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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sisters of the Deceasd Mr Gay"/1) | (@(roleclean,performerclean) "Sisters of the Deceasd Mr Gay")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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6969 results for: Keyword - Sisters of the Deceas'd Mr Gay
We found 4295 matches on Event Comments, 1414 matches on Author, 1186 matches on Performance Comments, 593 matches on Performance Title, and 0 matches on Roles/Actors.

6876
03 October 1783 @ Covent Garden

Event Comment: RosiNA [announced on playbill of 2 Oct.] is obliged to be deferred on account of Mrs Martyr's Indisposition. "There are many of Mr Garrick's most favourite characters which [Henderson] appears in with great credit to himself, and applause from the audience; that in which he has been thought to approach the nearest to his predecessor is Hamlet; and, if we oppose the declamatory skill of Henderson-a quality indispensably necessary to the performance of this most difficult character-to the pathos and phrenzy (whether it be assumed or real madness in Hamlet is not here the question) of Garrick; I think it must be allowed that however short of him he may fall in some particulars, in the one I have mentioned, at least, he exceeds him" Qonson, The sad shepherd, ed. Waldron, p. 174). Receipts: #199 4s. 6d. (197/19/0; 1/5/6)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Padlock

6877
10 May 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Performance Comment: Carlos-Kemble (1st appearance in that character); Antonio-Baddeley; Charino-Waldron; Don Duart-Barrymore; Sancho-Suett; Governor-Packer; Monsieur-Burton; Page-Miss Heard; Jaqucs-Wright; Officer-Phillimore; Clodio (alias Don Dismalo Thickscullo de Half Witto)-Ward; Don Lewis (alias Don Choleric Snapshorto de Testy)-Parsons (Their 1st appearance in those characters); Angelina-Mrs Brereton; Elvira-Miss E. Kemble; Honoria-Miss Tidswell; Louisa-Mrs Ward .

Afterpiece Title: A Medley

Performance Comment: Scene I. A Chamber. As Scene III, 7 May. Scene II. As Scene III, 26 Apr. Scene III. A Garden. As Scene IV, 3 May. Scene IV. Inside of a Playhouse. Bucks have at ye all by Ward. To conclude with The Jovial Sailors, as17840320athi .
Related Works
Related Work: The Medley; or, Harlequin At-All Author(s): Lewis Theobald
Related Work: Perseus and Andromeda; or, The Spaniard Outwitted Author(s): Lewis Theobald

Afterpiece Title: Duke and No Duke

Cast
Role: Captain of the Guards Actor: Alfred

Dance: End of Act I of mainpiece, as17840311athi

6878
28 September 1784 @ Covent Garden

Event Comment: Benefit for the Widow and Children of the unfortunate Mr Linton, late of this Theatre. [Linton, a musician belonging to the CG band, had been attacked and killed by footpads on 8 July.] "The band were all dressed in mourning, suited to the occasion, and are entitled to their share of applause" (Public Advertiser, 30 Sept.). Afterpiece: Not acted these 4 years

Performances

Mainpiece Title: Zara

Afterpiece Title: Catherine and Petruchio

Performance Comment: Petruchio-Lewis; Baptista-Thompson; Biondello-Chalmers; Music Master-Stevens; Hortensio-Helme; Tailor-Jones; Pedro-Gaudry; Haberdasher-Besford; Nathaniel-Ledger; Grumio-Quick; Bianca-Mrs Poussin; Curtis-Mrs White; Catherine-Mrs Bates .
Cast
Role: Catherine Actor: Mrs Bates

6879
09 November 1784 @ Drury Lane Theatre

Event Comment: Mainpiece: Not acted these 3 years. The Music by Purcel and Dr Arne, with the additional Airs and Chorusses by the late [Thomas] Linley Jun. [Gazetteer, 9 Nov., notes that the music for the Chorus of Spirits was composed by Purcell, for Ariel's song by Dr Arne, for the storm scene by Linley Jun.] Receipts: #162 11s. (126/10/0; 35/19/6; 0/1/6)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Bon Ton

Dance: In Act I of mainpiece a Dance of Spirits by Miss Hamoir, &c.; In Act III a Dance of Fantastic Spirits (performers not listed); In Act IV a Dance by Mr and Miss Hamoir. [All these were danced, as here assigned, in all subsequent performances.]

Performance Comment: ; In Act III a Dance of Fantastic Spirits (performers not listed); In Act IV a Dance by Mr and Miss Hamoir. [All these were danced, as here assigned, in all subsequent performances.] hathi.
Related Works
Related Work: The Test of Love Author(s): John Edwin, the younger

6880
18 April 1785 @ Covent Garden

Event Comment: Benefit for Booth. Mr Booth respectfully hopes his close Attention to the several Departments he occupies in the Theatre will be a sufficient Excuse for his not personally waiting on his Friends. [Public Advertiser, 22 Mar., notes that since Wild's accident [see 11 May] Booth had been acting as prompter.] Public Advertiser, 14 Apr.: Tickets to be had of Booth at his house in Great Queen-street, Lincoln's-inn-fields. 2nd piece [1st time; M. INT I, compiler unknown]: The Music compiled from the most eminent Masters

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Holman; Mercutio-Lewis; Juliet-Miss Younge. No other parts listed, but see17841105 .
Cast
Role: Juliet Actor: Miss Younge. No other parts listed, but see17841105

Afterpiece Title: The Land of Enchantment

Performance Comment: A Select Scene, consisting of Music and Dancing, in which: a Hunting Song [Tantivy, the welkin resounds] by Mrs Martyr; the celebrated Vauxhall Echo Catch [They say there is an echo here (performers not listed)]; a Pastoral Dialogue [Alas! Poor Sue] by Johnstone and Mrs Martyr; Auld Robin Gray by Mrs Kennedy; Poor ThomasDay by Edwin, Brett, Davies. Abdiel, the Genius-Master Farley .
Cast
Role: , the Genius Actor: Master Farley

Afterpiece Title: Barataria

Cast
Role: Mary the Buxom Actor: Mrs Wilson.

Dance: In 2nd piece, by Harris, Miss Besford, Mrs Goodwin, Mrs Ratchford, Miss Matthews

Song: As17841025, but omitted: names of singers

6881
25 April 1785 @ Covent Garden

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Deserter

Dance: End of mainpiece The fancy Races {performers not listed]

Song: End of Act I of mainpiece Tantivy, the welkin resounds (the Music by Hook); End of Act II a new song, The New Blown Rose (the Words by Mrs Cumyns, the Music by Dale), both by Mrs Martyr

6882
08 November 1785 @ Covent Garden

Event Comment: [This was Henderson's last appearance on the stage. He died on 25 Nov. 1785. "He was the only performer, since the death of Mr Garrick, who could with any degree support the various characters of Shakespeare. His person approached the middle size, his voice was naturally thick, his judgment was strong, his attention great, and his sudden transition from one passion to another fully evinced his abilities; his chief excellence lay in strong colouring, in broken and abrupt speeches, especially in parts of tragic horror; his scale was so extensive that it included the extremes of Tragedy and Comedy" (Oulton, 1796, 1, 150-51).] Receipts: #258 6s. (250/14; 7/12)

Performances

Mainpiece Title: The Roman Father

Afterpiece Title: Rosina

Dance: As17851103

6883
25 February 1786 @ Covent Garden

Event Comment: Benefit for Mrs Henderson. Pit and Boxes will be laid together. Ladies and Gentlemen are most earnestly requested to come early, to prevent Inconvenience in getting to their Places, and to send their Servants to keep them by Four o'clock. [Prologue by Arthur Murphy {Works, 1786, VII, 369).] Morning Herald, 14 Feb.: Tickets to be had at the house of the late Mr Henderson [see 8 Nov. 1785], Buckingham-street, York Buildings. "The poetical address delivered by Mrs Siddons before the play was written by Murphy, and was so very dull that we will charitably suppose his feelings obstructed the operation of his fancy" (General Advertiser, 27 Feb.). Receipts: #141 9s. 6d. (140/15/0; 0/14/6; tickets: none listed) (charge: free)

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: Three Weeks after Marriage

6884
08 August 1786 @ Windsor Castle Inn, King Street, Hammersmith

Event Comment: Benefit for Mr and Mrs Waldron. The last Night of performing this Season. [The above is an advance notice on playbill of 5 Aug.]

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: The Romp

Afterpiece Title: The Elopement

6885
27 November 1786 @ Drury Lane Theatre

Event Comment: The Public are most respectfully informed, that, in consequence of the sudden and violent Indisposition of Mr Parsons, the second Performance of the New Comedy, called A School for Grey-Beards, is unavoidably postponed. This Evening will be presented [as above] (printed slip attached to Kemble playbill). Receipts: #182 13s. 6d. (141.9.0; 38.7.0; 2.15.0; ticket not come in: 0.2.6)

Performances

Mainpiece Title: The Chances

Afterpiece Title: Richard Coeur de Lion

Cast
Role: Old Mathew Actor: Fawcett
Role: The Seneschal Actor: Phillimore

6886
31 January 1787 @ Covent Garden

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Performance Comment: Leon-Holman; Duke-Macready; Juan-Davies; Cacafogo-Booth; Sanchio-Thompson; Alonzo-Fearon; The Copper Captain-Lewis; Margaritta-Mrs Inchbald; Altea-Mrs Morton; Clara-Miss Platt; Old Woman-Mrs Pitt; Maid-Mr Painter; Estifania-Mrs Abington.
Cast
Role: The Copper Captain Actor: Lewis

Afterpiece Title: Three Weeks after Marriage

Dance: End: The Wapping Landlady-Blurton, Rayner, Miss Cranfield

6887
29 March 1787 @ Red-Lion Inn, Lordship Road, Stoke Newington

Performances

Mainpiece Title: She Stoops To Conquer; Or, The Mistakes Of A Night

Afterpiece Title: Bon Ton; or, High Life above Stairs

Entertainment: Monologue. Entertainments: An Epilogue describing the Furor Dramatica, Epilogue to The Lying Valet [by David Garrick], Paul Prigg's Description of his Journey thro' Gravesend Rochester Boulogne Amiens and Chantilly, Prologue to Bon Ton [describing the Folly and Fashions of the Times by George Colman elder], Bucks have at Ye all, An Occasional Address of Thanks to the Ladies and Gentlemen [by Marriot, Johnny Gilpin's Account of his Journey thro' Stoke Newington Edmonton to Ware shewing how he went farther than he intended and arrived safe Home at last-Marriot

Performance Comment: Entertainments: An Epilogue describing the Furor Dramatica, Epilogue to The Lying Valet [by David Garrick], Paul Prigg's Description of his Journey thro' Gravesend Rochester Boulogne Amiens and Chantilly, Prologue to Bon Ton [describing the Folly and Fashions of the Times by George Colman elder], Bucks have at Ye all, An Occasional Address of Thanks to the Ladies and Gentlemen [by Marriot, Johnny Gilpin's Account of his Journey thro' Stoke Newington Edmonton to Ware shewing how he went farther than he intended and arrived safe Home at last-Marriot.

6888
31 March 1787 @ Red-Lion Inn, Lordship Road, Stoke Newington

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Dr Last's Examination before the College of Physicians

Afterpiece Title: The Padlock

Song: V: a Grand Funeral Procession-; Solemn Dirge-; Vocal Parts-Wilson, Mrs Fowler, Miss Fowler, Mrs Marriot; Between the Acts: Singing-Wilson

6889
21 July 1787 @ Haymarket Theatre

Performances

Mainpiece Title: The Jealous Wife

Related Works
Related Work: The Jealous Wife Author(s): George Colman, the elder

Afterpiece Title: Comus

Performance Comment: Comus-Browne; Spirit-R. Palmer; Brothers-Lawrence, Lyons; Bacchanals-Davies, Meadows, Mathews, Chapman; The Lady (with Sweet Echo, accompanied on the hautboy by Forster)-Mrs Bannister; Sabrina-Miss Cranford; Pastoral Nymph-Mrs Forster; Bacchants-Mrs Edwards; Euphrosyne, 1st Bacchant-Miss George.
Cast
Role: Brothers Actor: Lawrence, Lyons
Role: Bacchanals Actor: Davies, Meadows, Mathews, Chapman
Role: The Lady Actor: Mrs Bannister
Related Works
Related Work: Comus Author(s): George Colman, the elder

6890
28 August 1787 @ Haymarket Theatre

Event Comment: Benefit for Edwin. 2nd piece [1st time; F 2, by George Colman, elder, based of L'Avocat Patelin, by David Augustin de Brueys. This is usually ascribed to William Macready. But on the title-page of his copy (K-D 295 in Huntington Library) J. P. Kemble has written "This Piece was not written by Mr Macready." Public Advertiser, 29 Aug. states that "Colman...presented Edwin upon this occasion with a new Farce, taken from a celebrated French Play." World, 15 Oct. 1787 refers to Colman's dislike of L'Avocat Patelin, but adds, "When [he] came to translate it himself, he found reason to alter his opinion."]. Public Advertiser, 25 Aug.: Tickets to be had of Edwin, No. 19, Piazza, Covent Garden

Performances

Mainpiece Title: Sir John Cockle, At Court

Performance Comment: King-Williamson; Sir John Cockle-Kemble; Sir Timothy Flash-Davies; French Cook-Wewitzer; Joe-Edwin; with The Tower of London-Edwin; Mrs Starch-Mrs Edwin; Miss Kitty-Mrs Brown.
Cast
Role: with The Tower of London Actor: Edwin

Afterpiece Title: The Village Lawyer

Afterpiece Title: The Ghost; or, The Man Bewitch'd

Song: End 2nd piece: the new Four@and@twenty Fiddlers all on a Row-Edwin

Entertainment: Monologue End: Lingo's Opinions on Men and Manners (a Comical, Whimsical, Operatical, Farcical Rhapsody)-Edwin

6891
12 January 1788 @ King's Theatre

Event Comment: "The orchestra, during the whole time of representations [of the opera] has by no means been conducted with that exactness that should be expected from that band...It must be supposed that neither the master of music at the harpsichord, nor Mr Cramer, the leader, have influence or power enough to prevail on the band to play, or rather, to accompany, more correctly...The arias of the tenor and base [sic] have been played, or rather accompanied, too fast, and without harmony with the voices of Morelli and Fineschi, which being good, and they seeming to wish to sing with all possible expression, the orchestra should have accompanied accordingly. Mme Storace, howefer, has baffled the efforts of the musicians to make her sing out of tune, quick or slow. As they fiddled, she modulated" (Public Advertiser, 17 Jan.). Receipts: #147 12s. 6d. [non-subscription]

Performances

Mainpiece Title: Il Re Teodoro In Venezia

Dance: End I: a new ballet, The Military Dance (composed by Chevalier)-Didelot, Chevalier, Coulon, Vestris, Mlle Coulon, the two Miss Simonets, Sga Bedini, Mlle Hilligsberg; End Opera: Les Offrandes a l'Amour, as17871208

Related Works
Related Work: The Female Chevalier Author(s): George Colman, the elder

6892
26 April 1788 @ Covent Garden

Performances

Mainpiece Title: Fontainbleau

Afterpiece Title: The Romance of an Hour

Performance Comment: Sir Hector Strangeways (for that night only)-Powell (from the Theatre Royal, Bath); Orson Strangeways-Quick; Brownlow-Davies; Colonel Ormsby-Macready; Pillage-Fearon; Bassore-Bernard; Lady Die Strangeways-Mrs Webb; Zelida-Mrs Bernard.

Dance: As17880301

Entertainment: Monologues. End I: A Dissertation on Macaronyism-Bernard; End: Shuter's Observations in a Post@haste Journey to Paris-Bernard

6893
14 May 1788 @ Covent Garden

Event Comment: Benefit for Booth. Afterpiece: Not acted these 7 years [acted 12 Nov. 1782. Rees is identified in Dram. Reg.]. Public Advertiser, 10 May: Tickets to be had of Booth, No. 18, Broad-court, Bow-street, Covent Garden. Receipts: #234 2s. (95.13; 7.1; tickets: 131.8)

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Minor

Dance: As17880328

6894
17 September 1788 @ Covent Garden

Event Comment: On Account of the numerous Complaints [etc., exactly as on dl playbill, 16 Sept.] [Mr and Mrs Duncan were from the Chester theatre.] Receipts: #193 10s. 6d. (190.11.6; 2.19.0)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: Midas

6895
17 March 1789 @ Drury Lane Theatre

Event Comment: Benefit for the Author [of mainpiece, who is named in Kemble Mem., "Mr Greatheed's third night," but not on the playbill; in the preceding season the play had been acted 8 times, and it was the custom for the author of a new play to have his benefits on the 3rd, 6th and 9th nights]. Receipts: #160 17s. (139.5; 19.8; 2.4; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: The Regent

Related Works
Related Work: The Regent Author(s): Bertie Greatheed

Afterpiece Title: The Deserter

6896
28 April 1789 @ Covent Garden

Event Comment: Benefit for Aickin. [Meredith is identified in European Magazine, May 1789, p. 410, which also states address was written by a Mr Vardill.] Mainpiece: End of Act II the Grand Triumphal Entry of Alexander into Babylon. Public Advertiser, 24 Apr.: Tickets to be had of Aickin at his house, No. 5, Gower-street, Bedford-square. Receipts: #228 4s. 6d. (155.17.6; 8.2.0; tickets 64.5.0)

Performances

Mainpiece Title: Alexander The Great

Performance Comment: Alexander-A Gentleman (1st appearance on any stage Meredith); Lysimachus-Farren; Hephestion-Davies; Cassander-Fearon; Polyperchon-Macready; Thessalus-Evatt; Clytus-Aickin; Statira-Miss Brunton; Sysigambis-Mrs Platt; Parisatis-Mrs Inchbald; Roxana-Mrs Pope.
Cast
Role: Thessalus Actor: Evatt

Afterpiece Title: Midas

Dance: As17881010

Entertainment: Monologue. Preceding: Occasional Address-Middleton

6897
22 May 1789 @ Covent Garden

Event Comment: Benefit for Mr and Mrs Bernard. 2nd piece [1st time in London; M. INT 2, by John Bernard, 1st acted at Bath, 18 Apr. 1786. Music by William Boyton. Larpent MS 732; not published]: By Permission of the Bath Managers [William Keasberry and William Wyatt Dimond]. Receipts: #189 15s. (76.9; 1.16; tickets: 111.10)

Performances

Mainpiece Title: The Winter's Tale

Afterpiece Title: The British Sailor; or, The Fourth of June

Afterpiece Title: The Quaker

Entertainment: Monologue End 2nd piece: Ned Shuter's Observations in a Post Haste Journey to Paris-Bernard

6898
27 June 1789 @ Covent Garden

Event Comment: From the late unfortunate calamity at the King's Theatre [see 16 June], the Subscribers are respectfully acquainted that as many Operas will be represented at this Theatre as can from this Evening to the 11th of July, the day on which most of the Performers' Contracts expire. Mr Gallini humbly requests it may be observed that on account of there not being Boxes enough to accomodate the Subscribers, as at the late Opera House, in order to avoid partiality, no particular Places or Boxes can be allotted to the respective Subscribers. The Entrance into the Theatre will be from Covent-Garden and Hart-street only, the doors from Bow-street will, from necessity, be shut up. Pit and Boxes 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. "Covent--Garden, on Saturday night, had the honour of entertaining this noble Foreigner--but by some accident they did not agree...The Gallery, only, was filled" (World, 29 June)

Performances

Mainpiece Title: La Generosita D'alessandro

Dance: End I: New Divertissement, as17890310End Opera: L'Embarquement pour Cythere, as17890110, but Mlle _Normand

6899
31 July 1789 @ Haymarket Theatre

Event Comment: Benefit for Mr and Mrs Iliff. Afterpiece: Not acted these 10 years [not acted since 30 July 1778]. Diary, 28 July: Tickets to be had of Iliff, No. 20, Charles-street, Westminster

Performances

Mainpiece Title: The Spanish Barber

Performance Comment: Count Almaviva-Iliff; Doctor Bartholo-Moss (Their 1st appearance in those characters); Basil-Aickin; Argus-Reeve; Tallboy-R. Palmer; Notary-Burton; Alcade-Chapman; Lazarillo-Edwin; Rosina-Mrs Bannister.
Related Works
Related Work: The Spanish Barber; or, The Fruitless Precaution Author(s): George Colman, the elder

Afterpiece Title: The Portrait

Related Works
Related Work: The Portrait Author(s): George Colman, the elder

Entertainment: Imitations End: Theatrical Imitations Serious, Comic, Vocal, and Rhetorical,-Rees; Duologue End afterpiece: Hobby@Horses Describing the Statesman's Hobby, the Ladies' Hobby, the Lawyer's Hobby, the Physician's Hobby, the Manager's Hobby, and R. Palmer's own Hobby,-R. Palmer, Iliff

6900
10 November 1789 @ Covent Garden

Event Comment: 1st piece: 1st Time [at this theatre; see dl, 7 Nov.]. "Mr Hayley's Marcella, which was anticipated on Saturday evening at Drury Lane, and was received with considerable marks of disapprobation...was brought forward [at Covent Garden] under the auspices of the Author" (Public Advertiser, 11 Nov.). "[The performers all acted well at Covent Garden; and Kemble was the only one at Drury Lane who even knew his part" (Prompter, 11 Nov.). Receipts: #201 17s. (197.13.6; 4.3.6)

Performances

Mainpiece Title: Marcella

Performance Comment: Characters-Holman, Farren, Aickin, Egan, Harley, Mrs Pope. [Cast from European Magazine, Nov. 1789, p. 378: Alphonso [Mendoza]-Holman; Lupercio-Farren; Governor of Barcelona-Aickin; Lopez-Egan; Hernandez-Harley; Marcella-Mrs Pope; ["Holman's part was unluckily ycleped Mendoza (i.e. the name of a pugilist who, at this time, was enjoying great popularity); it is now mended into Alphonso' (World, 22 Oct). At dl, on 7 Nov., it was changed to Alonzo.] [New Occasional Prologue by the Author of the Piece [William Hayley]-Holman.

Afterpiece Title: Rosina

Afterpiece Title: The Death of Captain Cook

Cast
Role: Lieutenant of the Marines Actor: Ratchford
Role: Emai Actor: Miss Francis. Part I. A Nuptial Procession, with the Performance of the Marriage Ceremony according to the Custom observed at O'Whyee. The Manner of Combat between two Natives. Part II. The Arrival of the Resolution. The Disembarkation of the English, with the Ceremonies observed at entering into a Treaty of Peace with the Natives. A Preparation for a Human Sacrifice. The Assassination of Captain Cook. Part III. A Representation of the Naval and Military Honours observed on erecting a Pile to the Memory of Capt. Cook, by the Officers of the Resolution. The Ceremony performed on the same Occasion, according to the Manner of the Natives of O'Whyee. To conclude with a Representation of a Burning Mountain.