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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Society of Free and Accepted Masons"/1) | (@(roleclean,performerclean) "Society of Free and Accepted Masons")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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544 results for: Keyword - Society of Free and Accepted Masons
We found 351 matches on Event Comments, 130 matches on Performance Title, 71 matches on Performance Comments, 18 matches on Author, and 1 matches on Roles/Actors.

251
14 November 1787 @ Drury Lane Theatre

Event Comment: By Command of Their Majesties. Account-Book, 14 Nov.: Orders #8 5s., Free #2 8s. [#10 13s.]; 21 Nov.: Orders &72 8s., Free #5 10s. [#77 18s.]. Receipts: #251 7s. (234.12.0; 16.2.6; 0.12.6)

Performances

Mainpiece Title: Love For Love

Cast
Role: Foresight Actor: Waldron.
Role: Valentine Actor: Kemble
Role: Tattle Actor: Bannister Jun.
Role: Sir Sampson Legend Actor: Moody
Role: Scandal Actor: Bensley
Role: Jeremy Actor: Baddeley
Role: Ben Actor: King
Role: Miss Prue Actor: Mrs Jordan
Role: Mrs Frail Actor: Miss Pope
Role: Mrs Foresight Actor: Mrs Ward
Role: Angelica Actor: Miss Farren.

Afterpiece Title: Harlequin's Invasion

Cast
Role: Bog Actor: Alfred
Role: Taffy Actor: Wilson.
Role: Corporal Bounce Actor: Phillimore
Role: Justice Actor: Chaplin.
Role: Harlequin Actor: R. Palmer
Role: Simon Actor: Moody
Role: Gasconade Actor: Baddeley
Role: Mercury Actor: Dignum
Role: Abram Actor: Waldron
Role: Forge Actor: Burton
Role: Snip Actor: Suett
Role: Old Woman Actor: Mr Fawcett
Role: Mrs Snip Actor: Mrs Hopkins
Role: Sukey Chitterlin Actor: Miss Collins
Role: Dolly Snip Actor: Miss Pope.

252
18 June 1800 @ Drury Lane Theatre

Event Comment: [Extra night] By Grant from the Proprietors, a Free Night; Benefit for Lacy, formerly of the Theatre Royal, Drury Lane. [Address by John Taylor (Poems, I, 68).] Receipts: #97 3s. (53.15.6; 40.16.6; 1.10.0; odd money: 1.1.0; tickets: none listed) (charge: free)

Performances

Mainpiece Title: The Child Of Nature

Cast
Role: As18000612 Count Valentia Actor: DeCamp
Role: Marchioness Merida Actor: Miss Humphries.
Role: Duke Murcia Actor: King
Role: Marquis Almanza Actor: Powell
Role: Count Valentia Actor: Palmer
Role: Granada Actor: Fisher
Role: Seville Actor: Evans
Role: Peasant Actor: Archer
Role: Amanthis Actor: Mrs Jordan.

Afterpiece Title: Othello: Moor of Venice

Performance Comment: Duke of Venice-Maddocks; Brabantio-Packer; Gratiano-Sparks; Lodovico-Webb; Othello-Lacy; Cassio (1st time)-Holland; Iago (1st time)-Cory; Roderigo (1st time)-Talbot; Montano-DeCamp; Gentlemen-Wentworth, Ryder; Officers-Evans, Fisher; Desdemona-Mrs Powell; Aemilia-Mrs Sparks.
Cast
Role: Duke of Venice Actor: Maddocks
Role: Brabantio Actor: Packer
Role: Gratiano Actor: Sparks
Role: Lodovico Actor: Webb
Role: Othello Actor: Lacy
Role: Cassio Actor: Holland
Role: Iago Actor: Cory
Role: Roderigo Actor: Talbot
Role: Montano Actor: DeCamp
Role: Gentlemen Actor: Wentworth, Ryder
Role: Officers Actor: Evans, Fisher
Role: Desdemona Actor: Mrs Powell
Role: Aemilia Actor: Mrs Sparks.

Song: End 2nd piece: Crazy Jane-Mrs Bland

Entertainment: Imitations. After Singing: Imitations-Caulfield; Monologue. Previous: An Address-Lacy

Cast
Role: Imitations Actor: Caulfield
Role: An Address Actor: Lacy.

253
23 June 1660 @ The Red Bull Theatre

Event Comment: This performance is known by the Prologue and Epilogue printed in Thomas Jordan's A Nursery of Novelities or Variety of Poetry. The Prologue is dated 24 June 1660, but as this date falls on Sunday, the performance has been entered as Saturday 23 June 1660, for in this same work (p. 19) Jordan mentions: A Speech by way of Epilogue to those that would rise out of the Pit at the Red Bull in the last Scene, and disturb the conclusion by going on the Stage, June 23d 1660. [The Prologue and Epilogue have been reprinted in the Shakespeare Society Papers, IV (1849), 140-42, and in Sprague, Beaumont and Fletcher on the Restoration Stage, pp. 9-10. See also the list at the beginning of the season 1659-1660.

Performances

Mainpiece Title: The Tamer Tamed

Cast
Role: Prologue Actor:
Role: the Epilogue Actor: the Tamer a Woman.

254
02 November 1660 @ Middle Temple

Event Comment: According to A Calendar of the Middle Temple Records, ed. Hopwood (p. 168) the charges came to #11 and the receipt was signed by Will Burgon. The Diary and Will of Elias Ashmole: This day was kept solemnly at the Middle Temple and after the auncient manner. The Lord Chancellor, Judges and Sergeants that were of the Society dined in the Hall, after dinner they had a play, viz. Witt without Money [ed. R. T. Gunter, 1927, p. 76]. Ashmole lists the performance for 1 Nov. 1660, but the records of the Middle Temple point to 2 Nov. 1660 as the proper date

Performances

Mainpiece Title: Wit Without Money

255
01 July 1661 @ Lincoln's Inn Fields

Event Comment: Elizabeth Bodvile, ca. July 1661: One Monday I was at the new apprer [opera] (Camden Society, 1878, XXII, 21). The Duke's Company

Performances

Mainpiece Title: The Siege Of Rhodes, Part I

256
04 May 1665 @ no theater listed

Event Comment: W. S. Clark (Works of Orrery, 1, 40-41) believes that this is Thomas Middleton's play, not one by Orrery. Henry Savile to George Savile: I am come newly from my Lord of Orrery's new play called The Widow, whose character you will receive from better hands. I will only say that one part of it is the humour of a man that has great need to go to the close stool, where there are such indecent postures as would never be suffered upon any stage but ours, which has quite turn'd the stomach of so squeamish a man as I am, that am used to see nothing upon a theatre that might not appear in the ruelle of a fine lady (Savile Correspondence, ed. W. D. Cooper, Camden Society, LXXI [1858], 4)

Performances

Mainpiece Title: The Widow

Related Works
Related Work: The Widow of Delphi; or, The Descent of the Deities Author(s): Richard Cumberland
Related Work: A School for Widows Author(s): Richard Cumberland
Related Work: The Horse and the Widow Author(s): August Friedrich Ferdinand von Kotzebue

257
30 June 1673 @ Lincoln's Inn Fields

Event Comment: A quarrel occurred at the King's Theatre on this day (apparently) between Ravenscroft and Sir George Hewitt. See Letters Adressed from London to Sir Joseph Williamson, Camden Society, VIII (1874), 87

Performances

258
22 August 1673 @ Whitehall or St. James's

Event Comment: On this date, James Vernon, writing to Sir Joseph Williamson, reported: Senior Scaramouchio and his band have begged his Majesty's leave to returne, theire affaires requiring their presence att home (Letters to Sir Joseph Williamson at Cologne, Camden Society, I, 179)

Performances

259
28 August 1675 @ Dorset Garden Theatre

Event Comment: The Duke's Company. This performance is known from a disturbance which occurred on this day; Langbaine states that the play was Macbeth. John Verney to Sir Ralph Verney, 30 Aug. 1675: On Saturday last, at the Duke's playhouse, Sir Tho. Armstrong killed Mr Scrope....Their quarrel is said to [be] about Mrs Uphill, the player, who came into the house maskt, and Scrope would have entertained discourse with her, which Sir T. Armstrong would not suffer, so a ring was made wherein they fought (HMC Verney MSS., 7th Report, 1879, p. 465). See also The Hatton Correspondence, Camden Society, XXII (1878), 121

Performances

Mainpiece Title: Macbeth

260
30 October 1676 @ The City, London

Event Comment: G. Lady Chaworth to Lord Roos, 2 Nov. 1676: I have not yet seen Mr Pack, being att Lord Major's show when hee was heere....The pageants were but three and worse then others formerly, but the King, Queen, Duke and Duchess finer in both clothes, liveries, coaches and traine then ever, to the honour of the Citty (HMC, 12th Report, Part V, Rutland Papers, II, 31)

Performances

Mainpiece Title: London's Triumphs

Performance Comment: : Express'd in sundry Representations, Pageants and Shows, performed on Monday Octob. 30, 1676, at the Inauguration and Instalment of the Right Honourable Sir ThomasDavies, Kt, Lord Mayor of the City of London. Containing a true Description of the several Scenes and Habits of the Representers, with the Speeches Spoken on each Pageant. All the Charge and Expences of the Industrious Designs, being the sole Undertakings of the Ancient and Right Worshipful Society of Drapers. Being the Second Year without Intermission. Devised and Composed by Tho. Jordan.

261
29 October 1677 @ The City, London

Performances

Mainpiece Title: London's Triumphs

Performance Comment: Illustrated with many Magnificent Structures and Pageants. On which are orderly expressed Several Stately Representations of Poetical Deities, sitting and standing in great spdendor on several Scenes in proper Shapes. With Pertinent Speeches, Jocular Songs (sung by the City Musick), and Pastoral Dancing. Performed October 29, 1677, for the Celebration, Solemnity and Inauguration of the Right Honourable Sir Francis Chaplin, Knight, Lord Mayor of the City of London. At the Charge and Expences of the Industrious Designs, being the sole Undertaking of the Ancient and Right Worshipful Society of Clothworkers. Designed and Composed by Tho. Jordan.

262
10 November 1677 @ Whitehall or St. James's

Event Comment: Sir Charles Lyttleton, 10 Nov. 1677: [The Princess of Orange] is gone to ye play to-night in these and all ye Duchesses jewells (Hatton Correspondence, Camden Society, 1878, XXII, 155). The Prince and Princess had been married on 4 Nov. 1677

Performances

263
February 1679 @ Drury Lane Theatre

Event Comment: During February and March 1678@9 two plays, titles unknown, were acted before the King. See an order: To Edward Griffin, Esq. Treasurer of the Chamber, to be paid over to John Lacy, assigne of Charles Killigrew, Mastr of the revells, for two plays acted before his said Majestie in Feb'ry and March 1678@9 (Moneys Received and Paid for Secret Services, ed. J. Y. Akerman, Camden Society, LII 1851, 34)

Performances

264
01 November 1680 @ Dorset Garden Theatre

Event Comment: The Duke's Company. The date of the first production is not certain, particularly since an entry in L. C. 5@145, p. 120 (see also Nicoll, Restoration Drama, p. 349) lists this play for 8 March, the year uncertain. Since the entry follows one for The Souldier's Fortune which followed the premiere of The Female Prelate, 31 May 1680, the L. C. entry probably is one for 8 March 1680@1. That the premiere occurred near 1 Nov. 1680 is suggested by a letter of Anne Montague to Lady Hatton, 1 Nov. 1680: For I never see the towne fuller, for I was to see the new play, The Spanish Frier, and there was all the world, but the Court is a letell dull yet; the Queen being sick, there is noe drawing room (Hatton Correspondence, Camden Society, XXII [1878], 240). A song, Farewell ungratefull Traytor, with music by Captain Pack and sung by Mrs Crofts, is in Act V. For Leigh's and Nokes' acting, see Cibber, Apology, ed. Lowe, I, 143, 145-46. Downes (Roscius Anglicanus, p. 37): 'Twas Admirably Acted, and produc'd vast Profit to the Company

Performances

Mainpiece Title: The Spanish Fryar; Or, The Double Discovery

Cast
Role: Prologue Actor:
Role: Torrismond Actor: Betterton
Role: Bertran Actor: Williams
Role: Alphonso Actor: Wiltshire
Role: Lorenzo Actor: Smith
Role: Raymond Actor: Gillo
Role: Pedro Actor: Underhill
Role: Gomez Actor: Nokes
Role: Dominic Actor: Lee
Role: Leonora Actor: Mrs Barry
Role: Teresa Actor: Mrs Crofts
Role: Elvira Actor: Mrs Betterton
Role: ] Actor: .

265
December 1680 @ Drury Lane Theatre

Event Comment: The King's Company. The date of the premiere is not certain, but the Dedication speaks of its being acted two days and an order, L. C. 5@144, p. 29 (Nicoll, Restoration Drama, p.1 on), dated 14 Dec. 1680, banning it suggest that it was performed on 11 and 13 Dec. 1680. It is possible, however, that Tate's statements may refer to performances on 18 and 19 Jan. 1680@1. Dedication, Edition of 1681: For the two Days in which it was Acted, the Change of the Scene, Names of Persons, &c. was a great Disadvantage: many things were by this means render'd obscure and incoherent that in their native Dress had appear'd not only proper but gracefull. I call'd my Persons Sicilians but might as well have made 'em Inhabitants of the Isle of Pines. Henry Purcell composed the music for a song, "Retir'd from any mortal's sight." See Purcell, Works, The Purcell Society, XX (1916), ix-x

Performances

Mainpiece Title: The Sicilian Usurper

Cast
Role: Prologue Actor:
Role: Epilogue Actor: Mrs Cook.

266
October 1681 @ Drury Lane Theatre

Event Comment: The King's Company. The date of the first performance is not known, but its listing in the Term Catalogues, November 1681, suggests late October as a likely latest date for its premiere. If Mithridates was acted in mid-October at the opening of Drury Lane, Sir Barnaby Whigg may well be the first new play offered by the King's Company in the autumn. A Song in Act I, Blow Boreas Blow, with music apparently by Henry Purcell, is in A Third Collection of New Songs...Words by Mr D'Urfey, 1685, and in Dramatic Works of Henry Purcell, Purcell Society, III (1917), xiv-xv

Performances

Mainpiece Title: Sir Barnaby Whigg; Or, No Wit Like A Womans

Cast
Role: Prologue Actor:
Role: Wilding Actor: Clark
Role: Townly Actor: Goodman
Role: Wiseacre Actor: Jermaine
Role: Porpuss Actor: Griffin
Role: Whigg Actor: Powell
Role: Benedick Actor: Perin
Role: Swift Actor: Cosh
Role: Gratiana Actor: Mrs Corbet
Role: Livia Actor: Mrs Cook
Role: Millicent Actor: Mrs Moyle
Role: Winifred Actor: Mrs Percival
Role: Epilogue Actor: a New Actress.

267
22 November 1683 @ Musical Society

Event Comment: The program was published in 1684: A Musical Entertainment Perform'd on November XXII. 1683, It Being the Festival of St Cecilia, a great Patroness of Music; Whose Memory is Annually Honour'd by a public Feast made on that Day by the Masters and Lovers of Music, as well in England as in Foreign Parts. [Henry Purcell signed the Preface: To the Gentlemen of the Musical Society, and particularly the Stewards.] An advertisement in Vinculum Societatis, 1691, states that Christopher Fishburn composed the verse

Performances

Mainpiece Title: Concert

268
29 October 1684 @ Whitehall or St. James's

Event Comment: On this date a payment was made to the foreign performers who had come in the spring: To Francis Duperier, for the charge and expences of ye French players attending his Majestie at Windsor and Winchester, and returning to London (Moneys Received and Paid for Secret Services, ed. J. Y. Akerman, Camden Society, LII [1851], 93)

Performances

269
06 February 1688 @ Whitehall or St. James's

Event Comment: The United Company. This performance is on the L. C. list, 5@148, p. 145. See also Nicoll, Restoration Drama, p. 351. By this time Henry Purcell had apparently composed the Act tunes for this play. See Purcell, Works, The Purcell Society, XVI (1906), xxxii. Luttrell [A Brief Relation, I, 431): The 6th was observed as a festival of joy for the king s comeing to the crown;...and at night was a play at court

Performances

Mainpiece Title: The Double Marriage

270
April 1688 @ Dorset Garden Theatre

Event Comment: The United Company. The date of the premiere is not known, but as the play was licensed to be published, 21 May 1688, it was probably first acted early in April 1688, perhaps in late March. In 1688, also was separately printed New Songs Sung in The Fool's Preferment: In I, I sigh'd and pin'd and There's nothing so fatal as Woman, the music composed by Henry Purcell. In III, Fled is my love, the music composed by Henry Purcell, and sung by Mountfort. 'Tis death alone and I'le mount to yon blue coelum, the music composed by Henry Purcell. In IV, I'le sail upon the Dog-star, and A Dialogue by Jockey and Jenny, Jenny, gin you can love, the composer not stated. In V, If thou wilt give me back my love, composed by Henry Purcell and sung by Mountfort. See also Purcell's Works, The Purcell Society, XX (1916), iv-vi. When this play was revived at Drury Lane on 16 July 1703, the bill was headed: Not Acted these Fifteen Years

Performances

Mainpiece Title: A Fool's Preferment; Or, The Three Dukes Of Dunstable

Cast
Role: Cocklebrain Actor: Nokes
Role: Justice Actor: Leigh
Role: Lyonel Actor: Montfort
Role: Clermont Actor: Kinaston
Role: Longevile Actor: Powel
Role: Bewford Actor: Bowman
Role: Toby Actor: Jevon
Role: Usher Actor: Powel Sr
Role: Aurelia Actor: Mrs Bowtel
Role: Celia Actor: Mrs Jordain
Role: Prologue Actor: Mr Jevon
Role: Epilogue Actor: Mr Montfort.

271
13 June 1689 @ Dorset Garden Theatre

Event Comment: The United Company. Rowland Davies, 13 June 1689: After dinner I went with Mr N. Lysaght and W. Jephson to see Circe acted at the Queen's Theatre, which was done to admiration, with better scenes than I could imagine (The Journal of the Very Rev. Rowland Davies, Camden Society, Vol. 68 [1856], 24)

Performances

Mainpiece Title: Circe

272
05 August 1689 @ no theater listed

Event Comment: Henry Purcell composed the music for a song performed at Mr Maidwell's School, on this day, the words by one of Maidwell's scholars. See Works of Henry Purcell, Purcell Society, XXVII (1957), XV

Performances

273
26 August 1689 @ Bartholomew Fair

Event Comment: Journal of van Constantijn Huygens, 26 Aug. 1689 (translation): I was, in the afternoon, with my wife and Tien, at Bartholomew Fair, which was held in Smithfield, There were many people, most of them to laugh at the Pope, and all the actors and actresses were seated at the galleries built for them and dressed in extraordinary clothes of high value. There were also some big wheels, twenty foot or more in diameter, where little ships had been hung on, which turned around with the wheel, always hanging, where many people, children and others were seated. There was a great pressure of people, and everywhere sucking pigs were for sale (Journal van Constantijn Hygens, Publications of the Dutch Historical Society, New Series, XXIII [Utrecht, 1876], 172-73)

Performances

Mainpiece Title: Entertainments

274
November 1689 @ Whitehall or St. James's

Event Comment: The United Company. This performance is on the L. C. list, 5@149. p. 368. See also Nicoll, Restoration Drama, p. 352. The Prologue, separately printed, bears a licensing date of 16 Nov. 1689, and is reprinted in Wiley, Rare Prologues and Epilogues, pp. 276-77. Huygens, 15 Nov. 1689 OS (translation): The King, who had been at the comedy, at the birthday of the Queen-mother, which had been played at Whitehall, did not come home until twelve o'clock (Journal van Constantijn Huygens, Publications of the Dutch Historical Society, New Series, XXIII [Utrecht, 1876], 205)

Performances

Mainpiece Title: A Jovial Crew

Cast
Role: Tate Actor: .

275
07 November 1689 @ Drury Lane Theatre

Event Comment: The United Company. This performance is on the L. C. list, 5@149, p. 368: The Queene a Box & a Box for the Maids of Honor at ye Massacre of Paris. See also Nicoll, Restoration Drama, p. 352. The date of the first performance is not knwon, but as it was entered in the Term Catalogues, November 1689, it was probably first acted in early November or in October 1689. A song, Thy Genius lo!, composed by Henry Purcell, is in Orpheus Britannicus, 1698. Possibly it was sung by Bowman. See also The Works of Henry Purcell, Purcell Society, XX (1916), xviii-xix

Performances

Mainpiece Title: The Massacre Of Paris

Performance Comment: Edition of 1690: Prologue-Mr Mountfort; King Charles IX-Mountfort; Duke of Guise-Williams; Cardinal of Lorrain-Kynaston; Duke of Anjou-Pruet; Alberto Gondi-Harris; Lignoroles-Bowen; Admiral of France-Betterton; Cavagnes-Freeman; Langoiran-Alexander [Verbruggen (?)]; Queen Mother-Mrs Betterton; Marguerite-Mrs Barry; Queen of Navarre-Mrs Knight; Antramont-Mrs Jorden; Genius-Bowman; Epilogue-Mr Powell.
Cast
Role: Prologue Actor: Mr Mountfort
Role: King Charles IX Actor: Mountfort
Role: Duke of Guise Actor: Williams
Role: Cardinal of Lorrain Actor: Kynaston
Role: Duke of Anjou Actor: Pruet
Role: Alberto Gondi Actor: Harris
Role: Lignoroles Actor: Bowen
Role: Admiral of France Actor: Betterton
Role: Cavagnes Actor: Freeman
Role: Langoiran Actor: Alexander
Role: Queen Mother Actor: Mrs Betterton
Role: Marguerite Actor: Mrs Barry
Role: Queen of Navarre Actor: Mrs Knight
Role: Antramont Actor: Mrs Jorden
Role: Genius Actor: Bowman
Role: Epilogue Actor: Mr Powell.