SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sisters of the Deceasd Mr Gay"/1) | (@(roleclean,performerclean) "Sisters of the Deceasd Mr Gay")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 4295 matches on Event Comments, 1414 matches on Author, 1186 matches on Performance Comments, 593 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: By Command. [No mention of the King and Queen in Treasurer's Book.] Paid Mr Grist on act by order #10. Receipts: #280 1s. (Treasurer's Book)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Queen Mab

Performance Comment: As17751117, but Parts-Cubitt, _Messink (playbill) but $Messink remains in the Public Advertiser.

Dance: II: The Savage Hunters, as17751118

Event Comment: Benefit for the Author of the Alterations (Hopkins Diary). [On this day Garrick wrote to Mrs Abington, relative to his practice in casting new plays: "That I may hear no more of this or that part in Mr Murphy's play, I now again tell you that every author since my management distributed his parts as he thinks will be of most service to his interest, nor have I ever interfered, or will interfere, unless I perceive that they would propose something contrary to common sense" (Harvard Theatre Collection, Autograph Letter Signed). Charges: #84 (Treasurer's Book)

Performances

Mainpiece Title: Old City Manners

Afterpiece Title: The Deserter

Dance: II: The Merry Peasants, as17751018

Event Comment: Miss Hopkins first time Maria --well receiv'd Mrs Abington Spoke a New Epilogue in Character of Philly Nettletop great Applause (Hopkins Diary). Paid Mr Bate's bill for composing The Theatrical Candidates #32 11s. Receipts: #124 19s. (Treasurer's Book)

Performances

Mainpiece Title: The Maid Of The Oaks

Performance Comment: Old Groveby-King; Oldworth-Aickin; Sir Harry-Brereton; Druid-Bannister; Hurry-Parsons; Painter-Moody; Dupeley-Dodd; Maria-Miss P. Hopkins; Lady Bab Lardoon-Mrs Abington; in the course of the Piece will be introduced A Fete Champetre-; the music-Barthelemon; the Vocal Parts-Davies, Fawcett, Legg, Kear, Cubitt, Carpenter, Mas. Blanchard, Mrs Scott, Mrs Jewell, Mrs Wrighten; the Dances-Slingsby, Fontaine, Como, Giorgi, Blurton, Sga Crespi, Mrs Sutton, Sga Paccini; with a New Epilogue-Mrs Abington.

Afterpiece Title: The Lyar

Performances

Mainpiece Title: Braganza

Afterpiece Title: Bon Ton

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Padlock

Performance Comment: As17751005, but Leander-Davies , first time; Leonora-The Young Lady who performed the Little Gipsy (Miss Abrams); Mungo-Fawcett.

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Lyar

Event Comment: With New Music, Scenes, Dresses, and Decorations for the Afterpiece. This Farce is brought on the Stage by Mrs Abington--it is very dull--It is vastly well got up and was receiv'd with Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly, mentioning Bickerstaff as the author. Larpent MS 397 contains elaborate stage direction at opening: "An interior apartment in the Seraglio. An arch in the middle of the back scene, which is shut with a curtian. On the right hand toward the front is a sopha in the Turkish manner, low deep, and long, covered with carpets and cushions. A little gold table about eight inches high and a foot and a half square. Upon it a rich or gold saver set with jewels, with two cups on porcelain, and a spoon made of the beak of an Indian bird, which is redder than coral, extremely rare and of extensive price." This may have been intended for a reading audience. In the piece Mrs Abington, an English slave , rebels in the confines of the Seraglio, and start a reform movement wherein men are to please the women. Concludes with demostration of the nobility of English women who will not be enslaved, who will not flatter, who will preserve their liberty and dignity, and who are capable of returning love for honor and respect. Reviewed in Westminster Magazine for Dec.: "The Audience appeared to be divided in their opinion of the merit of the Sultan, some loudly applauding, and others as loudly condemning it, when the curtain dropped. The Majority however, stood firmly for it, and a verdict was returned in its favor. The managers not only well dressed this dramatic trifle, but bestowed three new scenes on it: The Outer Gate of the Seraglio--An Interior view of it--and a Garden terminating in a prospect of the sea. The first was but la! la! The last two were beautiful and picturesque. Five airs were introduced into this piece which had a very good effect....The music of the two first was the composition of Mr Dibdin, and was exceedingly pretty."] Receipts: #143 1s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Sultan; or, A Peep into the Seraglio

Performances

Mainpiece Title: Matilda

Afterpiece Title: The Sultan

Event Comment: Benefit of the Middlesex Hospital. Paid salary list at #105 3d. per diem, #630 1s. 6d.; Mr Westly #3. Receipts: #96 10s. 6d. Charges: #84. Profit to Hospital: #12 10s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Miss in Her Teens

Event Comment: Benefit for the Establishment of a Fund, for the Relief of Performers and others retiring from the Theatre. Mr Barry still continues indisposed. Afterpiece: The LAST time of performing it. [The call for this afterpiece must have been remarkable, supposed to closed 6 Nov. it was continued "by desire" on the 24 Nov. on Dec. 1, 8, 15, and 19.

Performances

Mainpiece Title: Edward And Eleonora

Cast
Role: Theald Actor: Clarke
Event Comment: Mainpiece: By Particular Desire. Paid Mr Garrick's note to Dr Arne #50 (Treasurer's Book). [This was an unrecorded benefit night for Bickerstaff as author of the afterpiece. See payment on 27 Feb. 1776.] Receipts: #129 9s. (Treasurer's Book)

Performances

Mainpiece Title: Braganza

Afterpiece Title: The Sultan

Dance: V: The Sailors Revels, as17751220

Event Comment: Milwood Mrs King So, so, Barnwell first time by Mr Brereton very well. The Jubilee is reviv'd with Alterations and Additions in the Pageant It was receiv'd with vast Applause (Hopkins Diary). [The Westminster Magazine for Dec. remarked on The Jubilee: "It appeared with still greater splendor [than in its original performance in 1769] from the introduction of more pageants and characters. Romeo and Juliet made a different appearance in this procession, and their was likewise a new Pageant for the Tragedy of Coriolanus, which was not introduced before. The scenes were either all new painted, or quite new."] Receipts: #242 6s. (Treasurer's Book)

Performances

Mainpiece Title: The London Merchant; Or, The History Of George Barnwell

Afterpiece Title: The Jubilee

Performance Comment: Dramatic Entertainment in honor of Shakespeare in two parts- Dancing-; Dramatic Entertainment-[, introducing a pageant. [No cast listed in playbill but each of the subsequent thirty-three bills mentions "In Honour of Shakespeare."]
Related Works
Related Work: London's Great Jubilee Author(s): Matthew Taubman

Performances

Mainpiece Title: The Hypocrite

Related Works
Related Work: Tartuffe; or, The French Puritan Author(s): Matthew Medbourne

Afterpiece Title: The Jubilee

Related Works
Related Work: London's Great Jubilee Author(s): Matthew Taubman

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Jubilee

Related Works
Related Work: London's Great Jubilee Author(s): Matthew Taubman
Event Comment: The Grecian Daughter cannot be perform'd on account of Mr and Mrs Barry's Indisposition

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Prometheus

Performance Comment: As17751229, but The Principal Characters-Zuchelli, _Rayner, +Ledger, _Jones.

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Jubilee

Related Works
Related Work: London's Great Jubilee Author(s): Matthew Taubman
Event Comment: Rec'd stopages #11 18s. Paid To Mr Garrick, author of the alteration of the Chances and two preludes #171. Receipts: #106 19s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Jubilee

Related Works
Related Work: London's Great Jubilee Author(s): Matthew Taubman

Performances

Mainpiece Title: Epicoene

Related Works
Related Work: Epicœne; or, The Silent Woman Author(s): George Colman, the elder

Afterpiece Title: The Jubilee

Related Works
Related Work: London's Great Jubilee Author(s): Matthew Taubman

Performances

Mainpiece Title: The Discovery

Afterpiece Title: The Padlock

Performances

Mainpiece Title: The Provoked Husband

Cast
Role: Mrs Motherly Actor: Mrs Cross

Afterpiece Title: The Jubilee

Related Works
Related Work: London's Great Jubilee Author(s): Matthew Taubman
Event Comment: The play went off with Great Applause and the Opera till begining of the Second Act. when they hiss'd very much and a very great Noise ensued and with very great difficulty we got to the end of the Farce (Hopkins Diary). [MacMillan's note from Kemble differs slightly.] Paid Mr Hurst (by order) on Note #13 13s. Receipts: #109 2s. (Treasurer's Book)

Performances

Mainpiece Title: The School For Lovers

Afterpiece Title: The Blackamoor

Event Comment: The Grecian Daughter oblig'd to be deferr'd on account of the Indisposition of Mr and Mrs Barry

Performances

Mainpiece Title: She Stoops To Conquer

Event Comment: Mainpiece: Never performed before. New Scenes and Dresses. This Comedy is a first production of Mrs Cowley--It was receiv'd with very great Applause-Indeed the performers play'd very well and deserv'd it--the Prologue was written by the Author of the Play dull and Mr Gar. wrote a most Excellent Epilogue quite Local--which was received with uncommon Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly. Mainpiece reviewed in the Westminster Magazine for Feb.: "As we have lately been much afflicted with the melancholy fate of theatrical authors, we have a pleasure more than common in the great sucess of this piece."] Receipts: #256 5s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Runaway

Afterpiece Title: May Day

Event Comment: Third night, For the Author. Paid salary list #624 6s. 6d.; Mr Moody's extra salary from Xmas last #6 10s. Charges: #73 10s. (Treasurer's Book)

Performances

Mainpiece Title: The Runaway

Afterpiece Title: The Padlock

Event Comment: Boxes 7s. 6d. Pit 5s. First Gallery 3s. Second Gallery 2s. Places for Boxes to be taken of Mr Sarjeant (only) at the stage door. Books of the Oratorios to be had at the Theatre. Doors opened at Half past Five. To begin at Half past Six. [This note recurrs on all Oratorio bills this season. It will not be repeated here.

Performances

Mainpiece Title: Judas Maccabaeus

Performance Comment: Parts were: Judas , Israelite Man , Israelite Woman , Chorus , Simon (Brother to Judas ), Messenger , Eupolemus (Jewish Ambassador to Rome ) Principal Vocal parts-Vernon, Champness, Leoni, Mrs Wrighten, Mrs Weichsel.

Music: First Violin-Lamotte; after I: Concerto on German Flute-Florio; Part II: Violin Concerto-Lamotte