SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sir Thomas Skipwith"/1) | (@(roleclean,performerclean) "Sir Thomas Skipwith")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 6976 matches on Author, 6375 matches on Performance Comments, 1282 matches on Event Comments, 503 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Afterpiece [1st time; M. INT 1, by Thomas John Dibdin. Prologue by Richard Cumberland (see text)]: The Overture and Music composed by Attwood, with some favorite Selections from the Works of Dibdin and Mazzinghi. Books of the Songs, including a descriptive Sketch of the Ballet, to be had at the Theatre. Morning Herald, 5 Nov. 1798: This Day is published The Mouth of the Nile (1s.). Receipts: #309 3s. 6d. (303.0.6; 6.3.0)

Performances

Mainpiece Title: Lover's Vows

Afterpiece Title: The Mouth of the Nile

Related Works
Related Work: The Mouth of the Nile Author(s): Thomas Attwood
Event Comment: Mainpiece [1st time; T 5, by Thomas Sedgwick Whalley. Prologue, Epilogue by the author (see text)]. Account-Book, 20 May: Paid Whalley for Castle of Montval #100. Receipts: #288 19s. (224.18.6; 63.9.0; 0.11.6)

Performances

Mainpiece Title: The Castle Of Montval

Related Works
Related Work: The Castle of Montval Author(s): Thomas Sedgwick Whalley

Afterpiece Title: Blue-Beard

Event Comment: Benefit for Knight. 2nd piece [1st time; F 1, by Thomas John Dibdin. Larpent MS 1252; not published]. 3rd piec : Not acted these 9 years. [Miss A. DeCamp had appeared as a dancer with the dl Company at king's in the season of 1792-93.] Morning Chronicle, 22 Apr.: Tickets to be had of Knight, No. 38, King-street, Covent Garden. Receipts: #392 3s. (185.12.6; 3.18.0; tickets: 202.12.6)

Performances

Mainpiece Title: The Road To Ruin

Related Works
Related Work: The Road to Ruin Author(s): Thomas Holcroft

Afterpiece Title: Tagg in Tribulation

Afterpiece Title: Poor Vulcan

Song: End II: song-Incledon; End: Old Towler-Incledon; The Beggar's Song-Townsend

Entertainment: A Variety of Imitations-Rees

Event Comment: Afterpiece [1st time; MF 2, by Thomas John Dibdin. Larpent MS 1280; not published]: With New Music, Dresses and Decorations. The Music composed by Attwood. Books of the Songs to be had in the Theatre. Receipts: #354 16s. (347.18; 6.18)

Performances

Mainpiece Title: Speed The Plough

Cast
Role: Sir Philip Blandford Actor: Pope
Role: Sir Abel Handy Actor: Munden
Related Works
Related Work: Speed the Plough Author(s): Thomas Morton

Afterpiece Title: True Friends

Related Works
Related Work: True Friends Author(s): Thomas Attwood
Event Comment: Afterpiece [1st time; MF 2, by Thomas John Dibdin]: With appropriate music (composed and selected by Attwood), Scenery, &c. Books of the Songs to be had at the Theatre. Receipts: #256 17s. (251.10; 5.7)

Performances

Mainpiece Title: Speed The Plough

Cast
Role: Sir Philip Blandford Actor: Pope
Role: Sir Abel Handy Actor: Munden
Related Works
Related Work: Speed the Plough Author(s): Thomas Morton

Afterpiece Title: St

Related Works
Related Work: The Island of St. Marguerite Author(s): Thomas Shaw Jr.
Related Work: Tarugo's Wiles; or, The Coffee House Author(s): Sir Thomas St. Serfe
Related Work: Britain's Brave Tars!!; or, All for St. Paul's Author(s): Thomas Attwood

Dance: In I afterpiece: A Dance-King; In II: Dance-Blurton, Platt, L. Bologna, Wilde, Klanert, Whitmore, Lewiss, Mrs Follett, Mrs Bologna, Miss Cox, Miss Bologna, Mrs Dibdin, Mrs Watts. [These were danced, as here assigned, in all subsequent performances. For Harp see18000331

Event Comment: Benefit for Lewis. 3rd piece [1st time; M. INT 1, by Thomas John Dibdin. Larpent MS 1288; not published]: Founded on a late Glorious Naval Achievement [the recapture by Capt. Edward Hamilton, on 25 Oct. 1799, of the British frigate Hermione, from the Spaniards]. The Music selected and composed by Attwood. Morning Chronicle, 1 Apr.: Tickets to be had of Lewis, No. 52, Great Queen-street, Lincoln's Inn Fields. Receipts: #361 17s. (263.2.0; 33.5.6; tickets: 65.9.6)

Performances

Mainpiece Title: How To Grow Rich

Performance Comment: Pave-Lewis; Warford-Pope; Sir ThomasRoundhead-Munden; Latitat-Fawcett; Smalltrade-Emery; Sir Charles Dazzle-Betterton; Hippy-Townsend; Nab-Farley; Plainly-Claremont; Servants-Curties, Blurton, Platt, Wilde, Rees; Robert-Simmons; Formal-Thompson; Miss Dazzle-Miss Chapman; Rosa-Miss Murray; Betty-Miss Leserve; Visitors-Ms Watts, Ms Follett, Ms Norton, Ms Gilbert; Lady Henrietta-the Late Miss Betterton [i.e. now Mrs Glover].i.e. now Mrs Glover].

Afterpiece Title: A Peep behind the Curtain; or, An Opera Rehearsal

Performance Comment: Glib, the Author-Lewis; Manager-Davenport; Sir Toby Fuz-Gardner; Sir Macaroni Virtu-Farley; Wilson-Claremont; Mervin-Klanert; Prompter-Abbot; Carpenter-Rees; Scenemen-Wilde, Whitmore; Miss Fuz-Mrs Mills; Sweepers of the Stage-Mrs Whitmore, Mrs Norton; Lady Fuz-Mrs Davenport; Characters in the Burletta: Orpheus-Hill; Shepherds-Linton, Denman, Whitmore, Platt, Curties, Street, Bologna, Lee, Hawtin, Blurton, Coombs, Thomas, Noble, Lewiss; The Old Shepherd-Simmons; Rhodope-Mrs Martyr.

Afterpiece Title: The Hermione; or, Valour's Triumph

Related Works
Related Work: The Hermione; or, Valour's Triumph Author(s): Thomas Attwood
Event Comment: Benefit for the Humane Society. A new grand Commemorative Oratorio [1st time; in two parts], as originally performed by Busby, in aid of the Fund for the Naval Pillar, including the new Music [by Busby: Song and Chorus, From where the sun; Song, To thy brave sons; Recitative and Song, Peace to the soul, Around the ever-honoured urn], introduced in the Grand National Concert, performed the 28th of May, at the Opera House. Leader of the Band-Cramer. Organ-Russell. The performance to be conducted by Busby, who will preside at the Piano Forte. Tickets, at playhouse prices, to be had at all the principal music shops...and of Busby, No. 9, China Terrace, Vauxhall Road. The Doors to be opened at 6:00. To begin at 7:00. "The words [of Part I] are taken entirely from Gray's well-known Pindaric Ode, The Progress of Poesy," with six introductory lines written by John Gretton andthe concluding stanzas by Thomas Dutton; the text of Part II by Gretton (Dramatic Censor, II, 285-86)

Performances

Mainpiece Title: Britannia

Related Works
Related Work: Britannia Author(s): Thomas Lediard
Related Work: Britannia Author(s): Thomas Arne
Event Comment: The Duke's Company. On Thursday 10 Dec. 1663, Pepys reported that this play was to be acted the following week, but the date of the first performance is uncertain. But--except for the holidays--it was probably acted on consecutive days until 1 Jan. 1663@4, when Pepys saw it. The play is also in Herbert, Dramatic Records, p. 138, as a "Revived Play." Pepys, Diary: I perceive the King and Duke and the Court was going to the Duke's playhouse to see Henry VIII. acted, which is said to be an admirable play. But, Lord! to see now near I was to have broken my oathe, or run the hazard of 20s. losse, so much my nature was hot to have gone thither; but I did not go. Downes (p.24): King Henry the 8th, This Play, by Order of Sir William Davenant, was all new Cloath'd in proper Habits: The King's was new, all the Lords, the Cardinals, the Bishops, the Doctors, Proctors, Lawyers, Tip-staves, new Scenes: The part of the King was so right and justly done by Mr Betterton, he being Instructed in it by Sir William, who had it from Old Mr Lowen, that had his Instructions from Mr Shakespear himself, that I dare and will aver, none can, or will come near him in this Age, in the performance of that part: Mr Harris's performance of Cardinal Wolsey, was little Inferior to that, he doing it with such just State, Port, and Mein, that I dare affirm, none hitherto has Equall'd him:...Every part by the great Care of Sir William, being exactly perform'd; it being all new Scenes; it continu'd Acting 15 Days together with general Applause

Performances

Mainpiece Title: Henry Viii

Related Works
Related Work: Henry VIII Author(s): Sir William Davenant

Performances

Mainpiece Title: Love In A Tub

Performance Comment: [See16640300 The Prologue-; The Epilogue-the Widow?, Wheadle?; Lord Beanford-Betterton?; Colonel Bruce-Smith?; Lovis-Morris?; Sir NicholasCully-Nokes?; Palmer-Underhill?; Wheadle-Saunford?; Graciana-Mrs Betterton?; Aurelia-Mrs Davies?; Widow-Mrs Long?; Sir Frederick Frolick-Harris?; Dufoy-Price?.
Cast
Role: Sir NicholasCully Actor: Nokes?
Role: Sir Frederick Frolick Actor: Harris?
Related Works
Related Work: The Comical Revenge; or, Love in a Tub Author(s): Sir George Etherege

Performances

Mainpiece Title: She Would If She Could

Performance Comment: See16680206 Courtall-Smith?; Freeman-Young?; Sir Joslin-Harris?; Sir Oliver-Nokes?; Ariana-Mrs Jenning?; Getty-Mrs Davies?; Lady Cockwood?. Lady Cockwood?.
Cast
Role: Sir Joslin Actor: Harris?
Role: Sir Oliver Actor: Nokes?

Performances

Mainpiece Title: Sir Salomon; Or, The Cautious Coxcomb

Performance Comment: Edition of 1671: Prologue. No actors' names. Epilogue. Downes (Roscius Anglicanus, pp. 29-30): Sir Solomon-Betterton; Peregrine Woodland-Harris; Single-Smith; Wary-Sandford; Timothy-Underhill; Betty-Mrs Johnson; Julia-Mrs Betterton.
Cast
Role: Sir Solomon Actor: Betterton
Event Comment: The Duke's Company. This play is on the L. C. list, 5@141, p. 2. See also Nicoll, Restoration Drama, p. 347. It is uncertain, however, just when this performance occurred. The L. C. lists at Harvard (see VanLennep, Plays on the English Stage, p. 19) suggest that the three performances at the head of this list belong to the spring of 1672 rather than the spring of 1671. If this is correct, this performance of Sir Solomon is out of place in the list, for it can hardly be placed at 14 Nov. 1672, yet it is surprising that, so soon after the opening of dg, the Duke's Company should act at court, especially when the King and Queen attended dg on the following day, 15 Nov. 1671. This performance of Sir Solomon should be judged as an uncertain one

Performances

Mainpiece Title: Sir Solomon; Or, The Cautious Coxcomb

Event Comment: The Duke's Company. This performance is known from a disturbance which occurred on this day; Langbaine states that the play was Macbeth. John Verney to Sir Ralph Verney, 30 Aug. 1675: On Saturday last, at the Duke's playhouse, Sir Tho. Armstrong killed Mr Scrope....Their quarrel is said to [be] about Mrs Uphill, the player, who came into the house maskt, and Scrope would have entertained discourse with her, which Sir T. Armstrong would not suffer, so a ring was made wherein they fought (HMC Verney MSS., 7th Report, 1879, p. 465). See also The Hatton Correspondence, Camden Society, XXII (1878), 121

Performances

Mainpiece Title: Macbeth

Related Works
Related Work: Macbeth Author(s): Sir William Davenant
Event Comment: The Duke's Company. The play was not printed. This performance is on the L. C. list, 5@145, p. 120. See also Nicoll, Restoration Drama, p. 349. Andrew Marvell to Sir Edw. Harley, 17 Nov. 1677: To-day is acted the first time Sir Popular Wisdom or the Politician, where my Lord Shaftesbury and all his gang are sufficiently personated. I conceive the King will be there (HMC, 14th Report, Appendix, Part II, 1894, Portland MSS., Volume III, p. 357)

Performances

Mainpiece Title: Sir Popular Wisdom; Or, The Politician

Performances

Mainpiece Title: Sir Harry Wildair

Performance Comment: Edition of 1701 lists: Sir Harry Wildair-Wilks; Colonel Standard-Mills; Fireball-Johnson; Marquis-Cibber; Beau Banter-Mrs Rogers; Clincher-Pinkethman; Dicky-Norris; Shark-Fairbank; Ghost-Mrs Rogers; Lord Bellamy-Simpson; Lady Lurewell-Mrs Verbruggen; Angelica-Mrs Rogers; Parly-Mrs Lucas; Prologue, Epilogue-.
Cast
Role: Sir Harry Wildair Actor: Wilks

Performances

Mainpiece Title: Sir Courtly Nice; Or, It Cannot Be

Performance Comment: Belguard-Mills; Sir Courtly-Cibber; Farewell-Booth; Surly-Keene; Crack-Bowen; Hothead-Bullock; Testimony-Johnson; Violante-Mrs Bradshaw; Leonora-Mrs Oldfield; Aunt-Mrs Powell.
Cast
Role: Sir Courtly Actor: Cibber

Performances

Mainpiece Title: She Wou'd If She Cou'd

Performance Comment: As at queen's, 18 Nov. 1707, but Sir Oliver-Dogget; Sir Joslin-Estcourt; Rakish-_; Sentry-_.
Cast
Role: Sir Oliver Actor: Dogget
Role: Sir Joslin Actor: Estcourt
Related Works
Related Work: She Would If She Could Author(s): Sir George Etherege
Event Comment: At the Desire of several Persons of Quality

Performances

Mainpiece Title: Sir Courtly Nice; Or, It Cannot Be

Performance Comment: Belguard-Mills; Sir Courtly-Cibber; Farewell-Wilks Jr; Testimony-Johnson; Crack-Penkethman; Hothead-Miller; Surly-Bickerstaff; Leonora-Mrs Porter; Violante-Mrs Bicknell.
Cast
Role: Sir Courtly Actor: Cibber

Performances

Mainpiece Title: Sir Courtly Nice; Or, It Cannot Be

Performance Comment: Belguard-Mills; Sir Courtly-Cibber; Hothead-Miller; Testimony-Johnson; Crack-Penkethman; Leonora-Mrs Porter; Violante-Mrs Bicknell.
Cast
Role: Sir Courtly Actor: Cibber

Dance: Topham, Thurmond Jr, Miss Smith, Miss Tenoe, Miss Lindar

Performances

Mainpiece Title: Sir Walter Raleigh

Performance Comment: Lady Raleigh-Mrs Gifford; Sir Walter-Quin; Howard-Ryan; Gundamore-C. Bullock; Salisbury-Leigh; Young Raleigh-Egleton; Olympia-Mrs Bullock.
Cast
Role: Sir Walter Actor: Quin

Dance: As17191005

Event Comment: At the Desire of several Persons of Quality

Performances

Mainpiece Title: Sir Courtly Nice; Or, It Cannot Be

Performance Comment: Belguard-Mills; Sir Courtly-Cibber; Surly-Thurmond; Hothead-Miller; Testimony-Johnson; Crack-Penkethman; Leonora-Mrs Thurmond; Violante-Mrs Bicknell.
Cast
Role: Sir Courtly Actor: Cibber

Dance: Thurmond Jr, Mrs Bullock, Boval, Miss Tenoe

Event Comment: Mainpiece: Written by Sir George Etheridge. Afterpiece: Written by the late Sir John Vanbrugh

Performances

Mainpiece Title: She Wou'd If She Cou'd

Cast
Role: Sir Oliver Actor: Hippisley
Role: Sir Joslin Actor: Morgan
Related Works
Related Work: She Would If She Could Author(s): Sir George Etherege

Afterpiece Title: The Country House

Dance: Shepherd and Shepherdess by Malter and Mlle Salle. Scottish Dance, as17331004 French Sailor and his Lass by Maker and Mlle Salle

Event Comment: Benefit Mrs Giffard. At the particular Desire of several Ladies of Quality

Performances

Mainpiece Title: Sir Harry Wildair

Performance Comment: Lady Lurewell-Mrs Giffard; Sir Harry-Giffard; Standard-Wright; Fireball-W. Giffard; Marquis-Bardin; Clincher-Penkethman; Dicky-Norris; Angelica-Mrs Hamilton; Parley-Miss Tollett.
Cast
Role: Sir Harry Actor: Giffard

Afterpiece Title: Hymen's Triumph

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Sir John Cockle at Court

Performance Comment: See17380223, but Sir John-Miller; Kitty-Mrs Clive.
Cast
Role: Sir John Actor: Miller

Music: III: Preamble on the Kettle Drums-Master Ferg

Dance: I: Flanderkins-Master Ferg, Miss Wright; II: Grand Ballet-Muilment, Mrs Walter; IV: Polonese-Haughton, Mrs Walter; V: Russian Sailor-Denoyer

Event Comment: By Command of His Royal Highness the Duke. Egmont, Diary, III, 83: I went with my wife to the play entitled 'Sir Walter Raleigh,' revived by the comedians on occasion of the now differences with Spain. They choose one to represent Count Gundemar, who in all things is like Mr Giraldini, the Spanish minister at our Court lately recalled, and whenever any severe things were said which bore a resemblance to our ministry's transactions, or our backwardness to resent the insults of Spain, the audience clapped all over the house

Performances

Mainpiece Title: Sir Walter Raleigh

Cast
Role: Sir Walter Actor: Quin
Role: Sir Julius Caesar Actor: Ridout

Afterpiece Title: The Virgin Unmask'd

Cast
Role: Thomas Actor: Raftor.

Dance: V: Tambourine-Mlle Chateauneuf