SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Solomon Paul Juliot"/1) | (@(roleclean,performerclean) "Solomon Paul Juliot")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 392 matches on Performance Comments, 64 matches on Performance Title, 51 matches on Event Comments, 26 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Battle Of Eddington; Or, British Liberty

Afterpiece Title: Ways and Means

Performance Comment: Sir David Dunder-Baker; Young Random-Egerton; Scruple-Holmes; Old Random-Brent; Carney-Wilson; Paul Peery-Jones; Tiptoe-Meredith; Lady Dunder-Mrs Sincock; Harriet-Mrs Brent; Kitty-A Young Lady [unidentified].unidentified].
Cast
Role: Paul Peery Actor: Jones

Song: Mainpiece: Vocal Parts-Denman, Walker, Willoughby, Master Willoughby, Master Woodham, Mrs Laver, A Young Lady [probably Miss Jones (see17970510)]

Entertainment: Monologue.End: The Picture of a Playhouse ; or, Bucks have at ye all-Meredith

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: The Waterman

Afterpiece Title: Harlequin and Oberon

Performance Comment: As17970526, but Principal Vocal Parts-Master _Woodham, Master _Platt, Master _Goodwin, Master _Paul, Master _Ramage, Master _Speare, Master _Bernard; Principal Pantomime Characters-Mrs _Gilbert, Mrs _Norton, Mrs _Lloyd, Mrs _Blurton.

Entertainment: Vaudeville. In 3rd piece: (for that Night only) a Leap through a Wheel of Fire@Works and a Hoop of Daggers-Simpson

Performances

Mainpiece Title: The Duenna

Performance Comment: Antonio (by permission of the Managers of Vauxhall)-Dignum; Ferdinand-Clarke (from the Theatre Royal Edinburgh; 1st appearance on this stage); Don Jerome-Powel; Isaac-Baker; Father Paul-Haymes; Lopez-Pitt; Starved Friar-Evans; Carlos (by Permission of the Proprietors of the king's Theatre)-Braham (1st appearance in that character, and on this stage); Louisa-Mrs Martyr; The Duenna-Mrs Wentworth; Clara (by Permission of the Proprietors of the king's Theatre)-Sga Storace.
Cast
Role: Father Paul Actor: Haymes

Dance: End II: Peggy's Love (by permission of the Proprietors of the king's Theatre), as17970614 End Opera: Cupid and Psyche, as17970614 With Corps de Ballet from the Opera House

Performances

Mainpiece Title: The Duenna

Performance Comment: Isaac-Quick; Don Jerome-Munden; Ferdinand-Johnstone; Antonio-Townsend; Father Paul-Waddy; Lopez-Farley; Carlos (with the Battle Song, composed by Shield, from The Italian Villagers)-Incledon; The Duenna-Mrs Davenport; Louisa-Mrs Martyr; Clara-Mme Mara (1st appearance in that character).
Cast
Role: Father Paul Actor: Waddy

Afterpiece Title: Catherine and Petruchio

Afterpiece Title: Forecastle Fun; or, Saturday Night at Sea

Song: End 1st piece: All I wish in her obtaining-Mme Mara, Incledon; In the course of the Evening: Black Ey'd Susan, Old Towler, Young William, The Storm-Incledon

Performances

Mainpiece Title: Ways And Means

Performance Comment: Sir David Dunder-Bannister Jun.; Old Random-Aickin; Young Random-Palmer; Scruple-Caulfield; Roundfee-Suett; Quirk-Wewitzer; Tiptoe-Wathen; Carney-Hollingsworth; Paul Peery-Sparks; Lady Dunder-Mrs Walcot; Harriet-Miss Heard; Kitty-Miss Mellon; Mrs Peery-Miss Tidswell.
Cast
Role: Paul Peery Actor: Sparks

Afterpiece Title: The Wedding Day

Afterpiece Title: Blue-Beard

Song: In course: Fal Lal , from The Cherokee,-Mrs Bland

Entertainment: End 2nd piece: a variety of Imitations (for that night only)-Caulfield

Performances

Mainpiece Title: The Horse And The Widow

Afterpiece Title: Inkle and Yarico

Afterpiece Title: The School for Arrogance

Performance Comment: Count Conolly Villars-Holman; M'Dermot-Johnstone; Mr Dorimont-Hull; Sir Paul Peckham-Waddy; Sir Samuel Sheepy-Munden; Picard-Farley; Exempt-Thompson; Bailiff-Wilde; Lucy-Miss Chapman; Lydia-Miss Sims; Lady Peckham-Mrs Mattocks.
Cast
Role: Sir Paul Peckham Actor: Waddy

Dance: In II 2nd piece: Negro Dance, as17990513, but added: Blurton

Song: In course Evening: Young William was a Seaman true-Incledon; A favorite new song-Miss Waters; comic song-Munden; Old Towler-Incledon; Boxing the Compass-Fawcett

Performances

Mainpiece Title: The Rage

Performance Comment: Gingham-Knight; Darnley-Holman; Flush-Munden; Savage-Fawcett; Sir Paul Perpetual-Emery; Signor Cygnet-Farley; Sir George Gauntlet-Claremont; Ready-Davenport; Lady Sarah Savage-Mrs Mattocks; Clara Sedley-Miss Murray; Mrs Darnley-Mrs Pope.
Cast
Role: Sir Paul Perpetual Actor: Emery

Afterpiece Title: The Critic; or, A Tragedy Rehears'd

Song: End IV: Sally in our Alley-Incledon; End: Black Ey'd Susan-Incledon; Afterpiece conclude: Rule Britannia-Incledon, Townsend, Hill, Chorus

Performances

Mainpiece Title: The Duenna

Performance Comment: Isaac Mendoza-Quick; Ferdinand-Clarke (by Permission of the Proprietors of the Theatre Royal, Drury-Lane); Don Jerome-Baynes (1st appearance on this stage); Antonio-Hill; Father Paul-Thompson; Lopez-Wilde; Don Carlos-A Lady (1st appearance [Mrs Baster]); The Duenna-Mrs Whitmore; Louisa-Mrs Martyr; Clara-Mrs Atkins (1st appearance in that character).
Cast
Role: Father Paul Actor: Thompson

Afterpiece Title: The Sultan

Dance: End I: Hornpipe-Miss Rogers (2nd appearance on any stage see18000611); In course Evening: by Permission of the Proprietors of the Royal Circus, a new Anacreontic Pantomimical Ballet, composed by Byrne, The Animated Statue Principal Characters-Byrne, Mrs Byrne, Platt, Mrs Watts, the three Miss Adams', Master Byrne

Song: End: Laughing Song-Dighton

Entertainment: After Singing: Imitations-Rees (positively his last appearance on any stage)

Event Comment: The United Company. The date of the first performance is not precisely known, but by 9 May 1693 it had been acted four times (see Dryden's letter, below); on the other hand, the Gentleman's Journal, February 1692@3 (issued in March) had stated that D'Urfey's new farce would not appear until after Easter. Hence, it may well have been the first new play after Passion Week. A dialogue, Behold, the man with that gigantick might, the music by Henry Purcell and sung by Mr Reading and Mrs Ayliff, is in Orpheus Britannicus, 1690. See Purcell's Works, Purcell Society, XXI (1917), viii-x. A dialogue, By these pigsnes eyes that stars do seem, the music by John Eccles and sung by Dogget and Mrs Bracegirdle, is in Joyful Cuckoldom, ca. 1695. Another, Stubborn church division, folly, and ambition, to a Ground of Mr Solomon Eccles, is in Thesaurus Musicus, 1694. And Maiden fresh as a rose, the verse by D'Urfey and sung by Pack, but not printed in the play, is in The Merry Musician, I (1716), 56-57. This last song may have been for a later revival. Gentleman's Journal, April 1693 (issued in May 1693): Since my last we have had a Comedy by Mr Durfey; 'tis called the Richmond Heiress or a Woman once in the right (p. 130). Dryden to Walsh, 9 May 1693: Durfey has brought another farce upon the Stage: but his luck has left him: it was sufferd but foure dayes; and then kickd off for ever. Yet his Second Act, was wonderfully diverting; where the scene was in Bedlam: & Mrs Bracegirdle and Solon [Dogget] were both mad: the Singing was wonderfully good, And the two whom I nam'd, sung better than Redding and Mrs Ayloff, whose trade it was: at least our partiality carryed it for them. The rest was woeful stuff, & concluded with Catcalls; for which the two noble Dukes of Richmond and St@Albans were chief managers (The Letters of John Dryden, pp. 52-53)

Performances

Mainpiece Title: The Richmond Heiress; Or, A Woman Once In The Right

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: Damon and Phillida

Performance Comment: Damon-Beard; Phillida-Mrs Clive; in which characters will be introduced the Favourite Duetto in Solomon, Composed by Mr Boyce-Beard, Mrs Clive.

Song: II: New Song by Handel-Beard; IV: To Arms, Britons Strike Home-Leveridge, Beard, Reinhold

Dance: III: Scotch Dance, as17431124; V: Ballet-Cooke, Mlle Domitilla

Event Comment: Benefit for Vaughan and Evans [Box-Keepers). [Handel's Oratorios Solomon and Susanna published and the favorite songs in the Comic opera Li Tre Cicisbei Ridicoli.

Performances

Mainpiece Title: The Committee

Afterpiece Title: Damon and Phillida

Dance: J. Granier, J. Granier's Sister

Event Comment: BBrooks dead and remov'd from Salary list. Smith in his place. Paid Solomon Samuel for a suit of crimson velet and a blue damask'd waistcoat silver lac'd #4 4s. Salary list 4 days #203 7s. Norton 6 Chorus #1 10s. Mrs Hobson a bill 16s. (Treasurer's Book). Receipts: #180 (Cross); #173 7s. (Treasurer's Book)

Performances

Mainpiece Title: The Roman Father

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Quaker

Performance Comment: The Parts of Lubin, Steady, Solomon, Gillian-The Performers from the Theatres who exhibit in the Play.

Performances

Mainpiece Title: The Fair Refugee; Or, The Rival Jews

Performance Comment: Principal Characters by Jackson, Cartwright, Holland, Osborne, Frederic, Mitchell, Edwards, Porter, Henley, Connell (with a new Irish sons in character); A Young Lady (1st appearance [unidentified]), Mrs Bolton, Mrs Cartwright, Mrs Ponsonby, Mrs Henley, A Lady (2nd appearance [unidentified]). [Larpent MS lists the parts: Sir Gregory Granby, Sir ThomasLoveby, George Granby, Frank Bentley, Solomons, Levi, Waddle, Scandal, Dennis, Robert, Waiter; Eliza Wentworth, Mrs Dornbush, Miss Harcourt, Charlotte Harcourt, Lady Loveby, Susan, Miss Nancy, Miss Kitty, Maid.] hathi.

Afterpiece Title: A Musical Interlude

Afterpiece Title: The Author

Song: End of Act I of 3rd piece How sweet's the love that meets return by Mrs Henley

Performances

Mainpiece Title: A Grand Selection [of Sacred Music 0; Messiah

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: Ye Sons of Israel-Chorus (Joshua); Thou shalt bring them in-Saville (Israel in Egypt); O God@like Youth-Miss Dall; Sinfonia on Carrillons-; Welcome welcome mighty King-Chorus (Saul); Rendi il sereno al ciglio-Harrison (Sosarme); From the censer-Chorus (Solomon); O had I Jubal's lyre-Miss Mahon (Joshua); Ye sacred Priests, Farewell ye limpid springs-Miss Cantelo (Jephtha); The Horse and his Rider-Double Chorus (Israel in Egypt).

Music: End II: concerto on the Piano Forte-Clementi

Performances

Mainpiece Title: A Grand Selection Of Sacred Music 0; Messiah

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: Overture and Dead March (Saul)-; Funeral Anthem-Miss Cantelo, Saville, Harrison, Sale; Come ever smiling Liberty-Miss Dall (Judas Maccabaeus); Gentle Airs-Harrison (Athalia); Then round about-Chorus (Samson); Sweet Bird-Miss Mahon (L'Allegro); Search round the World-Harrison; May no rash Intruder-Chorus (Solomon); How blest the Maid-Miss Poole (Hercules); He was Eyes unto the Blind-Miss Cantelo (Siroe); Immortal Lord!-Double Chorus (Deborah).

Afterpiece Title: Grand Selection 3

Performance Comment: Fourth Hautboy Concerto-; For joys so vast-Miss Poole (Jephtha); Sweep sweep the Strings Music spread thy Voice-; Now a different Measure try-; Rouse us next to martial Deeds-Saville, Chorus (Solomon); Great Jehovah's awful Word-Miss Cantelo (Israel in Egypt); Righteous Heaven-Chorus (Susanna); Pleasure my former ways resigning-Harrison (Time and Truth); Gloria Patri (Jubilate)-.

Performances

Mainpiece Title: Acis And Galatea; Messiah

Afterpiece Title: A Grand Selection

Performance Comment: Break his Bands of Sleep asunder-Chorus (Alexander's Feast); What sweeter than the new blown Rose-Miss Hagley [World: Sga Storace], Kelly (Joseph); The Soldier tir'd of War's Alarms-Mrs Crouch (Artaxerxes, by Dr Arne); Shake the Dome-Chorus (Solomon); Dove sei amato bene-Sga Storace (Rodelinda); The good we wish for, Thy glorious deeds-Reinhold (Samson); Worthy is the Lamb-Grand Chorus (The Messiah).

Music: End II oratorio: concerto on the violoncello-Mason

Performances

Mainpiece Title: A Grand Selection From The Works Of handel 0; Messiah

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: Let me wander not unseen-Sga Storace; Or let the merry bells ring round-Sga Storace; accompanied with the Carillon-; And young and old come forth-Chorus (L'Allegro); Concerto violin (1st time)-Weichsel; The Smiling dawn-Miss Romanzini (Jephtha); Wretched lovers-Chorus; I rage! I melt! I burn!, O! ruddier than the cherry-Reinhold; Oh! didst thou know the pains, As when the Dove-Miss Hagley (Acis and Galatea); What though I trace-Cizo (Solomon); We worship God-Chorus (Judas Maccabaeus).

Afterpiece Title: Grand Selection 3

Music: End II: concerto on the violin-Weichsel

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music, From The Works Of Handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: Part III Ye Sons of Israel-Chorus (Joshua); Rendi il sereno al Ciglio-Harrison (Sosarme); O Lord in thee have I trusted-Incledon, Chorus (Te Deum); O had I Jubal's Lyre-Miss Poole (Joshua); From the censer-Chorus (Solomon); Ye sacred Priests, Farewell ye limpid springs-Mrs Billington (Jephtha); The Lord shall reign-Chorus; For the Horse of Pharaoh-Harris; The Horse and his Rider-Mrs Billington, Double Chorus (Israel in Egypt).

Performances

Mainpiece Title: L'allegro Ed Il Penseroso; Grand Selection 0

Afterpiece Title: L'Allegro ed il Penseroso 1

Afterpiece Title: L'Allegro ed il Penseroso 2

Afterpiece Title: PART III

Performance Comment: A Grand Miscellaneous Act. Overture (Ariadne, Handel)-; The Mansion of Peace-Harrison (Webbe); Nightingale Chorus (Solomon, Handel)-; Praise the Lord-Miss Poole; accompanied on the harp-Meyer Jun. (Esther, Handel); Pour forth no more-Sale; No more to Ammon's God-Chorus (Jephtha, Handel); Concerto Violin-G. Ashley (Giornovichi); The Soldier tir'd-Mrs Billington (Dr Arne); Glory be to the Father-Chorus (Jubilate, Handel).

Performances

Mainpiece Title: A Grand Selection 0 From The Works Of Handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: As17910311but PART II. How vain is Man-Dignum (Judas Maccabaeus); There beneath a lowly shade-_; What tho' I trace-Mrs Crouch (Solomon).

Afterpiece Title: Grand Selection 3

Performances

Mainpiece Title: Acis And Galatea 0; Grand Selection 0

Afterpiece Title: Acis and Galatea 1

Afterpiece Title: Acis and Galatea 2

Afterpiece Title: PART III

Performance Comment: A Grand Selection. Tyrants would in impious throngs-Mrs Crouch; Tyrants ye in vain conspire-Chorus (Athalia); Sin not O King-Miss Broadhurst (Saul); Thrice happy the Monarch-Bellamy [Alexander Balus]; What's sweeter than the new blown rose-Miss Hagley, Dignum (Joseph); Shake the dome and pierce the Sky-Chorus (Solomon); Mad Bess-Mrs Crouch (Purcell); I sing the produce of the vine, 'Tis mighty wine inspires us-Reinhold (Ottone); The Trumpet's loud clangor-Kelly, Chorus (Dryden's Ode); Da forte morir sapro-Miss Davies (Sarti); I'll proclaim the wondrous story-Spence, a Young Lady (1st appearance) (Esther); Worthy is the Lamb-Grand Chorus (The Messiah).

Music: As17910323

Performances

Mainpiece Title: L'allegro Ed Il Penseroso 0; Grand Selection 0

Afterpiece Title: L'Allegro ed il Penseroso 1

Afterpiece Title: L'Allegro ed il Penseroso 2

Afterpiece Title: A Grand Miscellaneous Act

Performance Comment: Second Hautboy Concerto-; Resta Ingrata-Harrison (Armida, by Sacchini); How blest the Maid-Miss Poole (Hercules); Together let us range the fields-Mrs Billington, Harrison (Solomon, by Boyce); Jehovah crowned-Incledon; He comes he comes-Chorus (Esther); Quest' alma sventurata-Mrs Billington (Creso, by Sacchini); Hallelujah Amen-Grand Chorus (Judas Maccabaeus).

Music: As17910330

Performances

Mainpiece Title: The First Act Of Alexander's Feast; Grand Selection 0

Afterpiece Title: Alexander's Feast 1

Afterpiece Title: A Selection from Acis and Galatea

Afterpiece Title: A Grand Miscellaneous Act

Performance Comment: Overture (Occasional Oratorio)-; Rendi il sereno al Ciglio-Harrison (Sosarme); For unto us-Chorus (The Messiah); How blest the maid-Miss Poole (Hercules); Together let us range the fields-Mrs Billington, Harrison (Solomon, by Boyce); Jehovah crowned-Incledon; He comes he comes-Chorus (Esther); The Soldier tir'd of war's alarms-Mrs Billington (Dr Arne); Let their celestial concerts all unite-Chorus (Samson).

Music: As17910330

Performances

Mainpiece Title: L'allegro Ed Il Pensieroso 0

Afterpiece Title: L'Alegro ed il Pensieroso 1

Afterpiece Title: L'Allegro ed il Pensieroso

Afterpiece Title: Grand Miscellaneous Act

Performance Comment: Overture-(Ariadne); Wise men flattering-Mrs Addison (Judas Maccabaeus); Rendi il sereno-Harrison (Sosarmes); Nightingale Chorus-(Solomon); Praise the Lord-Mrs Second; accompanied on the organ-Knyvett (Esther); When storms the proud-Bartleman; O Judah! boast his matchless law-Chorus (Athalia); Let the bright seraphim-Mrs Billington; accompanied on the trumpet-Sarjant; Let their celestial concerts all unite-Chorus (Samson).