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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Sir John Vanburghi"/1) | (@(roleclean,performerclean) "Sir John Vanburghi")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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17995 results for: Keyword - Sir John Vanburghi
We found 12392 matches on Author, 6630 matches on Performance Comments, 1685 matches on Event Comments, 676 matches on Performance Title, and 0 matches on Roles/Actors.

13151
01 February 1707 @ Drury Lane Theatre

Event Comment: Philip Perceval to Sir John Perceval, 1 Feb.: The opera of Camilla has been one of the chief diversions of the town this long time, and business is forgot. Next week we expect a new one, and soon after another. One goes by Mr Addison's name; I think they call it Fair Rosamond, the other is Mr Clayton's undertaking. Great things are expected of them both. (Egmont MS, II, 215.

Performances

Mainpiece Title: Camilla

13152
14 April 1713 @ Drury Lane Theatre

Event Comment: [By Joseph Addison.] Never Acted before. G. Berkeley to Sir John Percival, 16 April: On Tuesday last...Cato was acted the first time. I am informed the front boxes were all bespoke for nine days, a fortnight before the play was acted. I was present with Mr Addison, and two or three more friends in a side box, where we had a table and two or three flasks of burgundy and champagne, with which the author (who is a very sober man) thought it necessary to support his spirits in the concern he was then under, and indeed it was a pleasant refreshment to us all between the acts....The actors were at the expence of new habits, which were very magnificent. (Rand, p. 113. See also Victor, II, 29-31, and Cibber, I, 122-23, II, 127-33)

Performances

Mainpiece Title: Cato

Related Works
Related Work: Cato Author(s): John Ozell

13153
07 May 1713 @ Drury Lane Theatre

Event Comment: G. Berkeley to Sir John Percival: Mr Addison's play has taken wonderfully, they have acted it now almost a month, and would I belive act it a month longer were it not that Mrs Oldfield cannot hold out any longer, having had for several nights past, as I am informed, a midwife behind the scenes (Rand, p. 115)

Performances

Mainpiece Title: Cato

Related Works
Related Work: Cato Author(s): John Ozell

13154
02 April 1719 @ Lincoln's Inn Fields

Event Comment: Benefit Mrs Knight. Written by Sir John Vanbrugh

Performances

Mainpiece Title: The City Wives Confederacy

Dance: As17190209

13155
22 April 1721 @ Lincoln's Inn Fields

Event Comment: Benefit Spiller. Afterpiece: Written by Sir John Vanbrugh. Receipts: money #29 1s.; tickets #38 16s

Performances

Mainpiece Title: The Anatomist Or The Sham Doctor

Dance:

13156
20 April 1726 @ Lincoln's Inn Fields

Event Comment: Benefit Egleton and Mrs Egleton. Written by the late Sir John Vanbrugh. Receipts: money #26 7s.; tickets #87 3s

Performances

Mainpiece Title: The City Wives Confederacy

Song: End IV: Chanson a Boire-Leveridge, Legare

Dance: I: French Sailor-Salle, Mlle Salle; II: Running Footman's Dance-Nivelon, Mrs Legare; III: Louvre-Mrs Wall; V: The Burgomaster and his Frow-Newhouse, Mrs Ogden

13157
03 May 1727 @ Lincoln's Inn Fields

Event Comment: Benefit Wood, Treasurer. Written by the late Sir John Vanbrugh. Receipts: money #12 18s.; tickets #152. Probable attendance: boxes, 13 by money and 220 by tickets; stage, 3 by money; Pit, 13 by money and 464 by tickets; first gallery, 26 by money and 274 by tickets; second gallery, 23 by money

Performances

Mainpiece Title: The City Wives Confederacy

Song: TThe Genius of England-Salway; The Lass of Patie's Mill-Mrs Warren

Music: Between Acts: Select Pieces-

Dance: PPierot-Nivelon, Poitier; French Sailor and His Wife-Salle, Mlle Salle; Scotch Dance-Mrs Bullock

13158
30 March 1732 @ Lincoln's Inn Fields

Event Comment: Benefit Leveridge. At the Desire of several Persons of Quality. Written by the late Sir John Vanbrugh. Receipts: money #68 17s. 6d.; tickets #126 12s

Performances

Mainpiece Title: The City Wives Confederacy

Dance: I: Fingalian-Newhouse, Mrs Ogden; III: The Sicilians-Glover, Mrs Pelling; V: Hornpipe-Jones

Song: II: No Kissing At All-Leveridge, Salway; III: Bacchanalian Song-Leveridge; V: Pastoral Dialogue-Leveridge, Mrs Wright

13159
26 May 1733 @ Haymarket Theatre

Event Comment: Benefit W. Grove, M.R. by Command of the Honourable Court of Non-Common-Pleas. The Gentlemen of the Society are desir'd to meet at their Court, at Sir John's, at 5 o'Clock exactly, from thence to proceed to the Theatre. 6 p.m. 5s., 4s., 2s

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Flora

Related Works
Related Work: Hob's Opera Author(s): John Hippisley
Related Work: Sequel to the Opera of Flora; or, Hob's Wedding Author(s): John Hippisley

Music: I: Trumpet Concerto-Burk Thumoth; II: Concerto-Vivaldi; III: Solo on the German Flute-Thumoth; V: Sonata for the Harpsichord and Violin Harpsichord-Thumoth

Dance: II: Dutch Skipper-Jones Sr, Jones Jr; IV: Sailor's Dance-Jones

13160
06 December 1733 @ Covent Garden

Event Comment: Afterpiece: Written by the late Sir John Vanbrugh

Performances

Mainpiece Title: She Woud And She Woud Not

Afterpiece Title: The CountryHouse

Dance: As17331203 Also The Nassau, as17331112

13161
13 December 1733 @ Goodman's Fields

Event Comment: Mainpiece: Written by the late Sir John Vanbrugh

Performances

Mainpiece Title: The Mistake Or The Wrangling Lovers

Related Works
Related Work: The Mistake Author(s): John Vanbrugh

Afterpiece Title: The Mock Doctor

Dance: As17331208

13162
30 November 1738 @ Drury Lane Theatre

Event Comment: Mainpiece: Alter'd from Beaumont and Fletcher by Sir John Vanbrugh and Mr Dryden

Performances

Mainpiece Title: The Pilgrim

Performance Comment: Pedro-Milward; Alphonso-Johnson; Roderigo-Quin; Curio-Cross; Seberto-Ridout; Pilgrim-Woodburn; Jacques-Turbutt; Lopez-Shepard; Mad Englishman-Winstone; Mad Scholar-Havard; Mad Priest-Raftor; Mad Taylor-Woodward; Mad Welchman-Macklin; Master of sadhouse-Furnival; Keeper-Marshall; Alinda-Mrs Mills; Juletta-Mrs Pritchard; In which will be introduced the Original Mad Dialogue set to Musick by Mr H. Purcell-Beard, Mrs Clive.
Cast
Role: Alphonso Actor: Johnson
Related Works
Related Work: The Pilgrim Author(s): John Fletcher

Afterpiece Title: Colombine Courtezan

Dance: II: Flanderkins-Master Ferg, Miss Wright; III: Drunken Peasant-Philips; IV: Grand Dance-Mlle Roland

13163
31 January 1739 @ Drury Lane Theatre

Event Comment: As 27 Nov. 1738. Mainpiece: Alter'd from Shakespear. Victor, History of the Theatres, II, 48: In the Year 1738, having, as he [Colley Cibber] said, Health and Strength enough to be as useful as ever, he came to Terms with Mr Fleetwood for his performing Richard, Fondlewife, Sir John Brute, &c. All his Comedy Parts he was right in, but in Richard he found his Mistake; his usual Strength and Spirit failed him most unhappily. I went behind the Scenes in the third Act, and asking him how he fared? He whispered me in the Ear, "That he wou'd give fifty Guineas to be then sitting in his easy Chair by his own Fireside.

Performances

Mainpiece Title: King Richard The Third

Related Works
Related Work: The English Princess; or, The Death of Richard the Third Author(s): John Caryll
Related Work: The English Princess; or, The Death of Richard III Author(s): John Caryll

Afterpiece Title: The Mock Doctor

Dance: Muilment

13164
05 May 1739 @ Drury Lane Theatre

Event Comment: Benefit Castelman, the Treasurer. Mainpiece: Alter'd from Beaumont and Fletcher by Sir John Vanbrugh and Mr Dryden. [Tickets at Castelman's Lodgings, at Mr Watford's, Upholder, over-against the Sun Tavern, Russel Street, Bloomsbury.

Performances

Mainpiece Title: The Pilgrim

Cast
Role: Alphonso Actor: Johnson
Related Works
Related Work: The Pilgrim Author(s): John Fletcher

Afterpiece Title: Mars and Venus

Related Works
Related Work: The Loves of Mars and Venus Author(s): John Weaver

Dance: I: Punches Dance-Master Ferg, Miss Wright; III: Pierots-Leviez, Pelling; IV: Moors Dance-Muilment, Mrs Walter

Music: V: A Concerto-Henry Burgess Jr

13165
03 January 1740 @ Drury Lane Theatre

Event Comment: Mainpiece: Alter'd from Beaumont and Fletcher by Sir John Vanbrugh and Mr Dryden

Performances

Mainpiece Title: The Pilgrim

Performance Comment: Pedro-Milward; Roderigo-Quin; Alphonso-Johnson; Alinda-Mrs Mills; Juletta-Mrs Pritchard; Mad Scholar-Havard; Mad Englishman-Winstone; Mad Welshman-Reed; Mad Taylor-Woodward; Mad Priest-Raftor; Old Pilgrim-Woodburn; Drunken Servant-Ray; Stuttering Servant-Yates; Lopez-Shepard; Jacques-Turbutt; Curio-Cashell; Seberto-Ridout; Master of Madhouse-Taswell; Keeper-Marshall.
Cast
Role: Alphonso Actor: Johnson
Related Works
Related Work: The Pilgrim Author(s): John Fletcher

Afterpiece Title: Robin Goodfellow

Dance: I: Drunken Peasant-Master Ferg; II: L'Allamande-Mlle Chateauneuf

13166
24 October 1741 @ Covent Garden

Event Comment: Afterpiece: a New Dramatic Entertainment of Dancing combin'd With a New Pantomime in Grotesque Characters. [Author unknown. Apparently not printed.] Mainpiece: Written by Sir John Vanbrugh

Performances

Mainpiece Title: The Mistake Or The Lovers Quarrel

Related Works
Related Work: The Mistake Author(s): John Vanbrugh

Afterpiece Title: Orpheus and Eurydice with Metamorphoses of Harlequin

Dance: TThe Italian Peasants-Lalauze, Sga Barberini, accompanied by Villeneuve, Delagarde, Richardson, Dupre, Sga Domitella, Mrs LeBrun, Mrs Wright, Mrs Villeneuve; Villagers-Waltz, Thompson, Roberts, Smith, Davis, Stoppelaer, Miss Davis, Miss Dodson

13167
19 November 1745 @ Covent Garden

Event Comment: Mainpiece: Written by Sir John Vanbrugh. Afterpiece: By Desire

Performances

Mainpiece Title: The Mistake Or The Lovers Quarrel

Related Works
Related Work: The Mistake Author(s): John Vanbrugh

Afterpiece Title: Pyramus and Thisbe

13168
24 April 1751 @ Covent Garden

Event Comment: Benefit for Leveridge. Play Written by Sir John Vanbrugh

Performances

Mainpiece Title: The City Wives Confederacy

Song: I: a Cantata call'd The Lover's Lesson-Miss Falkner; II: an Anacreontic-Leveridge; III: If Love's a Sweet Passion set by Baildon-Lowe; IV: The Truly Happy Man-Leveridge; End: Epilogue of Thanks-Leveridge

Dance: As17510117

13169
03 March 1752 @ Covent Garden

Event Comment: Mainpiece: Written by Sir John Vanbrugh. Not acted these seven years. [See 19 Nov. 1746.

Performances

Mainpiece Title: The Mistake Or The Lovers Quarrel

Related Works
Related Work: The Mistake Author(s): John Vanbrugh

Afterpiece Title: Harlequin Sorcerer

13170
22 January 1773 @ Covent Garden

Event Comment: Every Man in His Humour oblig'd to be Deferr'd. Paid Joseph Stephenson as per Certificate from Sir John Fielding, 10s. (Account Book). Receipts. #156

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Harlequin Sorcerer

13171
19 April 1773 @ Covent Garden

Event Comment: Benefit for Smith. [See note for 6 March.] Part of Pit laid into Boxes. Ladies send servants by half past 4 o'clock, and those who have taken places in the Pit requested to come early to prevent Confusion in getting to their seats. Tickets deliver'd for Lady Jane Grey will be taken. Charges #65 10s. Profit to Smith #84 6s. 6d., plus #172 15s. from tickets (Box 640; Pit 85). Paid Blanchville Clark as per certificate from Sir John Fielding 10s. (Account Book). Receipts: #149 16s. 6d

Performances

Mainpiece Title: The Earl Of Warwick

Afterpiece Title: Man and Wife

Dance: End: The Irish Lilt, as17721028

13172
26 December 1785 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for a Performer, thirty years a Servant of the Publick at Covent-garden and Haymarket Theatres [unidentified]. Mainpiece: Written by the ingenious Mrs Behn, with Alterations by a Gentleman well known in the Dramatick World and Republick of Letters. The Characters new dressed in the Habits of the Times. [Writers and speakers of Prologue and Epilogue unknown.] Afterpiece: Altered from Sir John Vanbrugh. The Doors to be opened at 5:00. To begin at 6:00

Performances

Mainpiece Title: The Amorous Prince

Afterpiece Title: The Battle Royal

Dance: In Act V of mainpiece a Masquerade, and a Minuet de la Cour by Master Corbyn and Miss Keen

Song: End of mainpiece most of the favourite airs from The Poor Soldier [singers not listed]. Vaudeville. End of afterpiece a short Pantomimical Scene, in which Harlequin will leap through a Hogshead on Fire

13173
06 March 1797 @ Drury Lane Theatre

Event Comment: Mainpiece: Not acted these 9 years. [Mrs Worthington is identified in MS list in Kemble playbills of new performers for this season.] Ballet: 1st time; composed by Giacomo? Gentili. Afterpiece [1st time: ENT 1, by Richard Brinsley Sheridan; acted in place of The Prize, advertised on playbill of 4 Mar. Text (C. Lowndes, 1797)]: Altered from a Dramatick Entertainment performed 1794 [The Glorious First of June]. In the course of which will be introduced a representation of the late Glorious Engagement between the British and Spanish Fleets on the Fourteenth of February [1797, under Sir John Jervis, off Cape St. Vincent]. Receipts: #253 9s. (151.2.6; 100.17.0; 1.9.6)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Cape St

Song: III: a Masquerade Scene-; with Hark! the Lark at Heaven's Gate sings-Sedgwick, Dignum, Welsh, Master Welsh

Ballet: End: The Labyrinth; or, The Country Madcap. Joseph-Gentili; Robert-Grimaldi; Philip-Master Menage; Rosina-Sga Bossi DelCaro; Countess-Mrs Wild; Lauretta-Miss S. DeCamp

13174
June 1680 @ Dorset Garden Theatre

Event Comment: The Duke's Company. The date of the first performance is not known; an entry in L. C. 5@145, p. 120, lists it for 1 March, but leaves the year in question. See also Nicoll, Restoration Drama, p. 349. Because the Prologue upbraids the audience for deserting Dorset Garden to see The Female Prelate at Drury Lane (beginning 31 May 1680) and because the Epilogue refers to railing at the Penny Post, a service inaugurated on 1 April 1680, a performance in mid-June 1680 seems the likely first production. If so, the L. C. entry for 1 March probably represents a revival for 1 March 1680@1. A song, Bonny lass gin thou wert mine, with music by Thomas Farmer, is in Choice Ayres and Songs, The Third Book, 1681. For Leigh as Sir Jolly and Nokes as Sir Davy, see Cibber, Apology, ed. Lowe, I, 147-48. Downes (Roscius Anglicanus, p. 36): These two Comedies [The Soulder's Fortune and D'Urfey's The Fond Husband] took extraordinary well, and being perfectly Acted; got the Company great Reputation and Profit

Performances

Mainpiece Title: The Souldiers Fortune

Performance Comment: Edition of 1681: Beaugard-Betterton; Courtine-Smith; Sir Davy Dunce-Nokes; Sir Jolly Jumble-Leigh; Fourbin-Jevon; Bloody Bones-Richards; Vermin-A Boy; Lady Dunce-Mrs Barry; Sylvia-Mrs Price; Prologue by the Lord Falkland-; Epilogue-.
Cast
Role: Sir Davy Dunce Actor: Nokes
Role: Sir Jolly Jumble Actor: Leigh

13175
10 October 1744 @ Covent Garden

Event Comment: Afterpiece With the Scene of the Drawing. [William Hint in a Letter on Managers (Daily Gazetteer 26 Oct.) laments that Dunstall was cast as Sir William Belfond in the mainpiece and that Hippisley was cast in an inferior part. He thought Hippisley would have done better as Sir William.

Performances

Mainpiece Title: The Squire Of Alsatia

Performance Comment: Squire-Chapman; Belfond Jun.-Hale; Sir Edward Belfond-Bridgwater; Sir William Belfond-Dunstall; Lolpoop-Hippisley; Trueman-Cashell; Attorney-Ridout; Scrapeall-James; Cheatly-Rosco; Shamwell-Gibson; Capt Hackem-Marten; Termagant-Anderson; Teresia-Mrs Hale; Isabella-Mrs Vincent; Lucia-Miss Hippisley; Ruth-Mrs Martin; Mrs Hackem-Stoppelaer; Mrs Termagant-Mrs Pritchard.
Cast
Role: Sir Edward Belfond Actor: Bridgwater
Role: Sir William Belfond Actor: Dunstall

Afterpiece Title: The Lottery

Dance: LLe Gondalier-Cooke, Villeneuve, Delagarde, Rector, Destrade, Mrs Delagarde, Mrs Norman, Mrs LeBrun, Mrs Villeneuve; La Provencale-Picq, Mlle Duval