SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Sir Robert Murray"/1) | (@(roleclean,performerclean) "Sir Robert Murray")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 6911 matches on Performance Comments, 2107 matches on Author, 1200 matches on Event Comments, 554 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: See also 15 Dec. 1662. Evelyn, Diary: I went with Sir S. Tuke to heare the Comedians con, & repeate his new Comedy, the Adventures of 5 houres: a play whose plot was taken out of the famous Spanish Poet Calderon

Performances

Mainpiece Title: The Adventures Of Five Hours

Related Works
Related Work: The Adventures of Five Hours Author(s): Sir Samuel Tuke

Performances

Mainpiece Title: Pompey The Great

Performance Comment: Edition of 1664: wo actors' names. Prologue At the House-; Epilogue at the House-; Epilogue to the King at Saint James's-; Epilogue To the Dutchess at Saint James's-; [One Epilogue was written by Sir Edward Deering.] [At the end: After which a grand Masque [is Danc'd before Caesar and Cleopatra[, made (as well as the other Dances and the Tunes to them) by Mr John Ogilby-.
Related Works
Related Work: Pompey the Great Author(s): Sir Charles Sedley
Event Comment: The Duke's Company. Pepys, Diary: With Sir W. Pen, my wife, and Mary Batelier to the Duke of York's house, and there saw Heraclius, which is a good play; but they did so spoil it with their laughing, and being all of them out, and with the noise they made within the theatre, that I was ashamed of it, and resolve not to come thither again a good while, believing that this negligence, which I never observed before, proceeds only from their want of company in the pit, that they have no care how they act

Performances

Mainpiece Title: Heraclius

Related Works
Related Work: Heraclius Author(s): Sir Thomas Clarges
Event Comment: The King's Company. Pepys, Diary: It being almost twelve o'clock, or a little more, and carried [Mercer, Mrs Horsfield, and Mrs Gayet] to the King's playhouse, where the doors were not then open; but presently they did open; and we in, and find many people already come in, by private ways, into the pit, it being the first day of Sir Charles Sidly's new play, so long expected, The Mulberry Garden, of whom, being so reputed a wit, all the world do expect great matters. I having sat here awhile, and eat nothing to-day, did slip out, getting a boy to keep my place...And so to the play again, where the King and Queen, by and by, come, and all the Court; and the house infinitely full. But the play, when it come, though there was, here and there, a pretty saying, and that not very many neither, yet the whole of the play had nothing extraordinary in it, at all, neither of language nor design; insomuch that the King I did not see laugh, nor pleased the whole play from the beginning to the end, nor the company; insomuch that I have not been less pleased at a new play in my life, I think. And which made it the worse was, that there never was worse musick played--that is, worse things composed, which made me and Captain Rolt, who happened to sit near me, mad. So away thence, very little satisfied with the play, but pleased with my company. [For Bannister's setting a song for Mrs Knepp for this play, see 7 May 1668.

Performances

Mainpiece Title: The Mulberry Garden

Related Works
Related Work: The Mulberry Garden Author(s): Sir Charles Sedley
Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage," p. 18: Love in a Tubb. Downes, Roscius Anglicanus, p. 32: [After Sir Martin Marall] Next was Acted Love in a Tub, it was perform'd 2 Days together to a full Audience

Performances

Mainpiece Title: The Comical Revenge Or Love In A Tub

Related Works
Related Work: The Comical Revenge; or, Love in a Tub Author(s): Sir George Etherege
Event Comment: Benefit Mrs Knight. Not Acted there these Six Years. Written by the late Sir George Etheridge

Performances

Mainpiece Title: The Comical Revenge

Related Works
Related Work: The Comical Revenge; or, Love in a Tub Author(s): Sir George Etherege

Dance: duRuel, Cherrier, others

Song: And at the Desire of some Persons of Quality, several Entertainments of Singing in Italian- the Famous Segniora Francisca Margareta del'Epine being the best Songs she has Sung in England, the Musick that accompanies her compos'd by Signior Giacomo Greber; also an English Song of the late Mr Henry Purcell's-Segniora Francisca Margareta del'Epine

Event Comment: Benefit the boxkeepers. Written by the late Sir George Etheridge

Performances

Mainpiece Title: She Woud If She Coud

Related Works
Related Work: She Would If She Could Author(s): Sir George Etherege

Song: As17050410

Dance: Cherrier, LaForest, Mrs Cross, Mrs Moss

Event Comment: Benefit Mrs Lewis. Written by the Ingenious Sir George Etheridge. Note, The Moon shines and the Tide serves up to London after Play

Performances

Mainpiece Title: She Woud If She Coud

Related Works
Related Work: She Would If She Could Author(s): Sir George Etherege

Dance: Thurmond Jr; particularly a Spanish Entry that he performed in the Opera at the Hay-Market last Winter with great Applause-Thurmond Jr; As also that excellent and much admired Scaramouch, as it was performed by the famous Monsieur duBrill from the Opera at Brussels-Thurmond Jr

Event Comment: Written by Sir George Etheridge

Performances

Mainpiece Title: She Woud If She Coud

Related Works
Related Work: She Would If She Could Author(s): Sir George Etherege
Event Comment: At the Desire of several Ladies of Quality. Written by Sir George Etheridge

Performances

Mainpiece Title: The Man Of Mode

Related Works
Related Work: The Man of Mode; or, Sir Fopling Flutter Author(s): Sir George Etherege
Event Comment: Written by Sir George Etheridge

Performances

Mainpiece Title: The Comical Revenge Or Love In A Tub

Related Works
Related Work: The Comical Revenge; or, Love in a Tub Author(s): Sir George Etherege
Event Comment: At the Desire of several Ladies of Quality. Written by Sir George Etheridge

Performances

Mainpiece Title: The Man Of Mode

Related Works
Related Work: The Man of Mode; or, Sir Fopling Flutter Author(s): Sir George Etherege
Event Comment: Written by Sir George Etheridge

Performances

Mainpiece Title: She Woud If She Coud

Related Works
Related Work: She Would If She Could Author(s): Sir George Etherege
Event Comment: Benefit Mrs Saunders. Written by Sir George Etheridge

Performances

Mainpiece Title: She Woud If She Coud

Related Works
Related Work: She Would If She Could Author(s): Sir George Etherege

Song: As17151028

Dance: Dupre, Mrs Santlow, Mrs Younger

Event Comment: Benefit Ryan. Written by Sir George Etheridge

Performances

Mainpiece Title: The Man Of Mode

Related Works
Related Work: The Man of Mode; or, Sir Fopling Flutter Author(s): Sir George Etherege

Dance:

Event Comment: Benefit Miss Younger. By His Majesty's Command. Written by Sir George Etheridge

Performances

Mainpiece Title: She Woud If She Coud

Related Works
Related Work: She Would If She Could Author(s): Sir George Etherege

Dance: As17161210; particularly a new Comic Dance-Shaw, Mrs Bicknell

Event Comment: By His Majesty's Command. Mainpiece: Written by the late Sir George Etheridge. [King, Queen, Prince of Wales, three eldest Princesses present.

Performances

Mainpiece Title: She Woud If She Coud

Related Works
Related Work: She Would If She Could Author(s): Sir George Etherege

Afterpiece Title: Harlequin Doctor Faustus

Event Comment: Mainpiece: Written by Sir George Etheridge

Performances

Mainpiece Title: She Woud If She Coud

Related Works
Related Work: She Would If She Could Author(s): Sir George Etherege

Afterpiece Title: Perseus and Andromeda

Event Comment: Benefit Wilmer, Laurence, Warriner, Boxkeepers. Mainpiece: Written by Sir George Etheridge

Performances

Mainpiece Title: She Woud If She Coud

Related Works
Related Work: She Would If She Could Author(s): Sir George Etherege

Afterpiece Title: The Mock Countess

Cast
Role: Sir Solomon Actor: Morgan
Role: Sir Toby Actor: Hippisley

Dance: II: Tambourine by Miss Rogers. IV: Flanderkins by Duke and Mrs Ogden. Iv: Richmond Maggot by Le Sac and Miss Rogers

Song: As17350422

Event Comment: Afterpiece [1st time; MD 3, by Sir George Collier, based on Zemire et Azor, by Jean Francois Marmontel]: The Music [by Thomas Linley Sen., adapted from Gretry], Scenes, Dresses, and Decorations entirely New. The Scenes, &c., designed by DeLoutherbourg. The Words of the Songs, &c. to be had at the Theatre. The Entertainment is splendidly got up--The Music by Thomas Linley Jun. [sic] was very well received (Hopkins Diary). Public Advertiser, 7 Dec. 1776: This Day is published the Songs in Selima and Azor (6d). [Text 1st published by J. Bell, 1784.] Receipts: #218 7s

Performances

Mainpiece Title: Love For Love

Cast
Role: Sir Sampson Legend Actor: Moody

Afterpiece Title: Selima and Azor

Related Works
Related Work: Selima and Azor Author(s): Sir George Collier
Event Comment: 2nd piece [1st time; ball. P 3, adapted by Sir George Collier from La Mort du Capitaine Cook a son Troisieme Voyage au Nouveau Monde, by Jean Francois Mussot, dit Arnould. For a detailed synopsis of the action, see 13 Apr.]: As now representing in Paris with uncommon Applause. With the original French Music. New Dresses, Scenery, Machinery and Decorations. Books, containing a description of the Ballet [by James Byrne (World, 23 Mar.)], to be had at the Theatre. Receipts: #257 16s. 6d. (247.16.0; 10.0.6)

Performances

Mainpiece Title: The Comedy Of Errors

Afterpiece Title: The Death of Captain Cook

Related Works
Related Work: The Death of Captain Cook Author(s): Sir George Collier

Afterpiece Title: The Poor Soldier

Event Comment: Pepys, Diary: By and by with Lord Bruncker by coach to his house, there to hear some Italian musique: and here we met Tom Killigrew, Sir Robert Murray, and the Italian Signor Baptista, who hath composed a play in Italian for the Opera, which T. Killigrew do intend to have up; and here he did sing one one of the acts. He himself is the poet as well as the musician.... This done, T. Killigrew and I to talk: and he tells me how the audience at his house [Bridges St.] is not above half so much as it used to be before the late fire. That Knipp is like to make the best actor that ever come upon the stage, she understanding so well: that they are going to give her #30 a-year more. That the stage is now by his pains a thousand times better and more glorious than ever heretofore. Now, wax candles, and many of them; then, not above 3 l6s. of tallow: now, all things civil, no rudeness anywhere; then, as in a bear-garden: then, two to three fiddlers; now, nine or ten of the best: then, nothing but rushes upon the ground, and every thing else mean; and now, all otherwise: then, the Queen seldom and the King never would come; now, not the King only for state, but all civil people do think they may come as well as any....That he hath gathered our Italians from several Courts in Christendome, to come to make a concert for the King, which he do give #200 a-year a-piece to: but badly paid, and do come in room of keeping four ridiculous gundilows, he having got the King to put them away, and lay out money this way; and indeed I do commend him for it, for I think it is a very noble undertaking. He do intend to have some times of the year these operas to be performed at the two present theatres, since he is defeated in what he intended in Moorefields on purpose for it; and he tells me plainly that the City audience was as good as the Court, but now they are most gone

Performances

Event Comment: The United Company. The date of the first performance is not known, but it followed The Gordian Knot Unty'd, which is mentioned in the Prologue. Edward III was advertised in the London Gazette, No. 2629, 19-22 Jan. 1690@1, and entered in the Term Catalogues, February 1690@1. The authorship is uncertain. The title page bears no author's name, but the Dedication is signed by Will. Mountfort. In addition, on 10 Oct. 1691 Mountfort received a grant of #10 when Edward III was played before the Queen (L. C. 5@150, p. 306, in Nicoll, Restoration Drama, p. 357). On tne other hand, the Gentleman's Journal, October 1692, stated that it was written by the author of Henry the Second, which has been attributed to John Bancroft. See Nicoll, Restoration Drama, pp. 388-89, for a summation of the evidence on this problem. Alfred Harbage, Elizabethan-Restoration Palimpsest, Modern Language Review, XXXV (1940), 319, thinks that this is a revision of Robert Davenport's The Politic Queen

Performances

Mainpiece Title: King Edward The Third With The Fall Of Mortimer Earl Of March

Performance Comment: [The author is not certain, but possibly the play was written by John Bancroft and William Mountfort.] Edition of 1691: Prologue-Mr Powell; Epilogue-Mrs Bracegirdle; King Edward the Third-Powell; Mortimer Earl of March-Williams; Lord Mountacute-Mountfort; Sir Tho. Delamore-Kynaston; Sir Robert Holland-Hodgson; Tarleton, Bishop of Hereford-Lee; Serjeant Eitherside-Nokes; Turrington-Bridges; Nevill-Freeman; Sly-Bright; Secret-Trafuse; Earl of Leicester-Bowman; Earl of Exeter-Sandford; Isabella-Mrs Barry; Maria-Mrs Bracegirdle.
Cast
Role: Sir Robert Holland Actor: Hodgson
Event Comment: Mainpiece [1st time; C 5, by Elizabeth Inchbald. Prologue by the Rev. Robert Nares. Epilogue by Miles Peter Andrews (see text)]. Public Advertiser, 16 Feb. 1793: This Day is published Every One has His Fault (1s. 6d.). Receipts: #306 19s. 6d

Performances

Mainpiece Title: Every One Has His Fault

Performance Comment: Principal Characters by Lewis, Quick, Pope, Farren, Munden, Miss Grist, Gawcett, Powel Thompson, Evatt, Farley, Mrs Esten, Mrs Mattocks, Mrs Webb, Mrs Pope. Cast from text (G. G. J. and J. Robinson, 1793): Sir Robert Ramble-Lewis; Mr Solus-Quick; Mr Irwin-Pope; Lord Norland-Farren; Mr Harmony-Munden; Edward-Miss Grist; Mr Placid-Fawcett; Hammond-Powel; Porter-Thompson; Miss Wooburn-Mrs Esten; Mrs Placid-Mrs Mattocks; Miss Spinster-Mrs Webb; Lady Eleanor Irwin-Mrs Pope; unassigned-Evatt, Farley; Prologue-Farren; Epilogue-Mrs Mattocks. [These were spoken, as here assigned, at the 1st 29 performances (see17930416), except on 7, 8 Feb. and on 11 Mar.]These were spoken, as here assigned, at the 1st 29 performances (see17930416), except on 7, 8 Feb. and on 11 Mar.]
Cast
Role: Sir Robert Ramble Actor: Lewis

Afterpiece Title: The Farmer

Event Comment: Benefit Dupre and Roberts on a one-half value of tickets and minimum charge basis. Receipts: #12 6s. 6d. leaving a deficit for the minimum charge of #14 11s. 6d. Tickets: Dupre #45 13s. (Boxes 36; Pit 191; Gallery 80); Roberts #78 19s. (Boxes 50; Pit 359; Gallery 126). Half value of total #62 6s

Performances

Mainpiece Title: Sir Courtly Nice

Cast
Role: Sir Courtly Actor: Woodward

Afterpiece Title: Phebe

Song: II: Liberty Alone-(from the Oratorio of Judas Maccabaeus sung by Roberts); IV: Come Smiling Liberty-Roberts

Dance: III: Peasant Dance-Matthews, Miss Vandersluys; V: The English Boy, English Girl