SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "T C"/1) | (@(roleclean,performerclean) "T C")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2824 matches on Roles/Actors, 1326 matches on Event Comments, 797 matches on Performance Comments, 110 matches on Performance Title, and 12 matches on Author.

Performances

Mainpiece Title: I'll Tell You What

Afterpiece Title: The Dead Alive

Performances

Mainpiece Title: The Choleric Fathers

Afterpiece Title: Appearance is against Them

Dance: End of Act II of mainpiece The Recruiting Serjeant [performers not listed (see17851007)]; End of mainpiece new dance, The Piping Pedlar, by Byrn and Mrs Goodwin

Event Comment: [Mrs Siddons's 1st appearance as Mrs Lovemore was at Bath, 31 Oct. 1778. Afterpiece in place of The Humourist, announced on playbill of 25 Nov.] "[Mrs Siddons's] retort courteous, mimicry of laugh, and listless indifference of Lovemore were truly excellent . . . [Miss Farren's] descriptions of Ranelagh Ladies meeting, &c. were highly seasoned, and had an excellent counterpart in Smith's appendix" (Public Advertiser, 28 Nov.). Receipts: #232 2s. 6d. (219/3/0; 12/17/0; 0/2/6)

Performances

Mainpiece Title: The Way To Keep Him

Performance Comment: Lovemore-Smith; Sir Brilliant Fashion-Dodd; William-Baddeley; Sideboard-Burton; John-Phillimore; Sir Bashful Constant-King; Widow Belmour (with a song in character)-Miss Farren; Muslin-Miss Pope; Lady Constant-Mrs Brereton; Mignionet-Miss Hale; Mrs Lovemore-Mrs Siddons(i st appearance in that character [in London]) .in London]) .

Afterpiece Title: The Quaker

Performances

Mainpiece Title: The Strangers At Home

Afterpiece Title: All the World's a Stage

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Omai; or, A Trip round the World

Performances

Mainpiece Title: The Heiress

Afterpiece Title: The Quaker

Song: In Act II a song in character by Mrs Crouch. [This was For tenderness formed, adapted by Linley Sen. from Saper bramate in; Barbiere di Siviglia by Paisiello. It was sung, as here assigned, in all subsequent performances.]

Performances

Mainpiece Title: The Roman Father

Afterpiece Title: Love in a Camp; or, Patrick in Prussia

Performances

Mainpiece Title: Didone Abbandonata

Dance: End of Act I Divertissement by Vestris, Henry, Duquesney [Jun.], the two Mlles Simonet, Mlle Mozon, &c.; End of Opera Divertissement Villageois, as17860218

Performances

Mainpiece Title: Zenobi A

Performance Comment: Rhadamistus-Pope (1st appearance in that character); Pharasmanes-Aickin; Megistus-Hull; Zopiron-Davies; Tigranes-Fearon; Teribazus-Farren (1st appearance in that character); Zelmira-Mrs Inchbald; Zenobia-Mrs Pope (1st appearance in that character, and only time of performing this season). An Occasional Epilogue spoken by Mrs Pope .

Afterpiece Title: The April Fool

Dance: End of Epilogue, as17860504

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Deserter

Dance: As17860522

Song: End of Act in of mainpiece a Hunting Duett (composed by J. Danby) by Dignum and [C] Danby

Performances

Mainpiece Title: The Disbanded Officer; Or, The Baroness Of Bruchsal

Afterpiece Title: The Quaker

Performances

Mainpiece Title: The Strangers At Home

Afterpiece Title: The Critic; or, A Tragedy Rehears'd

Event Comment: Mainpiece [1st time; CO 3, by Leonard Macnally, adapted from the same, by Michel Jean Sedaine. Not in Larpent MS; not published; synopsis of plot in Morning Chronicle, 17 Oct. For text of abridged version see 21 Oct.]: Taken from the celebrated French Opera of that Name. With the original Overture, Airs, Duetts, Trios, Chorusses and Finale, by the celebrated Gretry. To which are added Compositions by the following Masters; Anfossi, Bertoni, Duni, David, Rizzio, Carolan, Tenducci, and Shield. With new Dresses, Scenery and other Decorations. Books of the Songs to be had at the Theatre. [The printed score (Longman & Broderip, c. 1786) indicates that the music was adapted by Shield; it does not refer to Duni, Rizzio or Tenducci, but includes Philip Hayes and John Wilson. After the 1st 4 performances the mainpiece was reduced to an afterpiece of 3 short acts; see 21 Oct.] Account-Book, 28 Nov.: Paid Macnally in full for Coeur de Lion #121 18s. 6d. "Inchbald we thought [was] rather hardly dealt with. His voice happened to fail him in a particular turn of the tune he was singing, and some of the audience were ungenerous enough to disconcert him so far that he made a modest bow and retired [leaving his part unfinished. In consequence of this] a duet that was to have been sung by the King from the battlements of the castle, and Blondel without the walls, on which the turn of the fable hinged, was omitted; a circumstance that could not but materially affect the intrinterest, as it destroyed the connexion of the fable" (Morning Chronicle, 17 Oct.). [The following day Inchbald withdrew from his engagement at cg.] Receipts: #249 12s. 6d. (247.11.6; 2.1.0)

Performances

Mainpiece Title: Richard Coeur De Lion

Afterpiece Title: The Romp

Performances

Mainpiece Title: He Wou'd Be A Soldier

Afterpiece Title: Richard Coeur de Lion

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Enchanted Castle

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: The First Floor

Dance: End III: a new Dance, La Soiree Provencalle-the two young D'Egvilles, Miss DeCamp

Performances

Mainpiece Title: Such Things Are

Afterpiece Title: The Enchanted Castle

Performances

Mainpiece Title: Julia; Or, The Italian Lover

Afterpiece Title: The First Floor

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Midnight Hour

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Miss in her Teens

Song: Between acts: The Soldier tired of War's Alarms-a little boy [Master Braham]

Entertainment: Monologue Preceding: Occasional Address-Palmer

Performances

Mainpiece Title: The Country Attorney

Afterpiece Title: Harvest Home

Performances

Mainpiece Title: Transformation

Afterpiece Title: The Spanish Barber

Performance Comment: As17870613 but Count Almaviva-Bannister Jun.

Afterpiece Title: English Readings

Dance: End: a Pas de Deux Provencale-the two Miss Simonets

Entertainment: In the course of the Evening's Entertainments various Imitations-Bannister Jun

Ballet: End 3rd piece: a grand dance, never performed, Gli Schiavi per Amore. Bastiano Amazzagatta-young D'Egville; Mons. Perruque-young Giorgi; Don Berticco-George D'Egville; Mad. Neri-Miss Blanchet; Glinda-Miss DeCamp

Performances

Mainpiece Title: The Pilgrim

Afterpiece Title: All the World's a Stage

Dance: End I: a New Dance-Hamoir, Ferrere, the Miss Stageldoirs; End III: The Capricious Lovers, as17870920; End IV: another New Dance-Hamoir, Ferrere, the Miss Stageldoirs

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Performance Comment: Sir John Falstaff-Ryder; King-Aickin (1st appearance in that character); Prince of Wales-Lewis; Sir Richard Vernon-Farren; Worcester-Fearon; Poins-Davies; Francis-Edwin; Sir Walter Blount-Macready; Bardolph-Rock; Douglas-Cubitt; Carriers-Wewitzer, Booth; Gadshill-Ledger; Peto-Stevens; Hotspur-Pope (1st appearance in that character); Hostess-Mrs Pitt; Lady Percy-Mrs Inchbald.

Afterpiece Title: The Enchanted Castle

Performances

Mainpiece Title: The New Peerage

Dance: In afterpiece: Ferrere, the Miss Stageldoirs