SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "The Earl of Middleton"/1) | (@(roleclean,performerclean) "The Earl of Middleton")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 270 matches on Performance Comments, 249 matches on Performance Title, 113 matches on Event Comments, 67 matches on Author, and 0 matches on Roles/Actors.
Event Comment: The United Company. An order, 9 Feb. 1683@4, in L. C. 5@145, p. 14 (Nicoll, Restoration Drama, p. 356), and another, L. C. I, specify requirements for a play to be acted at Whitehall on 11 Feb. 1683@4, and name Valentinian as the drama. The first Prologue and the Epilogue Written by a Person of Quality were printed separately; Luttrell's copy (Bindley Collection, William Andrews Clark@Jr@Library) is dated 20 Feb. 1683@4. They are reprinted in Wiley, Rare Prologues and Epilogues, pp. 249-51. It is not certain on what date the first performance occurred, for premieres at court are quite rare in the Restoration period. In Nahum Tate's Poems by Several Hands (1685): Sir Francis Fane: A Masque Made at the Request of the Earl of Rochester, for the Tragedy of Vadentinian. Downes (p. 40): The well performance, and the vast Interest the Author made in Town, Crown'd the Play, with great Gain of Reputation; and Profit to the Actors. For an intended cast of Rochester's alteration of the play by John Fletcher, see the introductory note to the season of 1675-76. In A Pastoral in French by Lewis Grabu (published in 1684; advertised in the London Gazette, No. 1947, 17 July 1684) are two songs for this play for which Grabu apparently composed the music: Injurious charmer of my vanquished heart and Kindness hath resistless charms. In Choice Ayres and Songs, The Fourth Book, 1684, is: A new Song in the late reviv'd Play, call'd Valentinian: Where would coy Aminta run [the composer of the music not being indicated]

Performances

Mainpiece Title: Valentinian

Performance Comment: Edition of 1685: Prologue written by Mrs Behn-Mrs Cook (the first Day); Prologue to Valentinian-Mrs Cook (the second Day); Prologue intended for Valentinian-Mrs Barry; Epilogue by a Person of Quality-Mrs Barry; Downes (Roscius Anglicanus, p. 40): Valentinian-Goodman; Aecius-Betterton; Maximus-Kynaston; Pontius-Griffin; Lucina-Mrs Barry.
Related Works
Related Work: Valentinian Author(s): John Wilmot, Earl of Rochester
Event Comment: The United Company. The date of the premiere is not known, although a reference in the text to 1690 suggests that the play may have been produced in that year; but the fact that it was not advertised in the London Gazette until 6-9 April and not entered in the Term Catalogues until May 1691 suggest that it posaibly appeared early in 1691. This play was discussed in Wit for Money, or Poet Stutter; A Dialogue between Smith, Johnson, and Poet Stutter; containing Reflections on some late Plays, and particularly on Love for Money, or The Boarding School. The British Museum copy of this pamphlet has a manuscript date of 23 April 1691. Downes, Roscius Anglicanus, p. 42: The Boarding School; Wrote by Mr Durfy, it took well being justly Acted. Earl of Ailesbury, mid-January 1690@1: My Lady Fenwick was a great intriguer, and had always castles in the air in her imagination to that degree, that I was present at a play where she was brought in. If I mistake not it was The Boarding School, and the famous comic, Mr Lee, in woman's clothes represented her to the life, and so exactly had her features and complexion that one could hardly have distinguished one from the other (Memoirs, [London, 1890], II, 390-91)

Performances

Mainpiece Title: Love For Money; Or, The Boarding School

Event Comment: CSPD, 1690@91, p. 312: March 17...Tuesday night happened a quarrel at the play house between one Captain Leinster and another; many swords were drawn in the pit but no harm done. There was likewise a quarrel amongst the footmen, where the Earl of Oxford's footman was run through the body

Performances

Event Comment: Thomas Shadwell to Earl of Dorset, 19 Jan. 1691@2 (summary): Asks that he will order The Innocent Impostors to be the next new play to be acted. He would have had it acted in Roman Habits and then, with a mantle to have covered her hips, [if] Mrs Barry would have acted the part; but Thomas Davenant has with a great slight turned him off, and says he will trouble himself no more about the Play. Asks Dorset to favour the author and him. Complains of priority being given to Durfey's play and a play by Dryden (HMC, 4th Report, Appendix [1874], pp. 280-81)

Performances

Event Comment: John Vanbrugh to the Earl of Manchester, 25 Dec. 1699: Miss Evans the dancer at the New Playhouse is dead too; a feaver Slew her in eight and forty hours. She's much lamented by the Towne as well as the House, who can't well bare her loss; Matters running very low with 'em this Winter; if Congreve's Play [The Way of the World] don't help 'em they are undone. 'Tis a Comedy and will be play'd about Six weeks hence, nobody has seen it yet. Liveridge is in Ireland, he Owes so much money he dare not come over, so for want of him we han't had one Opera play'd this Winter; tho' Purcell has set one New One and Fingar another. We have got the Woman from the Chesire Cheese upon the Stage, who has the best Voyce for't by much that has been there at any time. We have the Emperors Crooaed Eunuch here, Francisco. They give him a hundred and twenty Guineas for five times. He has sung Once and was well likt. Dogget was here last Week, they gave him thirty pound to act Six times, which he did and fill'd the house every time (The Complete Works of Sir John Vanbrugh [Bloomsbury: Nonesuch Press, 1928], IV, 4)

Performances

Event Comment: Benefit Cibber. Not Acted these Three Years. At the Desire of several Persons of Quality. Mainpiece: With the Famous Battle of Bosworth Fieldv, between him and the Earl of Richmond, afterwards King Henry the Seventh. Written Originally by Shakespear, who in the true and lively Character of Richard, has shewn his most Masterly Strokes of Nature

Performances

Mainpiece Title: The Tragical History Of King Richard Iii

Song: As17031102

Music: Sonata for violin and flute-Gasperini, Paisible

Dance: As17040204

Event Comment: Written by the late Earl of Rochester

Performances

Mainpiece Title: Valentinian

Related Works
Related Work: Valentinian Author(s): John Wilmot, Earl of Rochester
Event Comment: At the particular Desire of several Ladies of Quality. Containing the Distresses and Death of King Henry the Sixth , the Murther of young King Eduard the Fifth and his Brother in the Tower, with the Landing of the Earl of Richmond , and the Memorable and Decisive Battle in Bosworth Field

Performances

Mainpiece Title: Richard Iii

Event Comment: As it was alter'd by the Earl of Rochester

Performances

Mainpiece Title: Valentinian

Related Works
Related Work: Valentinian Author(s): John Wilmot, Earl of Rochester
Event Comment: Not Acted these Three Years. At the Desire of several Ladies of Quality. Containing the Distresses and Deathv of King Henry the Sixth; the Murther of Young King Edward the Fifth, and his Brother, in the Tower; with the Landingv of the Earl of Richmond, and the Memorable Battle of Bosworth Fieldv, being the last that was fought between the Houses of York and Lancaster

Performances

Mainpiece Title: The Tragical History Of King Richard The Third

Event Comment: Containing the Distresses and Death of King Henry the Sixth; the Murther of Young King Edward the Fifth, and his Brother, in the Tower; with the Landing of the Earl of Richmond, and the Memorable Battle of Bosworth Fieldv, being the last that was fought between the Houses of York and Lancaster

Performances

Mainpiece Title: The Tragical History Of King Richard The Third

Event Comment: London Journal, 14 Dec.: The Duke and Duchess of Richmond, the Earl and Countess of Albemarle, and a great Number of Gentry were present. [See also 23 Nov.

Performances

Mainpiece Title: Cato

Performance Comment: The young Gentlemen of Mr Weston's Academy.
Event Comment: DDaily Post, 25 Feb.: About 11 in the Morning, a Fire broke out at the Earl of Cardigan's House in Portugal Row, Lincoln's Inn Fields...and the New Play-house, which was in great Danger, escap'd with but little Damage

Performances

Event Comment: Receipts. #170 5s. 6d. Probable attendance: boxes, 306 paid and 2 orders; staoe, 46 paid; balcony, 4 paid; pit, 263 paid and 2 orders; slips, 59 paid and 5 orders; first gallery, 417 paid; second gallery, 180 paid. Daily Journal, 12 Feb.: The Beggar's Opera is continued acting...with the greatest Applause, and to an Audience as numerous as ever. And we are informed, That most of the Boxes are taken to the 25th Night. [See also Gay to the Earl of Oxford, 12 Feb., in Correspondence of Pope, II, 473.

Performances

Mainpiece Title: The Beggar's Opera

Event Comment: At the particular Desire of several Persons of Quality. [The Duke of Richmond, Duke of Montague, Earl of Albermarle, and several other Noblemen present.

Performances

Mainpiece Title: Love Makes A Man

Song: Mrs Mountfort, Miss Thornowets

Dance: TThe Shepherd's Holiday, as17291125

Event Comment: As 4 June. [Prince of Wales and Earl of Egmont present.

Performances

Mainpiece Title: Opera Of Operas

Dance: As17330604

Event Comment: LLord Wentworth to the Earl of Strafford, 19 Jan.: We was at Covent Garden Play House last night, my mother was so good as to treat us with it, and the Dragon of Wantcliff was the farce. I like it vastly and the musick is excessive pretty, and tho it is a burlesque on the operas yet Mr Handel owns he thinks the tunes very well composed....and it has been acted 36 times already and they are always pretty full. The poor operas I doubt go on but badly, for tho every body praises both Cafferielli and the opera yet it has never been full, and if it is not now at first it will be very empty towards the latter end of the winter.--Wentworth Papers, p. 539

Performances

Mainpiece Title: The Northern Lass

Performance Comment: London Daily Post and General Advertiser missing, but Genest, III, 549, lists: Sir Philip-Ryan; Sir Paul-Hippisley; Tridewell-Hale; Anvil-Bridgwater; Widgin-Chapman; Bulfinch-Rosco; Pade-Arthur; Howdye-Neale; Widow Fitchow-Mrs Horton; Northern Lass-Mrs Vincent.
Cast
Role: Northern Lass Actor: Mrs Vincent.

Afterpiece Title: The Dragon of Wantley

Event Comment: Mainpiece: Not acted these Six years [8 April 1735]. Containing the Distresses and Death of King Henry VIv. The artful acquisition of the Crown by King Richardv. The Murder of Young King Edward Vv and his Brother, in the Tower. The Landing of the Earl of Richmondv, and the Death of King Richard in the memorable Battle of Bosworth Fieldv, being the last that was fought between the Houses of York and Lancaster. [This customary description appears in all subsequent notices.

Performances

Mainpiece Title: Richard Iii

Afterpiece Title: The Necromancer

Performances

Mainpiece Title: Penelope

Performance Comment: Monticelli; Amorevoli; Visconti; Muscovita. [Robert Price to Thomas, Earl of Haddington, 19 Dec.--Deutsch, Handel, p. 528.]
Event Comment: Mainpiece: Containing the Distresses and Death of King Henry VI; the Artful acquisition of the Crown by King Richardv; the Murder of young King Edward V, and his brother in the Tower; The landing of the Earl of Richmond, and the death of King Richard in the memorable Battle of Bosworth Fieldv, being the last that was fought between the Houses of York and Lancaster. With many other Historical passages. [This descriptive passage accompanies all notices of the play this season and will not be recorded here further.

Performances

Mainpiece Title: Richard Iii

Song: II: Song-Beard

Music: IV: Concerto-Veracini

Dance: V: Grand Serious Ballet, as17421005

Event Comment: Containing the Distresses and death of King Henry the Sixth; the Artful acquisition of the Crownv by King Richard; the Murder of Young King Edward V and his Brother in the Tower. The Landing of the Earl of Richmond, and the death of King Richard in the memorable battle of Bosworth Field, being the last that was fought between the Houses of York and Lancaster. [This notice accompanies subsequent performances of Richard III, but will not be recorded here further.

Performances

Mainpiece Title: King Richard Iii

Event Comment: Music by Handel; libretto by James Miller. See Earl of Egmont's Diary, III, 290, where he speaks of attending on 1 March, probably a rehearsal

Performances

Mainpiece Title: Joseph And His Brethren

Performance Comment: Pharaoh-Reinhold, bass; Joseph-Sullivan, alto; Reuben-Reinhold, bass; Simeon-Beard, tenor; Asenath-Signora Francesina, soprano; Phanor-Signora Galli, mezzosoprano (Deutsch, Handel, pp. 586-67), Esther Young (Dean, Handel's Dramatic Oratorios, p. 407); Benjamin-Samuel Champness (Dean, Handel's Dramatic Oratorios, p. 407).

Music: Concerto on the Organ-

Event Comment: The Earl of Egmont and Mrs Delany both were present (Deutsch, Handel, p. 588)

Performances

Mainpiece Title: Saul

Music: Concerto on Organ-

Event Comment: Play containing the distresses and death of King Henry the Sixth; the Artful acquisition of the Crown by King Richard; the cruel murder of Young King Edward the fifth and his brother in the Tower; the landing of the Earl of Richmond; and the death of King Richard in the memorable Battle of Bosworth Fieldv, being the last that was fought between the houses of York & Lancaster

Performances

Mainpiece Title: The Tragical History Of King Richard Iii

Event Comment: Mainpiece containing the Distresses and death of King Henry VIv; The Artful Acquistion of the Crown by King Richardv; The Murder of Prince Edward and his Brother in the Towerv; the Landing of the Earl of Richmondv, and Death of King Richardv in the memorable Battle of Bosworth Fieldv, being the last that was fought between the houses of York and Lancaster

Performances

Mainpiece Title: Richard Iii

Afterpiece Title: Pyramus and Thisbe