SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Society of Non Common Pleas"/1) | (@(roleclean,performerclean) "Society of Non Common Pleas")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 462 matches on Event Comments, 104 matches on Performance Comments, 45 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for ye Marine Society (Cross). Part of Pit laid into Boxes. Receipts: #200 (Cross). [The Prologue is in Larpent MS 163: @"Ye sons of Freedom view this little Band@They owe their safety to your giving hand@Snatch'd from the paths of vice and branded shame@You ope the door to Honesty and Fame..."@ The Prologue is printed in the British Magazine, Jan., 1760.

Performances

Mainpiece Title: Zara

Afterpiece Title: The Male Coquette

Event Comment: Charges #35. The Anniversary Meeting of the Shakespeare Society will be held this day at the Shakespeare's Head Tavern in Covent Garden. Dinner will be on the Table at three o'clock. E. B. Secretary

Performances

Mainpiece Title: Samson

Music: As17600222; a Solo on the Violin-Giardini

Event Comment: Benefit for Lowe. Music by Handel. Tickets 3s. By Particular Desire of the Right Hon. Earl of Ferrars, Grand Master of the Antient and Hon. Society of Free Masons. Mr Lowe's constant attendance at Marybone Gardens renders it impossible for him to wait on all his friends in person, he therefore hopes they will take tickets, in order to prevent mistakes at changing money at the doors

Performances

Mainpiece Title: Alexander's Feast

Event Comment: By Particular Desire of the Ancient and Honorable Society of Free Masons, and By Authority. Benefit for Brother Lauder. Tickets at Berwick St., at the Black Boy, near the Hermitage Bridge. To begin at Seven. Boxes 5s. Pit 3s. Gallery 2s

Performances

Mainpiece Title: The Gentle Shepherd

Event Comment: For the Benefit and Increase of a Fund for Decayed Musicians and their families. Pit and Boxes put together at half a guinea each. N.B. The Society's Collector being dead, and the places of abode of several of the subscribers being unknown to his successor, those Ladies and Gentlemen who have not yet received their tickets are humbly requested to send for them to Mr Jesse Horwood at his house in King Street, Golden Square, who is empowered by the Society to deliver them and receive the Subscription. Tickets to subscribers will admit one person to any part of the House

Performances

Mainpiece Title: Israel In Babylon; Or, The Force Of Truth

Event Comment: By Command of their Majesties. Paid Pointer's 2 Bills #16 14s. (Treasurer's Book). [This year were published The Theatrical Campaign (44 pp.), an examen of productions this season; The Stage the High Road to Hell (43 pp.); Theatrical Entertainments Consistent with Society, Morality and Religion: or, A Letter to the Author of the "Stage the High Road to Hell," shewing that writer's arguments to be fallacious, his principals enthusiastic, and his authorities (particularly from the ancients) misconstrued and perverted.] Receipts: #176 4s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Queen Mab

Music: II: A Concerto on the Harpsichord-Mr Burney Jr

Event Comment: For the Benefit and Increase of a Fund established for the Support of decay'd Musicians, or their Families. Sig Guadagni having declined singing at this Concert, the Managers have applied to Sig Tenducci who is so obliging to favour the Society with his Performance. Upper Gallery 3s. 6d

Performances

Mainpiece Title: A Concert Of Vocal And Instrumental Music

Event Comment: Conductor-Dr Arne. The Theatre thoroughly aired a week before the performance. Music of the Interlude composed by Arne. [Advertized as "Mr Foote's Theatre in the Haymarket."] At the Instance of several persons of Quality, by permission of the Noblemen and Gentlemen of the Catch Society at the Thatched House, St James's St. Pit and Boxes 5s. First gallery 2s. Upper Gallery 1s. To begin at 7 p.m. Books of all Catches and Glees and Capochio and Dorinna to be had at the Theatre for 1s

Performances

Mainpiece Title: Concert Of Catches And Glees

Afterpiece Title: Capochio and Dorinna

Music: After Interlude: Concerto on Violin-Barthelemon. *u¶Ãhay Between the acts: an Interlude. Parts-Mas. Brown, Miss Weller

Event Comment: By Desire of the Most Noble Grand of the Honorable Order of Select Albions. For the Benefit of their Brother Hurst, and Mr Rooker. N.B. The Grand of the Albion Lodge desires his officers to meet him at the Rose Tavern in Bridges St., at 5 o'clock, to proceed from thence to the front boxes, in procession, with the Ensigns of their Order. The company of any other of the Brethren will be esteemed a favour, to join the Grand and Officers--Care will be taken to preserve Places in the Boxes for the Ladies belonging to the members of this Society (playbill)

Performances

Mainpiece Title: The School For Rakes

Afterpiece Title: Fortunatus

Song: End: The Albion Song-Vernon

Event Comment: Afterpiece: By Desire. Towards Supporting a Charity School for the Education of Children belonging to the Society of Ancient Britons (Hopkins Diary); Rec'd stopages #26 11s. 6d.; Paid salary list #530 2s.; King's extra salary #3; Mr Dibdin's draft #50. Receipts: #250 4s. Charges: #84. Profit to Charity School: #166 4s. (Treasurer's Book)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Padlock

Event Comment: A Sacred Oratorio composed and conducted by Dr Arnold at the Society of Artists Exhibition-Room in the Strand. A Benefit for repairing a Chapel Crispin St, Spittalfields. At 12:00 noon. First seats 7s. 6d. Second seats 5s. Back seats 3s. 6d. The Performers are so obligingly generous as to give their Services to promote the Charity. And Mr Leoni having obtained Leave to sing, the Public may be assured of his performing his Part in this Oratorio. A Stove is already fixed in the Great Room, and will be continued to prevent any Inconveniencies from the Coldness of the Season. Mr Fischer being ill, Mr Barthelemon will perform in his Room

Performances

Mainpiece Title: The Resurrection

Performance Comment: Vocal Parts-Vernon, Reinhold, Leoni, Mrs Mattocks, Mrs Weichsel.

Music: Hautboy-Simpson; First Violin with a Concerto-Barthelemon

Event Comment: Benefit for the Establishment for the Discharge of Persons imprisoned for small Debts. [The Society in charge of this charity was located at 7, Craven-street, Strand (Public Advertiser, 15 Dec.).] Receipts: #181 12s. (125.9; tickets: 56.3) (charge: #105)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Upholsterer

Dance: As17771104

Song: End II: song-Mrs Farrell

Event Comment: Benefit for the Humane Society. [Prologue by Miles Peter Andrews (European Magazine, Dec. 1784, p. 467).]

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: Rosina

Performances

Mainpiece Title: Israel In Egypt; Messiah; Grand Selection 0

Afterpiece Title: A New Selection

Performance Comment: Concerto on the violin-Master Clement; Gentle Airs Melodious Strains-Miss Broadhurst (Athalia); Let me wander not unseen, Or let the merry Bells-Dignum; And young and old-Chorus; Sweet bird that shun'st-Miss Hagley; accompanied on the violin-Shaw (L'Allegro); Pleasure my former ways resigning-Spence (Time and Truth); Solo on the violoncello-Mason; From rosy Bowers-Mrs Crouch (Purcell); Ah! d'ascolta gia parmi-Miss Davies (Martin y Soler); Awake Eolian Lyre-Reinhold (Dr Arnold); Gird on thy Sword-Chorus (Saul).

Performances

Mainpiece Title: The Rivals

Afterpiece Title: The Miser

Performance Comment: Lappet-Mrs Wilson; other Characters-The Ladies and Gentlemen of the Shakesperian Society.

Entertainment: Monologue Mainpiece: The Original Epilogue [by Richard Brinsley Sheridan]-Mrs Wilson

Event Comment: 2nd piece [1st time; D 3, by Henry Neuman, based on Der Opfertod, by August Friedrich Ferdinand von Kotzebue. Text (R. Phillips, 1799) assigns no parts]. Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. Places for the Boxes to be taken of Rice, at the Theatre. The Theatre, since the last Season, has been newly Decorated. [Beginning with 19 June the playbill: Printed by T. Woodfall, Drury Lane; on 4 Sept.: No. 104, Drury Lane.] Morning Chronicle, 27 June 1799: This Day is published Family Distress (2s.). Gentleman's Magazine, May 1800, pp. 406-8, prints a letter from "J. B." in which strong exception is taken to Kotzebue in general, and this play in particular. "Theatrical entertainments have an extensive influence upon the manners of Society. When well regulated, and the pieces for representation well selected both as to matter and manner, they may be esteemed friendly to morality, and improvers of public taste. But what shall we say when both these ends are disregarded; when moral virtue is banished from the scene, and purity of taste is destroyed by affected language and pantomimical decorations? Improvements in almost every art and science have been within a few years, rapid and important. But that is not the case with the stage; nor can it be, while Kotzebue and his friends usurp the venerable boards of Shakespeare." The writer then, in sarcastic terms, outlines the plot of Family Distress. [Pope and Miss Chapman were both from cg.

Performances

Mainpiece Title: Peeping Tom

Afterpiece Title: Family Distress

Afterpiece Title: The Village Lawyer

Event Comment: Benefit for the Humane Society. A new grand Commemorative Oratorio [1st time; in two parts], as originally performed by Busby, in aid of the Fund for the Naval Pillar, including the new Music [by Busby: Song and Chorus, From where the sun; Song, To thy brave sons; Recitative and Song, Peace to the soul, Around the ever-honoured urn], introduced in the Grand National Concert, performed the 28th of May, at the Opera House. Leader of the Band-Cramer. Organ-Russell. The performance to be conducted by Busby, who will preside at the Piano Forte. Tickets, at playhouse prices, to be had at all the principal music shops...and of Busby, No. 9, China Terrace, Vauxhall Road. The Doors to be opened at 6:00. To begin at 7:00. "The words [of Part I] are taken entirely from Gray's well-known Pindaric Ode, The Progress of Poesy," with six introductory lines written by John Gretton andthe concluding stanzas by Thomas Dutton; the text of Part II by Gretton (Dramatic Censor, II, 285-86)

Performances

Mainpiece Title: Britannia

Event Comment: [The King's Company. Evelyn, Diary: Saw the Virgin Queene a play written by Mr Dryden &c. [Possibly the run of this play continued, for Pepys saw it again on 25 March and there are no certain performances of other plays at the King's Theatre. If Secret Love was acted without interruption, except for the customary non-acting days in Lent, it was probably given on 16, 18, 19, 21, and 23 March.

Performances

Mainpiece Title: [the Virgin Queen

Event Comment: The King's Company. The date of the first production is not known. Although the play was not entered in the Term Catalogues until February 1675@6, the references to "Miss-Non-so-Fair," prince Nick, and t'other House Gallants" suggest that it capitalized upon the appearance of Psyche Debauched at dg

Performances

Mainpiece Title: Piso's Conspiracy

Performance Comment: [An anonymous alteration of Nero, 1624.] Edition of 1676: Prologue-; Epilogue-.
Event Comment: A Comparison Between the Two Stages (1702), commenting upon Betterton's success with I Henry IV (see 9 Jan. 1699@1700) pictures Betterton entering his Closet and praying to Shakespeare for further assistance (p. 25), with the result that "tho' some of those Plays that Batterton Acted were Historical, and consequently highly irregular, yet they never fail'd to please" (p. 26). Sullen adds: Well, this lucky hit of Batterton's put D. Lane in a non-plus! Shakespear's Ghost was rais'd at the New-house, and he seem'd to inhabit it for ever: What's to be done then? Oh, says Rich I'll pray as well as he-What? Shall a Heathen Player have more Religion than a Lawyer? No, it shall never be said--with that Mr R@@ goes up to the Garret (a pair of Stairs higher than his own Apartment) and taking Ben Johnson's Picture with him, he implores. This work implies that Betterton presented Henry VIII in addition to I Henry IV and that Rich revived Volpone, The Alchymist, and The Silent Woman, which had, according to the author of this work, lain unacted for twenty years (p. 26)

Performances

Performances

Mainpiece Title: Concert

Music: I: Overture out of Ptolomy-; Songs: Dico su questa sponda-; Svenalo traditor-; Sonata by Corelli-; Songs: Ombre piante-; Sgombra dall' Anima-; Solo for German Flute-L. Granom; II: Concerto-Castrucci; Songs: Non lo diro col Labro-; La mia speranza-; Trumpet Piece-Granom; Songs: No no my Heart , from an Italian Song out of Ptolomy-; Si Caro Si-; Concerto for Trumpets-J. Granom, L. Granom

Performance Comment: Granom; II: Concerto-Castrucci; Songs: Non lo diro col Labro-; La mia speranza-; Trumpet Piece-Granom; Songs: No no my Heart , from an Italian Song out of Ptolomy-; Si Caro Si-; Concerto for Trumpets-J. Granom, L. Granom.
Cast
Role: Non lo diro col Labro Actor:
Event Comment: Benefit the Author. Tickets as before. Regulus publish'd. As it is acted by his Majesties Servants at the Theatre Royal in Drury Lane, by Mr Havard, Author of King Charles the First. Inter omnes suos laudabiles & Virtutum insignibus illustres Viros, non preferunt Romani meliorem; quem neque Felicitas corruperit, nam in tanta Victoria, mansit pauperrimus; Nec Infelicitas fregerit, nam ad tanta Exitia revertit intrepidus. (St. Aust. de Regulo. Lib I. de Civitat. Dei.) Printed for H. Woodfall, Jr. in Little Britain, by Paul Vaillant facing Southampton Street in the Strand. J. Watts and B. Dodd also advertised King Charles the First, an Historical Tragedy, written in imitation of Shakespear, and Scanderbeg, a Tragedy. Both written by Mr Havard, author of Regulus

Performances

Mainpiece Title: Regulus

Afterpiece Title: The Amorous Goddess

Performances

Mainpiece Title: Entertainment Of Music

Performance Comment: First Part: A new Overture [by Paradies-; D'Ogni Amator[ in L'Ingratitudine Punita-Ciacchi; Son Confusa Pastbrella [from same]-Sga Pirkir; Rasserena il mest Ciglio [in Artamene-Sga Galli; Concerto-Pasqualino; Se Fosse il mio Diletto (Hasse)-Reginelli; Leon Cacciato [in Selva in Scipione-Sga Casarini; [Second Part: Concerto-Carbenell; Heart thou Seat of soft Delight [in Acis and Galatea-Sga Frasi; Viv non ti contendono [in L'Ingratitudine Punita-Ciacchi; Vuoi Saper se tu mi piaci (Hasse)-Reginelli; Pender L'Amico [in Enrico-Sga Pirkir; Concerto-Miller; A me ritornate Speranzeptu Care [in Enrico-Sga Casarini; Passagier che su la Sponda (Hasse)-Reginelli;[ Third Part: Concerto-Vincent; O'inespettata Sorte (Veracina)-Sga Galli; The Prince unable to Conceal his Pain [from Alexander's Feast-Frasi; Come ever Smiling Liberty [in Judas Maccabaeus-Sga Casarini; Che quel Cor (Hasse)-Reginelli; A Grand Concerto [of Handel's-.
Event Comment: Went off well (Cross). The Non-Juror oblig'd to be deferr'd on account of Mrs Pritchard's Indisposition. This day publish'd the Second edition of Boadicia, a Tragedy, as it is now acted at Drury Lane. By Mr Glover (Public Advertiser). Receipts: #80 (Cross)

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Knights

Event Comment: Tomorrow will be reviv'd a Comedy not acted these 6 years, call'd The Non-Juror; the part of Maria to be performed by Mrs Woffington, being the first time of her appearing on that stage these 3 years

Performances

Mainpiece Title: Othello

Afterpiece Title: The Devil to Pay