SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "The Grand Jury of London"/1) | (@(roleclean,performerclean) "The Grand Jury of London")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1949 matches on Performance Title, 1108 matches on Event Comments, 735 matches on Performance Comments, 1 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Chapter Of Accidents

Afterpiece Title: The Fool

Performance Comment: Principal Characters by Palmer, Bannister Jun., Baddeley, Nunns (1st appearance on this stage); Mrs Lloyd, Mrs Wells. [Cast adjusted from London Chronicle, 16 Apr. 1785: Paul-Palmer; Beaufoy-Bannister Jun.; Abbe-Baddeley; Pepper-Nunns; Lucy-Mrs Lloyd; Laura-Mrs Wells.] hathi. hathi.

Dance: As17850627

Event Comment: Mainpiece: Not acted these 12 years [acted 16 Dec. 1774]. [Mrs Jordan was from the York theatre.] Receipts: #195 14s. (155/1; 39/13; 1/0)

Performances

Mainpiece Title: The Country Girl

Performance Comment: Moody-King; Sparlrish (with a song)-Dodd; Belville-Bannister Jun.; Countryman-Jones; Servant-Spencer; Harcourt-Palmer; Lucy-Mrs Wrighten; Alithca-Mrs Ward; The Country Girl-Mrs Jordan (1st appearance in London) .
Cast
Role: The Country Girl Actor: Mrs Jordan

Dance: End of Act II of mainpiece The Provencalle by Williamson and Miss Stageldoir; In afterpiece, by Hamoir, Mrs Sutton and others

Event Comment: Afterpiece [1st time; F 2, by Elizabeth Inchbald. Prologue by Edward Topham (London Chronicle, 26 Aug. 1786)]. Account-Book, 5 June 1786: Paid Mrs Inchbald in full for Appearance is against Them #50. Public Advertiser, 11 Nov. 1785: This Day is published Appearance is against Them (1s.). Receipts: #207 2s. (204/10/6; 2/11/6)

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: Appearance is against Them

Performance Comment: Principal Characters by Quick, Palmer, Thompson, Kennedy, Edwin; Mrs Webb, Mrs Bates, Mrs Morton, Miss Stuart, Mrs Wilson. [Cast from text (G. G. J. and J. Robinson, 1785): Mr Walmsley-Quick; Lord Lighthead-Palmer; Thompson-Thompson [sic]; Clownly-Kennedy; Humphry-Edwin; Servant to Lord Lighthead-Swords; Servant to Lady Mary-Ledger; Lady Mary Magpie-Mrs Webb; Lady Loveall-Mrs Bates; Miss Angle-Mrs Morton; Miss Audley-Miss Stuart; Fish-Mrs Wilson; Betty-Mrs Davenett.] Prologue spoken by Wroughton. [This was spoken, as here assigned, at the 1st 8 performances only (see17851115).] hathi. Prologue spoken by Wroughton. [This was spoken, as here assigned, at the 1st 8 performances only (see17851115).] hathi.
Event Comment: [Kemble's 1st appearance as Osman was in Dublin (Genest, VI, 295).] Afterpiece [1st time; P 2 (?), by James Cobb and Thomas King]: Partly formed on the Plan of the Italian Comedy, and embellished with Music and Machinery. The paintings by Greenwood. The Music compiled and composed by Linley [Sen.]. Nothing under Full Price will be taken. Books of the Songs [which assign no parts], Introduction, &c. to be had at the Theatre. [Synopsis of action in Universal Magazine, Dec. 1785, p. 335.] Account-Book, 31 Jan. 1786: Paid King for Hurly-Burly #165. Receipts: #181 2s. (174/17; 6/5)

Performances

Mainpiece Title: Zara

Performance Comment: Osman (1st time [in London])-Kemble; Nerestan-Barrymorc; Chatilion-Aickin; Orasmin-Packer; Melidor-Phillimore; Lusignan-Bensley; Selima-Mrs Ward; Zara (1st time)-Miss Kemble .

Afterpiece Title: Hurly-Burly; or, The Fairy of the Well

Performance Comment: Harlequin Clack-Bannister Jun.; Magician-Staunton; Doctor-Fawcett; Harlequin Lack-Wright; Clodpate-Grimaldi. The other Characters by Moody, Wrighten, Burton, Chapman, Waldron, Phillimore, Chaplin, Wilson, Jones, Spencer, Alfred, &c.; Mrs Wilson, Miss Cranford, Mrs Cuyler, Mrs Love, Mrs Booth, Miss Tidswell, Mrs Burnett, Mrs Heard, Miss Burnett, Miss Barnes, Miss Palmer, Miss Simson, Mrs Haskey, Mrs Wrighten. [For assignments of Moody, Mrs Wilson, Miss Cranford, Mrs Wrighten, see17851229 Larpent MS 715 also lists: Lover, Lawyer, Clerk, Scotchman, Sailor, Taylor; Colombine.] hathi. Mrs Wilson, Miss Cranford, Mrs Cuyler, Mrs Love, Mrs Booth, Miss Tidswell, Mrs Burnett, Mrs Heard, Miss Burnett, Miss Barnes, Miss Palmer, Miss Simson, Mrs Haskey, Mrs Wrighten. [For assignments of Moody, Mrs Wilson, Miss Cranford, Mrs Wrighten, see17851229 Larpent MS 715 also lists: Lover, Lawyer, Clerk, Scotchman, Sailor, Taylor; Colombine.] hathi.
Related Works
Related Work: The Fairy Tale Author(s): George Colman, the elder
Related Work: The Fairy Prince, with the Installation of the Knights of the Garter Author(s): George Colman, the elder

Dance: In afterpiece, by Hamoir, Williamson, Miss Stageldoir, Mrs Sutton, &c. [The dance was included, as here assigned, in all subsequent performances.]

Performance Comment: [The dance was included, as here assigned, in all subsequent performances.] hathi.
Related Works
Related Work: The Test of Love Author(s): John Edwin, the younger
Event Comment: A Serious Opera, altered [by Carlo Francesco Badini] from Metastasio; the Music by Anfossi [a pasticcio, with additions by Sacchini, Piccinni, Gazzaniga, Schuster, Mortellari]. [This was Mme Mara's 1st appearance on the English operatic stage. She had 1st sung in London, in concerts at the Pantheon, in 1784.] "It is with the utmost astonishment we remarked that she unites the talents of an excellent actress with the merit of the most enchanting singer that ever perhaps came forth on any stage" (Morning Herald, 15 Feb.). "Mme Mara delivered the recitatives with a force of expression that produced the strongest interest of character, and the woes of Dido as powerfully engaged the sympathy, as the rich and varied melody of the airs, the admiration of the audience" (Morning Chronicle, 16 Feb.). "The [second] opera was Didone, a pasticcio, for which Mara had made a very judicious selection of songs, introducing four of very different characters, by Sacchini, Piccinni, and other composers, all of which were so much and so equally admired, that two were encored every night, each of them receiving that mark of approbation in its turn. Mara's talents as a singer (for she was no actress and had a bad person for the stage) were of the very first order. Her voice, clear, sweet, distinct, was sufficiently powerful, though rather thin, and its agility and flexibility rendered her a most excellent bravura singer, in which style she was unrivalled" (Mount-Edgcumbe, 59)

Performances

Mainpiece Title: Didone Abbandonata

Dance: As17860124 throughout

Event Comment: A Comic Opera (1st time [in London; 1st performed at Venice, 1778]); the music entirely new by Salieri [with additions by Anfossi, Sacchini, Paisiello, Mazzoni, J. Mazzinghi]

Performances

Mainpiece Title: La Scuola De Gelosi

Dance: End of Act I Divertissement Villageois, as17860218; End of Opera a New Divertissement (composed by Giroux) by Vestris, Sga Carolina, Sga Crespi, Henry, Marseilles, Duquesney Jun., the two Mlles Simonet, Mlle Mozon, Fabiani (1st King's appearance in England)

Performance Comment: , the two Mlles Simonet, Mlle Mozon, Fabiani (1st King's appearance in England) .
Cast
Role: Thetis Actor: Mlle Mozon.
Event Comment: Benefit for Miss Brunton. Mainpiece [1st time in London; T 5, by Frederick Reynolds, 1st acted at Bath, 3 Dec. 1785. In 1795 reduced to 3 acts. Prologue and Epilogue by William Meyler (Town and Country Magazine, Apr. 1786, p. 215]. Part of the Pit will be laid into the Boxes. Morning Chronicle, 17 Feb.: Tickets to be had of Miss Brunton, No. 5, George-street, York-buildings. Receipts: #350 17s. 6d. (210/11/0; 3/1/6; tickets: 137/5/0) (charge: #105)

Performances

Mainpiece Title: Werter

Performance Comment: Characters by Holman, Davies, Fearon, Farren; Miss Stuart, Miss Brunton. [Cast from European Magazine, Mar. 1786, p. 209: Werter-Holman; Sebastian-Davies; Leuthrop-Fearon; Albert-Farren; Laura-Miss Stuart; Charlotte-Miss Brunton.] Prologue spoken by Wroughton. Epilogue spoken by Miss Brunton. [These were spoken, as here assigned, at all subsequent performances.] hathi. Prologue spoken by Wroughton. Epilogue spoken by Miss Brunton. [These were spoken, as here assigned, at all subsequent performances.] hathi.

Afterpiece Title: Barataria

Performance Comment: As17850926, but Mary the Buxom (1st time)-Mrs Brown .
Cast
Role: Mary the Buxom Actor: Mrs Brown

Song: In Act III of mainpiece an Epithalamium. The Music composed by Rauzzini. Vocal Parts by Cubitt, Darley [Public Advertiser: Johnstone, Brett], Mrs Martyr, Mrs Bannister

Performance Comment: The Music composed by Rauzzini. Vocal Parts by Cubitt, Darley [Public Advertiser: Johnstone, Brett], Mrs Martyr, Mrs Bannister .

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: Bevil-Williamson; Myrtle-Davies; Sealand-Aickin; Sir John Bevil-Usher; Cimberton-Parsons; Humphrey-Gardner; Daniel-Wewitzer; Tom-Palmer; Phillis-Mrs Smith (from the Theatre Royal, York [on playbill of 12 July: 1st appearance in London]); Lucinda-Miss Brangin; Mrs Sealand-Mrs Love; Isabella-Mrs Poussin; Indiana-Miss Farren .

Afterpiece Title: Peeping Tom

Song: In Act II of mainpiece song by Miss Burnett

Performances

Mainpiece Title: The Young Quaker

Afterpiece Title: The Ghost; or, The Man Bewitch'd

Song: End of 2nd Monologue Four-and-twenty Fiddlers all on a Row by Edwin. MONOLOGUES. Before mainpiece Peeping Tom of Coventry's Peep into London; End of mainpiece A Cure {or a Scolding Wife, both by Edwin

Performance Comment: MONOLOGUES. Before mainpiece Peeping Tom of Coventry's Peep into London; End of mainpiece A Cure {or a Scolding Wife, both by Edwin .
Event Comment: [A detailed account of all three pieces appears in Sophie v. la Roche, Sophie in London, 1933, pp. 93-95. The theatre is described as seeming "exceptionally small, but it is very prettily painted in blue and white; the boxes, as in Paris, are open and everything is well lit." In 3rd piece "A twelve-year-old girl dressed as a poor boy who walks around with a bundle of rushes, straw and reeds to patch up old chairs, then really sits down to work on one, sang and played unusually well; indeed, was obliged to give two encores; the third time, however, announced with dignity and candour that it would not be possible, and that she feared she might be unable to take her part the next day; which would grieve her excessively, as she liked having her modest talents appreciated and applauded. Everyone clapped and praised her aloud. She is beuatiful, and deserves to be the nation's darling, and will certainly become a great actress, competent to keep her voice, gesture and features in complete control, never using her talents wrongly or producing exaggerated effects."]

Performances

Mainpiece Title: Nature Will Prevail

Cast
Role: Weatherbang Actor: Davies

Afterpiece Title: Tit for Tat

Related Works
Related Work: Tit for Tat Author(s): George Colman, the elder

Afterpiece Title: Harlequin Teague

Related Works
Related Work: Harlequin Teague; or, The Giant's Causeway Author(s): George Colman, the elder

Dance: As17860904

Event Comment: Places for the Boxes to be taken of Fosbrook, at the Theatre. The Doors to be opened at 5:30. To begin at 6:30 [see 14 Nov.]. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. In drinking health to the King at the supper table in the farce, Baddeley introduced very appositely an allusion to his Majesty's late fortunate escape [on 2 Aug., when Margaret Nicholson attempted to assassinate him], which was received with three plaudits" (London Chronicle, 19 Sept.). Receipts: #260 13s. (224.2; 36.6; 0.5)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: All the World's a Stage

Song: III: Song-Williames [This was sung, as here assigned,in all subsequent performances, except on 19 Jan. 1787, q.v.]

Event Comment: By Command of Their Majesties. Paid Music the 20th Instant #7 16s. 4d. [The song is not listed on the playbill, but Edwin sang it, by Command (London Chronicle, 23 Sept.).] Receipts: #349 16s. (346.3.6; 3.12.6)

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: Love in a Camp

Song: End: Four and Twenty Fiddlers all on a Row-Edwin

Event Comment: Mainpiece: Not acted these 4 years [acted 31 Dec. 1783. Pope had acted Beverley in Edinburgh in the summer of 1786 (Morning Post, 26 Sept.). The playbill assigns Stukeley to Aickin, but he "having had the misfortune to lose his wife, Stukeley was played by Inchbald" (Morning Chronicle, 26 Sept.), from the York theatre, 1st appearance on this stage (see 4 Oct.)]. Afterpiece: Never acted there. Paid Properties the 22nd Instant 6s. 8d.; Wardrobe #6 2s. 6d.; Guard [master carpenter] for Scenemen #10 18s. 6d.; Supernumeraries #4 7s. 6d. Receipts: #194 16s. (193.0.6; 1.15.6)

Performances

Mainpiece Title: The Gamester

Performance Comment: Beverley-Pope (1st appearance in that character [in London]); Lewson-Farren; Jarvis-Hull; Bates-Fearon; Dawson-Thompson; Stukeley-Inchbald [1st appearance on this stage]; Charlotte-Mrs Wells (1st appearance in that character); Lucy-Miss Platt; Mrs Beverley-Mrs Pope. [Edition of 1792 (John Bell) adds: Waiter-$Ledger.]

Afterpiece Title: The Romp

Event Comment: By Command of Their Majesties. [In afterpiece the playbill assigns Nancy to Mrs T. Kennedy, but "Mrs Brown played Nancy in the room of Mrs T. Kennedy" (London Chronicle, 21 Oct.).] Receipts: #268 0s. 6d. (265.18.0; 2.2.6)

Performances

Mainpiece Title: Richard Coeur De Lion

Afterpiece Title: Three Weeks after Marriage

Event Comment: Mainpiece [1st time; T 5, by Frederick Reynolds. Larpent MS 750; not published; synopsis of plot in Universal Magazine, Dec. 1786, pp. 333-34. Prologue by the author (London Chronicle, 23 Dec.). Epilogue by Miles Peter Andrews (World, 4 Jan. 1787); and see Epilogue to Such Things Are, 10 Feb. 1787]. Receipts: #165 14s. (156.1; 9.13)

Performances

Mainpiece Title: Eloisa

Afterpiece Title: Hob in the Well

Cast
Role: Hob's Mother Actor: Mrs Pitt

Dance: As17861212

Event Comment: Benefit for Mrs Siddons [whose 1st appearance as Imogen was at Bath, 15 Apr. 1779]. Part of the Pit will be laid into the Boxes. To prevent Confusion, Ladies are desired to send their Servants at half past Four o'Clock. Public Advertiser, 13 Jan.: Tickets to be had of Mrs Siddons, Gower-street, Bedford-square. "The exact receipts of Mrs Siddons's house on Monday were #332 [actually #335 5s., excluding the 2nd account and after-money], which, with bank notes for side-boxes, and gold tickets through all the boxes, raise the total to about #650 or #700. This benefit is clear of the nightly charges of the house" (Morning Chronicle, 1 Feb.). Receipts. #344 17s. 6d. (161.10.0; 9.11.6; 0.1.0; tickets: 173.15.0) (charge: free)

Performances

Mainpiece Title: Cymbeline

Performance Comment: Posthumus-Kemble; Bellarius-Aickin; Guiderius-Barrymore; Arviragus-R. Palmer; Cymbeline-Staunton; Pissanio-Packer; Lucius-Phillimore; French Gentleman-Fawcett; Philario-Chaplin; Cornelius-Alfred; Cloten-Dodd; Iachimo-Smith; Queen-Mrs Hopkins; Imogen-Mrs Siddons (1st appearance in the character [in London]).in London]).

Afterpiece Title: The Romp

Dance: II: a Masquerade Scene-; with Dancing-Ferrere, Menage, Miss Stageldoir; End III: La Soiree Provencalle, as17870113

Song: II: Singing-Miss Romanzini [The Dancing was included, as here assigned, in all subsequent performances]

Event Comment: Benefit for Kemble. Tickets delivered for The Careless Husband will be taken. Part of the Pit will be laid into the Boxes. To prevent Confusion, Ladies are desired to send their Servants at half past Four o'Clock. [Mrs Siddons's 1st appearance as Lady Restless was at Manchester, 17 Feb. 1777.] Public Advertiser, 12 Mar.: Tickets to be had of Kemble, No. 16, Charles-street, Covent Garden. Receipts: #293 12s. 6d. (148.16.0; 15.3.0; 0.7.6; tickets: 129.10.0) (charge: #105 11s. 6d.)

Performances

Mainpiece Title: All In The Wrong

Performance Comment: Sir John Restless-King; Belmont-Barrymore; Blandford-Packer; Sir William Belmont-Staunton; Robert-Waldron; Brush-Burton; Footman-Spencer; Servant-Alfred; Beverley (for this night)-Kemble; Lady Restless-Mrs Siddons (1st appearance in that character [in London]); Clarissa-Miss Collins; Tattle-Mrs Wilson; Tippet-Miss Barnes; Marmalet-Miss Tidswell; Belinda-Miss Farren.

Afterpiece Title: The Romp

Performances

Mainpiece Title: He Wou'd Be A Soldier

Afterpiece Title: The Deserter

Song: In: the new Four@and@Twenty Fidlers all on a Row-Edwin

Entertainment: Monologues. End: Lingo's Opinions on Men and Manners-(A Comical, Whimsical, Operatical, Farcical Rhapsody [with incidental music by William Shield]) Edwin; End I afterpiece: A Description of the Curiosities of the Tower of London-Edwin

Performance Comment: End: Lingo's Opinions on Men and Manners-(A Comical, Whimsical, Operatical, Farcical Rhapsody [with incidental music by William Shield]) Edwin; End I afterpiece: A Description of the Curiosities of the Tower of London-Edwin.
Event Comment: Benefit for Mrs Kennedy, [Miss Reynolds is identified in London Chronicle, 4 May. Afterpiece in place of The Cheats of Scapin, announced on playbill of 2 May.] Tickets delivered for the 13th of April will be admitted. Public Advertiser, 24 Apr.: Tickets to be had of Mrs Kennedy at her house, Great Queen-street, Lincoln's-inn-fields. Receipts: #312 6s. (181.8; 1.5; tickets: 129.13)

Performances

Mainpiece Title: Annette And Lubin

Afterpiece Title: Artaxerxes

Cast
Role: Genius of the Wood Actor:
Role: Master of the Quay Actor:

Afterpiece Title: The Intriguing Chambermaid

Event Comment: Benefit for Mrs Siddons [whose 1st appearance as Alicia was at York, 26 Apr. 1777]. Part of the Pit will be laid into the Boxes. To prevent Confusion, Ladies are desired to send their Servants by half past Four o'Clock. Public Advertiser, 27 Apr.: Tickets to be had of Mrs Siddons, Gower-street. [In the interim she changed the play. The Announcement of 27 Apr. advertises Romeo and Juliet, by Kemble and Mrs Siddons, in which play she did not appear until May 1789.] Receipts: #337 16s. 6d. (146.1.0; 8.7.6; 0.14.0; tickets: 182.14.0) (charge: #105 16s.)

Performances

Mainpiece Title: Jane Shore

Performance Comment: Hastings-Smith; Gloster-Aickin; Belmour-Packer; Ratcliff-R. Palmer; Catesby-Phillimore; Derby-Chaplin; Shore-Bensley; Jane Shore-Mrs Ward; Alicia (1st time [in London], and for that night only)-Mrs Siddons.

Afterpiece Title: Bon Ton

Event Comment: Mainpiece: Not performed these 5 years. In 3 acts; altered from Dryden. [Both Kemble and Moss were from the Edinburgh theatre. Address by George Colman elder (European Magazine, ibid).] Afterpiece [1st time; CO 2, by Charles Dibdin. London Chronicle, 17 May, refers to it as "from the French"]: The Musick composed by Dibdin. Books of the Songs to be had at the Theatre. Public Advertiser. 7 July: This Day is published Harvest Home (1s.). Places for the Boxes to be taken of Rice, at the Theatre. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s

Performances

Mainpiece Title: The Spanish Friar

Performance Comment: Dominick-Kemble; Gomez-Moss (Their 1st appearance on this stage); Alphonso-Johnson; Pedro-Chapman; Lorenzo-Williamson; Elvira-Mrs Brooks (1st appearance in that character).

Afterpiece Title: Harvest Home

Performance Comment: Principal Characters by Meadows, Chapman, Usher, Mathews, Johnson, Young Sestini, Mrs Bannister, Mrs Edwards, Miss George. Cast from text (Harrison and Co., 1787): Glanville-Meadows; Trim-Chapman; Scandaroon-Usher; Muzzy-Mathews; Congo-Johnson; Pickle-Young Sestini; Cleora-Mrs Bannister; Goody Muzzy-Mrs Edwards; Unah-Miss George; Signora Estella-Mrs Poussin (see17870521).
Cast
Role: Muzzy Actor: Mathews

Entertainment: Monologue End: Occasional Address (in character)-Young Sestini (European Magazine, July 1787, p. 63)

Event Comment: [Browne was from the Richmond theatre; Mrs Kemble from the Edinburgh theatre.

Performances

Mainpiece Title: Hamlet

Performance Comment: Hamlet-Browne (1st appearance in London); King-Kemble; Polonius, 1st Grave Digger-Moss; Laertes-Baker; Horatio-Johnson; Ostrick-Meadows; Ghost-Williamson; Queen-Mrs Bulkley; Ophelia-Mrs Kemble (1st appearance on this stage).

Afterpiece Title: Harvest Home

Cast
Role: Muzzy Actor: Mathews

Entertainment: Monologue As17870516

Event Comment: Benefit for Edwin. 2nd piece [1st time; F 2, by George Colman, elder, based of L'Avocat Patelin, by David Augustin de Brueys. This is usually ascribed to William Macready. But on the title-page of his copy (K-D 295 in Huntington Library) J. P. Kemble has written "This Piece was not written by Mr Macready." Public Advertiser, 29 Aug. states that "Colman...presented Edwin upon this occasion with a new Farce, taken from a celebrated French Play." World, 15 Oct. 1787 refers to Colman's dislike of L'Avocat Patelin, but adds, "When [he] came to translate it himself, he found reason to alter his opinion."]. Public Advertiser, 25 Aug.: Tickets to be had of Edwin, No. 19, Piazza, Covent Garden

Performances

Mainpiece Title: Sir John Cockle, At Court

Performance Comment: King-Williamson; Sir John Cockle-Kemble; Sir Timothy Flash-Davies; French Cook-Wewitzer; Joe-Edwin; with The Tower of London-Edwin; Mrs Starch-Mrs Edwin; Miss Kitty-Mrs Brown.

Afterpiece Title: The Village Lawyer

Performance Comment: [Principal Characters by Edwin, Bannister Jun., Moss, Lawrence, Parsons, Mrs Brown, Miss Francis, Mrs Webb. Cast adjusted from text (no pub. [pirated], 1795, and London Chronicle, 29 Aug.: Sheepface-Edwin; Scout-Bannister Jun.; Justice Mittimus-Moss; Charles-Lawrence; Snarl-Parsons; Kate-Mrs Brown; Mrs Scout-Mrs Webb; unassigned-Miss Francis.

Afterpiece Title: The Ghost; or, The Man Bewitch'd

Song: End 2nd piece: the new Four@and@twenty Fiddlers all on a Row-Edwin

Entertainment: Monologue End: Lingo's Opinions on Men and Manners (a Comical, Whimsical, Operatical, Farcical Rhapsody)-Edwin

Event Comment: [Seymour is identified in European Magazine, Oct. 1787, p. 315. Address by Edward Hickey Seymour (London Chronicle, 4 Oct.).] "The clock striking two -instead of the usual folly of a small table bell, when Macbeth's drink was ready -forms an alteration of much good sense and propriety" (World, 2 Oct.). "Of the Lady Macbeths [since the time of Garrick] Mrs Siddons has exhibited the most happy effect of her skill -has shown a portrait of Lady Macbeth which before existed but in imagination. Mrs Yates claims the second place of eminence; her deportment and manner were equal to Mrs Siddons, but very inferior to her in pathos and energy. Mrs Pope's performance lays claim to praise, particularly in the sleeping scene, but there is a certain delicacy and tenderness associated with the powers of that lady which prevents her giving a glowing picture of that female fiend. Mrs Bates's performance was sufficiently marking and bold in some passages, but the whole wanted uniformity and finishing" (Public Advertiser, 4 Oct.). Receipts: #225 (224.5; 0.15)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Love and War

Song: Vocal Parts-Johnstone, Bonville, Cubitt, Darley, Doyle, Rock, Mrs Martyr, Mrs Mountain, Mrs Morton, Miss Stuart, Mrs Davenett, Mrs Watts, Mrs Kennedy

Entertainment: Monologue Before: Occasional Address-Pope

Event Comment: The Duenna [advertised on playbill of 10 Oct.] is obliged to be deferred on Account of Mrs Billington's Indisposition. Receipts: #126 16s. 6d. (124.8.6; 2.8.0)

Performances

Mainpiece Title: The Midnight Hour

Performance Comment: Principal Characters by Lewis, Ryder, Edwin, Quick, Fearon, Thompson, Mrs Mattocks, Mrs Webb, Mrs Wells. Cast from text (G. G. J. and J. Robinson, 1788): The Marquis-Lewis; Sebastian-Ryder; Nicolas-Edwin; The General-Quick; Mathias-Fearon; Ambrose-Thompson; Flora-Mrs Mattocks; Cecily-Mrs Webb; Julia-Mrs Wells.
Cast
Role: The Marquis Actor: Lewis
Role: The General Actor: Quick

Afterpiece Title: The Poor Soldier

Cast
Role: Father Luke Actor: Booth

Afterpiece Title: Bonds without Judgement; or, The Loves of Bengal

Performance Comment: Principal Characters by Ryder, Wewitzer, Fearon, Macready, Quick, Mrs Pitt, Mrs Mountain, Mrs Wells. Cast from London Chronicle, 2 May 1787: Japan-Ryder; Congo-Wewitzer; Nankeen-Fearon; Manly-Macready; Colonel Fury-Quick; Governess-Mrs Pitt; Charlotte-Mrs Mountain (i.e. formerly Miss Wilkinson); Sophy-Mrs Wells.