SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sir W Parsons"/1) | (@(roleclean,performerclean) "Sir W Parsons")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 7667 matches on Performance Comments, 1604 matches on Author, 1216 matches on Event Comments, 503 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Benefit W. Giffard. At the particular Desire of several Ladies. Mainpiece: Written by Mr Congreve

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Devil to Pay

Dance: SScotch Dance-Burney, Miss Wherrit

Performances

Mainpiece Title: 1 Henry Iv

Afterpiece Title: 1 The Lying Valet

Performances

Mainpiece Title: Alzira; Or, Spanish Insult Repented

Performance Comment: Gamor (by Particular Desire)-Johnson, who has not appeared on any stage these 5 years; Alvarez-Giffard; Carlos-W. Giffard; Famont-Havard; Spanish Captain-Turbutt; American Captain-Winstone; Emira-Miss Budgell; Cephania-Miss Cole; Alzira-Mrs Giffard; With a New Prologue-Johnson.

Afterpiece Title: The Anatomist

Dance: III: Mlle Auguste

Performances

Mainpiece Title: The Tragical History Of King Lear

Afterpiece Title: Miss in Her Teens

Song: Brett

Dance: As17461124

Performances

Mainpiece Title: The Provok'd Husband

Cast
Role: Sir Francis Actor: Yates

Afterpiece Title: Don Quixote

Dance: II: The Pierrots-Roger, Shawford Jun; III: A Scotch Dance, as17520427 IV: A Hornpipe-Shawford Jun; V: A Comic Dance-Shawford Jun, Miss Shawford

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Double Disappointment

Song: Wilder

Performances

Mainpiece Title: The Hypocrite

Cast
Role: Sir John Lambert Actor: Packer

Afterpiece Title: Harlequin's Invasion

Dance: II: A Hornpipe-Wright

Performances

Mainpiece Title: The Merchant Of Venice

Cast
Role: Add Gobbo Actor: Parsons

Afterpiece Title: The Deuce Is in Him

Dance: III: The Wake, as17690518

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: A Peep behind the Curtain

Cast
Role: Sir Toby Fuz Actor: Love
Role: Sir Macaroni Actor: Dodd
Role: Shepherds Actor: Dodd, Parsons, Hartry, Fawcett, Kear, Messink

Song: End: A Hunting Song-Kear

Ballet: IV: The May Day Garland. As17700517

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: High Life below Stairs

Cast
Role: Sir Harry's Servant Actor: Dodd

Dance: III: The Shepherds Frolic, as17710406 End: The Sailors Revels-Atkins

Performances

Mainpiece Title: A Gazette Extraordinary

Afterpiece Title: Artaxerxes

Afterpiece Title: The Norwood Gypsies

Dance: 3rd piece: Dancing-Dagueville, Langrish, Miss Besford, Miss Matthews

Entertainment: [Vaudeville.]3rd piece: a Leap through a Cask on Fire-

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: The Touchstone

Dance: End of mainpiece, as17820401, but omitted: Holloway

Song: End of Act IV of mainpiece Tally ho, as17820427

Performances

Mainpiece Title: The Beaux Stratagem

Afterpiece Title: Barnaby Brittle

Cast
Role: Sir Peter Pride Actor: Booth

Dance: As17811219

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Picture of Paris, Taken in the Year 1790

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Picture of Paris, Taken in the Year 1790

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: The Royal Chace

Song: End of Act iv of mainpiece Tally Ho!, as17830516

Event Comment: Benefit for Macklin. Afterpiece: A New Dramtic Satire in two acts. N.B. As several of the Town have prejudged the Pit the Boxes and Galleries acting their own parts themselves for their diversion, to be of the same species of the Lick at the Town last year; and that it can mean only the ordinary Approbation or Disapprobation of the Audience, Signor Pasquin thinks it incumbent on himself to assure to Publick that all those conjectures are groundless; And farther, he assures them that the Pit, &c. acting their parts has no other meaning than the common literal sense; and that the Audience are really interwoven in the piece; and are to be bona fide part of the Dramatis Personae; and he makes no doubt but that he shall make them perform their parts to a numerous and polite audience, and with universal Applause. But he begs that those Ladies and Gentlemen who intend to perform in the Pit and Galleries will be at the Theatre betimes, for particular reasons; and those who are to act in the Boxes are requested to send their servants to keep their places by three o'clock. Signor Pasquin has received the letters sent by the Town and the Village, and they may depend upon having Places kept for them upon the Stage. The Hiss concerning the Robin Hood Society will be complied with (General Advertiser). [The parts were: Pasquin, Marforio, Sir Eternal Grinn, Sir Conjecture Positive, Sir Roger Ringwood, Bob Smart, Soloman Common Sense; Count Hunt Bubble, Sir John Ketch, hic and Hac (Scribblers), Hydra, Lady Lucy Loveit, Miss Diana Singlelife, Miss Brilliant, Miss Bashfull (Larpent MS 96).

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: As17511128, but following parts only are listed: Lady Townly-Miss Macklinher 1st appearance in Comedy; Sir Francis-Macklin; Townly-Barry.
Cast
Role: Sir Francis Actor: Macklin

Afterpiece Title: Covent Garden Theatre; or, Pasquin turn'd Drawcansir, Censor of Great Britain

Performance Comment: The parts of the Pit, Boxes, Galleries, Stage, and Town to be performed by themselves, for their diversion; the parts of several Dull, disorderly characters, in and about St Jame's to be performed by certain persons, for example; And the part of Pasquin@Drawcansir to be performed by his Censorial Highness;, for his interest. The Satire to be introduced by an Exordium;, and to conclude by a satirical@panegyrical@ironical@comical@original Peroration upon the Virtues, Vices, Wisdom and Folly, Judgment and Power of the Town. Both to be spoken from the Rostrum-Signor Pasquin.

Dance: GGrand Comic Ballet, as17511216

Event Comment: The Duke's Company. The date of the first performance is not known; an entry in L. C. 5@145, p. 120, lists it for 1 March, but leaves the year in question. See also Nicoll, Restoration Drama, p. 349. Because the Prologue upbraids the audience for deserting Dorset Garden to see The Female Prelate at Drury Lane (beginning 31 May 1680) and because the Epilogue refers to railing at the Penny Post, a service inaugurated on 1 April 1680, a performance in mid-June 1680 seems the likely first production. If so, the L. C. entry for 1 March probably represents a revival for 1 March 1680@1. A song, Bonny lass gin thou wert mine, with music by Thomas Farmer, is in Choice Ayres and Songs, The Third Book, 1681. For Leigh as Sir Jolly and Nokes as Sir Davy, see Cibber, Apology, ed. Lowe, I, 147-48. Downes (Roscius Anglicanus, p. 36): These two Comedies [The Soulder's Fortune and D'Urfey's The Fond Husband] took extraordinary well, and being perfectly Acted; got the Company great Reputation and Profit

Performances

Mainpiece Title: The Souldiers Fortune

Performance Comment: Edition of 1681: Beaugard-Betterton; Courtine-Smith; Sir Davy Dunce-Nokes; Sir Jolly Jumble-Leigh; Fourbin-Jevon; Bloody Bones-Richards; Vermin-A Boy; Lady Dunce-Mrs Barry; Sylvia-Mrs Price; Prologue by the Lord Falkland-; Epilogue-.
Cast
Role: Sir Davy Dunce Actor: Nokes
Role: Sir Jolly Jumble Actor: Leigh
Event Comment: Afterpiece With the Scene of the Drawing. [William Hint in a Letter on Managers (Daily Gazetteer 26 Oct.) laments that Dunstall was cast as Sir William Belfond in the mainpiece and that Hippisley was cast in an inferior part. He thought Hippisley would have done better as Sir William.

Performances

Mainpiece Title: The Squire Of Alsatia

Performance Comment: Squire-Chapman; Belfond Jun.-Hale; Sir Edward Belfond-Bridgwater; Sir William Belfond-Dunstall; Lolpoop-Hippisley; Trueman-Cashell; Attorney-Ridout; Scrapeall-James; Cheatly-Rosco; Shamwell-Gibson; Capt Hackem-Marten; Termagant-Anderson; Teresia-Mrs Hale; Isabella-Mrs Vincent; Lucia-Miss Hippisley; Ruth-Mrs Martin; Mrs Hackem-Stoppelaer; Mrs Termagant-Mrs Pritchard.

Afterpiece Title: The Lottery

Dance: LLe Gondalier-Cooke, Villeneuve, Delagarde, Rector, Destrade, Mrs Delagarde, Mrs Norman, Mrs LeBrun, Mrs Villeneuve; La Provencale-Picq, Mlle Duval

Event Comment: [In text of mainpiece Sir Harry Lizard is Sir Harry Lovewit, but "Lizard" was the form invariably used in the playbills.] Receipts: #120 13s. (118.4; 2.9)

Performances

Mainpiece Title: Know Your Own Mind

Performance Comment: Millamour-Lewis; Malvil-Wroughton; Bygrove-Aickin; Sir Harry Lizard-Whitfield; Sir John-Fearon; Capt. Bygrove-Booth; Dashwou'd-Lee Lewes; Miss Neville-Mrs Hartley; Mrs Bromley-Mrs Jackson; Lady Jane-Miss Dayes; La Rouge-Miss Ambrose; Lady Bell-Mrs Mattocks.
Cast
Role: Sir Harry Lizard Actor: Whitfield
Role: Sir John Actor: Fearon

Afterpiece Title: Comus

Song: Afterpiece: Sweet Echo-Leoni, Mrs Farrell. [This was sung, as here assigned, in all subsequent performances.

Event Comment: Rich's Company. The date of the premiere is not known, but Cibber (see below) states that it was acted in January; the Dedication was signed 7 Feb. 1695@6, and the play was advertised in the London Gazette, No 3157, 10-13 Feb. 1695@6. Two songs were published separately: Go home, unhappy wench, set by Francks and sung by Mrs Cross and the Boy (in Thesaurus Musicus, The Fifth Book, 1696) and What an ungratefull devil moves you, set by Daniel Purcell (in Deliciae Musicae, The First Book of the Second Volume, 1696). A separately-printed sheet of the second song states that it was sung by "The Boy", Cibber, Apology, I, 212-14: The next Year I produc'd the Comedy of Love's last Shift; yet the Difficulty of getting it to the Stage was not easily surmounted; for, at that time, as little was expected from me, as an Author, as had been from my Pretensions to be an Actor. However, Mr Southern, the Author of Oroonoko, having had the Patience to hear me read it to him, happened to like it so well that he immediately recommended it to the Patentees, and it was accordingly acted in January 1695 [i.e., 1695@6]. In this Play I gave myself the Part of Sir Novelty, which was thought a good Portrait of the Foppery then in fashion. Here, too, Mr Southern, though he had approv'd my approv'd my Play, came into the common Diffidence of me as an Actor: For, when on the first Day of it I was standing, myself, to prompt the Prologue, he took me by the Hand and said, Young Man! I pronounce they Play a good one; I will answer for its Success, if thou dost not spoil it by thy own Action....I succeeded so well in both, that People seem'd at a loss which they should give the Preference to. A Comparison Between the Two Stages (1702), p. 16: Ramble: Ay, marry, that Play was the Philosopher's Stone; I think it did wonders. Sullen: It did so, and very deservedly; there being few Comedies that came up to 't for purity of Plot, Manners and Moral: It's often acted now a daies, and by the help of the Author's own good action, it pleases to this Day

Performances

Mainpiece Title: Love's Last Shift; Or, The Fool In Fashion

Performance Comment: Edition of 1696: Prologue By a Friend-Mr Verbruggen; Epilogue-Miss Cross who Sung Cupid; Sir Will Wisewoud-Johnson; Loveless-Verbruggen; Sir Novelty Fashion-Cibber; Elder Worthy-Williams; Young Worthy-Horden; Snap-Penkethman; Sly-Bullock; Lawyer-Mills; Amanda-Mrs Rogers; Narcissa-Mrs Verbruggen; Hillaria-Mrs Cibber; Flareit-Mrs Kent; Woman to Amanda-Mrs Lucas.
Event Comment: Written by Sir Richard Brome

Performances

Mainpiece Title: The Northern Lass; Or, The Nest Of Fools

Performance Comment: Tridewell-Mills; Sir Paul-Johnson; Sir Philip-Wilks Jr; Widgen-Miller; Nonsense-Norris; Howdee-Cibber; Bulfinch-Cross; Northern Lass-Mrs Bicknell; Widow-Mrs Horton; Holdup-Miss Tenoe; Mrs Trainwell-Mrs Baker.
Cast
Role: Sir Paul Actor: Johnson
Role: Sir Philip Actor: Wilks Jr

Dance:

Event Comment: [By Sir John Vanbrugh and Colley Cibber.] All the Characters new drest. Mist's 13 Jan.: On Wednesday last a most horrid, barbarous, and cruel Murder was committed...upon a posthumous Child of the late Sir John Vanbroog, by one who, for some Time past, has gone by the Name of Keyber. It was a fine Child born, and would certainly have lived long, had it not fallen into such cruel Hands. Davies (Dramatic Miscellanies, III, 260-61): In all the tumults and isturbances of the theatre on the first night of a new play, which was formerly a time of more dangerous service, to the actors, than it has been of late, Mrs Oldfield was entirely mistress of herself; she thought it her duty, amidst the most violent opposition and uproar, to exert the utmost of her abilities to serve the author. In the comedy of uproar, to exert the utmost of her abilities to serve the author. In the comedy of the Provoked Husband, Cibber's enemies tried all their power to get the play condemned. The reconciliation scene wrought so effectually upon the sensible and generous part of the audience, that the conclusion was greatly and generously approved. Amidst a thousand applauses, Mrs Oldfield came forward to speak the epilogue; but when she had pronounced the first line,-Methinks I hear some powder'd critic say-a man, of no distinguished appearance, from the seat next to tne orchestra, saluted her with a hiss. She fixed her eye upon him immediately, made a very short pause, and spoke the words poor creature! loud enough to be heard by the audience, with such a look of mingled scorn, pit, and contempt, that the most uncommon applause justified her conduct in this particular, and the poor reptile sunk down with fear and trembling. See also Cibber, Apology, I, 310-11; Victor, History of the Theatres, II, 105

Performances

Mainpiece Title: The Provok'd Husband; Or, A Journey To London

Performance Comment: Edition of 1728 lists: Lord Townly-Wilks; Lady Townly-Mrs Oldfield; Lady Grace-Mrs Porter; Manly-Mills; Sir Francis Wronghead-Cibber; Lady Wronghead-Mrs Thurmond; Squire Richard-Young Wetherilt; Jenny-Mrs Cibber; John Moody-Miller; Count Basset-Bridgwater; Mrs Motherly-Mrs Moore; Myrtilla-Mrs Grace; Mrs Trusty-Mrs Mills; Prologue-Wilks; Epilogue-Mrs Oldfield.
Cast
Role: Sir Francis Wronghead Actor: Cibber
Event Comment: Mainpiece: By Particular Desire. By Sir John Vanbrugh, being the Sequel of The Fool in Fashion. Receipts: #110

Performances

Mainpiece Title: The Relapse; Or, Virtue In Danger

Performance Comment: Lord Foppington-Cibber; Berinthia-Mrs Woffington; Loveless-Milward; Worthy-Mills; Coupler-Johnson; Sir Tunbelly-Shepard; Young Fashion-Havard; Lory-Neale; Sir John Friendly-Raftor; Shoemaker-Ray; La Varole-Leigh; Mendlegs-Green; Surgeon-Taswell; Bull-Woodburn; Taylor-Wright; Page-Miss Cole; Amanda-Mrs Butler; Hoyden-Mrs Clive; Nurse-Mrs Egerton.
Cast
Role: Sir Tunbelly Actor: Shepard
Role: Sir John Friendly Actor: Raftor

Afterpiece Title: The Devil to Pay

Cast
Role: Sir John Actor: Lowe
Event Comment: A New Comedy of three Acts [by Foote]. By Authority. Open'd by Mr Foote. Most of the performers entirely new. Boxes 5s. Pit 3s. Gallery 2s. Doors to be opened at five. Curtain drawn up at seven. [Notice repeated in subsequent bills. Genest, IV, 599, lists Smith as Sir George.

Performances

Mainpiece Title: The Minor

Performance Comment: Induction by Foote-Foote; Smart-Smith; Canker-Misdale; Pearse-Pearse; Play: Sir William-Baddeley; R. Wealthy-Hyde; Sir George-Shaw; Shift-Foote; Loader-Davis; Dick-Weston; Transfer-Blakey; Mrs Cole-Foote; Lucy-Miss Burden (Edition of 1760).
Cast
Role: Sir William Actor: Baddeley
Role: Sir George Actor: Shaw

Dance: