SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Theatre Royal Norwich"/1) | (@(roleclean,performerclean) "Theatre Royal Norwich")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3360 matches on Event Comments, 728 matches on Performance Title, 475 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: Written by Shakespear [customary note for all performances of this play this season. It will not be recorded further. Places to be taken at the Stage Door of the Theatre, indicates the building of a new tickets office for occupancy this season by Hobson, who replaces Bradshaw as Box Book-Keeper]

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Mock Doctor

Event Comment: Places to be taken for the Boxes at the stage door of the theatre. [This customary notice will not be included further.] Mainpiece: Written by Shakespear

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Devil to Pay

Performances

Mainpiece Title: Love For Love

Performance Comment: Valentine-Havard; Ben-Macklin; Tattle-Neale; Foresight-Arthur; Scandal-Mills; Jeremy-Yates; Angelica-Mrs Mills; Mrs Frail-Mrs Pritchard; Miss Prue-Mrs Clive; Sir Sampson Legend-Morgan of Dublin Theatre, 1st appearance at dl; Trapland-Ray; Mrs Foresight-Mrs Cross; Nurse-Mrs Bennet; Buckram-Woodburn.

Afterpiece Title: The Devil to Pay

Event Comment: Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. No persons will be admitted behind the scenes, but those that have Silver tickets. Places to be taken for the Boxes of Mr Hobson, at the stage door of the theatre. [The note concerning silver tickets appears regularly throughout the season.] Play begins exactly at Six o'clock. [Customary notice not included further.

Performances

Mainpiece Title: The Tender Husband; Or, The Accomplish'd Fools

Afterpiece Title: The Virgin Unmask'd

Song: III: The Early Horn-Lowe

Dance: II: Tyrolean Dance-Borromeo, Signora Constanza, Desse, Baudouin, LaPierre, Mrs Thomson, Mlle Gendon, Mlle Fabres; IV: A Peasant Dance-Borromeo, Sga Constanza; being the 1st time of their appearing on that stage

Event Comment: To begin exactly at Six o'clock. Play Written by Shakespear. The Principal Characters new dress.d, and the Theatre New Decorated. None will be admitted into the Boxes but by Printed tickets, which will be deliver'd at the Office in the Lobby at 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. N.B. For the Better Regulation of the stage, it is desired that no persons will take it ill, that they cannot be admitted behind the scenes. [The notice about time and prices remains constant throughout the season and will not again be noted here. The notice about refusal of admission behind the scenes appears on each bill till the benefits begin. It will not be repeated here.

Performances

Mainpiece Title: Othello, Moor Of Venice

Event Comment: Benefit for daughter of the late Mr Ben Johnson. [Fleetwood let Johnson's Daughter have this Benefit for the money he owed to her father who died just after the last season and acted to the last (Winston MS.).] The Play with entertainments of singing and dancing Servants will be admitted to keep places on the stage, which for the better accommodation of the ladies will be form'd into side boxes. To prevent mistakes, the Ladies who have taken places are desir'd to send for tickets. Tickets to be had and places taken of Mr Johnson's daughter, at the third Door on the right hand in Beaufort buildings in the Strand; and of Mr Hobson at the stage door of the theatre

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Devil to Pay

Song: I: Beard; IV: Lowe

Event Comment: A New Oratorio. Tickets will be deliver'd to subscribers (on paying their Subscription money), this day, and every day following at Mr Handel's in Brook Street, near Hanover Square. Attendance will be given from 9 o'clock in the Morning till Three in the Afternoon. Pit and Boxes to be put together and no persons to be admitted without tickets, which will be deliver'd that day at the Office in Covent Garden Theatre, at Half a Guinea each, First Gallery 5s. Upper Gallery 3s. 6d. N.B. Each subscriber is to pay Six Guineas upon taking out his subscription ticket, which entitles him to three Box tickets every night of Mr Handel's first six performances in Lent; and if Mr. Handel should have any more performances after his first six nights, each subscriber may continue on the same conditions. The Gallery will be open'd at Four O'Clock. Pit and Boxes at Five. To begin at Six o'clock. [These notices concerning price, subscription, and time of performance recur regularly, but will not be recorded further here.

Performances

Mainpiece Title: Samson

Event Comment: Afterpiece: A burlesque tragedy. Benefit Mrs Daniel. [Customary concert formula.] Boxes 2s. 6d. Pit 1s. 6d. First Gallery 1s. Upper Gallery 6d. Note, The performance will be carried on by Persons used to the Stage, and not by People unacquainted with it, as has been too often practiced in Benefits at the same theatre

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: Chrononhotonthologos

Event Comment: HHorace Walpole to Horace Mann, 24 Feb.: Handel has set up an Oratorio against the Operas and succeeds. He has hired all the goddesses from farces [i.e., Kitty Clive] and the singers of Roast Beef [i.e., Lowe] from between the acts at both theatres, with a man with one note in his voice [i.e., Beard] and a girl without ever a one [i.e., Mrs Cibber]; and so they sing.-Horace Walpole's Correspondence with Sir Horace Mann, II, 180

Performances

Mainpiece Title: Sampson

Event Comment: Benefit Delane. Tickets to be had at Delane's Lodgings, in Queen's Court, King St., Covent Garden; Places to be taken for Boxes of Hobson at the stage door of the theatre

Performances

Mainpiece Title: Venice Preserved; Or, A Plot Discovered

Afterpiece Title: The Virgin Unmasked

Song: II: Beard; III: The Noontide Air from Comus-Miss Edward; IV: Lowe

Event Comment: Benefit for Mrs Pritchard. Servants will be admitted to keep Places on the stage, which for the better accommodation of the Ladies will be form'd into side boxes. Tickets and places to be had at Mrs Pritchard's, at the Blue Door in Great Queen St., Lincoln's Inn Fields, or of Hobson at the stage door. Numbers of Counterfeit tickets on Benefit nights, having lately been sold in the passages leading to the Theatre, 'tis desired no Persons will buy any there, Care being taken to prevent all tickets so bought from being admitted

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Lying Valet

Song: II: Beard; IV: The Early Horn-Lowe

Dance: III: Tyrolean Dance, as17421129

Event Comment: Announced only as A New Sacred Oratorio. [First London Performance.] See Universal Spectator, 19 March, for emphatic objection against performing oratorios in theatres

Performances

Mainpiece Title: Messiah

Music: Concerto on Organ-; Violin Solo-DuBourg

Event Comment: The Universal Spectator today carried an even harsher attack on the theatres as a place to represent oratorios; see Deutsch, Handel, pp. 567-68

Performances

Mainpiece Title: Sirbace

Event Comment: Benefit Mrs Walter and Miss Bennett. Tickets to be had of Mrs Walter at the Three Queens in New-Street, Covent Garden, and places for the boxes of Mr Hobson at the stage door of the theatre. Tickets of Miss Bennett opposite Salisbury St., Strand. Tickets deliver'd out by Rector and Mlle Gondou will be taken

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Lying Valet

Dance: I: A French Peasant-Froment, Mlle Gondeau; III: A New Serious Dance-Desse, Mrs Walter; V: La Florana, as17430408

Song: II: Stella and Flavia-Beard; IV: Bumper Squire Jones-Beard, Lowe

Event Comment: We hear that the Lord Chamberlain has refus'd granting a License to the seceding players to act in the Theatre in the Haymarket. (Daily Advertiser) To the Author of the London Daily Post, Sir: As I have engag'd myself for this winter to perform in Dublin, by an Invitation of Several Persons of Distinction in Ireland, I think it my duty before I leave London, by your paper, to return my sincere and hearty thanks to the Town for the many favours I have receiv'd during the Time of my Performing in Publick, which I hope they will Candidly accept from their most of Oblig'd, humble Servants, Thomas Lowe

Performances

Mainpiece Title: The Unhappy Favorite; Or, The Earl Of Essex

Afterpiece Title: The School Boy

Event Comment: Mainpiece, not acted in 10 years. [The British Champion, or Impartial Advertiser, No. 109, gives a four column comment upon the players versus the managers at Drury Lane. It appears to be written by a citizen appalled at the large salaries of the players as well as at the reputed high living of Fleetwood. Concludes by suggesting that theatre prices be much reduced.

Performances

Mainpiece Title: The Gamester

Afterpiece Title: The Lying Valet

Song: II: Sullivan; IV: Bumper Squire Jones-Sullivan

Dance: III: Italian Masquerade-Muilment, Desse, Leviez, Mrs Walter, Mrs Thomson

Event Comment: No Money will be taken behind the scenes, nor any money to be return'd after the Curtain is drawn up. The following Letter, signed A By-Stander was inserted in the London Daily Post and General Advertiser: As I am absolutely unconcerned in all the now subsiding Theatrical Disputes, I hope the following observations upon what happened last Tuesday Night at Drury Lane will not be thought unworthy the Publick attention. The Manager of a theatre is to regard the General sense of the Town, and not any Faction form'd thru pique or resentment; Such a Faction may be Noisy, it may be Insolent, but never can be Considerable enough to force either the Manager or the Publick into their terms. Their outrages are equally insults upon the Understanding of the Town, as they are injuries to the Property of the Manager. Therefore if the Manager shall at any time give way to such proceedings, Then and not till Then, the Publick has a right ot find fault with him. The stage Then becomes a property to the insolence of a few misled people; and all theatrical diversions, which in this and other countries used to be directed by Decency and Publick Approbation are sacrificed to a pitiful Personal Resentment. If the above propositions are undeniable, the following Queries are submitted to the Publick, and the answer to them will determine the Reasonableness of the Tuesday Night Riot: I. Whether the Rioters were not Inconsiderable in their numbers and Circumstances? II: Whether any Gentleman can answer to himself, for doing in a Body, a thing which no Gentleman can justify for doing by himself? III. Whether the Rioters can justify their breaking into the Boxes, and taking possession of the seats, which were taken by many persons of Quality and Distinction, at the same time refusing to pay anything; thereby robbing the Manager of all the money of the Boxes, and most part of the Pit? IV. Whether the Manager ought to suffer in his property for the private quarrel between any two actors, as was the case...? V: Whether if such insolences are not discountenanced in the most effectual manner by the Town, any publick diversion can continue longer than a noisy inconsiderable Cabal pleases? VI. Whether any other motive than a regard to Public Decency would have hindered the Manager and Mr. Garrick's friends (who were treble the number) from treating the rioters as they deserved? I should be glad to see the above questions fairly and impartially answered

Performances

Mainpiece Title: The Rehearsal

Event Comment: At the Temple Punch House, Tony Aston, the oldest approv'd Actor in the three Kingdoms, being deni'd his bread in both Theatres, this Day exhibits his learned comic demonstrative Oratory on the Face, with English, Irish, Scotch, and Negroe Songs, in proper habits, Prologue and Epilogue, and all his own Pasquin Invention. 6 p.m. 1s. He is under Misfortunes, and desires the Company of the Ingenious and Humorous. [Repeated 29, 31 Dec.; and with some changes in wording on 2, 5, 9, 25 Jan., 6, 15 Feb. 1744.

Performances

Event Comment: In a short time will be perform'd at the Theatre in the Hay-Market, a Concert of Music; and the Tragedy of Othello, Moor of Venice. The character of Othello will be new dress'd agreeable to the Manner and Custom of his own Country. As both these entertainments will be perform'd by a set of Gentlemen for their own Diversion, no Money will be taken, nor any person admitted but by printed Tickets; which (by order of the Gentlemen) will be deliver'd gratis by Mr Machlin, at his House in Bow-Street, Covent Garden; where Ladies, by sending their Servants, may take Places for the Boxes.--Daily Advertiser

Performances

Mainpiece Title: None

Performances

Mainpiece Title: Othello, Moor Of Venice

Performance Comment: Iago-Macklin [see puff in Daily Advertiser, 23 Feb.]; Othello-a young Gentleman, first time any stage [Foote]; Montano-York [Hogan, Shakespeare in the Theatre, I, 367]; Lodovico-Hill [Genest, IV, 76].Genest, IV, 76].
Event Comment: Performance After the manner of an Oratorio Set by Mr Handel. Tickets will be deliver'd to subscribers on paying their subscription money, this day and every day following at Mr Handel's House in Brook Street, near Hanover Square, where attendance will be given from nine o'clock in the Morning till three in the afternoon. Pit and Boxes to be put together, and no person to be admitted without tickets, which will be deliver'd at the Office in the theatre at Half a Guinea each, First Gallery 5s.; Upper Gallery 3s. 6d. [Customary notice which will not be repeated.] Gallery opened at Four o'clock, Pit and Boxes at Five. To begin at Six. Mrs Delany to Mrs Dewes: There is a four-part song that is delightfully pretty...there was no disturbance at the playhouse. -Delany, Autobiography, II, 262. [Libretto by Congreve.

Performances

Mainpiece Title: Semele

Event Comment: Last Night was acted (for the third time) at the New Theatre in the Hay-Market, the Tragedy of Othello, Moor of Venice. The Gentleman who perform'd the character of Othello, receiv'd Universal Applause.--Daily Advertiser, 21 Feb

Performances

Mainpiece Title: Othello

Music: Concerto on French Horn-Charles, first time of his performing since his arrival; concerto on German Flute-Burk Thumoth; After which will be acted Gratis the Tragedy...-a set of Gentlemen for their diversion

Event Comment: Benefit the Author [Havard]. Tickets to be had at his lodgings, the Corner of the Great Piazza, in James St, Covent Garden; at the Bedford Coffee House, and of Mr Hobson at the stage door of the theatre

Performances

Mainpiece Title: Regulus

Event Comment: Benefit Garrick. By particular desire 5 rows of the pit will be railed into boxes--Servants will be admitted to keep places on the stage, which for the better accomodation of the ladies will be formed into boxes--the ladies are desired to send their servants by three o'clock--to begin at 6 o'clock. Tickets to be had of Garrick at his lodgings, the last house in James St., joining the Great Piazza; at the Bedford Coffee House, Covent Garden; Mr Vaillant's, Bookseller at the Strand; Mr Harrache's, Toyman in Long Acre; and of Mr Hobson at the stage door of the theatre where places for the Boxes may be taken

Performances

Mainpiece Title: Hamlet

Dance: Muilment, Mrs Auguste

Event Comment: Benefit Delane. Tickets at his lodgings in Queen's Court, in King St., Covent Garden; and at the Bedford Coffee House in the Great Piazza. Places for the Boxes to be Taken at the stage door of the theatre

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Anatomist

Dance: Muilment, Mrs Auguste