SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Society of Free and Accepted Masons"/1) | (@(roleclean,performerclean) "Society of Free and Accepted Masons")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 351 matches on Event Comments, 130 matches on Performance Title, 71 matches on Performance Comments, 18 matches on Author, and 1 matches on Roles/Actors.
Event Comment: By Command of Their Majesties. Account-Book, 14 Nov.: Orders #8 5s., Free #2 8s. [#10 13s.]; 21 Nov.: Orders &72 8s., Free #5 10s. [#77 18s.]. Receipts: #251 7s. (234.12.0; 16.2.6; 0.12.6)

Performances

Mainpiece Title: Love For Love

Cast
Role: Scandal Actor: Bensley

Afterpiece Title: Harlequins Invasion

Event Comment: [Extra night] By Grant from the Proprietors, a Free Night; Benefit for Lacy, formerly of the Theatre Royal, Drury Lane. [Address by John Taylor (Poems, I, 68).] Receipts: #97 3s. (53.15.6; 40.16.6; 1.10.0; odd money: 1.1.0; tickets: none listed) (charge: free)

Performances

Mainpiece Title: The Child Of Nature

Afterpiece Title: Othello Moor of Venice

Performance Comment: Duke of Venice-Maddocks; Brabantio-Packer; Gratiano-Sparks; Lodovico-Webb; Othello-Lacy; Cassio (1st time)-Holland; Iago (1st time)-Cory; Roderigo (1st time)-Talbot; Montano-DeCamp; Gentlemen-Wentworth, Ryder; Officers-Evans, Fisher; Desdemona-Mrs Powell; Aemilia-Mrs Sparks.
Cast
Role: Cassio Actor: Holland

Song: End 2nd piece: Crazy Jane-Mrs Bland

Entertainment: Imitations. After Singing: Imitations-Caulfield; Monologue. Previous: An Address-Lacy

Event Comment: Edward Gower to Sir R. Leveson, 26 Feb. 1660@1: No more plays at court after this night, and but three days this week at the playhouse (HMC, 5th Report, 1876, p. 202). Boswell (Restoration Court Stage, p. 279) accepts this as evidence that a play was acted at Court on this night. As this was Shrove Tuesday, Gower's statement may well reflect the restrictions upon plays during Lent

Performances

Event Comment: The King's Company. Pepys, Diary: With Sir Philip Carteret to the King's playhouse, there to see Love's Cruelty, an old play, but which I have not seen before and in the first act Orange Moll come to me, with one of the porters by my house, to tell me that Mrs Pierce and Knepp did dine at my house to-day, and that I was desired to come home. So I went out presently, and by coach home, and they were just gone away; so, after a very little stay with my wife, I took coach again, and to the King's playhouse again, and come in the fourth act; and it proves to me a very silly play, and to everybody else, as far as I could judge. But the jest is, that here telling Moll how I had lost my journey, she told me that Mrs Knepp was in the house, and so shews me to her, and I went to her, and sat out the play.... I could not but observe that Sir Philip Carteret would fain have given me my going into a play; but yet, when he come to the door, he had no money to pay for himself, I having refused to accept of it for myself, but was fain; and I perceive he is known there, and do run upon the score for plays, which is a shame.... In the pit I met with Sir Ch. North

Performances

Mainpiece Title: Loves Cruelty

Event Comment: The date of this amateur performance is not known, but the date generally accepted is December 1689. See Alfred Loewenberg, The Annals of Opera, Second Edition, Columns 85-86; and R. E. Moore, Henry Purcell and the Restoration Theatre (Cambridge, Mass., 1961), pp. 38-69. The Epilogue is in New Poems (1690)

Performances

Mainpiece Title: Dido And Aeneas

Event Comment: The United Company. This performance is on the L. C. list, 5@151, p. 369: ye Q a Box & a Box for ye Maids of Honr double dealer. [See also Nicoll, Restoration Drama, p. 352.] Cibber relates an incident which may pertain to this performance, Apology, I, 185-86: Queen Mary having commanded the Double Dealer to be acted, Kynaston happen'd to be so ill that he could not hope to be able next Day to perform his Part of the Lord Touchwood. In this Exigence, the Author, Mr Congreve, advis'd that it might be given to me, if at so short a Warning I would undertake it. The Flattery of being thus distinguish'd by so celebrated an Author, and the Honour to act before a Queen, you may be sure made me blind to whatever Difficulties might attend it. I accepted the Part, and was ready in it before I slept; next Day the Queen was presented at the Play, and was received with a new Prologue from the Author, spoken by Mrs Barry, humbly acknowledging the great Honour done to the Stage....After the Play, Mr Congreve made me the Compliment of saying, That I had not only answer'd, but had exceeded his Expectations, and that he would shew me he was sincere in his saying more of me to the Masters.--He was as good as his Word, and the next Pay-day I found my Sallary of fifteen was then advanced to twenty Shillings a Week

Performances

Mainpiece Title: The Double Dealer

Event Comment: Betterton's Company. The date of this performance, which coincides with the opening of the playhouse in Lincoln's Inn Fields by Betterton's Company, is established by Downes, Roscius Anglicanus, pp. 43-44: [Betterton, Mrs Bracegirdle, Mrs Barry, and others] set up a new Company, calling it the New Theatre in Lincolns-Inn-Fields; and the House being fitted up from a Tennis-Court, they Open'd it the last Day of April 1695, with a new Comedy: Call'd, Love for Love....This Comedy being Extraordinary well Acted, chiefly the Part of Ben the Sailor, it took 13 Days Successively. Three songs in the play were published separately: I tell thee, Charmion, the music by Finger, sung by Pate and Reading, is in Thesaurus Musicus, 1696, The Fifth Book. A Nymph and a Swain, the music by John Eccles and sung by Pate; and A Soldier and a Saylour, the music by John Eccles, and sung by Dogget, are in Thesaurus Musicus, The Fourth Book, 1695. Cibber, Apology, I, 196-97: After we had stolen some few Days March upon them, the Forces of Betterton came up with us in terrible Order: In about three Weeks following, the new Theatre was open'd against us with veteran Company and a new Train of Artillery; or in plainer English, the old Actors in Lincoln's-Inn-Fields began with a new Comedy of Mr Congreve's, call'd Love for Love, which ran on with such extraordinary Success that they had seldom occasion to act any other Play 'till the End of the Season. This valuable Play had a narrow Escape from falling into the Hands of the Patentees; for before the Division of the Company it had been read and accepted of at the Theatre-Royal: But while the Articles of Agreement for it were preparing, the Rupture in the Theatrical State was so far advanced that the Author took time to pause before he sign'd them; when finding that all Hopes of Accomodation were impracticable, he thought it advisable to let it takes its Fortune with those Actors for whom he had first intended the Parts. A Comparison Between the Two Stages (1702), p. 10: Ramble: You know the New-house opened with an extraordinary good Comedy, the like has scarce been heard of. Critick: I allow that Play contributed not a little to their Reputation and Profit; it was the Work of a popular Author; but that was not all, the Town was ingag'd in its favour, and in favour of the Actors long before the Play was Acted. Sullen: I've heard as much; and I don't grudge 'em that happy beginning, to compensate some part of their Expence and Toil: But the assistance they receiv'd from some Noble Persons did 'em eminent Credit; and their appearance in the Boxes, gave the House as much Advantage as their Contributions. Ramble: Faith if their Boxes had not been well crowded, their Galleries wou'd ha' fallen down on their Heads. Sullen: The good Humour those Noble Patrons were in, gave that Comedy such infinite Applause; and what the Quality approve, the lower sort take upon trust. Gildon, The Lives and Characters (ca. 1698), p. 22: This Play, tho' a very good Comedy in it self, had this Advantage, that it was Acted at the Opening of the New House, when the Town was so prepossess'd in Favour of the very Actors, that before a Word was spoke, each Actor was clapt for a considerable Time. And yet all this got it not more Applause than it really deserv'd. An Essay on Acting (London, 1744), p. 10: The late celebrated Mr Dogget, before he perform'd the Character of Ben in Love for Love, took Lodgings in Wapping, and gather'd thence a Nosegay for the whole Town

Performances

Mainpiece Title: Love For Love

Performance Comment: Edition of 1695: A Prologue for the opening of the New Play-House-Mrs Bracegirdle in Man's Cloaths; Sent from an unknown Hand; Prologue Spoken at the opening of the New House-Mr Betterton; Epilogue Spoken at the opening of the New House-Mrs Bracegirdle; Sir Sampson Legend-Underhill; Valentine-Betterton; Scandal-Smith; Tattle-Boman; Ben-Dogget; Foresight-Sanford; Jeremy-Bowen; Trapland-Triffusis; Buckram-Freeman; Angelica-Mrs Bracegirdle; Mrs Foresight-Mrs Bowman; Mrs Frail-Mrs Barry; Miss Prue-Mrs Ayliff; Nurse-Mrs Leigh; Jenny-Mrs Lawson.
Cast
Role: Scandal Actor: Smith
Role: Trapland Actor: Triffusis
Role: Buckram Actor: Freeman
Event Comment: [By Thomas Baker. Date of premiere uncertain, but this day has generally been accepted by Nicoll, Genest, Winston, and Latreille. Published 29 Jan.

Performances

Mainpiece Title: Tunbridge Walks Or The Yeoman Of Kent

Event Comment: [By William Walker. Not advertised in Daily Courant, but this date accepted as premiere by Nicoll, p. 363 and Genest, II, 303.] Preface: It was so hem'd in between the Benefits that it seem'd meerly Confin'd to the Limits of a Single Night before hand

Performances

Mainpiece Title: Marry Or Do Worse

Event Comment: See Tatler, 26 May. [In Daily Courant, 24 May, William Bowen announced that The Stratagem, advertised for this day as his benefit, is deferred and that tickets for it will be accepted on 1 June at Sganarell; or, The Cuckold in Conceit.

Performances

Mainpiece Title: The Recruiting Officer

Event Comment: Benefit Leveridge. N.B. Mr Leveridge hopes that his Friends accept of this Invitation, and favour him with their Companies, since a tedious Indisposition hath rendered him incapable of waiting on them in Person. Receipts: money #39 4s.; tickets #87 19s

Performances

Mainpiece Title: The Fortune Hunters Or Two Fools Well Met

Song: Mrs Barbier

Dance: TTwo Pierrots-Salle, Pelling; Fingalian-Newhouse, Mrs Ogden; Les Vandangeurs-Moreau, Mrs Moreau

Event Comment: Benefit Carey. Mainpiece: Written by the late Mr Congreve. Daily Advertiser, 12 Jan.: Mr Carey depends entirely on the Favour of his Friends, hoping they will accept of this General Invitation, and honour him with their Presence as much as if he had attended them with Tickets

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Contrivances

Event Comment: CCraftsman, 9 June: We hear...that the Rebel Players are not yet reduced to their Obedience, but it is thought that They will soon be obliged to surrender at Discretion. In that mean Time, the Publick waits with Impatience to see the Manifesto of their doubty Chief, Mr Theophilus Cibber, which He hath promised in the News-Papers. It is expected that, in this Manifesto, the young Captain will endeavour to prove that the King's Patent, after a solemn Adjudgment in the Court of Chancery, is of no Validity; and that picking a Gentleman's Pocket of Six Thousand Pounds is perfectly consistent with the Principles of Liberty. In the Daily Post, 11 June, Benjamin Griffin, Comedian, published his Humble Appeal to the Publick.The gist of his statement is: (1) Griffin had been under the management of Rich at Lincoln's Inn Fields, without any intention of leaving him, when, at the beginning of the season of 1721, the managers at Drury Lane sent him messages by Thurmond Sr and Shaw, seeking Griffin to treat with them. Griffin at first refused, but Steede, then the prompter of Drury Lane, prevailed upon him. Wilks immediately offered the same conditions Griffin had under Rich: #4 weekly and a benefit before 15 April, at the certain incident charge of #40. Wilks also offered him articles for three years, with a promise of an advance in salary and better terms at that time. (2) No sooner had Griffin agreed than the masters of both companies entered into a private agreement not to receive any one of the other's company, though discharged, without a private agreement to that purpose. (3) At the end of three years, under date of 12 December 1724, R. Castleman, the treasurer of Drury Lane, sent Griffin a note to the effect that the managers were willing to continue him at 10s. nightly (#3 weekly); as Griffin could not return to Rich, he had to accept the reduction in pay as well as a delay of his benefit to May and a payment of #50 for the charges. (4) He remained so until 1729, losing in salary #147 besides the #10 extra benefits. At Norris' illness and death, the managers returned him to #4 weekly but kept the charges at #50. (5) Under date of 4 June 1733, by the signatures of Mary Wilks, Hester Booth, John Highmore, and John Ellys, Griffin received a discharge from Drury Lane and full Liberty to treat with Rich or any one else. He asserts that he had no previous notice and received no reason for his discharge

Performances

Event Comment: At the Desire of several Persons of Quality. Mainpiece: Written by Shakespear. Afterpiece: Set to Musick by Mr Arne. [See Daily Post, 13 Nov., and London Evening Post, 13 Nov., for the trial of Harper. Daily Post, 13 Nov.: It was design'd also to prevent the Company acting last Night, by taking away so principal a Performer in the Play, which was advertis'd, he being conrin'd, &c. and his Hearing by Counsel deferr'd till between Five and Six o'Clock; but the Audience being duly acquainted with this Prosecution very kindly accepted Mr Cibber's reading the Part.]

Performances

Mainpiece Title: Henry IV Part I

Performance Comment: As17331010, but Hotspur-read by T. Cibber; Northumberland, Douglas, Blunt, Westmoreland, Bardolph, Poins omitted . Northumberland, Douglas, Blunt, Westmoreland, Bardolph, Poins omitted .
Cast
Role: Northumberland Actor: Boman
Role: Westmoreland Actor: Ridout

Afterpiece Title: The Opera of Operas

Dance: Wattcau by Miss Robinson. La Bagatelle by Essex and Miss La Tour

Performance Comment: La Bagatelle by Essex and Miss La Tour .
Event Comment: By particular Desire. London Daily Post and General Advertiser, 4 Jan.: The kind Reception which Mr Poitier met with in his Performance on Wednesday last . . . lays him under the greatest Obligation to the Publick; and if he has lost the good Opinion of anyone, by the late unhappy Disturbance [see 7 Dec. 1734], he hopes his future constant Endeavours to oblige, will both be accepted, and regain their Favour

Performances

Mainpiece Title: The Mother in law

Afterpiece Title: Colombine Courtezan

Event Comment: Afterpiece: A New Farce. [By Mrs Charke.] N.B. The Company are oblig'd to remove from the Hay-Market Theatre to York-Buildings, as being too young a Sett of People to venture at great Expences, without first having merited the Favour of the Town to support them in it; but as we are determin'd to the full Extent of our Power, to endeavour to entertain them, we humbly hope they will accept of our Performances. . . . Charlott Charke. Daily Advertiser, 26 Sept.: We hear that Mrs Charke . . . drew Tears from the whole Audience in her Prologue, which she spoke very pathetically; and the new Farce . . . was very much applauded, notwithstanding the impotent Attempts of several young Clerks to raise a Riot, who were for that purpose properly marshal I'd by the cunning Lawyer their Master: Their rude Behaviour was so extraordinary, that several Gentlemen were provok'd to threaten them with the Discipline of their Canes, upon which they thought proper to desist

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Macheath-Mrs Sandham; Polly-Mrs Charke. hathi.
Cast
Role: Macheath Actor: Mrs Sandham

Afterpiece Title: The Art of Management or Tragedy Expelld

Performance Comment: Mrs Tragic-Mrs Charke; Brainless-Turner; Bloodbolt-Machen; Headpiece-Smyth. With a New Occasional Prologue, written and spoken by Mrs Charke .

Entertainment:

Event Comment: Benefit Hyde. Receipts: money #41 3s. 6d.; tickets #69 14s. [In Daily Advertiser, 20 Feb., Hyde had given notice that tickets for the boxes numbered 208-14 had been lost and would not be accepted at the theatre.]

Performances

Mainpiece Title: King Lear And H1s Three Daughters

Afterpiece Title: The Devil to Pay

Dance: II: Glover's Scot's Dance. IV: Tambourine by Glover and Miss Rogers. V: French Peasant by Tench and Miss Rogers

Performance Comment: IV: Tambourine by Glover and Miss Rogers. V: French Peasant by Tench and Miss Rogers .
Event Comment: Mainpiece: Written by Mr Southerne. Receipts: money #40 14s. 6d.; seals #71 3s. (Account Book); #100 (Rylands MS.). [According to the Account Book, tickets for Dan French and the late Farquhar's Daughter were accepted this night; French in box, pit, and gallery had 20, 150, and 85 tickets; Farquhar's Daughter, 15, 118, and 137. Each received half value of the tickets.

Performances

Mainpiece Title: Oroonoko

Performance Comment: Oroonoko-Delane; Imoinda-Mrs Horton; Governor-Bridgwater; Blandford-Hale; Stanmore-Hallam; Jack Stanmore-Anderson; Driver-Rosco; Daniel-Hippisley; Hotman-Gibson; Widow Lackit-Mrs Woodward; Charlotte-Mrs Stevens; Lucy-Mrs Hale; Aboan-Lascells[, who never appeared upon that stage before]., who never appeared upon that stage before].
Cast
Role: Blandford Actor: Hale
Role: Jack Stanmore Actor: Anderson

Afterpiece Title: The Royal Chace

Dance: IV: The Swiss-Mechell, Mlle Mechell

Event Comment: We hear that the Lord Chamberlain has refus'd granting a License to the seceding players to act in the Theatre in the Haymarket. (Daily Advertiser) To the Author of the London Daily Post, Sir: As I have engag'd myself for this winter to perform in Dublin, by an Invitation of Several Persons of Distinction in Ireland, I think it my duty before I leave London, by your paper, to return my sincere and hearty thanks to the Town for the many favours I have receiv'd during the Time of my Performing in Publick, which I hope they will Candidly accept from their most of Oblig'd, humble Servants, Thomas Lowe

Performances

Mainpiece Title: The Unhappy Favorite Or The Earl Of Essex

Performance Comment: Essex-Delane; Southampton-Giffard; Burleigh-Winstone; Raleigh-W. Giffard; Lieutenant-Ray; Rutland-Mrs Giffard; Nottingham-Mrs Bennet; Queen Elizabeth-Mrs Roberts.
Cast
Role: Rutland Actor: Mrs Giffard

Afterpiece Title: The School Boy

Cast
Role: Friendly Actor: Anderson
Event Comment: Having for a Series of Years received the greatest Obligations from the Nobility and Gentry of this Nation, I have always retained a deep Impression of their Goodness. As I perceived, that joining good Sense and Significant Words of Musick, was the best Method of recommending this to an English Audience; I have directed my Studies that way, and endeavour'd to shew, that the English Language, which is so expressive of the sublimest Sentiments, is the best adapted of any to the full and solemn Kind of Musick. I have the Mortification now to find, that my Labours to please are become ineffectual, when my Expences are considerably greater. To what Cause I must impute the Loss of the Publick Favour, I am ignorant, but the Loss itself I shall always lament. In the mean time, I am assur'd that a Nation, whose Characteristic is good Nature, would be affected with the Ruin of any Man, which was owing to his Endeavours to entertain them. I am likewise persuaded, that I shall have the forgiveness of those noble Persons, who have honour'd me with their Patronage, and their Subscription this Winter, if I beg them Permission to stop short, before my Losses are too great to support, if I proceed no farther in my Undertaking; and if I intreat them to withdraw three Fourths of their Subscription, one Fourth part only of my Proposal having been perform'd. I am, etc. G. F. Handel. Attendance will be given at Mr Handel's House in Brook's St., Hanover Square, from 9 a.m. to 2 p.m. Monday, Tuesday, and Wednesday next, in order to pay back the Subscription money. [Two poems in honor of Handel in the 21 Jan. issue of the Daily Advertiser. A letter in the 25 Jan. issue indicates that the subscribers would not accept the proferred refund; Handel announced he would resume performances in view of this response.

Performances

Event Comment: Benefit Turbutt and Neale. Mainpiece: By Particular Desire of several Persons of Quality. Afterpiece: not acted these 5 years. [See 29 March 1742.] Tickets and places to be had at the Swan in Smithfield; and of Hobson at the stage door. The severe Indisposition of Mr Garrick continuing, we hope our friends will accept of his part being perform'd to the Best Advantage the shortness of time will permit, which we imagine will be more agreable than changing the play

Performances

Mainpiece Title: The Alchemist

Afterpiece Title: Tragedy of Tragedies or Tom Thumb the Great

Song: I: Nanny O-Lowe; III: Gentle Shepherd-Mrs Arne; IV: Early Horn-Lowe

Dance: II: Sga Bettini; V: Muilment

Event Comment: To the Author of the General Advertiser: Sir: I beg leave by means of your paper, to acquaint the friends of Tom Harbin, that he intends shortly to have a Benefit at the Theatre Royal in Covent Garden: Having in consequebce of the advice of many of them, apply'd himself to Mr Rich, on that account who very generously and readily said he would contribute anything in his power to serve him; and as one night of the week might be better than another, (as his Interest lay) he gave him his choice, whereupon he chose Wednesday, as being a night of most leisure amongst people eminent in trade, on whom the city depends. He persuades himself that those who have laughed with him, will not laugh at him for requesting a favour (which his circumstances could never be supposed to put him above accepting) from persons of affluent fortunes, which the generality of his friends are; and who Experienc'd good nature, he doubts not, will serve him on this occasion. In a few days Publick notice will be given of the time, the Play, &c. I am &c. Jack Friendly, Grigsby's Coffee House, Nov. 7, 1748. [See General Advertiser, 8 Nov. See also 14 Dec.

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: Damon and Phillida

Cast
Role: Arcas Actor: Anderson
Event Comment: MMr Garrick did Richard (Cross). This day is publish'd, Dedicated to the Right Honorable John, Earl of Orrery, Sejanus a Tragedy, as it was intended for the stage, with a Preface; wherein the Manager's reasons for refusing it are set forth. By Mr Gentleman. Printed for R. Manby and H. S. Cox on Ludgate Hill. [Garrick turned it down and Gentleman accepted his judgment without animosity.] Receipts: #210 (Cross)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Shepherds Lottery

Event Comment: Benefit for ye widow of Capt. James Spencer, an Officer &c., and her small Children (Cross). An Old Officer who had been in His Majesty's Service 46 years, but dying when upon half-pay has left the Widow without pension and with several small children in greatest distress. N.B. Part of the Pit will be rail'd into the boxes and servants will be allowed to keep places on the Stage. Tickets to be had of Mrs Spencer, the uppermost house in Prince's Court, by Storey's Gate; the Bedford Coffee House, Covent Garden; the Tiltyard Coffee House; St James Coffee House; Sweet's Coffee House, Bukingham Court; Bridge Street Coffee House; The Rainbow Coffee House, Ludgate Hill; the Temple Exchange, Fleet St.; the Rainbow, Cornhill; and at the Stage Door of the theatre where places may be taken. Mr Norton Amber, humbly hopes this general acknowledgment of the favour which his friends were pleas'd to confer on him by their generous appearance last Night at Drury Lane, will be accepted, instead of a more particular application, which his constant employment prevents; and begs leave to assure them, that he shall ever retain a most grateful sense of their indulgent assistance. Receipts: #252 (Cross)

Performances

Mainpiece Title: The Provokd Wife

Cast
Role: Heartfree Actor: Palmer

Afterpiece Title: The Anatomist

Performances

Mainpiece Title: The Way To Keep Him

Performance Comment: Actors only: Garrick, Yates, Palmer, King, Ackman, Mrs Yates, Mrs Davies, Mrs Bradshaw, Miss Hippisley, Mrs Clive, Mrs Cibber. New Prologue-Holland; Lovemore-Garrick; Sir Bashful Constant-Yates; Sir Brilliant Fashion-Palmer; William-King; Widow Bellmour-Mrs Cibber; Mrs Lovemore-Mrs Yates; Muslin-Mrs Clive; Lady Constant-Mrs Davies; Mignionet-Mrs Bradshaw; Sideboard-Ackman; Furnish-Mrs Hippisley (Winston MS 9).
Cast
Role: New Prologue Actor: Holland