Event Comment: Benefit for King. Last till Holidays. No building on Stage

Event Comment: Benefit for Miss Young. Afterpiece: Not acted in 20 years. Music by Dr Arne. [See John Lockman's Reflections concerning Operas, &c." in his introduction to his edition of Rosalinda (London, 1760), p. iv: 'A gentleman, well known for his musical compositions, is of opinion, that the reason why the Opera Rosamond tho' adorned with all the graces of lyric poetry, does not please from the stage, so much as might be expected, is owing to a circumstance that forms a beauty in the drama itself; I mean the suppos'd poisoning of Rosamond at the end of the second act, and her appearing no more upon the stage. Whilst this sheet was at press, I was told that Mr Arne has reduc'd this opera into one act, and set the whole anew; and so managed matters, that Rosamond appears throughout the whole drama. Tis said that the music of this new Rosamond is as delightful as that of another performance of Mr Arne's which now affords the town so agreeable an Entertainment."

Event Comment: Mainpiece: By Desire. Benefit for Mrs Cibber. Send servants to keep places at 3 o'clock. Tickets deliver'd for King John will be taken. Garrick returned [from trip to France and Italy] to his house in Southampton St. (Winston MS 9)

Event Comment: Benefit for Bowers (box-keeper) and Veal (first gallery door-keeper). Tickets deliver'd for the benefit of Broad and Hodges will be taken

Event Comment: Benefit for Palmer (doorkeeper) and Roberts. Tickets deliver'd for the Benefit of Danny, C. Roberts, and Hawksby will be admitted

Event Comment: Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Places may be taken from Johnson at the Stage Door. No money will be taken at the stage door. None will be refunded after Curtain is drawn up. To begin at 6 o'clock. [Footnote not further noted. Garrick on his return from the continent first introduced a method of illumination by lights not visible to the audience, thus replacing the huge chandeliers (Genest, V, 86). Published this season, A Critical Balance of the Performers at Drury Lane last Season, a broadside sheet at 1s., printed for C. Moran. This scale of the following twelve values war applied to 43 actors and actresses: (A score of 20 under each heading was perfect.) Figure; Grace; Spirit & Ease, Sensibility & Truth; Dignity & Manners; Expression & Pantomime; Low Humor; Genteel Humor; Elocution and voice; Dress; Dumb show; Noise. Beside each actor was listed his outstanding parts. (See Copy in Huntington Library.)