SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Temple"/1) | (@(roleclean,performerclean) "Temple")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 443 matches on Roles/Actors, 144 matches on Event Comments, 61 matches on Performance Comments, 35 matches on Performance Title, and 0 matches on Author.
Event Comment: The United Company. The play is probably The Spanish Curate rather than Dryden's The Spanish Fryar, for the latter, on 8 Dec. 1686, was ordered not to be acted. The players received the customary fee of #20. See A Calendar of the Inner Temple Records, ed. Inderwick, III, 244

Performances

Mainpiece Title: The Spanish Priest

Event Comment: The United Company. These players received the customary fee of #20. See A Calendar of the Inner Temple Records, ed. Inderwick, III, 255

Performances

Mainpiece Title: The Cheats Of Scapin

Event Comment: The United Company. The players received the customary fee of #20. See A Calendar of the Inner Temple Records, ed. Inderwick, III, 271

Performances

Mainpiece Title: The Squire Of Alsatia

Event Comment: The United Company. The company received the customary fee of #20 for this performance. See A Calendar of the Inner Temple Records, III, 286. This play was also reprinted in 1691

Performances

Mainpiece Title: Amphitryon

Event Comment: An unknown play was acted by the United Company for the usual fee of #20. See A Calendar of the Inner Temple Records, III, 294

Performances

Event Comment: Newdigate newsletters, 29 Sept. 1696: The Close of least Week one of our merry Andrews or Jack Puddings in Bartholomew ffaire stood in ye Pillory at Temple Bar for saying upon ye publick Stage yt in a little tyme Piggs would be roasted by ye flames of Exchange Telleyes & yt Bank Bills should Singe ye Haire of ym off. Transcribed by Professor John Harold Wilson

Performances

Event Comment: Betterton's Company. The fee of #20 was paid to John Miles, an officer of Betterton's Company. See Calendar of the Inner Temple Records, III, 342

Performances

Mainpiece Title: The Spanish Fryar; Or, The Double Discovery

Event Comment: Betterton's Company. It is not certain that this play was given at this time, but Vanbrugh, writing on 25 Dec. 1699, states that Thomas Dogget, who had been acting in Norwich, was in London "last Week," and acted six times, presumably on 18, 19, 20, 21, 22, 23 Dec. 1699. The Amorous Widow is a likely play for this week, as Barnaby Brittle was one of Dogget's best roles. In addition, the Inner Temple, which usually requested popular plays, selected it for its revels on 3 Feb. 1699@1700. Nearly all the individuals in the cast in the 1710 edition acted in London during this season, with two exceptions: Fieldhouse and Mrs Hunt. Their roles may have been played by them or by other performers if they were not in the company at this time. I owe the suggestion that this was the play in which Dogget appeared to Professor Lucyle Hook

Performances

Mainpiece Title: The Amorous Widow; Or, The Wanton Wife

Cast
Role: Sir Peter Pride Actor: Freeman
Role: Cuningham Actor: Verbruggen
Role: Lovemore Actor: Betterton
Role: Barnaby Brittle Actor: Dogget
Role: Jeffrey Actor: Fieldhouse
Role: Clodpole Actor: Bright
Role: Merryman Actor: Underhill
Role: Lady Laycock Actor: Mrs Leigh
Role: Lady Pride Actor: Mrs Willis
Role: Mrs Brittle Actor: Mrs Bracegirdle
Role: Philadelphia Actor: Mrs Porter
Role: Prudence Actor: Mrs Hunt
Role: Damaris Actor: Mrs Prince.
Event Comment: Betterton's Company. See A Calendar of the Inner Temple Records, III, 357

Performances

Mainpiece Title: The Amorous Widow; Or, The Wanton Wife

Event Comment: [See Calendar of the Inner Temple Records, III, 424.

Performances

Mainpiece Title: The Busie Body

Event Comment: See A Calendar of the Inner Temple Records, IV, 24, and Ryder, pp. 177-78

Performances

Mainpiece Title: The Chances

Performances

Mainpiece Title: Humphrey, Duke Of Gloucester

Performance Comment: Edition of 1723 lists: Humphrey-Booth; Richard Plantagenet, Duke of York-Mills; Richard Novil, Earl of Salisbury-Thurmond; Richard Nevil, Earl of Warwick-Williams; Henry Beaufort, Cardinal and Bishop of Winchester-Cibber; William de la Pole, Duke of Suffolk-Watson; Humphrey Stafford, Duke of Buckinham-Mills Jr; Margaret-Mrs Oldfield; Eleanor, Dutchess of Gloucester-Mrs Porter; Prologue by Bartholomew Paman of the Middle Temple-Booth; Epilogue-Mrs Oldfield.
Event Comment: At the King's Arms Tavern near Temple Bar. At the Desire of several Gentlemen in the Neighbourhood. At 6 p.m

Performances

Mainpiece Title: Medley

Cast
Role: Epilogue Actor: Tony Aston.

Entertainment: Comical Songs-; The Drunken Man-

Event Comment: Benefit Temple and Moses. At the particular Desire of several Gentlemen and Ladies

Performances

Mainpiece Title: The Constant Couple

Cast
Role: Clincher Jr Actor: Bardin
Role: Lady Darling Actor: Mrs Palmer
Role: Parly Actor: Mrs Thomas
Role: Sir Harry Actor: Giffard
Role: Standard Actor: Smith
Role: Vizard Actor: W. Williams
Role: Smugler Actor: Collet
Role: Beau Clincher Actor: Penkethman
Role: Young Clincher Actor: W. Bullock
Role: Dicky Actor: Eaton
Role: Tom Errand Actor: R. Williams
Role: Lady Lurewell Actor: Mrs Giffard
Role: Angelica Actor: Mrs Haughton

Afterpiece Title: Harlequin Turn'd Dancing-Master

Dance: Sandham, Miss Sandham

Event Comment: Benefit Carey. With some Additional Songs proper to the Characters, which will be printed, and given Gratis to all Persons at their Entrance. [A Tragedy of half an act entitled Did You Ever See The Like? was advertised as an afterpiece for this day 1n Fog's, 28 Nov.] Daily Post, 3 Dec.: Our Friend Harry Carey having this Night a Benefit...the Powers of Music, Painting, and Poetry, assemble in his Behalf, he being an Admirer of the three Sister Arts: The Body of Musicians meet in the Hay-market, from whence they march in great Order, preceded by a magnificent moving Organ, in Form of a Pageant, accompany'd by all Kinds of Musical Instruments ever in Use, from Tubal Cain to this Day: A great Multitude of Booksellers, Authors and Printers, form themselves into a Body at Temple-Bar, from whence of Printers Devils, with their proper Implements: Here the two Bodies of Music and Poetry are joined by the Brothers of the Pencil, where taking a Glass of Refreshment at the Bedford-Arms, they make a solemn Procession to the Theatre, amidst an innumerable Croud of Spectators

Performances

Mainpiece Title: Greenwich Park

Song: A Dialogue of Mr Henry Purcell-Mrs Carey, Miss Raftor; A Cantata of Mr Carey's-Miss Raftor

Dance: Essex, Lally, Rainton, Mrs Walter, Miss Robinson, Miss Brett

Event Comment: DDevil Tavern at Temple-Bar. 6 p.m. 5s

Performances

Mainpiece Title: Concert

Music: Lesson on Harpsichord, sounds a Trumpet Piece-Birk Thumoth

Event Comment: Benefit Temple, Boxkeeper; and Gibbs, Pit Keeper. At the particular Desire of several Persons of Quality

Performances

Mainpiece Title: Othello, Moor Of Venice

Cast
Role: Cassio Actor: Giffard.
Role: Roderigo Actor: Miller.
Role: Othello Actor: Delane, from Dublin
Role: Iago Actor: Rosco
Role: Brabantio Actor: Smith
Role: Duke Actor: Bardin
Role: Gratiano Actor: Williams
Role: Montano Actor: Havard
Role: Desdemona Actor: Mrs Giffard
Role: Emilia Actor: Mrs Haughton.

Afterpiece Title: The Lovers Opera

Song: I: Singing in Italian-Mrs Hill; II: Singing in English-Mrs Hill; III: Another Italian Song-Mrs Hill; V: New Mad Tom-a Gentleman from Oxford

Dance: IV: Miss Wherrit

Event Comment: Benefit Temple and Bowcher, Boxkeepers. At the particular Desire of several Persons of Quality and Distinction

Performances

Song: I: Love and Wine by the Author of Bacchus One Day Gaily Striding-; III: The Despairing Shepherd-Excell

Dance: IV: Friendly Lasses-Miss Wherrit, Miss Sandham; V: Masquerade Dance-Vallois, Mrs Bullock

Event Comment: At the particular Desire of several Persons of Quality. Mainpiece: Written by the late J. Addison, Esq. N.B. The Letter from some Gentlemen of the Inner-Temple (desiring the first Part of King Henry the Fourth to be play'd soon) was receiv'd, and, in Compliment to their Request, that Play will be Acted on Tuesday next

Performances

Mainpiece Title: Cato

Cast
Role: Cato Actor: Quin
Role: Juba Actor: W. Mills
Role: Sempronius Actor: Mills
Role: Syphax Actor: Cibber
Role: Portius Actor: Milward
Role: Marcus Actor: Cross
Role: Lucius Actor: Winstone
Role: Decius Actor: Hewitt
Role: Marcia Actor: Mrs Thurmond
Role: Lucia Actor: Mrs Butler

Afterpiece Title: The Burgo-Master Trick'd

Dance: As17340919

Performances

Mainpiece Title: The Author's Farce

Afterpiece Title: The Mistake; or, The Lover's Quarrel

Performance Comment: By Men and Women. Concluding with the Grand Machine of the Royal Nuptials of the Prince of Orange in the Temple of Hymen .
Event Comment: Thomas Gray to Horace Walpole, 3 Jan.: I went to King Arthur last night, which is exceeding fine; they have a new man to supply Delane's place, one Johnson, with ye finest person & face in the world to all appearance; but as awkward, as a Button-maker; in short, if he knew how to manage his Beauties to advantage, I should not wonder, if all the Women run mad for him: the inchanted part of the play, is not Machinery, but actual magick: the second scene is a British temple enough to make one go back a thousand years, & really be in ancient Britain: the Songs are all Church-musick, & in every one of ye Chorus's Mrs Chambers sung ye chief part, accompanied with Roarings, Squawlings & Squeakations dire. Mrs Giffard is by way of Emmeline, & should be blind, but, heaven knows! I would not wish to see better than she does, & seems to do; for when Philidel restores her to sight, her eyes are not at all better than before; she is led in at first, by a Creature, yet was more like a Devil by half, than Grimbald himself; she took herself for Madame la Confidente, but every body else took her to be in the Circumstances of Damnation: when Emmeline comes to her sight, she beholds this Mrs Matilda first, & cries out Are Women all like thee? such glorious Creatures! which set the people into such a laugh, as lasted the whole Act: the Frost Scene is excessive fine; the first Scene of it is only a Cascade, that seems frozen: with the Genius of Winter asleep & wrapt in furs, who upon the approach of Cupid, after much quivering, & shaKing sings the finest song in the Play: just after, the Scene opens, & shows a view of arched rocks covered with Ice & Snow to ye end of ye Stage; between the arches are upon pedestals of Snow eight Images of old men & women, that seem frozen into Statues, with Icicles hanging about them & almost hid in frost, & from ye end come Singers, viz: Mrs Chambers, &: & Dancers all rubbing their hands & chattering with cold with fur gowns & worsted gloves in abundance. Gray, Correspondence, I, 36-37
Event Comment: By John Lockman. Set to Music by Mr Boyce. By the Apollo Society in the Devil Tavern, Temple Bar. [See Deutsch, Handel, p. 404.]

Performances

Mainpiece Title: David's Lamentation Over Saul And Jonathan

Event Comment: Benefit a Stranger. 6 p.m. At the Devil Tavern at Temple-Bar

Performances

Mainpiece Title: Concert

Music: [Of his the Stranger's] own Composition, in which he will performViola Domor

Event Comment: Benefit Hamilton, Mlle Roland, Miss Norris. Tickets for Deshaln, Temple, Master Nansan also taken. Mainpiece: In Imitation of Shakespear

Performances

Mainpiece Title: King Charles The First

Afterpiece Title: The Honest Yorkshireman

Song: I: Dialogue (composed by Purcell)-the Masters Hamilton; III: A Song of Lord Flame's out of the Opera of All Alive and Merry-Master W. Hamilton

Dance: II: Tambourine-Mlle Roland; V: A new Serious Dance-Mlle Roland

Event Comment: Benefit Biddle, late of Temple-Bar. [The theatre closed for the season after this performance.

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Contrivances