainpiece Title: The Beaux Stratagem

Performance Comment: Scrub-Mrs Gardner; Archer-Death (from the Theatre in Norwich); Aimwell-Davis; Sullen-F. Gentleman; Boniface-a Gentleman; Gibbet-Gardner; Foigard-Vandermere; Sir Charles Freeman-Dancer; Cherry-Young Gentlewoman, her first appearance on any Stage; Dorinda-Mrs Cockane; Lady Bountiful-Mrs White; Gipsey-Miss Trowell; Mrs Sullen-Miss Ogilvie.

Afterpiece Title: The Vintner Tricked

Entertainment: IV: Tragical Imitations-Miss Rose (By Particular Desire); End of Play: Imitations of Mr and Mrs Cadwallader-Mas. Frank, Miss Rose; Between the Acts of the Farce: The Picture of a Playhouse; or, Bucks have at ye all-Death

Event Comment: [Review of Miss Catley's performance in Town and Country Magazine this month, from Theatre No XXI.

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Mock Doctor

Dance: II: The Dutch Milkmaid, as17700924

Event Comment: Afterpiece: A Pantomine not acted these two years. [See 22 Sept. 1768.] Alterations to The Elopement (Cross Diary). [The Rejoicing Night Scene described in Town and Country Magazine (from Theatre No XXI) as representing Ludgate Street and St Paul's with Houses illuminated.

Performances

Mainpiece Title: The Foundling

Afterpiece Title: The Elopement

Event Comment: A new comic Opera. The music by Several Composers. With new Dances, new Cloaths, new Decorations. Pit and Boxes together and no persons to be admitted without Tickets, which will be delivered at the Office of the Theatre at Half a Guinea. First Gallery 5s. Second Gallery 3s. By their Majesties Command, no Persons whomsoever to be admitted behind the Scenes or into the Orchestra. The Galleries, Pit, and Boxes to be opened at Five. To begin at 6:30 p.m. Vivant Rex et Regina

Performances

Mainpiece Title: La Vicende Della Sorte; Or, The Turns Of Fortune

Event Comment: Several of the songs dew-set by Mr Fisher. [The Tete-a-Tete in the Town and Country Magazine for this month (pp. 569-70) tells of Miss Catley's affair with Col. Lascelles. Her father a hackney coachman, her mother a washerwoman. She met Lascelles in Dublin where she was playing in Mossop's theatre, and condescended to live with him.

Performances

Mainpiece Title: Lionel And Clarissa

Afterpiece Title: The Author

Dance: End Opera: The Reel, as17701103