SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Sir Joshua Reynolds"/1) | (@(roleclean,performerclean) "Sir Joshua Reynolds")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 6211 matches on Performance Comments, 1925 matches on Author, 996 matches on Event Comments, 472 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Man Of Mode Or Sir Fopling Flutter

Related Works
Related Work: The Man of Mode; or, Sir Fopling Flutter Author(s): Sir George Etherege

Afterpiece Title: The Loves of Mars and Venus

Performances

Mainpiece Title: The Man Of Mode Or Sir Fopling Flutter

Related Works
Related Work: The Man of Mode; or, Sir Fopling Flutter Author(s): Sir George Etherege

Performances

Mainpiece Title: The Man Of Mode Or Sir Fopling Flutter

Related Works
Related Work: The Man of Mode; or, Sir Fopling Flutter Author(s): Sir George Etherege

Afterpiece Title: Perseus and Andromeda

Event Comment: Mainpiece [1st time; C 5, by Frederick Reynolds. Prologue by James Boaden. Epilogue by Edward Topham (see text). For this play Reynolds and the cg manager made a new plan for payments to the author. Benefits for the author on the 3rd, 6th and 9th nights were abandoned; instead he received #33 6s. 8d. for each of the first nine nights and #100 on the 20th night. "This was the foundation of that bargain between manager and author which, I believe, exists to the present period [1826]" (Reynolds, II, 182-83)]. Morning Chronicle, 19 Jan. 1795: This Day is published The Rage! (2s.). Receipts: #259 13s. 6d. (255.17.6; 3.16.0)

Performances

Mainpiece Title: The Rage

Performance Comment: Principal Characters by Lewis, Quick, Holman, Munden, Fawcett, Bernard, Middleton, Davenport, Cross, Rees, Mrs Mattocks, Mrs Mountain, Mrs Pope. [Cast from text (T. N. Longman, 1795): Gingham-Lewis; Sir Paul Perpetual-Quick; Darnley-Holman [in text: Pope]; Flush-Munden; The Hon. Mr Savage-Fawcett; Signor Cygnet-Bernard; Sir George Gauntlet-Middleton; Ready-Davenport; Servants-Cross, Abbot, Ledger, Wilde; Waiter-Rees; Groom-Simmons; Lady Sarah Savage-Mrs Mattocks; Clara Sedley-Mrs Mountain; Mrs Darnley-Mrs Pope; Prologue-Holman; Epilogue-Mrs Mattocks. [These were spoken, as here assigned, at the 1st 24 performances only (see17941213).]These were spoken, as here assigned, at the 1st 24 performances only (see17941213).]
Related Works
Related Work: The Rage! Author(s): Frederick Reynolds

Afterpiece Title: Cymon

Dance: Afterpiece to conclude with: a Dance-

Event Comment: Mainpiece [1st time; C 5, by Frederick Reynolds. Prologue by William Thomas Fitzgerald. Epilogue by Miles Peter Andrews (see text)]: With new Scenes and Dresses. [In mainpiece the playbill lists Mrs Esten, but "Previous to the play an apology was made in behalf of Mrs Davis, who had undertaken Mrs Esten's character in consequence of the indisposition of the latter lady. [After considerable objection] Mrs Davis was well received in the part" (Thespian Magazine, June 1793, p. 4).] Public Advertiser, 3 May 1793: This Day is published How to Grow Rich (1s. 6d.). Receipts: #257 17s. 6d

Performances

Mainpiece Title: How To Grow Rich

Performance Comment: Principal Characters by Lewis, Quick, Pope, Munden, Farren, Blanchard, Fawcett, Cubitt, Mrs Davis, Miss Chapman, Mrs Pope. Cast from text T. N. Longman, 1793): Pave-Lewis; Smalltrade-Quick; Warford-Pope; Sir ThomasRoundhead-Munden; Sir Charles Dazzle-Farren; Hippy-Blanchard; Latitat-Fawcett; Nab-Cubitt; Plainly-Powel; Formal-Thompson; Servant-Rees; Sir Charles's Servant-Ledger; Sir Thomas's Servant-Simmons; Smalltrade's Servant-Blurton; Rosa-Mrs Davis [in text: Mrs Esten]; Miss Dazzle-Miss Chapman; Lady Henrietta-Mrs Pope; Betty-Miss Stuart; Prologue-Pope; Epilogue-Lewis. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]
Related Works
Related Work: How to Grow Rich Author(s): Frederick Reynolds

Afterpiece Title: The Poor Soldier

Dance: End: The Bouquet, as17930415

Event Comment: Mainpiece [1st time; C 5, by Frederick Reynolds. Prologue by John Taylor. Epilogue by Miles Peter Andrews (see text; although Boaden, Jordan, I, 286 says the Epilogue was by Samuel Rogers, being the same as that spoken on 27 Apr. 1795)]: With new Scenes, Dresses, and Decorations. [Afterpiece in place of No Song No Supper, advertised on playbill of 18 Apr.] Morning Herald, 29 Apr. 1797: On Monday [1 May] will be published The Will (2s.). Account-Book: Reynolds to receive #33 6s. 8d. for every night of The Will. Receipts: #413 4s. (344.12.6; 63.16.6; 4.15.0)

Performances

Mainpiece Title: The Will

Performance Comment: Characters by King, Wroughton, Bannister Jun., R. Palmer, Suett, Russell, Packer, Webb, Evans, Mrs Jordan, Miss Tidswell, Mrs Booth, Miss Mellon. Cast from text (G. G. and J. Robinson, 1797): Sir Solomon Cynic-King; Mandeville-Wroughton; Howard-Bannister Jun.; Veritas-R. Palmer; Realize-Suett; Robert-Russell; Old Copsley-Packer; Servants-Webb, Evans; Albina Mandeville-Mrs Jordan; Deborah-Miss Tidswell; Mrs Rigid-Mrs Booth; Cicely Copsley-Miss Mellon; Prologue-R. Palmer; Epilogue-Mrs Jordan. [These were spoken, as here assigned, at the 1st 9 performances only (see17970502).]These were spoken, as here assigned, at the 1st 9 performances only (see17970502).]
Cast
Role: Sir Solomon Cynic Actor: King
Related Works
Related Work: The Will Author(s): Frederick Reynolds

Afterpiece Title: The Purse

Cast
Role: Sir Rowland Actor: Barrymore

Ballet: The Scotch Ghost. As17961221

Event Comment: Mainpiece [1st time; C 5, by Frederick Reynolds. Prologue by William Thomas Fitzgerald. Epilogue by Miles Peter Andrews (see text)]: With new Scenes and Dresses. The Scenes painted by Richards and Phillips. Oracle, 29 Nov. 1796: This Day is published Fortune's Fool (2s.). Receipts: #229 2s. 6d. (226.0.6; 3.2.0)

Performances

Mainpiece Title: Fortunes Fool

Performance Comment: Principal Characters by Lewis, Quick, Fawcett, Middleton, Macready, Simmons, Street, Abbot, Wilde, Curties, Blurton, Mrs Mattocks, Miss Morris, Miss Logan, Mrs Watts, Mrs Norton, Miss Leserve, Miss Wallis. [Cast from text (T. N. Longman, 1796): Ap@Hazard-Lewis; Sir Bamber Blackletter-Quick; Tom Seymour-Fawcett; Sir Charles Danvers-Middleton; Orville-Macready; Servants-Street, Wilde, Curties [in text: Lee], Blurton; Samuel-Abbot; Miss Union-Mrs Mattocks; Mrs Seymour-Miss Morris; Orange Women-Mrs Watts, Mrs Norton, Miss Leserve; Lady Danvers-Miss Wallis; unassigned-Simmons, Miss Logan; Prologue-Toms; Epilogue-Mrs Mattocks.
Related Works
Related Work: Fortune's Fool Author(s): Frederick Reynolds

Afterpiece Title: The Irish Mimick or Blunders at Brighton

Event Comment: Mainpiece [1st time; MD 3, by Frederick Reynolds. Larpent MS 870; not published; synopsis of plot in Public Advertiser, 7 May]: With entire new Dresses, Scenes, Machinery and Decorations. The Music partly selected from Cimarosa, Gluck, Martin y Soler?, Reeve, Dr Arne [the printed score (Longman and Broderip [1790]) adds: Martini, Duni, Carolan, Leveridge]. The rest composed by Shield. The Chorusses selected from Handel, and sung by the Performers from the Concert of Ancient Music. Books of the Songs to be had at the Theatre. Receipts: #210 13s. 6d. (208.12.0; 2.1.6)

Performances

Mainpiece Title: The Crusade

Performance Comment: Principal Characters by Quick, Bannister, Johnstone, Blanchard, Davies, Darley, Powel, Cubitt, Rock, Edwin, Mrs Martyr, Mrs Billington. [Cast from Songs (T. Cadell, 1790): Bantam-Quick; Daran-Bannister; Raymond-Johnstone; Joppa-Blanchard; Godfrey-Davies; Aluph-Darley; Adran-Powel; Tartar Prince-Cubitt; Gaoler-Rock; Sir Troubadour-Edwin; Iman-Thompson; Sylvia-Mrs Martyr; Constantia-Mrs Billington; Prologue-Bernard. [This was spoken, as here assigned, at all subsequent performances.]This was spoken, as here assigned, at all subsequent performances.]
Cast
Role: Sir Troubadour Actor: Edwin
Related Works
Related Work: The Crusade Author(s): Frederick Reynolds

Afterpiece Title: The Miser

Event Comment: Mainpiece [1st time; C 5, by Miles Peter Andrews and Frederick Reynolds; based on Le Dissipateur; ou, L'Honnete Friponne, by Philippe Nericault, dit Destouches. Prologue by the Duke of Leeds; Epilogue by Miles Peter Andrews (see text)]: With new Scenes, Dresses and Decorations. The Scenery designed and executed by Greenwood. Gazetteer, 18 Nov.: At the rehearsal of the new comedy on Tuesday the Duke of Leeds, Major Scott, Mr Angerstein [the banker] and Mr Boswell were in the boxes. Mr Boswell said an epigrammatic thought had struck him...and he brought the following Impromptu into life: Andrews, your play is safe enough; For noble Leeds endures it; Boswell and Scott are pledged to puff, And Angerstein ensures it. World, 13 Dec. 1790: To-morrow will be published Better Late than Never (1s. 6d.). Receipts: #240 14s. (206.7; 32.6; 2.1)

Performances

Mainpiece Title: Better Late Than Never

Performance Comment: Characters by Kemble, Dodd, Palmer, Baddeley, Bannister Jun., R. Palmer, Maddocks, Lyons, Webb, Mrs Jordan, Mrs Goodall, Miss Pope. [Cast from text (J. Ridgway, 1790): Saville-Kemble; Flurry-Dodd; Sir Charles Chouse-Palmer; Grump-Baddeley; Litigamus-Bannister Jun.; Pallet-R. Palmer; Lawyer's Clerk-Maddocks; Servant to Saville-Lyons; Servant to Flurry-Webb; Augusta-Mrs Jordan; Mrs Flurry-Mrs Goodall; Diary-Miss Pope; Prologue-Bannister Jun; Epilogue-Mrs Jordan. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]
Cast
Role: Sir Charles Chouse Actor: Palmer
Related Works
Related Work: Better Late than Never Author(s): Frederick Reynolds

Afterpiece Title: Don Juan

Cast
Role: 4th Sailor Actor: Reynoldson.

Dance: As17901026

Event Comment: [Mrs Fawcett was from the York theatre.] Afterpiece: 1st Time as an After Piece. With Dresses, Scenes, Machinery, and Decorations. The Music partly selected from Cimarosa, Gluck, Martin, Reeve, and Dr Arne. The rest composed by Shield. Books of the Songs to be had at the Theatre. Account-Book, 31 Oct.: Paid Reynolds in full for The Crusade #60. Receipts: #187 13s. (181.16.6; 5.16.6)

Performances

Mainpiece Title: The Earl Of Essex Or The Unhappy Favourite

Afterpiece Title: The Crusade

Performance Comment: Bantam-Quick; Raymond-Johnstone; Joppa-Blanchard; Aluph-Incledon; Sir Troubadour-Munden; Godfrey-Davies; Daran-Darley; Adran-Powel; Tartar Prince-Cubitt; Officer-Williamson; Constantia-Mrs Mountain; Female Prisoners-Miss Stuart, Miss Barnett, Miss Francis, Mrs Watts, Mrs Arnold, Mrs Lloyd, Mrs Byrne, Mrs Gray, Mrs Cross, Mrs Davenett, Mrs Powell, Miss Leserve.
Cast
Role: Sir Troubadour Actor: Munden
Related Works
Related Work: The Crusade Author(s): Frederick Reynolds
Event Comment: Mainpiece [1st time; C 5, by Frederick Reynolds, based partly on Monsieur Thomas, by John Fletcher. Prologue by Robert Merry. Epilogue by Miles Peter Andrews (see text)]: With new Scenery, Dresses, &c. Public Advertiser, 24 Apr. 1793: This Day is published Notoriety (1s. 6d.). Receipts: #228 8s. (224.0; 4.8)

Performances

Mainpiece Title: Notoriety

Performance Comment: Principal Characters by Lewis, Quick, Johnstone, Farren, Wilson, Munden, Davies, Farley, Mrs Wells, Mrs Webb, Mrs Esten. [Cast from 1st authorized text (T. N. Longman, 1793): Nominal-Lewis; Col. Hubbub-Quick; O'Whack-Johnstone; Clairville-Farren; Sir Andrew Acid-Wilson; Lord Jargon-Munden; Saunter-Davies; James-Farley; Sophia Strangeways-Mrs Wells; Lady Acid-Mrs Webb; Honoria-Mrs Esten; Prologue-Farren; Epilogue-Lewis. [These were spoken, as here assigned, at all subsequent performances, except on 14, 17, 25 Jan. and 28 Apr., when the Prologue was omitted.]These were spoken, as here assigned, at all subsequent performances, except on 14, 17, 25 Jan. and 28 Apr., when the Prologue was omitted.]
Cast
Role: Sir Andrew Acid Actor: Wilson
Related Works
Related Work: Notoriety Author(s): Frederick Reynolds

Afterpiece Title: Love in a Camp

Event Comment: Mainpiece [1st time; C 5, by Frederick Reynolds. Prologue by the author. Epilogue by Miles Peter Andrews (see text)]: With new Scenes, Dresses, &c. Receipts: #242 4s. (237.16; 4.8)

Performances

Mainpiece Title: Speculation

Performance Comment: Principal Characters by Lewis, Quick, Munden, Fawcett, Middleton, Claremont, Davenport, Thompson, Farley, Abbot, Blurton, Master Curties; Mrs Mansel, Mrs Davenport, Miss Wallis. Cast from text (T. N. Longman, 1795), and playbill of 17 May 1800: Tanjore-Lewis; Alderman Arable-Quick; Project-Munden; Jack Arable-Fawcett; Capt. Arable-Middleton; Sir Frederick Faintly-Claremont; Meanwell-Davenport; Promptly-Thompson; Vickery-Farley; Cecilia-Miss Mansel; Lady Project-Mrs Davenport; Emmeline-Miss Wallis; unassigned-Abbot, Blurton, Master Curties; Prologue-Harley; Epilogue-Lewis. [Prologue spoken, as here assigned, at 1st 26 performances only (see17960112); Epilogue spoken, as here assigned, at all subsequent performances, except on 29 Mar. and 13 May 1796.]Prologue spoken, as here assigned, at 1st 26 performances only (see17960112); Epilogue spoken, as here assigned, at all subsequent performances, except on 29 Mar. and 13 May 1796.]
Related Works
Related Work: Speculation Author(s): Frederick Reynolds

Afterpiece Title: Rosina

Event Comment: Mainpiece [1st time; C 5, by Frederick Reynolds. Prologue and Epilogue by John Taylor (see text)]: With new Scenes, Dresses, and Decorations. Morning Herald, 3 Nov. 1797: This Day is published Cheap Living (2s.). Receipts: #348 14s. 6d. (283.4.0; 62.18.6; 2.12.0)

Performances

Mainpiece Title: Cheap Living

Performance Comment: Characters by Mrs Jordan, Suett, C. Kemble, Palmer, Bannister Jun., Dowton, Trueman, Evans, Fisher, Webb, Maddocks, Miss Pope, Miss DeCamp, Miss Stuart. [Cast from Text (G. G. and J. Robinson, 1797): Sir Edward Bloomly-Mrs Jordan; Old Woodland-Suett; Young Woodland-C. Kemble; Scatter-Palmer; Spunge-Bannister Jun.; Farmer Cole-Dowton; William-Trueman; Mrs Scatter-Miss Pope; Elinor Bloomly-Miss DeCamp; Stella-Miss Stuart; unassigned-Evans, Fisher, Webb, Maddocks; Prologue-C. Kemble; Epilogue-Miss DeCamp. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]
Related Works
Related Work: Cheap Living! Author(s): Frederick Reynolds

Afterpiece Title: The Irish Widow

Entertainment: Entertainment.As17971019

Event Comment: Mainpiece [1st time; C 5, by Frederick Reynolds. Prologue by John Taylor; Epilogue by George Colman, ynger (see text)]: With new Scenes and Dresses. Morning Chronicle, 7 Dec. 1799: This day is published Management (2s.). Afterpiece: In 3 acts. Receipts: #259 18s. (254.3.6; 5.14.6)

Performances

Mainpiece Title: Management

Performance Comment: Principal Characters by Lewis, Pope, Munden, Fawcett, Farley, Davenport, Simmons, Thompson, Wilde, Atkins, Blurton, Klanert, Lee, Curties, Mrs Davenport, Miss Leserve, Mrs Pope. [Cast from text (T. N. Longman and O. Rees, 1799): Captain Lavish-Lewis; Sir Hervey Sutherland-Pope; Worry-Munden; Mist-Fawcett; Alltrade-Farley; Geoffrey-Davenport; Stopgap-Simmons; Frank-Klanert; Mrs Dazzle-Mrs Davenport; Betty-Miss Leserve; Juliana-Mrs Pope; unassigned-Thompson, Wilde, Atkins, Blurton, Lee, Curties; Prologue-Betterton; Epilogue-Fawcett. [These were spoken, as here assigned, at the 1st 19 performances only (see17991128).]These were spoken, as here assigned, at the 1st 19 performances only (see17991128).]
Cast
Role: Sir Hervey Sutherland Actor: Pope
Related Works
Related Work: Management Author(s): Frederick Reynolds

Afterpiece Title: The Miser

Event Comment: The Duke's Company. It is not certain this is the first performance, but it may well have been. This performance is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 346. Pepys, Diary: Sir W. Pen and I to the Duke's house, where a new play. The King and Court there: the house full, and an act begun. And so went to the King's. Downes (p. 28): Sir Martin Marral, The Duke of New-Castle, giving Mr Dryden a bare translation of it, out of a Comedy of the Famous French Poet Monseur Moleire: He adapted the Part purposely for the Mouth of Mr Nokes, and curiously Polishing the whole....All the Parts being very Just and Exactly perform'd, specially Sir Martin and his Man, Mr Smith, and several others since have come very near him, but none Equall'd, nor yet Mr Nokes in Sir Martin: This Comedy was Crown'd with an Excellent Entry. In the Last Act at the Mask, by Mr Priest and Madam Davies; This, and Love in a Tub, got the Company more Money than any preceding Comedy

Performances

Mainpiece Title: Feignd Innocence Or Sir Martin Marall

Performance Comment: Edition of 1668: No actors' names. Prologue-; Epilogue-; Downes (Roscius Anglicanus, p. 28): Sir Martin Marall-Nokes; Sir John Swallow-Smith; Lord Dartmouth-Young; Old Moody-Underhill; Warner-Harris; Lady Dupe-Mrs Norris; Mrs Millisent-Mrs Davies.
Cast
Role: Sir Martin Marall Actor: Nokes
Role: Sir John Swallow Actor: Smith
Event Comment: The Duke's Company. This date marks the opening of the new theatre in Dorset Garden. Downes (Roscius Anglicanus, p. 31): The new Theatre in Dorset-Garden being Finish'd, and our Company after Sir William's Death, being under the Rule and Dominion of his Widow the Lady Davenant, Mr Betterton and Mr Harris, (Mr Charles Davenant her Son Acting for her) they remov'd from Lincolns-Inn-Fields thither. And on the Ninth Day of November 1671, they open'd their new Theatre with Sir Martin Marral, which continu'd Acting 3 Days together, with a full Audience each Day; notwithstanding it had been Acted 30 Days before in Lincolns-Inn-Fields, and above 4 times at court. [This play is also on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", p. 18: Sir Martin.

Performances

Mainpiece Title: Feignd Innocence Or Sir Martin Marall

Performance Comment: For a previous cast, see16670815. A Prologue by Sir George Etherege is in A Collection of Poems (1701), p. 293-.
Event Comment: The United Company. The date of the first production is not known, but the Gentleman's Journal, February 1692@3 (issued in March) makes clear that it followed Congreve's play: We have had since a Comedy, call'd, The Wary Widow, or Sir Noisy Parrot, by Henry Higden Esq; I send by here the Prologue to it by Sir Charles Sedley, and you are too great an Admirer of Shakespeare, not to assent to the Praises given to the Fruits of his rare Genius (p. 61). The play was announced in the London Gazette, No. 2875, 29 May-June 1693. The music for one song, All hands up aloft, was by Berenclow, and the song appears in D'Urfey, Wit and Mirth, 1699. Dedication, edition of 1693: But now it is forced to beg for your Protection from the malice and severe usage it received from some of my Ill natured Friends, who with a Justice peculiar to themselves, passed sentence upon it unseen or heard and at the representation made it their business to persecute it with a barbarous variety of Noise and Tumult. Gildon, The Life of Mr Thomas Betterton (p. 20): The actors were completely drunk before the end of the third act, and being therefore unable to proceed with this "Pleasant Comedy," they very properly dismissed the audience

Performances

Mainpiece Title: The Wary Widow Or Sir Noisy Parrat

Performance Comment: Edition of 1693: The Prologue by Sir Charles Sydly-; Epilogue-Mrs Lassells.
Cast
Role: Sir Charles Sydly Actor:
Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 361: The King at ye Mistress. See also Nicoll, Restoration Drama, p. 351. There is no indication as to whether this performance was the premiere. As the play was licensed on 24 May 1687, the premiere may have been as late as 12 May, but possibly was earlier. Sir George Etherege to Will Richards, 19 May 1687: I have heard of the success of The Eunuch, and am very glad the town has so good a taste to give the same just applause to Sir Charles Sedley's writing, which his friends have always done to his conversation (Letterbook, ed. Rosenfeld, p. 212). Sir George Etherege to Middleton, 2O June 1687: I saw a play about ten years ago Called the Eunuch, so heavy a lump the players durst not charge themselves with the dead weight, but it seems Sir Charles Sedley has animated the mighty mass and now it treads the stage lightly (ibid., p. 227). [See also 26 March 1687 and season of 1676-77.] Thomas Shadwell, The Tenth Satyr of Juvenal (licensed, 25 May 1687.) Dedication to Sir Charles Sedley: Your late great obligation in giving me the advantage [presumably the third day's gain] of your comedy, call'd Bellamira, or the Mistress, has given me a fresh subject for my Thanks; and my Publishing this Translation affords me a new opportunity of owning to the world my grateful resentments to you. I am heartily glad that your Comedy (as I never doubted) found such success, that I never met with any Man of Sence but applauded it: And that there is abundance of Wit in it, your Enemies have been forced to confess....For the Judgment of some Ladies upon it that it is obscene, I must needs say they are Ladies of a very quick apprehension, and did not find their thoughts lye very much that way, they could not find more obscenity in that than there is in every other Comedy. A song, Thyrsis unjustly you complain, headed A Song in Bellamira, or, the Mistress. Set by Mr Tho. Shadwell, is in Vinculum Societatis, 1687 (licensed 8 June 1687)

Performances

Mainpiece Title: Bellamira Or The Mistress

Related Works
Related Work: Bellamira; or, The Mistress Author(s): Sir Charles Sedley
Event Comment: The Duke's Company. On Thursday 10 Dec. 1663, Pepys reported that this play was to be acted the following week, but the date of the first performance is uncertain. But--except for the holidays--it was probably acted on consecutive days until 1 Jan. 1663@4, when Pepys saw it. The play is also in Herbert, Dramatic Records, p. 138, as a "Revived Play." Pepys, Diary: I perceive the King and Duke and the Court was going to the Duke's playhouse to see Henry VIII. acted, which is said to be an admirable play. But, Lord! to see now near I was to have broken my oathe, or run the hazard of 20s. losse, so much my nature was hot to have gone thither; but I did not go. Downes (p.24): King Henry the 8th, This Play, by Order of Sir William Davenant, was all new Cloath'd in proper Habits: The King's was new, all the Lords, the Cardinals, the Bishops, the Doctors, Proctors, Lawyers, Tip-staves, new Scenes: The part of the King was so right and justly done by Mr Betterton, he being Instructed in it by Sir William, who had it from Old Mr Lowen, that had his Instructions from Mr Shakespear himself, that I dare and will aver, none can, or will come near him in this Age, in the performance of that part: Mr Harris's performance of Cardinal Wolsey, was little Inferior to that, he doing it with such just State, Port, and Mein, that I dare affirm, none hitherto has Equall'd him:...Every part by the great Care of Sir William, being exactly perform'd; it being all new Scenes; it continu'd Acting 15 Days together with general Applause

Performances

Mainpiece Title: Henry Viii

Related Works
Related Work: Henry VIII Author(s): Sir William Davenant
Event Comment: The Duke's Company. This performance is known from a disturbance which occurred on this day; Langbaine states that the play was Macbeth. John Verney to Sir Ralph Verney, 30 Aug. 1675: On Saturday last, at the Duke's playhouse, Sir Tho. Armstrong killed Mr Scrope....Their quarrel is said to [be] about Mrs Uphill, the player, who came into the house maskt, and Scrope would have entertained discourse with her, which Sir T. Armstrong would not suffer, so a ring was made wherein they fought (HMC Verney MSS., 7th Report, 1879, p. 465). See also The Hatton Correspondence, Camden Society, XXII (1878), 121

Performances

Mainpiece Title: Macbeth

Related Works
Related Work: Macbeth Author(s): Sir William Davenant

Performances

Mainpiece Title: The Rivals

Performance Comment: Parts by Woodward, Shuter, Lee, Lewis, Quick, Lee Lewes, Dunstall, Fearon, Mrs Green, Miss Barsanti, Mrs Lessingham, Mrs Bulkley; With a Prologue and Epilogue. Capt. Absolute-Woodward; Sir Anthony Absolute-Shuter; Sir Lucius O'Trigger-Lee; Faulkland-Lewis; Acres-Quick; Fag-Lee Lewes; David-Dunstall; Coachman-Fearon; Mrs Malaprop-Mrs Green; Lydia Languish-Miss Barsanti; Lucy-Mrs Lessingham; Julia-Mrs Bulkley; Prologue by Sheridan-Woodward, Quick; Epilogue-(Edition of 1775).
Related Works
Related Work: The Rivals Author(s): Sir William Davenant

Afterpiece Title: The Chaplet

Performances

Mainpiece Title: The Rivals

Performance Comment: Capt. Absolute-Woodward; Sir Anthony-Wilson, first time; Faulkland-Lewis; Sir Lucius-Clinch; Acres-Quick; Fag-Lee Lewes; David-Wewitzer; Coachman-Thompson; Mrs Malaprop-Mrs Green; Lydia-Mrs Mattocks; Lucy-Mrs Booth; Julia-Mrs Bulkley.
Cast
Role: Sir Anthony Actor: Wilson, first time
Role: Sir Lucius Actor: Clinch
Related Works
Related Work: The Rivals Author(s): Sir William Davenant

Afterpiece Title: Orpheus and Eurydice

Performances

Mainpiece Title: The Rivals

Performance Comment: Faulkland-Lewis; Captain Absolute-Bernard; Sir Anthony Absolute-Fearon; Sir Lucius O'Trigger-Johnstone; Fag-Brown; David-Wewitzer; Coachman-Thompson; Acres-Quick; Julia-Miss Brunton; Mrs Malaprop-Mrs Webb; Lucy-Miss Stuart; Lydia Languish-Mrs Pope.
Related Works
Related Work: The Rivals Author(s): Sir William Davenant

Afterpiece Title: The Poor Soldier

Dance: End: The Irish Lilt-Mr and Mrs Ratchford

Performances

Mainpiece Title: The Rivals

Performance Comment: Faulkland-Lewis; Capt. Absolute-Bernard; Sir Anthony Absolute-Fearon; Sir Lucius O'Trigger-Johnstone; Fag-Cubitt; David-Wewitzer; Coachman-Thompson; Acres-Quick; Julia-Miss Brunton; Mrs Malaprop-Mrs Webb; Lucy-Miss Stuart; Lydia Languish-Mrs Pope; Original Epilogue-Mrs Pope.
Related Works
Related Work: The Rivals Author(s): Sir William Davenant

Afterpiece Title: The Little Hunchback or A Frolick in Bagdad

Dance: End: The Wapping Landlady ; or, Jack in Distress- See17890616

Entertainment: Monologue Preceding: Mother Shipton's Review of the Audience-(with Alterations and Additions) Quick?

Performances

Mainpiece Title: The Rivals

Performance Comment: Captain Absolute-Farren; Faulkland-Holman (Their 1st appearance in those characters); Sir Anthony Absoulute-Wilson; Sir Lucius O'Trigger-Johnstone; David-Munden (1st appearance in that character); Fag-Cubitt; Coachman-Thompson; Acres-Quick; Julia-Mrs Merry; Mrs Malaprop-Mrs Webb; Lucy-Miss Stuart; Lydia Languish-Mrs Pope.
Related Works
Related Work: The Rivals Author(s): Sir William Davenant

Afterpiece Title: The Irishman in London

Dance: As17920420

Song: As17920421