Event Comment: JJohn Rich Esq, Master and Patentee of the TRCG, died Thursday 26 Nov. 1761, about six o'clock in the evening, at his house adjoining to the Theatre Royal in Covent Garden, in the seventieth year of his age. Mrs Priscilla Rich sole executrix of the Will of John Rich Esq, deceas'd. Mr John Rich was buried in Hillingdon Churchyard. (See his Epitaph, Lysons's Middlesex Parishes, p. 162) Dec. 4, 1761. ibid p. 173 (Hopkins MS Notes). Income from Boxes #85 5s. Rec'd of John Condill on acct of Fruit #20. Expenses #46 3s. 8d. [The balance brought forward to this date for this season was #2007 9s. 1d. From this was subtracted the #1291 19s. 4d. necessary for starting the season (see 9 Sept.), which left Beard a favorable balance of #715 9s. 9d. with which to carry on. The Winston Theatrical Record ceases on this date.

Event Comment: Not acted in 5 years. [See 4 Feb. 1758.] The Drummer was revived at this period at both theatres...to take advantage of the reigning weakness of the people, who went in crowds many days and nights to an Haunted House, by what was called the Cock-Lane Ghost-a delusion set on foot, and very ingeniously carried on by a girl of 12 years of age, daughter of a clerk of St Sepulchre's Church, who resided in Cock Lane near Smithfield. [The Ghost was supposed to be that of one Fanny, a gentleman's mistress buried in the church. By knockings and scratchings she supposedly haunted the girl intimating foul practices concerning her death.] It would be incredible to relate the numbers of persons of distinction that attended this delusion! many of whom treated it as a serious and most important affair...at last the girl's father and three or four others were tried in the King's Bench, found guilty' Pillioried and imprisoned. This most effectively laid the Ghost; and is the best and properest cure for every ghost that may arise hereafter. (Victor, History of the Theatres, III, 18 ff). [The theme exploited again by Garrick in The Farmer's Return from London, dl 20 March.

Event Comment: By Command of their Majesties. Pit and Boxes to be put together. No persons to be admitted without tickets, which will be delivered this day at the Office in the Theatre at Half a Guinea each. First Gallery 5s. Upper Gallery 3s. 6d. Galleries to be opened at Half an Hour after Four o'clock. Pit and Boxes at Five. To begin at Half an Hour after Six

Event Comment: By Command of Their Majesties. This day publish'd Price 1s. Alexander's Feast; or, The Power of Music; written by Dryden. To which is added the Coronation Anthem as performed this evening at Covent Garden. Set by Mr Handel. This Day publish'd Price 5s. sewed. A Treatise on the Art of Dancing, by Giovanni Andrea Gallini, Director of the Dances at the Royal Theatre in the Haymarket

Event Comment: This day publish'd Semele set to Music by Mr Handel. Price 1s. As it is performed this evening at the Theatre Royal in Covent Garden. Printed for J & R. Tonson in the Strand

Event Comment: Benefit for Smith. Mainpiece: By Particular Desire. Tickets and Places to be had of Smith, at his house, opposite the concert room in Dean Street, Soho, and of Mr Sarjant at the Stage Door of the Theatre. Part of the Pit will be laid into the Boxes, where servants will be allowed to keep places. N.B. No building on the Stage

Event Comment: Benefit for Sparks. Tickets to be had of Mrs Sparks, at her house in Crown Court. Tickets deliver'd out for the Distress'd Mother will be taken. N.B. Mr Sparks having been very long indisposed and rendered incapable of attending the theatre, with the greatest deference persuades himself that Circumstance will readily plead his Apology, and induce his friends to dispense with his personal appearance, and favor him with their commands; and that they will excuse the changing of his play, to which he is oblig'd by the illness of a principal performer; of which and his former obligations, he shall always retain the most gratful sense. [Sparks had been ill since 14 Jan. when Hull took over his part of Buckingham in King Richard III.

Event Comment: A Burletta, Benefit for Sg & Sga Paganini, [Who] being desirous of returning to Italy...take this Opportunity to express their most grateful Sense of the many Favours with which they have been honoured in this Kingdom; and being willing that the Necessitous should share in that Bounty which they owe more to the Generosity of the English Nation than to their own Merits, they have allotted a fourth part of the Profits which may arise from the above Burletta (free from all Expense whatever) towards the carrying on and extending the Utility of the Asylum or House of Refuge for Female Orphans...and another Part of the aforesaid Profits will be given towards relieving old Signor Cataneo, who, during forty Years was useful to the Operas, but is now in extreme Distress; and the Manager, who is at the Expence of this Benefit, has chearfully consented to the Disposition here mentioned. As it is intended to apply the whole Profits which may arise from letting out the Servants Gallery [at 2s. 6d. each person] for the Benefit of the Asylum, over and above what was before alloted to it, 'tis humbly hoped that the Nobility, Gentry, etc. will not take it amiss if their Servants are not admitted that Night, as has been the Practice at this Theatre on Occasions of Charity. Tickets will delivered out for this Benefit, this day at the Opera Office, and signed by Mr Crawford, and all Monies given for Tickets above their usual Price, is to be shared in the Charity abovementioned. Tickets delivered for 23 March will be taken

Event Comment: The Principles not to be didactically and drily delivered but demonstrated by apt and familiar instances and illustrated by a set of Pupils long trained and properly prepared for the Purpose. [This performance originally scheduled for 26 April, but deferred to this date, a noon performance.] See Sketch of Mr Foote's Lectures on Oratory, as delivered Yesterday at the Little Theatre in the Haymarket (St James Chronicle, as 29 April)

Event Comment: Benefit for Mrs Elmy. Mainpiece: By Particular Desire. Afterpiece: Taken from Mrs Centlivre's Sequel to the Busy Body. [Afterpiece is Woodward's adaptation (Crow St. Theatre, Dublin 1760) pruned to three acts (Biographia Dramatica).

Event Comment: MMr Foote's Oratorical Lectures will be continued in the New Theatre in the Haymarket this day, between Twelve and One noon. [In six parts]: 1. Oratory in general, 2. Its utility demonstrated from its universality, 3. Distinct species of oratory, 4. The present practice peculiar to the English, 5. Necessity of an Academy, 6. The propriety of appointing the author perpetual professor. The whole to be illustrated in apt instances by a set of pupils long trained to the art, one of which is amazing proof of the force of Genius when properly cultivated (Public Advertiser). [These lectures were given 36 times and referred thereafter this season as The Orators.

Event Comment: To begin at one o'clock. Places for the boxes to be taken at the Theatre. The Fourth Day

Event Comment: Tickets at half a guinea. Gallery 5s. N.B. As part of the Serenata must be performed in the upper Gallery, it is humbly hoped the Nobility and Gentry will not take it amiss that servants cannot be admitted this night. The last night of performing this season. Sga Mattei humbly desires Subscribers for the ensuing season to pay their subscription money to Mess. Andrew Drummond and Co., Bankers, at Charing Cross; or to Mr Crawford, Agent and Treasurer of said Theatre

Event Comment: By Particular Desire. As the Haymarket Theatre will soon be closed, Mr Foote is encouraged by the Indulgence of the Public, to perform every Night

Event Comment: At Yeates' Theatrical Booth, Greyhound Inn, during the time of Bartholomew Fair. The whole to be decorated with decency, and propriety, together with a grand Band of Music, consisting of French Horns, Violins, Trumpets, Hautboys, &c. N.B. There is a convenient Way to the theatre in Cow Lane for coaches, where Ladies and Gentlemen may have admittance without interruption. Boxes 2s. 6d. Pit 2s. First Gallery 1s. Upper 6d. [Several persons had provided booths in the Inns at Smithfield to perform Drolls and Interludes, as had been customary for many years, and were preparing to exhibit accordingly; but the City Marshall and other officers, by order of the Lord Mayor oblig'd them to take down their Shew Cloths and decamp (Morley, Memoirs of Bartholemew Fair).

Event Comment: Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Sarjant at the Stage-Door of the Theatre. No Persons to be admitted behind the Scenes. Nor any Money to be return'd after the Curtain is drawn up. To begin exactly at six o'clock. [Usual note unless otherwise stated.

Event Comment: Afterpiece: A pastoral never performed on any Stage, Words set to the music of eminent masters. Books of the Pastoral to be sold at the Theatre. [See Theatrical Review; or, Annals of the Drama, 1763, pp. 20-22.

Event Comment: Book of the Pastoral sold in the theatre. [A recurring notice for each subsequent performance.

Event Comment: Mainpiece: Not acted this season. Tomorrow will be Reviv'd the second part of King Henry the 4th, New Dress'd in the Habits of the Times (playbill). [In a letter 14 Nov. 1762, T. H. suggested to Garrick a scenic device for the last scene of Act II, of the Wonder, a device he had noted in the Portuguese theatres in Lisbon, to give a view of a number of gallants passing before the window of a lady": two large windows to be made in the scene, cover'd with gauze to give a transparancy and the effect of glass, the windows to be barrel likewise in imitation of a casement (Harvard, D. Garrick, Original MSS (1930) No. 6. TS 1116.256.3).

Event Comment: Characters in Mainpiece New Dress'd in the Habits of the Times. [Theatrical Intelligence for 4 Nov. (Theatrical Miscellaneous Cuttings, G 60.23, Boston Public Library) notes: Last night the reformation in dress took place at the theatre in the revival of the second part of King Henry IV. The beauty as well as the propriety of the dresses give great satisfaction. The Old English Habits are indeed admirably suited to the style and manners of the plays of that time, in which a peculiarity prevails very remote from modern dialogue and the present fashion. The effect of this observation of the Costume, as the French call it, is very visible in the representation of Every Man in His Humour, and will, we hope, for the future be strictly observed in dressing every character of the plays of that age." The author then comments on Love's succes as Falstaff, and Garrick's effectiveness as the sick king especially in delivering the long speeches.

Event Comment: Both pieces by Desire. Afterpiece with alterations. Songs &c. given in the Theatre (Winston MS 9)

Event Comment: With New Habits, Scenes, Decorations and Music. Full Prices. Songs in the Entertainment will be given out at the Theatre. Afterpiece compos'd by Love, perform'd with success (Victor, I, 40). [N.B. In June 1762 the King of the Cherokee Indians arrived with two of his chiefs to pay respects to King George III. On 28 August they appeared at Marylebone Gardens. A dmission Price to see them 6d. (London Chronicle, No 857 & 860).

Event Comment: Mainpiece: Never acted before, a New Dramatic Opera [Bickerstaffe] the Music by Handel, Boyce, Arne, Howard, Baildon, Festing, Geminiani, Galluppi, Giardini, Paradies, Agus, Abos; with a New Overture composed by Mr Abel. Full Prices. Books of the Opera sold at theatre. [See Theatrical Review; or, Annals of the Drama, 1763, pp. 22-36: Compares Bickerstaff's opera at length with Charles Johnson's Village Opera.

Event Comment: Books of the Opera will be sold at the Theatre