SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "The Duke of New Castle"/1) | (@(roleclean,performerclean) "The Duke of New Castle")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 4081 matches on Event Comments, 3337 matches on Performance Title, 2721 matches on Performance Comments, 402 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece [1st time; CO 3, by Leonard Macnally; words to some of the songs by Edward Lysaght]: With new Music, Scenes and Dresses. The Music composed by Shield [with selections from Sacchini, Bertoni, Lord Mornington, &c. (Public Advertiser, 19 Apr.); overture by Baumgarten, being the same as that used by him in William and Nanny at CG, 12 Nov. 1779 (Town and Country Magazine, Apr. 1784, p. 171)]. Books of the Songs to be had at the Theatre. Public Advertiser, 30 Oct. 1784: This Day is published by J. Almon Robin Hood [listing cast for season of 1784-85] (1s. 6d.). [In the season of 1789-90 this was reduced to an afterpiece of 2 acts.] Receipts: #206 4s. (204/3; 2/1)

Performances

Mainpiece Title: Robin Hood; Or, Sherwood Forest

Afterpiece Title: Harlequin Rambler

Dance: End of mainpiece a New Dance by Le Bccuf and Mlle Constance (from the King's Theatre in Paris; 1st appearance)

Event Comment: Benefit for Nivelon. Tickets, half a guinea each, to be had of Nivelon, No. 80, near the Opera House, Hay-marlcet. Divertissement: Part of the music composed by Barthelemon. [A la Plus Sage has the same plot as La Rosiere de Salency (see 19 Mar. 1782). A synopsis of the action is printed in London Magazine, Mar. 1785, pp. 219-20.]

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I a New Divertissement, in which the 3 different Stiles of Dancing, viz., Serious, Demicharacter and Comic, by Lepicq, Mme Rossi, Sg and Sga Angiolini, with a Dance performed in Wooden Shoes by Nivelon, Frederic, Mlle Dorival; End of Opera a new Pastoral Ballet in 2 parts, composed by Gardel Sen., Ballet-master to the French Court, A la Plus Sage; ou, La Vertu Ricompensk, by Lepicq, Mme Rossi, Frederic, Sga Angiolini, Zuchelli, Henry, Mme Bithmer, Nivelon, Mlle Dorival

Performance Comment: , Serious, Demicharacter and Comic, by Lepicq, Mme Rossi, Sg and Sga Angiolini, with a Dance performed in Wooden Shoes by Nivelon, Frederic, Mlle Dorival; End of Opera a new Pastoral Ballet in 2 parts, composed by Gardel Sen., Ballet-master to the French Court, A la Plus Sage; ou, La Vertu Ricompensk, by Lepicq, Mme Rossi, Frederic, Sga Angiolini, Zuchelli, Henry, Mme Bithmer, Nivelon, Mlle Dorival . ou, La Vertu Ricompensk, by Lepicq, Mme Rossi, Frederic, Sga Angiolini, Zuchelli, Henry, Mme Bithmer, Nivelon, Mlle Dorival .
Event Comment: Benefit for Mme Rossi. Tickets, half a guinea each, to be had of Mme Rossi, No. 33, Pall-mall. 2nd ballet: With Grand Chorusses; the original Music by Matthew Locke is entirely preserved; the rest partly new [by Barthelemon], partly compiled from the most favourite Scotch Airs. "We cannot think last night's effort among the most successful . . . Lepicq and Rossi were the Macbeth and Lady--and considering the narrow boundaries of their art, which is tongue-tied, they discoursed 'with most miraculous organs.' Still, however, the whole of the material questions of the scene were agitated with all the disadvantages of contrast with comparative inefficience" (Public Advertiser, 18 Mar.)

Performances

Mainpiece Title: Il Curioso Indiscreto

Dance: End of Act I Divertissement, as17850224, with The Cossack; End of Opera a new Heroic Ballet (1st time; composed by Lepicq) founded on Shakespeare's Historical Play of Macbeth by Lepicq, Angiolini, Nivelon, Mme Rossi, Slingsby, Frederic, Sga Angiolini, Mlle Dorival. The Vocal Parts by Tasca, Franchi, Bartolini; Sga Dorta, &c. The Ballet to conclude with The Caledonian Reel

Performance Comment: The Vocal Parts by Tasca, Franchi, Bartolini; Sga Dorta, &c. The Ballet to conclude with The Caledonian Reel .
Event Comment: By Permission of the Lord Chamberlain. Under the Direction of Delpini. 1st piece: With a Kitchen Scene. [The new pantomime is identified in Public Advertiser, 16 Apr. The same newspaper on 2 Apr. states that it was the same as that produced at DL for Delpini's benefit in 1782 [10 May].]

Performances

Mainpiece Title: A New Pantomime [don Juan]

Performance Comment: Characters by Simonet, Henry, Menage, Mrs Dagville, Miss Cooper, the two Miss Simonets, and Clown-Delpini .

Afterpiece Title: The Deserter

Cast
Role: The Deserter Actor: Mme Dagville
Event Comment: A Comic Opera (1st time [in London; 1st performed at Venice, 1778]); the music entirely new by Salieri [with additions by Anfossi, Sacchini, Paisiello, Mazzoni, J. Mazzinghi]

Performances

Mainpiece Title: La Scuola De Gelosi

Dance: End of Act I Divertissement Villageois, as17860218; End of Opera a New Divertissement (composed by Giroux) by Vestris, Sga Carolina, Sga Crespi, Henry, Marseilles, Duquesney Jun., the two Mlles Simonet, Mlle Mozon, Fabiani (1st King's appearance in England)

Performance Comment: , the two Mlles Simonet, Mlle Mozon, Fabiani (1st King's appearance in England) .
Cast
Role: Thetis Actor: Mlle Mozon.
Event Comment: Benefit for Mme Mara. Tickets to be had of Mme Mara, No. 24, Henrietta-street, Cavendish-square. Opera: With the last Scene new

Performances

Mainpiece Title: Didone Abbandonata

Dance: End of Act I New Divertissement, as17860311End of Opera L'Amour Jardinier, as17860401, but added: Miss Hervey, and L'Amour-Miss De Camp

Cast
Role: Thetis Actor: Mlle Mozon.

Song: In the beginning of the 2nd act a Bravura Song by Mme Mara

Event Comment: Benefit for Edwin. 2nd piece [1st time; F 2, by George Colman, elder, based of L'Avocat Patelin, by David Augustin de Brueys. This is usually ascribed to William Macready. But on the title-page of his copy (K-D 295 in Huntington Library) J. P. Kemble has written "This Piece was not written by Mr Macready." Public Advertiser, 29 Aug. states that "Colman...presented Edwin upon this occasion with a new Farce, taken from a celebrated French Play." World, 15 Oct. 1787 refers to Colman's dislike of L'Avocat Patelin, but adds, "When [he] came to translate it himself, he found reason to alter his opinion."]. Public Advertiser, 25 Aug.: Tickets to be had of Edwin, No. 19, Piazza, Covent Garden

Performances

Mainpiece Title: Sir John Cockle, At Court

Performance Comment: King-Williamson; Sir John Cockle-Kemble; Sir Timothy Flash-Davies; French Cook-Wewitzer; Joe-Edwin; with The Tower of London-Edwin; Mrs Starch-Mrs Edwin; Miss Kitty-Mrs Brown.

Afterpiece Title: The Village Lawyer

Afterpiece Title: The Ghost; or, The Man Bewitch'd

Song: End 2nd piece: the new Four@and@twenty Fiddlers all on a Row-Edwin

Entertainment: Monologue End: Lingo's Opinions on Men and Manners (a Comical, Whimsical, Operatical, Farcical Rhapsody)-Edwin

Event Comment: Benefit for Mlle Hilligsberg. Tickets to be had of Mlle Hilligsberg, No. 1, Suffolk-street, Charing-cross. 1st ballet: With new Dresses and Scenery. Receipts not listed

Performances

Mainpiece Title: Gli Schiavi Per Amore

Dance: End I: an entire new ballet, composed by Noverre, Les Fetes de Tempe. Principal Characters-Mlle Hilligsberg, Mlle Coulon, Didelot, Vestris, Henry, the two Miss Simonets, Coulon

Performance Comment: Principal Characters-Mlle Hilligsberg, Mlle Coulon, Didelot, Vestris, Henry, the two Miss Simonets, Coulon.

Ballet: End Opera: L'Amour et Psiche. As17880129

Event Comment: A new Comic Opera [1st time; COM 2, librettist unknown]; the Music composed by Storace. "Signor Storace does not appear to have studied that art [of music] much in Italy; for he has entirely deviated from the usual plan of Italian authors...The overture anneunces entirely a French author, and the finales are in the German style of Gluck, loaded with harsh, terrifying music of trumpeting and drumming" (Public Advertiser, 6 Mar.). Receipts: !162 [non-subscription]

Performances

Mainpiece Title: La Cameriera Astuta

Dance: End Opera: Les Fetes de Tempe, as17880301End I: New Dance, as17880226; Pas de Bernois, as17880226; Pas de Trois, as17880226; Pas Seul, as17880226; Pas de Russe, as17880226; Pas de Cinq, as17880226; Pas de Sept, as17880226; General Dance, as17880226

Event Comment: Benefit for Vestris. Tickets to be had of Vestris, No. 8, Suffolk-street, Charing-cross. The Nobility and Gentry are requested to retire from behind the Scenes during the Representation of Euthyme et Eucharis, lest any Accident shodld happen through the falling of the Machinery, &c. 2nd ballet: With entire new Scenery and Dresses, &c. Receipts not listed

Performances

Mainpiece Title: Gli Schiavi Per Amore

Dance: End I: Les Fetes de Tempe-[see17880228]; End Opera: a new grand Tragic Ballet, never performed, Euthyme et Eucharis[, composed by Noverre. Principal Characters-Mlle Hilligsberg, Didelot, Mlle Coulon, Vestris, Sga Bedini, the two Miss Simonets, Mme Vedie, Henry, Jacolet, Saulnier, Sala, Coulon. [Partial cast from Lynham, 170: Eucharis-Mlle Hilligsberg; +Mars-Didelot; +Euthyme-Vestris; +L'Ombre-Henry; +Bellone-Coulon.

Performance Comment: Principal Characters-Mlle Hilligsberg, Didelot, Mlle Coulon, Vestris, Sga Bedini, the two Miss Simonets, Mme Vedie, Henry, Jacolet, Saulnier, Sala, Coulon. [Partial cast from Lynham, 170: Eucharis-Mlle Hilligsberg; +Mars-Didelot; +Euthyme-Vestris; +L'Ombre-Henry; +Bellone-Coulon.]
Event Comment: Benefit for Mrs Martyr. [1st piece in place of Look before You Leap, advertised on playbill of 10 Apr. This new farce was withdrawn from cg, and 1st acted at the hay, 22 Aug. 1788.] 2nd piece: In 3 acts. General Advertiser, 5 Apr.: Tickets to be had of Mrs Martyr, No. 28, Great Pultney-street. Receipts: #260 17s. (152.9; 3.17; tickets: 104.11)

Performances

Mainpiece Title: The Poor Soldier

Afterpiece Title: The Winter's Tale

Afterpiece Title: Tom Thumb

Song: End: The new Four@and@Twenty Fidlers-Edwin; In II 2nd piece: Come come my good Shepherds-Mrs Martyr

Entertainment: Monologue. End 2nd piece: A Description of the Curiosities in the Tower-Edwin

Performance Comment: End 2nd piece: A Description of the Curiosities in the Tower-Edwin.
Event Comment: A New Comic Opera (never performed [in London; 1st performed at Vienna, 1786]); the Music by Martini [i.e. Martin y Soler], under the direction of Mazzinghi. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. Those Subscribers of last season who have not yet signified their intention respecting the retaining of their Boxes are respectfully requested to send their names, in writing, to the Treasurer's office in Union-court, Hay-market, on or before Thursday next, the 15th inst., or the Manager will be under the necessity of disposing of the Boxes. Subscriptions are received and Tickets delivered as usual, at Messrs Ransom, Morland and Hammersley, No. 57, Pall-Mall. All persons claiming admission into the Opera House by Silver Tickets or Renters' Shares are requested to send the same to the Treasurer's Office as early as may be, that they may be examined and properly certified, otherwise they cannot be admitted. The Doors to be opened at 6:30. To begin at 7:30 [same throughout opera season]

Performances

Mainpiece Title: La Cosa Rara

Performance Comment: Principal Characters by Borselli, Forlivesi, Fineschi, Delicati, Torregiani, Sga Graziani, Sga Borselli, Sga Delicati. Cast from libretto (C. Etherington, 1789): Lubino-Borselli; Prince of Spain-Giuseppe Forlivesi; Corrado-Fineschi; Lisargo-Delicati; Tita-Paolo Torregiani; Queen of Spain-Sga Clementina Graziani; Ghita-Sga Elisabetta Borselli; Lilla-Sga Margherita Delicati.

Dance: End I: a New Divertissement-Didelot, Mlle Adelaide, the two Miss Simonets, Sala, Saulnier, Mlle Emilie Colombe, Beaupre, Duquesney, Mlle Normand; End Opera: L'Embarquement pour Cythere [composed by Didelot]-Didelot, Mlle Emilie Colombe, Beaupre, Duquesney, Mlle Adelaide, the two Miss Simonets, Sala, Saulnier, Mlle Normand

Event Comment: Benefit for Mlle Saulnier. The Gentlemen of the Orchestra are requested to attend at twelve o'clock the Rehearsal of the new Ballet for this Evening. World, 12 May: Tickets to be had of Mlle Saulnier, No. 34, Suffolk-street, Charing-cross

Performances

Mainpiece Title: La Vendemmia

Dance: End I: Admete, as17890402; End Opera: a new Ballet, composed in Paris by Gardel Sen. for Mlle Guimard, Ninette a la Cour , Ninette -Mlle Guimard

Event Comment: Benefit for Wrighten, prompter. 3rd piece [1st time; M I, author unknown. Music selected from Dr Arne. MS: Larpent 833 (which notes, "The words partly new and partly compiled. In Commemoration of the Restoration of His Majesty's Health"); not published]. Public Advertiser, 18 May: Tickets to be had of Wrighten, No. 6, Little Russel Street. Tickets delivered for the 20th will be admitted. Receipts: #278 17s. 6d. (48.2.0; 13.17.0; 0.17.6; tickets: 216.1.0) (charge: #106 13s. 7d.)

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: As17881020, but Manly-Whitfield; Lady Grace (1st time)-Mrs Farmer; Miss Jenny [without songs] (1st time)-Miss Raymond; Trusty-_; Mrs Motherly-_.
Cast
Role: Mrs Motherly Actor: Mrs Love

Afterpiece Title: The Toy Shop

Performance Comment: As17890511, but Master of the Toy Shop-Palmer; The other Characters-_Chaplin, _Alfred.

Afterpiece Title: Laoeudaimonos; or, A People Made Happy

Performance Comment: Principal Characters-Kelly, Dignum, Sedgwick, Miss Romanzini, Mrs Edwards, Mrs Crouch. [Larpent MS lists the parts: Britannia, Genius of England, Hope, Hygeia, Britons.] SCENE I. Cavern of Despairv. SCENE II. White Cliffs of Albionv. SCENE III. Grove of Hygeiav. SCENE IV. Temple of Gratitudev. In which will be displayed those Superb Transparencies which were exhibited at the Opera House, at the Grand Gala given [on 21 Apr.] in Commemoration of his Majesty's Recovery. The Capitals of the Transparencies will be ornamented with rich Festoons of different coloured Lamps, and the intervening Columns beautifully illuminated with variegated Fire. [There were three transparencies: the 1st representing George I, II and III, the 2nd King William, the 3rd the Prince of Wales and the Duke of Gloucester (World, 22 Apr.).]Larpent MS lists the parts: Britannia, Genius of England, Hope, Hygeia, Britons.] SCENE I. Cavern of Despairv. SCENE II. White Cliffs of Albionv. SCENE III. Grove of Hygeiav. SCENE IV. Temple of Gratitudev. In which will be displayed those Superb Transparencies which were exhibited at the Opera House, at the Grand Gala given [on 21 Apr.] in Commemoration of his Majesty's Recovery. The Capitals of the Transparencies will be ornamented with rich Festoons of different coloured Lamps, and the intervening Columns beautifully illuminated with variegated Fire. [There were three transparencies: the 1st representing George I, II and III, the 2nd King William, the 3rd the Prince of Wales and the Duke of Gloucester (World, 22 Apr.).]

Dance: End II: The Russian Minuet-the young D'Egvilles, Miss DeCamp; End: a new dance, The Irish Bird@Catchers-the young D'Egvilles, Miss Blanchet, Miss DeCamp

Event Comment: Benefit for Delpini. 3rd piece: 1st time at that Theatre [1st acted at the Royalty, 13 Aug. 1787]. Delpini's Grand, Tragic, Comic, Pantomimical Entertainment in 2 acts. With new Dresses and Decorations. The Music composed by Gluck, the Airs and Duett by Reeve. Public Advertiser, 9 May: Tickets to be had of Delpini, No. 17, Tavistock-street, Covent-garden. Receipts: #224 11s. (114.2; 7.18; tickets: 102.11)

Performances

Mainpiece Title: The Deserter

Afterpiece Title: Barataria

Performance Comment: As17881120, but Recorder-Wewitzer; Mary the Buxom-Mrs Delpini.
Cast
Role: Mary the Buxom Actor: Mrs Delpini.
Role: Duke Actor: Cubitt

Afterpiece Title: Don Juan; or, The Libertine Destroyed

Dance: End 1st piece: New Dance by Byrne-; In 3rd piece: Dancing-Byrne, Mrs Ratchford, Mrs Goodwin

Event Comment: Benefit for Sga Storace. A new Comic Opera, as originally performed at the Courts of Petersburgh and Vienna; the Music by Paisiello. Tickets to be had of Sga Storace, No. 23, Howland-street, Rathbone-place

Performances

Mainpiece Title: Il Barbiere Di Siviglia; Or, The Spanish Barber

Performance Comment: Almaviva-Kelly (of dl); Figaro-Borselli; Don Basilio-Torregiani; Don Bartolo-Benucci; Rosina-Sga Storace; The other Characters-Sga Delicati, Sga Giani; Libretto (L. Wayland, 1789) adds: Il Giovinetto-Delicati; Notaro-D@@; Alcade-Cardinale.
Related Works
Related Work: The Spanish Barber; or, The Fruitless Precaution Author(s): George Colman, the elder

Dance: End II: New Divertissement-[See17890110]; End Opera: La Nymphe et le Chasseur, as17890606

Music: End I: a Trio for Piano Forte Violin and Violoncello-Clementi, Cramer, Cervetto

Event Comment: Mainpiece [1st time; C 5, by John Philip Kemble]: Taken from [The Rover, by] Mrs Behn, with considerable Alterations. With new Dresses and Decorations. Receipts: #165 14s. 6d. (133.8.0; 31.14.0; 0.12.6)

Performances

Mainpiece Title: Love In Many Masks

Performance Comment: [Characters-Barrymore, R. Palmer, Wroughton, Kemble, Whitfield, Bannister Jun., Suett, Phillimore, Benson, Lyons, Webb, Maddocks, Alfred, Master Gregson, Master Grimaldi, Miss Gawdry, Fairbrother, Mrs Powell, Mrs Jordan, Mrs Kemble, Mrs Ward, Mrs Hedges, Mrs Heard, Miss Tidswell, Miss Barnes. Cast from text (T. and J. Egerton [1790]): Don Antonio-Barrymore; Don Pedro-R. Palmer; Belville-Wroughton; Willmore-Kemble; Frederick-Whitfield; Blunt-Bannister Jun.; Stephano-Suett; Sancho-Phillimore; Philippo-Benson; Sebastian-Lyons; Biskey-Webb; Officer-Maddocks; Soldier-Alfred; Antonio's Page-Master Gregson; Helena's Page-Master Grimaldi; Blunt's Boy-Miss Gawdry; Taylor-Fairbrother; Florinda-Mrs Powell; Helena-Mrs Jordan; Valeria-Mrs Kemble; Angelica-Mrs Ward; Moretta-Mrs Hedges; Callis-Mrs Heard [in text: Mrs Booth]; Lucetta-Miss Tidswell; Flower Girl-Miss Barnes.

Afterpiece Title: The Deaf Lover

Dance: End: a new Comic Dance, The Elopement; or, Marriage-a-la-Mode-the young D'Egvilles, Miss Blanchet, Miss DeCamp

Event Comment: Benefit for Baddeley. 2nd piece [1st time; INT 1, probably by Robert Baddeley. Larpent MS 865; not published]. Public Advertiser, 20 Apr.: Tickets to be had of Baddeley, No. 10, New Store-street, Bedford Square. Receipts: #320 9s. 6d. (94.18.0; 16.5.0; 0.12.6; tickets: 208.14.0) (charge: #117 10s. 6d.)

Performances

Mainpiece Title: A Trip To Scarborough

Afterpiece Title: Mordecai's Beard

Performance Comment: Mordecai (with a song in character, written by Collins, Author of The Brush)-Baddeley; O'Strap-Moody; Justice-Packer; Mittimus-Maddocks.

Afterpiece Title: The Romp

Dance: End I: As17900323

Song: End II: a new Masonic Song-Dignum

Entertainment: Monologue. End: The Picture of a Play@House; or, Bucks have at ye all-Bannister Jun

Performance Comment: End: The Picture of a Play@House; or, Bucks have at ye all-Bannister Jun.
Event Comment: Benefit for Labourie. Smith, 15: The Favourite Opera Dances for the year 1790...selected by F. Chabran contains selections from the previously mentioned ballets and Lauretta. This last title does not appear in newspaper records, but it was doubtless the "new ballet" announced for 22 April and subsequently

Performances

Mainpiece Title: L'usurpator Innocente

Dance: End I: La Jalousie sans Raison, as17900415; End Opera: an entire New Ballet- [See17900504]; [in which the Pas Russe-Labourie, Mlle Hilligsberg

Event Comment: Benefit for Blake. Tickets to be had of Blake, No. 60, Haymarket. 2nd ballet: With entire new scenery painted by Gaetano Marinari

Performances

Mainpiece Title: La Generosita D'alessandro

Dance: End I: Divertisement-Labourie, Mlle Hilligsberg; in which Pas Russe, as17900422; End Opera: [an entire new Pantomimical Dance, The Generous Slave[ Slave (for that night only)-Blake [and see17900527]

Event Comment: [2nd ballet: 1st produced by D'Auberval at Bordeaux in 1786. This appears to be a new version.

Performances

Mainpiece Title: Idalide

Dance: End I: Amphion et Thalie, as17910409; End Opera: an entire new Ballet in 2 acts (composed by D'Auberval), La Fille Mal Gardee-See17910610

Event Comment: A new Comic Opera; composed by Paisiello, under the direction of Mazzinghi. [The full name of this opera is L'Amore Contrastato; ossia, La Molinarella (see king's, 6 Dec. 1794).

Performances

Mainpiece Title: La Molinarella

Dance: End I: the new Divertissement-[i.e. Le Triomphe de la Folie, as17910503]; End Opera: La Fille Mal Gardee, as17910430

Event Comment: Benefit for Wild. 1st piece: Written originally by Shakspeare [see E. K. Chambers,@William@Shakespeare, 1930, I, 539-42], and revised by Theobald. Not acted these 26 years [acted 6 May 1767. Hoy is identified in Not. Dram.]. 2nd piece [1st time; P 1, by Mark Lonsdale; music by William Reeve. Not in Larpent MS; not published]: Being partly new, and partly selected from the much admired Pantomimes of the Rival Knights, Provocation, &c. &c. Oracle, 26 May: Tickets to be had of Wild, No. 31, Long-Acre. Receipts: #188 15s. (47.5; 7.16; tickets: 133.14)

Performances

Mainpiece Title: Double Falsehood; Or, The Distrest Lovers

Performance Comment: Julio-Holman; Duke Angelo-Harley; Roderick-Davies; Camillo-Munden; Shepherd-Blanchard; Don Bernard-Powel; Master of the Flock-Cubitt; Henriquez-A Gentleman (1st appearance on any stage [Hoy]); Violante-Mrs Wells; Leonora-Mrs Pope.
Cast
Role: Duke Angelo Actor: Harley
Role: Master of the Flock Actor: Cubitt
Related Works
Related Work: Double Falsehood; or, The Distrest Lovers Author(s): Lewis Theobald

Afterpiece Title: Tippoo Saib; or, British Valour in India

Afterpiece Title: Barnaby Brittle

Dance: In 2nd piece: Battle Dance-, and a Representation of English and British Grand Martial Procession

Song: I: Hark the Lark at Heaven's Gate sings (set by Dr Cooke)-Bannister, Johnstone, Incledon, Mrs Mountain; End II: Black Eyed Susan-Incledon; IV: Fond Echo Forbear thy fond sigh (written by Shakspeare [recte Lewis Theobald], and composed new for the Evening's Performance by Shield)-Mrs Mountain; In Pantomime: Poor Orra tink on Yanco dear (the music by Dibdin)-Mrs Mountain; The Gallant Soldier born to Arms (composed by Hook)-Incledon; Indian War Song-Bannister; The Tobacco Box: Tho' the Fate of Battle on Tomorrow wait-Johnstone, Mrs Warrell

Event Comment: A New Comic Opera; compsoed by Pietro Guglielmi; under the direction of Mazzinghi. Pit Half a Guinea. Gallery 5s. No Money to be returned. The Doors to be opened at 6:30. To begin at 7:30 precisely [see 14 Feb. 1792]. The Nobility and Gentry are intreated to give particular Orders to their Coachmen to set down and take up with their Horses' Heads towards Hyde Park. The Door in Blenheim Mews will be shut during the Performance and opened only for the Company to go in Chairs. Subscriptions are received at Messrs Ransom, Morland and Hammersly's, No. 57, Pall-mall. And the Nobility and Gentry are earnestly requested to send a complete List of the Subscribers to their respective Boxes as soon as possible, since (by express Orders) no Person, on any account, can be admitted without producing a proper Ticket

Performances

Mainpiece Title: La Pastorella Nobile

Performance Comment: Principal Parts by Lazzarini, Cipriani, the Messrs Lipparini, Sga Casentini, Sga Calvesi. Cast from libretto (H. Reynell, 1791): Il Marchese-Lazzarini; Don Calloandro-Cipriani; Don Polibio-Lipparini Sen.; Don Astianatte-Lipparini Jun.; Eurilla-Sga Casentini; Donna Florida-Sga Calvesi.

Dance: End I: a new Ballet Demi-Caractere, composed by D'Auberval, La Fontaine d'Amour-

Ballet: End II: a new Pantomimic, Anacreontic Ballet, composed by D'Auberval, L'Amant Deguise. Alcindor-Laborie; Ciane-Mlle Hilligsberg; Euphrosine-Mme Theodore D'Auberval; Satyre-D'Egville; Nymphs-Mlles Simonet; Cupidon-Mlle Menage

Performance Comment: Alcindor-Laborie; Ciane-Mlle Hilligsberg; Euphrosine-Mme Theodore D'Auberval; Satyre-D'Egville; Nymphs-Mlles Simonet; Cupidon-Mlle Menage.
Event Comment: 2nd ballet: With new Dresses, Scenes and Decorations. "The Simonets were very unexpectedly introduced as vocal performers; they sung a duet in the Seraglio Scene, accompanied on the harp by young Meyer, which was very pleasing" (Morning Herald, 16 Apr.)

Performances

Mainpiece Title: La Discordia Conjugale

Dance: End I: Divertisement, as17920214

Ballet: End Opera: [an entire new Grand Pantomimic Ballet (1st time; composed by D'Auberval music by Mazzinghi]), La Foire de Smirne; ou, Les Amans Reunis. Pacha-D'Egville; Laboriski-Laborie; Almozadin-DeLaChapelle; Marchand d'Esclaves, Zerbero-Fialon; Hilligska-Mlle Hilligsberg; Theodora-Mme D'Auberval; Fatime-Mlle Rosine Simonet; Zelie-Mlle Leonore Simonet; Zorzi-Mlle Menage

Performance Comment: Pacha-D'Egville; Laboriski-Laborie; Almozadin-DeLaChapelle; Marchand d'Esclaves, Zerbero-Fialon; Hilligska-Mlle Hilligsberg; Theodora-Mme D'Auberval; Fatime-Mlle Rosine Simonet; Zelie-Mlle Leonore Simonet; Zorzi-Mlle Menage.
Cast
Role: Theodora Actor: Mme D'Auberval