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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sisters of the deceased Mr Gay"/1) | (@(roleclean,performerclean) "Sisters of the deceased Mr Gay")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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6974 results for: Keyword - Sisters of the deceased Mr Gay
We found 4300 matches on Event Comments, 1414 matches on Author, 1186 matches on Performance Comments, 593 matches on Performance Title, and 0 matches on Roles/Actors.

76
20 December 1738 @ Drury Lane Theatre

Event Comment: By particular Desire. Mainpiece: Written by the late Mr Gay

Performances

Mainpiece Title: The Beggar's Opera

Related Works
Related Work: The Beggar's Opera Author(s): John Gay

Afterpiece Title: The Fall of Phaeton

77
10 January 1739 @ Drury Lane Theatre

Event Comment: Mainpiece: Written by the late Mr Gay

Performances

Mainpiece Title: The Beggar's Opera

Related Works
Related Work: The Beggar's Opera Author(s): John Gay

Afterpiece Title: The Mock Doctor

Dance: Proper to the Opera

78
19 January 1739 @ Covent Garden

Event Comment: Benefit the Author of The Parracide. Afterpiece: Written by Mr Gay, Author of the Beggar's Opera. [A letter to the Daily Post, 19 Jan., by the author of The Parracide states that after his play was damned on 17 Jan. he was offered a benefit; at first he chose his own play, then decided to offer The Way of the World.

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The What D'ye Call It

Related Works
Related Work: The What D'Ye Call It Author(s): John Gay

Song: Roberts

Dance: As17390115

79
13 March 1739 @ Covent Garden

Event Comment: Benefit Delane. Afterpiece: Written by Mr Gay, Author of the Beggar's Opera. [Tickets at Delane's Lodgings, the Golden Ball in Exeter-Court, the Strand.

Performances

Mainpiece Title: Mariamne

Afterpiece Title: The What D'ye Call It

Related Works
Related Work: The What D'Ye Call It Author(s): John Gay

Dance: II: Comic Dance-Villeneuve, Miss Oates; V: Grand Ballet-Glover, Mlle Roland

80
05 April 1739 @ Drury Lane Theatre

Event Comment: Benefit Harper. Mainpiece: Written by the late Mr Gay. [Tickets at Harper's House in Bridges Street.

Performances

Mainpiece Title: The Beggar's Opera

Related Works
Related Work: The Beggar's Opera Author(s): John Gay

Afterpiece Title: The King and the Miller of Mansfield

Dance: I: Punches Dances-Master Ferg, Miss Wright; V: Grand Ballet-Muilment, Mrs Walter

81
23 April 1739 @ Drury Lane Theatre

Event Comment: Mainpiece: Written by the late Mr Gay

Performances

Mainpiece Title: The Beggar's Opera

Related Works
Related Work: The Beggar's Opera Author(s): John Gay

Afterpiece Title: Harlequin Shipwreck'd

Dance:

82
27 March 1764 @ Covent Garden

Event Comment: Benefit for Shuter. Mainpiece: Not acted these 4 years. [See 15 May 1760.] Afterpiece: A Tragi-comi-Pastoral-Farce by the late Mr Gay. Not acted these seven years. [See 15 May 1759.

Performances

Mainpiece Title: Sir Courtly Nice; Or, It Cannot Be

Performance Comment: Sir Courtly-Woodward; Lord Belguard-Walker; Farewell-Clarke; Hothead-Dunstall; Testimonly-Gibson; Crack-Shuter; Surly-Sparks; Violante-Mrs Vincent; Aunt-Mrs Pitt; Leonora-Miss Macklin.
Cast
Role: Hothead Actor: Dunstall

Afterpiece Title: The What D'ye Call It

Performance Comment: Timothy Peascod-Woodward; Sir Roger-Marten; Justice Statute-Redman; Corporal-R. Smith; Sir Humphrey-Wignel; Peter Nettle-Bennet; Soldier-Holtom; ThomasFilbert-Shuter; Steward-Anderson; Stave-Costollo; Dorcas-Miss Helm; Constable-Lewis; Aunt-Mrs Copin; Joyce-Master Besford; Kitty Carrot-Miss Elliot; first time, with the song 'Twas when the seas were roaring-.
Cast
Role: with the song 'Twas when the seas were roaring Actor: .
Related Works
Related Work: The What D'Ye Call It Author(s): John Gay

Dance: II: Hornpipe-Miss Pitt; End: New Grand Ballet, as17640320

Song: III: Will be a Duette-Mattocks, Miss Polly Young

Entertainment: End: The Cries of London-Shuter

83
20 April 1772 @ Drury Lane Theatre

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The What D'ye Call It

Performance Comment: Jonas Dock-Weston; Sir Roger-Parsons; Squire Thomas-Moody; Sir Humphrey-Hartry; Justice Statute-Jacobs; Peter Nettle-Massink; Stave-Waldron; Joyce-Mrs Hopkins; Aunt-Mrs Love; Dorcas-Mrs Davies; Kitty Carrot-Miss Pope; The Original Song Twas When the Seas were Roaring[, as Set by Mr Jackson of Exeter, to be sung-Mrs Wrighten; [To conclude with a Country Dance-. [Advertised as not acted in 10 years. Actually not at dl since 21 March 1748.]Advertised as not acted in 10 years. Actually not at dl since 21 March 1748.]
Related Works
Related Work: The What D'Ye Call It Author(s): John Gay

Dance: II: A Hornpipe-aYoung Gentlewoman, 1st appearance; V: The Sailors Revels, as17711008

84
28 April 1783 @ Covent Garden

Event Comment: Benefit for Bannister. The great Overflow from Covent-Garden Theatre, on Tuesday last, has induced many of Mr Bannister's Friends to desire he would again perform the Part of Polly. In Compliance with the Wish of those to whom he is under so many Obligations, he will, this Evening, make his Appearance in that Character, for the last Time of his appearing in Petticoats [but see 3, 13 May]. Tickets delivered for Alexander and Acis and Galatea will be admitted. Receipts: #276 10s. 6d. (167/11/6; tickets: 108/19/0) (charge: #105)

Performances

Mainpiece Title: The Beggar's Opera

Cast
Role: Mat o' the Mint Actor: Mahon
Related Works
Related Work: The Beggar's Opera Author(s): John Gay

Afterpiece Title: The Flitch of Bacon

Dance: End of Act II of mainpiece The Poney Races by Harris, Miss Matthews, and others; In Act III, as17830422

85
09 April 1730 @ Goodman's Fields

Event Comment: Benefit Penkethman, Son to the late Mr Penkethman

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The What D'ye Call It

Performance Comment: Peascod-W. Penkethman; Son to the late Mr Penkethman; Kitty-Mrs Giffard; With an Epilogue-Penkethman; riding on an Ass. riding on an Ass.
Related Works
Related Work: The What D'Ye Call It Author(s): John Gay

86
26 November 1735 @ Swan Tavern

Event Comment: Benefit Mr Charles, Master of the French Horn. 51. 6 P.M

Performances

Mainpiece Title: Concert

Music: A Solo and several Pieces on the French Horn by Mr Charles. And several Songs and Duets by the two Miss Youngs. The German Flute by Mr Pelicour [Balicourt in Daily Advertiser], lately arrived from abroad; Being the first Time of his Performing in England

Performance Comment: And several Songs and Duets by the two Miss Youngs. The German Flute by Mr Pelicour [Balicourt in Daily Advertiser], lately arrived from abroad; Being the first Time of his Performing in England .

87
29 March 1749 @ Covent Garden

Event Comment: Benefit for Cibber. Mainpiece. Reviv'd, not acted these 4 years [see 1 March 1746]. Afterpiece: Taken from the French of Dancourt, a Ballad Opera, performed by particular desire. Tomorrow, The Jubilee, for Benefit of Mrs Horton. [Baker, Biographia Dramatica, lists the afterpiece as written by James Wilder, taken from Dancourt. Cibber had announced (General Advertiser, 27 Feb.) for his benefit The Man of Mode, with Pasquin, with Alterations. In which would be performed The Rehearsal of a Comedy call'd The Election; or, Bribes on Both Sides, by the Author of Tom Jones.

Performances

Mainpiece Title: The Man Of Mode; Or, Sir Fopling Flutter

Related Works
Related Work: The Man of Mode; or, Sir Fopling Flutter Author(s): Sir George Etherege

Afterpiece Title: The Gentleman Gardiner

Performance Comment: Colin-Wilder being his 1st attempt in the dramatic way; Sir Jasper Freeman-Arthur; Sir Jeffrey Addlehead-Dunstall; Glastonbury-Stoppelaer; Trick-Cushing; Sham-Collins; Harriet-Miss Young; Kitty-Miss Falkner; To conclude with a Country Dance proper to the opera-.
Cast
Role: Colin Actor: Wilder being his 1st attempt in the dramatic way

Dance: Mr J. Granier, J. Granier's sister

88
14 December 1669 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. Although this performance is not certainly the premiere, it is the earliest known acting of the play. This performance is on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", p. 14. John Boyle, Fifth Earl of Orrery: Master Anthony too the sequel of Guzman was after Lord Orrery's Death brought upon the Stage, but being disrelish'd by the Audience appear'd only one Night. It is probable The Author had not supervis'd and corrected It sufficiently before he died (The Dramatic Works of Roger Boyle, ed. W. S. Clark II, II, 950). If these private notes, written some fifty years after the premiere, are correct, this performance may have been the premiere and the only day of acting it

Performances

Mainpiece Title: Mr Anthony

89
January 1682 @ Dorset Garden Theatre

Event Comment: The Duke's Company. The date of the first performance is not known, but a copy in the British Museum (161 d 20) has a MS date, 27 Jan. 1681@2, and the play was advertised in True Protestant Mercury, 4-8 Feb. 1681@2; hence it was probably first presented in early January, perhaps late in 1681

Performances

Mainpiece Title: Mr Turbulent; Or, The Melanchollicks

Performance Comment: Edition of 1682: Timothy Turbulent-Underhil; Furnish-Jevon; Hangby-Gillow; Grin Sneak-Norris; Finical Cringe-Nokes; Rabsheka Sly-Bowman; Abednego Suck Thumb-Anthony Leigh; Fairlove-Williams; Friendly-Wiltsher; Dr Quibus-Peircival; Pollux-Richards; Mrs Turbulent-Mrs Norris; Lady Medler-Mrs Currer; Lucia-Lady Slingsby; Priscilla-Mrs Price; Mrs Sly-Mrs Osborn; The Prologue-Lady Slingsby; The Epilogue-Mr Turbulent.
Cast
Role: The Prologue Actor: Lady Slingsby
Role: The Epilogue Actor: Mr Turbulent.

90
08 September 1701 @ Richmond Wells

Event Comment: At the most Excellent Musick-Room of Richmond Wells. At 3 p.m. Tickets 5s

Performances

Mainpiece Title: Concert

Music: Mr Abell; having had the Honour lately, to Sing to the Nobility and Gentry of Richmond and the Neighbouring Towns, thinks himself bound in Gratitude...to return his most Humble Thanks with a Performance of New Musick, in English, Latin, Italian, French-Mr Abell; &c....being Honour'd and Accompany'd-the Greatest Masters of Europe

Performance Comment: ..to return his most Humble Thanks with a Performance of New Musick, in English, Latin, Italian, French-Mr Abell; &c....being Honour'd and Accompany'd-the Greatest Masters of Europe.
Cast
Role: being Honour'd and Accompany'd Actor: the Greatest Masters of Europe.

91
22 February 1704 @ Drury Lane Theatre

Event Comment: A new Entertainment of Vocal and Instrumental Musick (after the manner of an Opera...the vocal part being compos'd by Mr Weldon, and the Instrumental by Mr Dieuport. [Text by Pierre Motteux.

Performances

Mainpiece Title: Concert

Afterpiece Title: Britain's Happiness

Song: Singing in Italian and English-Mrs Tofts

Dance: l'Abbe, duRuel, Cherrier, Mrs Elford, Mrs Campion, Mrs Mayers, Devonshire Girl

92
01 August 1730 @ Tottenham Court

Event Comment: Written by the late facetious Mr Doggett. By the Company of Comedians from gf in the Booth next the Turnpike in Tottenham Court. [Advertised also on 3, 4, 5, 6, 7, 8, 10, 11, 13, 14, 15, 17, 18, 19 Aug.

Performances

Mainpiece Title: Mad Tom Of Bedlam; Or, The Distress'd Lovers: With The Comical Humours Of squire Numscul

Song: Mr Corse, age 12

Dance: DDutch Skipper-Sandham; Drunken Man-Wilcox; (On 8 Aug. and there after:) Mad Dance, Pierrot-Le Sieur Labisle, from France

Performance Comment: and there after:) Mad Dance, Pierrot-Le Sieur Labisle, from France.

93
24 February 1764 @ Drury Lane Theatre

Event Comment: A New English Opera. The Music Compos'd by Mr Rush. Signora Cremonini, Clementini, made her first appearance on this Stage in the Character of Eliza. Sings very well, very Graceful Deportm[en]t & is a great Support to the Opera. many of the Songs were Encor'd. Some few Hisses. but upon the whole, was pretty well receiv'd (Hopkins). Books of the Opera to be sold at the Theatre. A new English Opera, the Royal Shepherd-the Musick composed by Mr Rush.-Siga Cremonini made her first appearance,--sings ver fine,--very graceful deportment, and is a great support to the Opera.--Some hisses--Many of the songs encored. Upon the whole was well liked...On this occasion the Stage was cut near two feet and a half to enlarge the orchestra, to make it contain the additional performers who belong to the Opera House, on whose account the Opera cannot be performed Tuesdays and Saturdays (Hopkins Diary-MacMillan)

Performances

Mainpiece Title: The Royal Shepherd

Dance: I: A New Dance call'd The Hunters-Mas. Clinton, Miss Street, Miss Ford; II: The Faggot Binders-Aldridge, Miss Baker; End Opera: A Dance-Grimaldi, Lauchery, Miss Baker

Performance Comment: Clinton, Miss Street, Miss Ford; II: The Faggot Binders-Aldridge, Miss Baker; End Opera: A Dance-Grimaldi, Lauchery, Miss Baker.
Cast
Role: The Faggot Binders Actor: Aldridge, Miss Baker

94
15 March 1764 @ Drury Lane Theatre

Event Comment: Books of the Opera sold at Theatre. This Night Mr Grimaldi Sprain'd his Leg (Hopkins). Mr Grimaldi had the misfortune to hurt himself so much in dancing, as to render him incapable of Performing for Some time (Public Advertiser, 19 March). Receipts: #112 2s. (MacMillan)

Performances

Mainpiece Title: The Royal Shepherd

Dance: I: The Sheep Shearers, as17640308 II: The Shepherdesses, as17640113; End Opera: Dance, as17640301

Cast
Role: The Faggot Binders Actor: Aldridge, Miss Baker

95
11 April 1716 @ Drury Lane Theatre

Event Comment: Afterpiece: A New Italian Piece by Mons Sorin and Mr Baxter. At the Desire of several Persons of Quality

Performances

Mainpiece Title: Sir Courtly Nice

Afterpiece Title: La Guinquette; or, Harlequin Turned Tapster

Dance: An Entertainment of Mimick Dancing, call'd, La Caprice-Harlequin (in Imitation of Mlle Provost, the Famous Dancer in the Opera at Paris)

Related Works
Related Work: The Harlot's Progress; or, The Ridotto Al' Fresco: With a Grand Masque call'd, The Judgment of Paris; or, The Triumph of Beauty Author(s): Theophilus Cibber

96
20 February 1736 @ Drury Lane Theatre

Performances

Mainpiece Title: The Connoisseur; Or, Every Man In His Folly

Performance Comment: Parts by Quin, Cibber, Griffin, W. Mills, Mecklin, Salway, Mrs Clive, Miss Holliday, Mrs Pritchard, Mrs Cross; but edition of 1736 lists: Lord Constant-Quin; Lord Modely-Cibber; Sir Godfrey Trinket-Griffin; Sir Harry Gaylove-W. Mills; Cheatly-Mechlin; Signior Bagatelli-Salway; Tom-Turbutt; William-Cross; Flavia-Mrs Clive; Araminta-Miss Holiday; Mrs Freelove-Mrs Pritchard; Lucy-Mrs Cross. Prologue written by Aaron Hill and spoken by Quin. Epilogue spoken by Mrs Clive .
Cast
Role: Sir Harry Gaylove Actor: W. Mills

97
27 February 1764 @ Drury Lane Theatre

Event Comment: Well rec'd: all but the 1st Chorus w[hic]h was Hiss'd. First Dance Hiss'd off. Mr Norris being ill, Mrs Dormond perform'd in his room, much applauded (Cross Diary). Acted but once. Books of the Opera to be sold at the Theatre. Receipts: #169 1s. 6d. (MacMillan)

Performances

Mainpiece Title: The Royal Shepherd

Dance: I: The Hunters, as17640224; The Faggot Binders, as17640224; End Opera: A Dance, as17640224

Cast
Role: The Faggot Binders Actor: Aldridge, Miss Baker

98
01 March 1764 @ Drury Lane Theatre

Event Comment: Benefit for the composer, Mr Rush. Books of the Opera will be sold at the Theatre. Receipts. #211 18s. 6d.; charges: #76 12s. 6d. Profit to author: #135 6s. (MacMillan)

Performances

Mainpiece Title: The Royal Shepherd

Dance: II: The Faggot Binders, as17640224; End Opera: A Dance, as17640224

Cast
Role: The Faggot Binders Actor: Aldridge, Miss Baker

99
05 April 1764 @ Drury Lane Theatre

Event Comment: Benefit for Sga Cremonini & Managers. Miss Wright being very ill Mr Vernon made an Apology & her part in the opera was cut out (Hopkins). Opera for the last time this season. Receipts: #140 4s. (MacMillan); charges: #76 12s. [Profit to Sga Cremonini: #63 12s.

Performances

Mainpiece Title: The Royal Shepherd

Afterpiece Title: Miss in Her Teens

Dance: I: The Sheep Shearers-Lauchery, Miss Baker; II: The Faggot Binders, as17640224; End Opera: A Dance, as17640319

Cast
Role: The Faggot Binders Actor: Aldridge, Miss Baker

100
06 February 1795 @ Drury Lane Theatre

Event Comment: [Miss Arne, who is identified by MS annotation on Kemble playbill, had previously appeared as a chorus singer; see 27 Oct. 1794. In mainpiece the playbill assigns Mrs Peachum to Mrs Hopkins, Suky Tawdry to Mrs Maddocks, Mrs Coaxer to Miss Stageldoir, but "Mrs Hopkins being ill, Mrs Maddocks play'd Mrs Peachum; Mrs Hedges Suky Tawdry for Mrs Maddocks; Miss Stageldoir Ill, Mrs Jones play'd Mrs Coaxer. [In afterpiece] Jones Ill, Lyons Snuffle; Evans 4th Mob for Lyons [both these characters omitted from playbill]" (Powell).] Powell: Mayor of Garratt rehearsed at 12; New Ballet at 12. Receipts: #174 10s. (121.14; 51.2; 1.14)

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Mr Peachum-Moody; Lockit-Hollingsworth; Capt. Macheath-Kelly; Filch-Suett; Crookfinger'd Jack-Lyons; Wat Dreary-Evans; Robin of Bagshot-Cooke; Nimming Ned-Welsh; Harry Paddington-Phillimore; Mat o' the Mint-Trueman; Ben Budge-Burton; Beggar-Waldron; Player-Benson; Drawer-Banks; Turnkey-Webb; Mrs Peachum-Mrs Maddocks; Polly Peachum-A Young Lady (1st appearance on any stage [Miss Arne]); Lucy Lockit (1st time)-Miss DeCamp; Diana Trapes-Mrs Booth; Mrs Coaxer-Mrs Jones; Dolly Trull-Miss Chatterley; Mrs Vixen-Mrs Iliff; Betty Doxy-Miss Redhead; Jenny Diver-Mrs Bramwell; Mrs Slammekin-Miss Tidswell; Suky Tawdry-Mrs Hedges; Molly Brazen-Mrs Butler.
Cast
Role: Mat o' the Mint Actor: Trueman
Related Works
Related Work: The Beggar's Opera Author(s): John Gay

Afterpiece Title: The Mayor of Garratt

Dance: In III: Hornpipe-G. D'Egville