Event Comment: Mainpiece [1st time; T 5, by
William Henry Ireland; incidental music by
William Linley. Prologue by
Sir James Bland Burges; Epilogue by
Robert Merry (see text)]: With new Scenes, Dresses & Decorations.
The Scenes designed and excuted by
Greenwood and
Capon.
The Dresses by
Johnston,
Gay &
Miss Rein. Printed slip attached to
Kemble playbill: A malevolent and impotent attack on
the Shakspeare MSS. [i.e. those forged by W. H. Ireland, of which this play was one] having appeared, on
the Eve of representation of
Vortigern, evidently intended to injure
the interest of
the Proprietor of
the MSS.,
Mr Samuel? Ireland [W. H. Ireland's fa
ther] feels it impossible, within
the short space of time that intervenes between
the publishing and
the representation, to produce an answer to
the most illiberal and unfounded assertions in Mr Malone's enquiry [i.e.
Edmond Malone,
An Inquiry into the Authenticity of certain Papers attributed to Shakspeare, Queen Elizabeth, and Henry, Earl of Southampton, 1796]. He is
therefore induced to request that Vortigern may be heard With that Candour that has ever distinguished a British Audience.
The Play is now at
the Press, and will in a very few days be laid before
the Public. [But it was not issued until 1799 (see below). See also
Bernard Grebanier,
The Great Shakespeare Forgery,
London, 1966.] 4 Apr., states that
the first three acts were listened to with patience, but beginning with
the fourth act
the play was damned, when "one tremendous yell of indignation from
the pit burst simultaneously." "At four o'clock
the doors of
the theatre were besieged; and, a few minutes after
they were opened,
the pit was crowded solely with gentlemen. Before six not a place was to be found in
the boxes, and
the passages were filled...
The audience betrayed symptoms of impatience
early in
the representation; but, finding its taste insulted by bloated terms, which heightened
the general insipidity, its reason puzzled by discordant images, false ornaments, and abortive efforts to elevate and astonish, pronounced its sentence of condemnation at
the conclusion of
the play" (
Gentleman's Magazine, Apr. 1795, pp. 346-47). "Irelands play of Vortigern I went to. Prologue spoken at 35 minutes past 6 [see 29 Mar.]: Play over at 10. A strong party was evidently made to support it, which clapped without opposition frequently through near 3 acts, when some ridiculous passages caused a laugh, mixed with groans-Kemble requested
the audience t o hear
the play out abt.
the end of 4th act and prevailed.-
The Epilogue was spoken by
Mrs Jordan who skipped over some lines which claimed
the play as Shakespeares.
Barrymore attempted to give
the Play out for Monday next but was hooted off
the stage. Kemble
then came on, & after some time, was permitted to say that "
School for Scandal would be given," which
the House approved by clapping.
Sturt of
Dorsetshire was in a Stage Box drunk, & exposed himself indecently to support
the Play, and when one of
the stage attendants attempted to take up
the green cloth [i.e. a carpet which, by custom, was laid on
the stage during
the concluding scene of a tragedy], Sturt seized him roughly by
the head. He was slightly pelted with oranges" (Joseph
Farington, Diary, 1922, I, 145). Account-Book, 4 Apr.: Paid Ireland his share for
the 1st Night of Vortigern #102 13s. 3d.
Morning Chronicle, 29 Mar. 1799: This Day is published Vortigern and
Henry the Second (4s.). Receipts: #555 6s. 6d. (528.6.0; 26.9.6; 0.11.0)