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9271 results for: Keyword - The Duke of New-Castle
We found 4081 matches on Event Comments, 3337 matches on Performance Title, 2721 matches on Performance Comments, 402 matches on Author, and 0 matches on Roles/Actors.

676
29 October 1683 @ The City, London

Event Comment: The Lord Mayor's Show. By Thomas Jordan. Luttrell (A Brief Relation, I, 285-86): The 29th, sir Henry Tulse...was sworn before the barons of the exchequer at Westminster, whither he went by water, accompanied by the late lord mayor, the new recorder, aldermen, and sheriffs, and attended by diverse of the companies in their barges; their majesties and the duke of York being upon the leads at Whitehall when they passed by: being come back, they passed from the place where they landed, with the usual solemnity, to Grocers Hall, where the lords of the councill, severall of the nobility, judges, and other persons of quality dined

Performances

Mainpiece Title: The Triumphs Of London

Performance Comment: Performed on Monday, October XXIX 1683. For the Entertainment of the Right Honourable, and truly Noble Pattern of Prudence and Loyalty, Sir Henry Tulse, Knight, Lord Mayor of the City of London. Containing A Description of the whole Solemnity. With Two new Songs set to Musick.

677
30 April 1731 @ Drury Lane Theatre

Event Comment: Benefit Wm. Mills and Mrs Mills. For the Entertainment of the Grand Master, and the Ancient and Honourable Fraternity of Free and Accepted Masons. Mainpiece: As it was alter'd by the late Duke of Buckingham

Performances

Mainpiece Title: The Chances

Performance Comment: As17301202, but Peter-R. Wetherilt.
Cast
Role: Peter Actor: R. Wetherilt.
Role: Duke Actor: Bridgwater
Related Works
Related Work: The Chances Author(s): George Villiers, Duke of Buckingham

Afterpiece Title: The Jovial Crew

Performance Comment: See17310405 but A new Prologue-; Epilogue-.
Cast
Role: 7310405 but A new Prologue Actor:

Song: Afterpiece: A Song proper-

678
23 February 1736 @ Covent Garden

Event Comment: By Their Majesties' Command. Benefit Mrs Porter. Pit and Front Boxes together at 5s. Receipts: money #153 4s. 6d.; tickets #104 15s. [The Duke, Princess Caroline, and two youngest Princesses present.]

Performances

Mainpiece Title: Theodosius

Performance Comment: Athenais-Mrs Porter [who spoke a new Epilogue]; but see17351101 .who spoke a new Epilogue]; but see17351101 .
Cast
Role: Athenais Actor: Mrs Porter
Related Works
Related Work: The Weathercock Author(s): Theodosius Forrest

Dance: II: Harlequin by Mlle De L'Isle. III: French Peasants by Lalauze, Mlle D'Hervigni, Tench, Livier, Desse, Dupre, Mrs Ogden, Mlle Delorme, Miss Sandham, Miss Norman. IV: Tambourine by Glover and Miss Rogers. V: Scot's Dance by Glover, Miss Rogers, Desse, Mrs Ogden, Tench, Mlle Delorme

679
04 November 1746 @ Covent Garden

Event Comment: HHorace Walpole to Montagu, 3 Nov.: I shall be with you at the end of the week, but just now I am under the maidenhead-palpitation of an author; my Epilogue will, I believe, be spoke tomorrow night, and I flatter myself I shall have no faults to answer for but what are in it, for I have kept secret whose it is. It is now gone to be licensed, but as the Lord Chamberlain is mentioned, though rather to his honour it is possible it may be refused, as they are apt to think at the Office, that the Duke of Grafton can't be mentioned but in ridicule.--Horace Walpole's Correspondence with George Montagu, I, 48. Receipts: #119 1s

Performances

Mainpiece Title: Tamerlane

Performance Comment: Tamerlane-Ryan; Bajazet-Quin; Moneses-Havard; Axalla-Gibson; Omar-Rosco; Prince of Tanais-Carr; Zama-Anderson; Dervise-Bridgwater; Stratocles-Ridout; Haly-Bencraft; Selima-Mrs Vincent; Arpasia-Mrs Pritchard; With the Usual Prologue-; and a New Epilogue on the suppression of the Rebellion-Mrs Pritchard in the Character of the Comic Muse; The Song To thee Oh Gentle Sleep originally designed for the play-Mrs Lampe.
Cast
Role: With the Usual Prologue Actor:
Role: and a New Epilogue on the suppression of the Rebel Actor: Mrs Pritchard in the Character of the Comic Muse
Role: The Song To thee Oh Gentle Sleep originally Actor: Mrs Lampe.

Afterpiece Title: The Mock Doctor

680
12 March 1748 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Pritchard. Part of Pit laid into Boxes, and stage form'd into Front and Side Boxes. Tickets and Places to be had at Mrs Pritchard's in Duke's late Earl's Court, (Bow Street), at Mr Vaughan's at the Golden Fan, next the Royal Exchange, Cornhill; and of Hobson at the stage door. Receipts: #220 (Cross); house charges, #60 (Powel); cash, #63 10s. 6d.; tickets, #118 17s. (Clay MS). By her agreement she has ten Guineas return'd her out of this charge, and therefore I shall subtract that out of the rest (Powel)

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: As17471205, but with a new Epilogue In Dialogue-Garrick, Mrs Pritchard in the Character of Ranger and Clarinda; Ranger's Frolick-_.
Cast
Role: with a new Epilogue In Dialogue Actor: Garrick, Mrs Pritchard in the Character of Ranger and Clarinda

Afterpiece Title: The Dragon of Wantly

Dance: Cooke, Anne Auretti

681
30 May 1798 @ Covent Garden

Event Comment: Benefit for Hull, Mrs Litchfield & Waddy. 1st piece [1st time; C 5, by Thomas Hull. Larpent MS 1215; not published]: Altered from [The Bashful Lover, by] Massinger. [In it the playbill assigns Hortensio to Pope, but he was ill, and in his "stead Johnston read the part of Hortensio" (European Magazine, June 1798, p. 396). Prologue by John Taylor Poems (I, 60).] Morning Herald, 29 May: Tickets to be had of Hull, Duke's Court, Dean's-yard, Westminster; of Mrs Litchfield, James-street, Covent-Garden; of Waddy, No. 214, opposite Southampton-street, High Holborn. Receipts: #261 2s. 6d. (53.9.6; 4.16.6; tickets: 202.16.6; of which Hull took #72 7s.; Mrs Litchfield #60 17s., Waddy #69 12s. 6d.)

Performances

Mainpiece Title: Disinterested Love

Performance Comment: Hortensio-read by Johnston; Gonzaga (Duke of Mantua)-Murray; Uberti (Prince of Parma)-Toms; Alonzo-Whitfield; Bellario-Clarke; Octavio-Hull; Manfroy-Davenport; Ambassador-Powel; Alberto-Claremont; Bernardo-Thompson; Lorenzo (Duke of Tuscany)-Holman; Ascanio-Mrs Litchfield; Beatrice-Mrs Platt; Gentlewoman-Miss Leserve; Matilda (Princess of Mantua)-Mrs Pope.

Afterpiece Title: Starboard Watch

Performance Comment: The Sailor's Carousal; or, Saturday Night at Sea As17980528, but added: The Medley of Lovers-Munden; Jack at the Windlass-_; Farewell to Old England dear Mary adieu-_.
Cast
Role: The Medley of Lovers Actor: Munden
Role: Jack at the Windlass Actor: Fawcett
Role: Philidel Actor: Miss Wheatley. IV. A View of a Country Inn. Trick Bull and Dog. V. View of Smithfield on a Market Day. VI. The Garden of Faustus

Afterpiece Title: The Highland Reel

Cast
Role: Duke Actor: Clarke
Role: Theodosia Actor: Mrs Follett
Role: We've bade the restless Seas adieu Actor: Townsend, _Incledon

Entertainment: Monologue.Preceding 1st piece: a new Occasional Prologue-Holman

Performance Comment: Preceding 1st piece: a new Occasional Prologue-Holman.
Cast
Role: a new Occasional Prologue Actor: Holman.

682
24 January 1799 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for the Choral Fund, instituted for the Relief of their decayed Members, Widows and Orphans, under the Patronage of his Royal Highness the Duke of Clarence. The Band and Chorus will be select, and the Young Gentlemen of the Westminster Choir will assist. A New Organ, built by Lincoln, will be opened on this occasion. Boxes #S. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. The Doors to be opened at 5:30. To begin at 6:30. Tickets and Places for the Boxes to be had of Rice, at the Theatre

Performances

Mainpiece Title: The Messiah

Performance Comment: Principal Performers-Leete, Page, Friend, Walker, Sale, Master Elliot, Miss Leak, Miss Poole; Conductor-Dr Arnold; Leader of the Band-Barthelemon; Organ-Jacob.
Cast
Role: Leader of the Band Actor: Barthelemon

Music: Previous to The Messiah: An Ode, written by W. T. Fitzgerald, Esq., the Music entirely new by Dr Arnold-; Concerto on the violin-Barthelemon

Performance Comment: T. Fitzgerald, Esq=., the Music entirely new by Dr Arnold-; Concerto on the violin-Barthelemon.
Cast
Role: Concerto on the violin Actor: Barthelemon.

683
11 December 1761 @ Drury Lane Theatre

Event Comment: Mainpiece: Never Acted Before. [Printed play, Dublin 1762 lists Talthybius-$Castle; Lycus-$Ackman; Cratander-$Moody; Paeonian-$Fox; Officer-$Scrase; Sigea-$Miss Hippisley.

Performances

Mainpiece Title: Hecuba

Performance Comment: Principal parts by Holland, Havard, Davies, Moody, Ackman, Scrase, Castle, Fox, Miss Bride, Miss Hippisley, Mrs Pritchard. Prologue-Garrick; Epilogue-Miss Bride; Eriphilus-Holland; Ulysses-Davies; Melanthus-Havard; Cratander-Moody; Hecuba-Mrs Pritchard; Polyxena-Miss Bride (Genest, IV, 637); Lycus-Ackman; Officer-Scrase; Talthybius-Castle; Paeonian-Fox; Sigea-Miss Hippisley (MacMillan).

Afterpiece Title: Edgar and Emmeline

684
04 May 1734 @ Drury Lane Theatre

Event Comment: For the Benefit of the Editor of Shakespear. For the Entertainment of the Grand Master, and the Antient and Honourable Society of the Free and Accepted Masons. N.B. By Appointment of the Grand Master, the Brethren are desir'd to meet at the Castle Tavern, Drury-Lane, cloath'd; thence to go in Procession, as usual, to the Play

Performances

Mainpiece Title: Henry Iv, Part Ii

Cast
Role: Doll Actor: Miss Mann. A new Prologue upon the Company's Return to the Theatre Royal, spoken by Mills

Dance: I: Irish Trot by Young Master Oates. II: A new Comic Dance by Master Oates and Miss Oates Jr. V: Grand Dance of Momus, as17340426

Performance Comment: II: A new Comic Dance by Master Oates and Miss Oates Jr. V: Grand Dance of Momus, as17340426.

Song: The usual Songs, adapted to the Subject of Masonry. II: The Enter'd Prentice's Song. IV: On, On, my dear Brethren. V: Let Matrimony be now my Theme

Performance Comment: II: The Enter'd Prentice's Song. IV: On, On, my dear Brethren. V: Let Matrimony be now my Theme .

685
01 April 1745 @ Haymarket Theatre

Event Comment: Benefit for the Two Misses Scott. Pit and Boxes to be put together, 5s. Gallery 3s. To begin at half an hour after Six. No persons to be admitted but by printed tickets, which may be had of the two Misses Scott, at Mr Hind's, painter in Silver St., near Golden Square, and at the theatre where places may be taken. Several of the principal performers being engag'd for tomorrow night, the Misses Scott are oblig'd to take this night for their benefit, and humbly hope the Gentlemen and Ladies who intend them the honour of their company will excuse it, and the same tickets will be admitted. Note tickets deliver'd out for the Castle Tavern in Paternoster Row for the 14th of January will be taken

Performances

Mainpiece Title: A Concert

Performance Comment: Vocal parts-Sg Palma, Sullivan; The favorite songs in the last New Opera, call'd L'Incostanza Deluza-the two Misses Scott; The Instrumental parts-the best masters; particularly a solo on the Violin-Sg Pasquali; a concerto on the Violincello-Sg Pasquali Jr.
Cast
Role: call'd L'Incostanza Deluza Actor: the two Misses Scott
Role: The Instrumental parts Actor: the best masters
Role: particularly a solo on the Violin Actor: Sg Pasquali
Role: a concerto on the Violincello Actor: Sg Pasquali Jr.

686
27 July 1772 @ Haymarket Theatre

Event Comment: Mainpiece: By Particular Desire. Afterpiece: A new dramatic Pastoral Farce. The Music composed by Hook. Play by Francis Gentleman

Performances

Mainpiece Title: The Devil Upon Two Sticks

Performance Comment: As17720624, but to avoid confusion full cast listed. Foote, Robson, Aickin, Baddeley, F. Gentleman, Davies, Parsons, Weston, Castle, Lloyd, Lings, Dancer, Smith, Vowell, Jacobs, Farrell, Pierce, Mrs Gardner, Mrs Jewell%.

Afterpiece Title: Cupid's Revenge

Dance: As17720615

687
21 May 1795 @ Drury Lane Theatre

Event Comment: Benefit for Miss Leak. Morning Herald, 13 May: Tickets to be had of Miss Leak, Upper Mews Gate, Castle-street, Leicester-Fields. Receipts: #391 18s. (88.11.6; 60.0.0; 12.1.0; tickets: 231.5.6) (charge: #211 19s. 6d.)

Performances

Mainpiece Title: The Child Of Nature

Cast
Role: Duke Murcia Actor: King

Afterpiece Title: My Grandmother

Cast
Role: Sir Matthew Medley Actor: Maddocks

Afterpiece Title: The Sultan

Performance Comment: As17941027, but Ismene (with new songs, one of which will be accompanied on the harp by Meyer Jun.)-Miss Leak.

Song: End 2nd piece: a favourite song-Mrs Ferguson (1st appearance on that stage)

688
21 December 1795 @ Covent Garden

Event Comment: Mainpiece: Altered into Three Acts. "All the comic part of the play is cut out" (Monthly Mirror, Dec. 1795, p. 123). Afterpiece [1st time; P 2, by William Pearce]: The Incidents principally selected from the legendary Ballads of the 13th Century. The Scenery, Machinery, Music, Dresses and Decorations entirely new, and in correct conformity to the Times. The Pantomime invented by Mr Lonsdale. The Songs written by Mr O'Keeffe. The Overture and the Music (with the exception of a few Antient Ballad Tunes) by Reeve. The Dances invented by Byrn. [The concluding Grand Scene regulated by Thomas Harris (Monthly Mirror, supra).] The Scenery painted by Hodgins, Lupino, Phillips, Thorne, Hollogan, Blackmore, and assistants. The Machinery by Sloper and Goosetree. The Dresses by Dick and Mrs Egan. Books of the Songs to be had at the Theatre. [For a further assignment of the Vocal Characters and for a more detailed synopsis, see 4 Jan. 1796.] Account-Book, 16 Jan. 1796: Paid Goosetree for the Keep and Hire of Horses for the Pantomime #15 13s. Receipts: #321 19s. (318.10; 3.9)

Performances

Mainpiece Title: Oroonoko

Related Works
Related Work: Oroonoko Author(s): Thomas Southerne
Related Work: The Royal Slave Author(s): Thomas Southerne

Afterpiece Title: Merry Sherwood; or, Harlequin Forester

Performance Comment: Principal Vocal Characters-Incledon, Johnstone, Munden, Fawcett, Bowden, Knight, Townsend, Richardson, Haymes, Gray, Street, Linton, Spofforth, Tett, Mrs Serres, Mrs Mountain, Mrs Clendining, Mrs Martyr; Principal Pantomimic Characters: Robin Hood-Follett; Arthur of Bradley-Farley; Little John-Simmons; Will Scarlet-Cranfield; Will Stukely-Williamson; Locksley-Gray; Midge the Miller-Street; Clerk-Rees; Parson of Barnsdale-Platt; Sheriff of Nottingham-Thompson; Prince of Arragon-Holland; Two Giants-; Price, Stevens; Harlequin-Simpson; Maid Marian-Mlle St.Amand; Part I. Scene I. A View in Sherwood Forest, Robin Hood's Well; Principal Archer (with In Merry Sherwood)-Bowden; Dialogue Ballad-Robin Hood, the Tanner; The Witch of Sherwood-Mrs Martyr; Scene II. A View of the Suburbs of Nottingham; The Bellman's Chaunt-Fawcett; Scene III. A Hall in the Sheriff's House; Scene IV. A View of the Town Hall of Nottingham; Scene V. A Country Alehouse; Tinker's Song-Knight; Scene VI. The Pinfold of Wakefield Town; Scene VII. Robin Hood's Bower; Scene VIII. View in Plumpton Park; Song by Allen o'Dale-Incledon; Scene IX. Pollard Wood; Song by the Damsel-Mrs Clendining; Scene X. Song by the Earl's Daughter-Mrs Serres; The Defeat of the Two Giants. The Princess's Marriage with Will Scarlet. A Grand Dance of Warriors-in the Field of Combat. Part II. Scene I. A View of Fountain Dale; Song by Curtal Fryar-Bowden; Scene II. Fountain Abbey Wall; Scene III. A View of Nottingham Castle; Beggar's Ballad-Townsend; Scene IV. Nottingham Market Place; Robin's rescue of Will Stukely from the Sheriff of Nottingham. Song by Irish Pilgrim-Johnstone; Scene V. View in Barnsdale; Song by Allen o'Dale-Incledon; Scene VI. Barnsdale Church Yard; Song by the Old Knight-Munden; Scene VII, VIII and IX. Scarborough Cliffs; A View at Sea; A Plough Field; Scene X. A Forest View in Yorkshire; Song by Martha-Mrs Mountain; Scene XI. Birksley Monastery; Robin Hood's Death. Epitaph and Revival. Song by the Witch-; The Piece to conclude with a Grand Scene, representing the Triumphs of Archery. Order of the Procession: Banner, "Fabulous Archery." Apollo-Hercules-Diana-Orion-and Cupid-Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn; Finale, Chorus-.
Cast
Role: Midge the Miller Actor: Street
Role: Dialogue Ballad Actor: Robin Hood, the Tanner
Role: The Witch of Sherwood Actor: Mrs Martyr
Role: The Bellman's Chaunt Actor: Fawcett
Role: Song by the Damsel Actor: Mrs Clendining
Role: Song by the Earl's Daughter Actor: Mrs Serres
Role: A Grand Dance of Warriors Actor: in the Field of Combat. Part II. Scene I. A View of Fountain Dale
Role: Song by the Old Knight Actor: Munden
Role: Song by the Witch Actor:
Role: Apollo Actor: Hercules-Diana-Orion-and Cupid-Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Hercules Actor: Diana-Orion-and Cupid-Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Diana Actor: Orion-and Cupid-Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Orion Actor: and Cupid-Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: and Cupid Actor: Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Persians Actor: Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Parthian Actor: Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Scythian Actor: Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Ethiopian Actor: Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Amazonian Actor: Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Grecian Actor: Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Thracian Actor: Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Lycian Actor: Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: representing the Landing of Julius Caesar Actor: Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Saxon Archer Actor: Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Danish Archer Actor: Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Norman Archer Actor: English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: English Archer Actor: Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn

689
03 March 1764 @ Drury Lane Theatre

Event Comment: Mainpiece: Not acted these 4 years. [See 22 Oct. 1760.] Lord Townly by Mr Powell, 1st time great applause. Mr Castle hiss'd in Count Basset (Hopkins). Mr Powell's first appearance in Lord Townly-The last scene he felt greatly, and in a few times performing will play the part well (+Hopkins Diary-MacMillan). Receipts: #231 19s. (MacMillan)

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: Lord Townly-Powell, first time; Sir Francis Wronghead-Yates; Manly-Havard; Squire Richard-Mas. Burton; Count Basset-Castle; Lady Wronghead-Mrs Hopkins; Lady Grace-Miss Plym; Miss Jenny-Miss Pope; Mrs Motherly-Mrs Cross; Myrtilla-Mrs Lee; Poundage-Clough; Trusty-Mrs Bennet; John Moody-Burton; Lady Townly-Mrs Yates.
Cast
Role: Mrs Motherly Actor: Mrs Cross

Afterpiece Title: The Fairy Tale

Related Works
Related Work: The Fairy Tale Author(s): George Colman, the elder

690
March 1682 @ Dorset Garden Theatre

Event Comment: The Duke's Company. The play was apparently never published, but the Prologue and Epilogue were printed and have been reprinted in Wiley, Rare Prologues and Epilogues, pp. 43-45. The Epilogue also appeared in Miscellany, Being a Collection of Poems by several Hands, 1685, and has been reprinted in A Little Ark, ed. G. Thorn-Drury, p. 46. The latest date at which the play, with the Prologue and Epilogue, first appeared is 5 April 1682, the date Luttrell placed on his copies (Huntington Library), presumably representing the day on which he acquired them. G. Thorn-Drury, commenting upon the Epilogue, points out that it refers to the trial of Pilkington, one of the Sheriffs of London, ca. 25 March 1681@2. It seems likely, then, that this lost play was presented in March

Performances

Mainpiece Title: Like Father, Like Son; Or, The Mistaken Brothers

Performance Comment: Unpublished, but separate publication of A Prologue by Mrs Behn to her New Play, called Like Father, Like Son, or The Mistaken Brothers, spoken by Mrs Butler. Epilogue-Mr Gevan [Jevon]. [Richards speaks later in the Epilogue, and Williams, Wiltshire, and Mrs Butler are referred to in the Epilogue.Jevon]. [Richards speaks later in the Epilogue, and Williams, Wiltshire, and Mrs Butler are referred to in the Epilogue.

691
14 December 1727 @ Westminster School

Event Comment: His Royal Highness the Duke present. Mainpiece: By Terence. Afterpiece: Imitated from the Phormio by Moliere, and translated into English by Mr Otway, with some Alterations; acted by the younger King's Scholars

Performances

Mainpiece Title: Phormio

Afterpiece Title: The Cheats of Scapin

Performance Comment: The Scholars of the School; A New Prologue, Epilogue , address'd to his Royal Highness-.

692
07 March 1734 @ Drury Lane Theatre

Event Comment: Benefit Mrs Porter. By Their Majesties' Command. Pit and Front Boxes put together at 51. [Duke, Princesses Amelia, Caroline, Mary, and Louisa present.]

Performances

Mainpiece Title: The Albion Queens

Dance: La Badine by Lally, Mlle Grognet, S. Lally, Le Brun, Davenport, Olbeldiston, Mrs Walter, Mrs D'Lorme, Mrs Anderson, Mrs Davenport (with new Habits)

Performance Comment: Lally, Le Brun, Davenport, Olbeldiston, Mrs Walter, Mrs D'Lorme, Mrs Anderson, Mrs Davenport (with new Habits) .

693
01 October 1735 @ Drury Lane Theatre

Event Comment: By Her Majesty's Command. Written by Shakespear. [Queen, Duke, and Princesses Amelia, Mary, and Louisa present.]

Performances

Mainpiece Title: Julius Caesar

Dance: I: English Maggot by Villeneuve and Mrs Walter. II: Newmarket's Delight (new) by Delamagne, Pelling, Davenport, Rector, Janno. III: Revellers by Essex and Mrs Walter. IV: Two Pierrots by Poitier and Pelling. V: Shepherd's Mount by Denoyer, Essex, Mrs Walter, Mrs Anderson, Pelling, Villeneuve, Davenport, Miss Mann, Mrs Davenport, Miss Brett

Performance Comment: II: Newmarket's Delight (new) by Delamagne, Pelling, Davenport, Rector, Janno. III: Revellers by Essex and Mrs Walter. IV: Two Pierrots by Poitier and Pelling. V: Shepherd's Mount by Denoyer, Essex, Mrs Walter, Mrs Anderson, Pelling, Villeneuve, Davenport, Miss Mann, Mrs Davenport, Miss Brett .

694
08 April 1736 @ Covent Garden

Event Comment: By Command of His Royal Highness the Duke. Benefit Lalauze. N.B. The whole Performance will be over by Ten. Receipts: money #97 19s. 6d.; tickets #33 19s

Performances

Mainpiece Title: Oroonoko

Related Works
Related Work: Oroonoko Author(s): Thomas Southerne
Related Work: The Royal Slave Author(s): Thomas Southerne

Afterpiece Title: Le Mar1age Force; ou, Les Fourberies d'Arlequin & de Scaramouch

Performance Comment: Arlequin-De Fompree, who has not appeared upon any Stage in England these Ten Years; at which Time he had the Honour of being received by the Nobility and Gentry with great Applause; Pierrot-Lalauze; Scaramouch-Pasquarielle; Pantaloon-Garrelli; Colombine-Mlle D'Hervigni; Sylvia-Mlle Delorme .
Cast
Role: Arlequin Actor: De Fompree, who has not appeared upon any Stage in England these Ten Years

Dance: I: Louvre and Tambourine by Mlle D'Hervigni. II: A new Comic Dance by Nivelon and a Scholar of his. III: A Serious Ballet by another Scholar of Nivelon's. V: French Peasants by Lalauze, Mlle D'Hervigni, &c. End I of Afterpiece: Wooden Shoe Dance by another Scholar of Nivelon's. End of the Whole: Sailors (from Orestes) by Glover, &c

Performance Comment: II: A new Comic Dance by Nivelon and a Scholar of his. III: A Serious Ballet by another Scholar of Nivelon's. V: French Peasants by Lalauze, Mlle D'Hervigni, &c. End I of Afterpiece: Wooden Shoe Dance by another Scholar of Nivelon's. End of the Whole: Sailors (from Orestes) by Glover, &c .

695
13 October 1761 @ King's Theatre

Event Comment: A new serious Opera...The Music by several celebrated Composers. Pit and Boxes together half a Guinea, Gallery 5s. To begin 6:30 p.m. No Persons whatsoever to be admitted behind the Scenes, nor into the Orchestra. Vivat Rex et Regina. [Repeated in the bills.

Performances

Mainpiece Title: Alessandro Nell Indie

Performance Comment: Alexander-Giovanni Battista Zonca; Porus-Filippo Elisi; Cleofida-Signora Colomba Mattei; Frisena-Signora Angiola Sartori; Gandartes-Signora Rosa Curioni (Musician to H. S. H. the Duke Clemens of Bavaria); Timagenes-Signora Teresa Eberardi; Director of the Dances-Gallini; Principal Dancers-Gallini, Mlle Asselin, Binetti, Signora Binetti.
Cast
Role: Director of the Dances Actor: Gallini

696
03 May 1776 @ Drury Lane Theatre

Event Comment: Benefit for Sga Crespi. Tickets deliver'd by Harwood will be taken. Rec'd Stopages #14 14s. Paid half yrs. paving #19 13s. 9d.; three quarters land and Window tax (Covent Garden Parish) #12 2s. 9d.; Ditto for paving #6; Ditto for Rector's rate 13s. 4d.; Duke of Bedford's Rent half year to Lady day last #164 2s. 10d. Receipts: #25 17s. Charges: #66 18s. 6d. Deficit to Sga Crespi: #41 (Treasurer's Book)

Performances

Mainpiece Title: The Plain Dealer

Performance Comment: As17751211, but in Act II, a New Dance called The Berger Galans-.
Cast
Role: a New Dance called The Berger Galans Actor: .

Afterpiece Title: A Peep behind the Curtain

Performance Comment: As17760314 but Miss Fuz-Miss P. Hopkins; Wilson-Brereton; Manager-Packer; Others-Lamash, _Packer.
Cast
Role: Others Actor: Lamash, _Packer.

Dance: V: A Grand Chaconne-Como, Sga Crespi

697
26 December 1785 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for a Performer, thirty years a Servant of the Publick at Covent-garden and Haymarket Theatres [unidentified]. Mainpiece: Written by the ingenious Mrs Behn, with Alterations by a Gentleman well known in the Dramatick World and Republick of Letters. The Characters new dressed in the Habits of the Times. [Writers and speakers of Prologue and Epilogue unknown.] Afterpiece: Altered from Sir John Vanbrugh. The Doors to be opened at 5:00. To begin at 6:00

Performances

Mainpiece Title: The Amorous Prince

Performance Comment: The Principal Characters are Frederick, the Amorous Prince, Son to the Duke; Curtius, his Friend; Salvator, Father to Aura; Lorenzo, a rich, extravagant Lord, favourite of Frederick; Antonio, a Nobleman of Florence, Alberto, his Friend, a Nobleman also; Piertro, Man to Curtius; A Valet to Antonio; A Page to Ismenia; Galliard, Servant to the Prince; Guilliam, Man to Cloris, a Country Fellow; Clarina, Wife to Antonio; Ismenia, Sister to Antonio, in love with Alberto; Laura, Sister to Lorenzo, in love with Curtius; Isabella, Woman to Clarina; Cloris, Sister to Curtius, disguised like a Country Maid, in love with Frederick. The Principal Parts by independent Ladies and Gentlemen. With a Prologue and Epilogue .

Afterpiece Title: The Battle Royal

Dance: In Act V of mainpiece a Masquerade, and a Minuet de la Cour by Master Corbyn and Miss Keen

Song: End of mainpiece most of the favourite airs from The Poor Soldier [singers not listed]. Vaudeville. End of afterpiece a short Pantomimical Scene, in which Harlequin will leap through a Hogshead on Fire

698
05 April 1791 @ Covent Garden

Event Comment: Mainpiece [1st time; T 5, by Robert Merry. Prologue by John Taylor. Epilogue by Miles Peter Andrews (see text)]: With new Scenes and Dresses. Oracle, 7 May 1791: This Day is published Lorenzo (1s. 6d.). Receipts: #187 3s. (182.19.6; 4.3.6)

Performances

Mainpiece Title: Lorenzo

Performance Comment: Principal Characters by Holman, Farren, Harley, Davies, Thompson, Evatt, Miss Brunton, Mrs Pope. [Cast from text (T. Cadell, 1791): Count Lorenzo-Holman; Don Guzman (Duke of Alba)-Farren; Don Fabio (Father of Seraphina)-Harley; Garcias (Friend of Lorenzo)-Davies; Gaspero-Thompson; Servant-Evatt; Zoriana-Miss Brunton; Seraphina (Duchess of Alba)-Mrs Pope; Prologue-Holman; Epilogue-Mrs Mattocks; [These were spoken, as here assigned, at all subsequent performances.] [These were spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: Two Strings to Your Bow

Cast
Role: A Sailor's life's a life of woe Actor: Mrs Harlowe, in place of The Greenwich Pensioner.
Role: I'm jolly Dick the Lamplighter Actor: Bernard
Role: Of the Ancients its speaking Actor: Johnstone
Role: How much I love thee Actor: Wilson
Role: Ben Backstay lov'd the gentle Anna Actor: Bannister
Role: 'Twas in the good ship Rover Actor: Bannister
Role: Sure an't the World a Masquerade Actor: Johnstone, Chorus

699
25 September 1792 @ Drury Lane Theatre

Event Comment: [The playbill assigns the Dauphin to Barrymore but, "Benson performed the Dauphin instead of Barrymore" (Thespian Magazine, Nov. 1792, p. 125). It is not stated who acted Duke of Gloster; doubling these two parts is not likely.] Account-Book: Paid The Prince of Wales's Porter for Performances in Cymon [on 31 Dec. 1791, et seq.] #13 10s. Receipts: #169 9s. 6d. (118.6.6; 46.8.0; 4.15.0)

Performances

Mainpiece Title: At King's King Henry The Fifth; Or, The Conquest Of France

Performance Comment: King Henry-Kemble; Duke of Gloster-Benson?; Duke of Bedford-Dignum; Duke of Exeter-Aickin; E. of Westmoreland-Sedgwick; Archbp. of Canterbury-Maddocks; Bishop of Ely-Jones; Cambridge-Webb; Scroop-Cooke; Grey-Bland; Erpingham-Waldron; Gower-R. Palmer; Nym-Burton; Fluellen-Baddeley; Bardolph-Alfred; Boy-Master Gregson; Pistol-Suett; Williams-Whitfield; Bates-Banks; King of France-Packer; Dauphin-Benson; Duke of Burgundy-Phillimore; Constable-Fawcett; Governor-Hollingsworth; Montjoy-Caulfield; Queen of France-Mrs Ward; Princess Katharine-Miss Collins; Hostess-Mrs Booth.
Cast
Role: Duke of Gloster Actor: Benson?
Role: Duke of Bedford Actor: Dignum
Role: Duke of Exeter Actor: Aickin
Role: Duke of Burgundy Actor: Phillimore

Afterpiece Title: The Liar

700
30 September 1662 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. Downes (p. 25) states that it was acted eight days successively, but as Pepys does not indicate whether he saw its first performance, the sequence of playing it is not known. Pepys, Diary: We [Mrs Pepys and Pepys] took coach and to the Duke's playhouse, where we saw The Duchess of Malfy well performed, but Betterton and Ianthe [Mrs Saunderson] to admiration. Downes (p. 25): This Play was so exceeding Excellently Acted in all Parts; chiefly, Duke Ferdinand and Bosola: It fill'd the House 8 Days Successively, it proving one of the Best of Stock Tragedies

Performances

Mainpiece Title: The Duchess Of Malfy

Performance Comment: Downes (Roscius Anglicanus, p. 25): Duke Ferdinand-Harris; Bosola-Betterton; Antonio-Smith; Cardinal-Young; Dutchess of Malfey-Mrs Betterton [Mrs Saunderson]; Julia-Mrs Gibbs; [The edition of 1678 lists other performers who could have acted on this occasion: Delio-Midburn? [Medbourne]; Castruchio-Richards?; Sylvio-Cademan?; Pescara-Norris?; Molateste-Price?; Cariolo=-Mrs Norris?.
Cast
Role: Duke Ferdinand Actor: Harris