SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Theatre Royal Dublin"/1) | (@(roleclean,performerclean) "Theatre Royal Dublin")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3394 matches on Event Comments, 738 matches on Performance Title, 527 matches on Performance Comments, 1 matches on Roles/Actors, and 0 matches on Author.

Performances

Mainpiece Title: The Royal Merchant; Or, The Beggar's Bush

Performance Comment: Royal Merchant-Ryan; Clause-Bridgwater; Hubert-Hale; Hemskirk-Cashell; Prigg-Chapman; Woolfort-Rosco; Vandunk-Marten; Gertrude-Mrs Hale; Jaqueline-Mrs Vincent; 1st Merchant-Carr; 2nd Merchant-Gibson; 3rd Merchant-Anderson; 4th Merchant-Ridout; Boor-James; Ferret-Stoppelaer; Ginks-Bencraft; Snap-Vaughan; Higgen-Hippisley.
Cast
Role: Royal Merchant Actor: Ryan

Afterpiece Title: Pyramus and Thisbe

Song: As17451014

Performances

Mainpiece Title: The Royal Merchant; Or, The Beggar's Bush

Performance Comment: Royal Merchant-Ryan; Woolfort-Rosco; Van Dunk-Morgan; Gertrude-Mrs Hale; Jaqueline-Mrs Bland; Hubert-Bridges; 1st Merchant-Kennedy; 2nd Merchant-Storer; 3rd Merchant-Anderson; 4th Merchant-Ridout; Hemskirk-Gibson; Boor-Collins; Ferret-Stoppelaer; Ginks-Bencraft; Snap-Paddick; Prince Prigg-Dunstall; Higgen-James; Clause-Bridgwater.
Cast
Role: Royal Merchant Actor: Ryan

Afterpiece Title: The Royal Chace

Performance Comment: As17471228, but Royal Chasseur-Roberts.
Cast
Role: Royal Chasseur Actor: Roberts.
Role: Chasseur Royal Actor: Beard

Performances

Mainpiece Title: The Royal Merchant; Or, The Beggar's Bush

Performance Comment: Royal Merchant-Ryan; Woolfort-Sparks; Hubert-Ridout; Hemskirk-Gibson; VanDunk-Marten; Gertrude-Mrs Hale; Jaqueline-Miss Haughton; Prigg-Dunstall; Merchants-Oates, Holtham, Anderson, Paget; Higgen-Arthur; Boor-Collins; Ferret-Stoppelaer; Ginks-Bencraft; Snap-Paddick; Clause-Quin.
Cast
Role: Royal Merchant Actor: Ryan

Afterpiece Title: The Royal Chace; or, Harlequin Skeleton

Performance Comment: Chasseur Royal-Lowe; Merlin-Leveridge; Jupiter (Harlequin)-Oates; Mercury-Wilder; Doctor-Bencraft; Colombine-Miss Haughton; Pierot-LaLauze.
Cast
Role: Chasseur Royal Actor: Lowe

Performances

Mainpiece Title: The Royal Merchant; Or, The Beggar's Bush

Performance Comment: Royal Merchant-Ryan; Woolfort-Sparkes; Hubert-Ridout; Hemskirk-Gibson; Vandunk-Marten; Gertrude-Mrs Barrington; Jaqueline-Miss Haughton; Prigg-Dunstall; Merchants-Oates, Holtham, Anderson, Redman; Higgen-Arthur; Boor-Collins; Ferret-Stoppelaer; Ginks-Bencraft; Snap-Bennet; Clause-Quin.
Cast
Role: Royal Merchant Actor: Ryan

Afterpiece Title: Miss in Her Teens

Performances

Mainpiece Title: The Royal Merchant; Or, The Beggar's Bush

Performance Comment: Royal Merchant-Ryan; Clause-Bridgwater; Woolfort-Sparks; Hubert-Ridout; Hemskirk-Gibson; Vandunk-Marten; Gertrude-Mrs Barrington; Jaqueline-Miss Haughton; Prince Prig-Dunstall; Higgen-Arthur.
Cast
Role: Royal Merchant Actor: Ryan

Afterpiece Title: The Necromancer

Performances

Mainpiece Title: The Royal Merchant; Or, The Beggar's Bush

Performance Comment: Royal Merchant-Ryan; Clause-Bridgwater; Woolfort-Sparks; Hubert-Ridout; Hemskirk-Bransby; VanDunk-Marten; Gertrude-Mrs Barrington; Jaqueline-Mrs Vincent; Prig-Dunstall; Higgen-Arthur.
Cast
Role: Royal Merchant Actor: Ryan

Afterpiece Title: The Fair

Dance: As17521028

Performances

Mainpiece Title: The Royal Merchant; Or, The Beggar's Bush

Performance Comment: Royal Merchant-Ryan; Clause-Bridgwater; Woolfort-Sparks; Hubert-Ridout; Hemskirk-Gibson; Vandunk-Marten; Prig-Shuter; Higgen-Arthur; Jaqueline-Miss Mullart; Gertrude-Mrs Barrington.
Cast
Role: Royal Merchant Actor: Ryan

Afterpiece Title: Harlequin Sorcerer

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Contrivances

Song: Between the acts: Mrs Storer from the Theatre Royal in Dublin

Dance: Salomon, Sga Padouana, Salomon's Son

Performances

Mainpiece Title: The Stratagem

Song: Particularly by Desire Women and Wine-Miss Karver who sang some years ago at the Theatre-Royal in Drury Lane; since at Mr Foote's Theatre in the Haymarket

Performances

Mainpiece Title: Tamerlane The Great

Afterpiece Title: Harlequin Fortune Teller

Entertainment: EEquilibres on the Slack Rope-Atkins, of Theatre-Royal, Covent Garden

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Mayor of Garratt

Dance: End: Hornpipe-Lady from the Theatre Royal, Drury Lane [unidentified]

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: Fortunatus

Dance: End of Act II of mainpiece a New Comic Ballet by Mr and Miss Hamoir (from the Theatre-Royal, Brussels; their 1st appearance on that stage)

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Ghost; or, The Dead Man Alive

Dance: End of mainpiece a Double Hornpipe by Wright and a Young Lady (from the Theatre Royal, Covent Garden; 1st appearance on this stage [unidentified]). imitations. After the Dancing Theatrical Imitations by Payne

Event Comment: Theatre-Royal in Lincoln's Inn Fields. The Company being oblig'd, by Particular Desire, to get up the Play of All's Well that Ends Well, Written by Shakespear, by Wednesday next (and being employed in reviving several other Plays) are under a Necessity of deferring acting till then

Performances

Mainpiece Title: None

Event Comment: "It is apprehended that...on Account of the Fire...in Bridge's-street [see 2 Feb.], the Avenues to the Theatre will be...impassable, for which Reason there will not be any Performance" (Public Advertiser, 3 Feb.). [Cymbeline and The First Floor were announced on playbill of 2 Jan.

Performances

Mainpiece Title: None

Performance Comment: [Theatre dark] .
Event Comment: Benefit for Mr and Mrs Brown. Mainpiece: With a Grand Processionv, as 21 Sept. 1787. [The Cottagers, a comic opera written by Mrs Brown's daughter, was published in 1788, and 1st acted at the Crow Street Theatre, Dublin, 19 May 1789.] Receipts: #167 7s. (58.2; 7.9; tickets: 101.16)

Performances

Mainpiece Title: Cymon

Afterpiece Title: The Royal Chace

Song: In afterpiece: a Hunting Song-Darley

Entertainment: Monologue. End afterpiece: an Occasional Epilogue[, in the character of Harlequin] (written by Miss Ross)-Brown

Event Comment: Benefit Mrs Woffington. By Command of their Royal Highnesses the Prince and Princess of Wales. Tickets to be had of Bradshaw, &c. Places for the stage (which will be form'd into Boxes carefully enclosed) may be had at Mrs Moor's in the Playhouse Passage. Receipts: #170

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: The Mock Doctor

Song: I: Bright Author of my Present Flame-Lowe; III: A Ballad-Lowe; V: At the particular desire of several ladies of Quality, the celebrated Irish Ballad Elin@a@Roon-Mrs Clive, as she perform'd it in Dublin

Dance: II: New Serious Dance-the Mechels; IV: The Italian Peasants, as17411205

Event Comment: Paid half year's land tax for theatre due Mich. last #37 10s. Paid ditto for House in Bow Passage #2 1s. 8d., also 1!2 years tax for window light in theatre #4 18s. 3d. and for same in House in Bow Passage 15s. Paid half years scavenger's rate for theatre, #2 1s. 8d., and for Bow Passage House, 2s. 1d. Paid half year's Church rate for theatre #4 3s. 4d. and for Bow Passage House 4s. 2d. (Account Book). Receipts: #125 7s. 6d. (Account Book)

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Royal Chace

Cast
Role: Chasseur Royal Actor: Squibb
Event Comment: At the New Theatre, Bowling Green, Southwark. A Concert, etc. Benefit for Mrs Morgan. Never acted there. Being positively the last Night of Acting in the Borough (Daily Advertiser)

Performances

Mainpiece Title: King Lear And His Three Daughters

Afterpiece Title: The King and Miller of Mansfield

Music: solo on the violin called Ellen@a@Roon-Santhilla first Time of performing in Public

Song: V: Roratorio@or a Medley of the Cries of Dublin-Morgan

Dance: A Hornpipe-a Gentleman for his diversion

Event Comment: [Extra night] Benefit for the Widows and Orphans of those brave Men who perished, and those who were wounded, in the Glorious Action of the 14th February last [see king's, 18 May.] Patrons: His Royal Highness the Prince of Wales, His Royal Highness Duke of York, His Royal Highness the Duke of Clarence. Stewards: Duke of Leeds, Duke of Bedford, Earl of Chesterfield, Earl Spencer, Lord Kinnaird, Charles Grey Esq., Thomas Tyrwhitt Esq., Wm. Lushington Esq., Wm. Manning Esq., John Thomson Esq., John Julius Angerstein Esq. Boxes to be taken, and Tickets had at the Office of the Theatre, and at the Bar of Lloyd's Coffee-House. Receipts: none listed

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: No Song No Supper

Dance: End: Peggy's Love (By permission of the Proprietors of the king's Theatre)-Mme Rose, Didelot, Gentili, Mlle Parisot, Mme Hilligsberg; End afterpiece: Cupid and Psyche-the same.Mme Rose, Didelot, Gentili, Mlle Parisot, Mlle Hilligsberg

Entertainment: Monologue. Preceding 1st ballet: [a favorite Epilogue-Mrs Abington (1st appearance on this stage these 8 [recte 7] years)

Event Comment: GGeneral Advertiser, 13 March: Don Jumpedo, who lately was to have performed at the Little Theatre in the Haymarket, appeared on Saturday last, at the Theatre in Covent-Garden, in the Character of Harlequin in the Royal Chace; in which he made his first Essay of Jumping down his own Throat, and was universally applauded

Performances

Mainpiece Title: King Henry Iv, Part Ii

Afterpiece Title: The Royal Chace

Event Comment: [The theatres this night met competition from (I) an Assembly at the king's Theatre in the Haymarket, tickets 26s. each, to admit one Gentleman and two ladies. (2) another Assembly at the Five Bells Tavern, behind the New Church, in the Strand, where was opened the Temple of Taste, where will be exhibited a grand concert of Music. Also an attempt towards the Introduction of a new rational entertainment, consisting of an Occasional Prologue by a Gentleman; a panegyric on the Utility of Public Speaking, in which the Design is particularly illustrated; Propositions made from a Gentleman in the Chair, to be debated by the company, such as the Gay and Polite may be supposed to understand, and speak upon with success; to conclude with an Original Epilogue; the whole interspers'd with several grand concertos, Overtures, and Full pieces of Musick. This design, which has for its object the interest of Knowledge, Eloquence and Politeness, needs no Apology, and can be opposed by those, with whom to be at variance, is Virtue. No subject of so Sacred Nature as Religion, will be there canvass'd nor anything that can give Occasion to Indecency, or unmannerly reflection on any Undertaking or Party.-In this attempt all Men of Taste are interested, as they will have an opportunity not only of being pleased, but giving pleasure by considering every subject with candour, and reasoning upon it, with Eloquence and propriety. To this entertainment, the Ladies are likewise invited, who have an unexceptionable right to be present at all Attempts, calculated for the promotion of knowledge, and as their appearance will naturally secure polite behavior, so they may reap some advantage from the Circulation of ideas, which is such an Assembly must necessarily take place. The price of entrance-half a crown each. To begin precisely at seven. The room which is very commodious, will be elegantly illuminated. The SUBJECT for the first Night's Debate will be, "If the Custom of Portioning Daughters was entirely suppress'd, would it not be a good Expedient towards the promotion of Matrimony and the felicity of that state." It continued on four Wednesday nights. Then seems to have died.

Performances

Mainpiece Title: The Royal Merchant

Cast
Role: Royal Merchant Actor: Ryan

Afterpiece Title: Harlequin Sorcerer

Event Comment: Benefit for the Relief of the Widows and Orphans of the brave Men who fell in the late Glorious Actions [on 1 June 1794], under Earl Howe. The Whole Receipt of the Night to be applied to the above Fund. Under the Patronage of His Royal Highness the Prince of Wales, and His Royal Highness the Duke of Clarence. The Tickets for the Boxes at Half-a-Guinea each, are issued under the Direction of a Committee consisting of the following Noblemen and Gentlemen, who have obligingly undertaken to attend to the arrangements of the Evening: The Duke of Leeds, The Duke of Bedford, The Earl of Lauderdale, Lord Mulgrave, Lord William Russel, The Right Honourable the Lord Mayor [Paul Le Mesurier], Mr Alderman Coombe, Hon. Thos. Erskine, J. Nesbit Esq., I. B. Church Esq., W. Devaynes Esq., J. Taylor Vaughan Esq., J. J. Angerstein Esq., R. B. Sheridan Esq. Tickets and Places for the Boxes, not disposed of by the Committee, to be had of Fosbrook, at the Box-Office, Little Russel-Street. Tickets also to be had at the Bar of Lloyd's Coffee House. Afterpiece [1st time; ENT 2, by Richard Brinsley Sheridan and James Cobb; with songs written by the Duke of Leeds, the Earl of Mulgrave, Mary Robinson, Joseph Richardson, &c. In 1797 altered as CAPE ST. VINCENT. Prologue by Joseph Richardson (London Chronicle, 4 July). Epilogue by Richard Brinsley Sheridan]: The Music composed and selected by Storace [with one song each by Reeve. Linley Sen., Michael Kelly]. The Dresses, Scenery and Machinery entirely New. "This piece is a sort of continuation of No Song No Supper...hastily put together for the occasion" (European Magazine, July 1794, p. 60). "The Theatre this Evening was crowded in every Part, the receipt amounting to something better than 1300 Guineas" (Powell). Powell, 1 July: Country Girl rehearsed at 10; Glorious First at 12 and at night. 2 July: Glorious First rehearsed at 10. Receipts: #1,526 11s. (450/6/0; 41/13/0; 0/12/6; tickets in boxes: 954/0/0; tickets in pit: 80/0/0) (charge: free)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: THE GLORIOUS FIRST OF JUNE

Dance: In afterpiece the Ballets composed by James D'Egville; the Principal Dancers-D'Egville, Gentili, and also by permission of the Proprietor of the King's Theatre, Mme Del Caro, Mlle E. Hilligsberg, Mlle Hilligsberg

Event Comment: Afterpiece [1st time; MF 2, by Charles Stuart and John O'Keene. Text 1st published, unauthorized, Dublin: For the Booksellers [1783]. Prologue by George Colman, the elder (O'Keeffe, I, 140)]: With a new Overture by Dr Arnold. With Italian, French, Irish, Scotch, Welsh and English

Performances

Mainpiece Title: The Separate Maintenance

Afterpiece Title: GRETNA GREEN

Music: Books of the Songs to be had at the Theatre

Song: As17830613

Event Comment: HHallam's New Theatre Adjoining to the Market-House. Mainpiece: A new Droll. From 1:00 p.m. to 10 p.m. Stage 2s. 6d. Boxes 1s. 6d. Pit 1s. Gallery 6d. As this is a regular Theatre, Ladies and Gentlemen will be entertained in a more decent and commodious manner than they can possibly be in a booth. [Notice repeated 2 May.

Performances

Mainpiece Title: The Royal Heroe; Or, Lover Of His Country, Intermix'd With Several Comical And Diverting Scenes, Call'd the Blundering Brothers, With The Merry Adventures Of Timothy Addlepot And Davy Dunce

Afterpiece Title: Harlequin Sclavonian; or,Monsieur in the Suds

Song: Blogg