Event Comment: Mainpiece: By Particular Desire. Rec'd stopages #1 8s.; from John Palmer in part of his bond #70; Paid 5 days salary list #367 13s. 4d. Receipts: #173 16s. 6d. (Treasurer's Book). Went to the 2 shilling Gallery to see the new tragedy, with its musical entertainment The Cunning Man, a sort of translation of Rousseau's Devin du Village. Holland, Powell and Bensley played Warwick, Edward and Pembroke very well. Mrs Yates did great justice to Queen Margaret. Mrs Palmer did Elizabeth. The Prologue was spoken by Bensley, the Epilogue by Mrs Yates. The characters were very richly dressed in the dresses of the time. The improper use of ridiculous modern dresses on the stage often offends me (Diary of Sylas Neville, unpublished MS portion)

Event Comment: Paid John Sutherland for playing the Bagg Pipes 4 nights in Dr Faustus #1 (Account Book). Receipts: #190 3s. 6d. (Account Book)

Event Comment: Paid John Sutherland for playing Bagg Pipes 3 nights in Midas and 1 in Dr Faustus #1 (Account Book). Went into the Pit to see Woodward in the character of Brazen. He is a most inimitable fellow....This play is entertaining, but rather loose. End Act II, a pantomime Dance by Fishar and Manesiere. The entertainment was Harlequin Dr Faustus (Neville MS Diary). Receipts: #145 9s. 6d. (Account Book)

Event Comment: Benefit for Younger. Tickets deliver'd by Bryan and Branson will be taken. Tickets sold at doors will not be admitted. Charges #65 15s. Balance to Younger #58 10s. plus income from tickets. Younger 70 129 159 #52 15s. Bryan 4 49 61 #14 9s. Branson 26 102 134 #35 4s.@Total ticket value #102 8s. (Account Book).@ Rec'd #20 a year improv'd rent of the houses in Bow St. and part of the effects of the late John Rich...#250. Receipts: #124 5s. (Account Book)

Event Comment: Mainpiece: By Particular Desire. Paid John Doe for sticking black Bills #4 19s. (Account Book). Receipts: #101 16s. (Account Book)

Event Comment: Mainpiece: By Particular Desire. Paid John Doe for sticking black bills #4 19s. Paid Mr Masefield (paperhanger) as per bill #1 4s. (Account Book). Receipts: #117

Event Comment: Mainpiece: A Comedy [by Richard Cumberland] never performed there. Paid John Doe for sticking Black Bills #3 12s. Paid Cooper (printer) as per bill #20 2s. (Account Book). [The Westminster Magazine held in reserve its judgment on Lewis as an actor until the reviewer could see him in another part.] Receipts: #137 4s. 6d. (Account Book)

Event Comment: Rosetta first time by Miss Sharp--a loud Voice a bad face and mean figure She had Applause--but it won't do (Hopkins Diary). [MacMillan's note from Kemble differs slightly and adds: Miss Sharpe was a Scholar of Mr Bates's--since married to Mr William Palmer, brother to Mr John and Mr Robert Palmer."] Rec'd the late Mr Powell's bond for #200 and 9 years interest in full #290; Stopages #11 18s. Paid Barrow and Co., Oil Bill #50 3s.; Powney, (stationer) #14 11s. 6d.; Tallow Chandler's third bill #47 12s. 4d.; Evans on Wardrobe acct #10 10s.; Grist on acct #6 6s.; Machin, Chorus 13 nights, #3 5s. Receipts: #116 13s. [Treasurer's Book)

Event Comment: Mainpiece: With a New Scene and New Dresses. Afterpiece [1st time; CO 2, by Charles Dibdin and Edward Thompson. Thompson's name does not appear on the title-page of the text; it has been added by J. P. Kemble on the half-title of his copy now in the Huntington Library]: The Music chiefly composed by Dibdin [Public Advertiser, 15 Nov.: Three of the airs and the finale were composed by Samuel Arnold; one air by John Abraham Fisher]. With New Scenes [ibid: by Dall, Richards, and Carver], Dresses and Decorations. Books of the Songs to be had at the Theatre. Account-Book, 7 Feb. 1777: Paid Dibdin in full for copyright of the Seraglio #20; ibid, 2 June 1777: Received of Cooper for Songs & Books sold of The Seraglio #19 10s. 9d. [Mrs Ward was from the Birmingham theatre]. Receipts: #221 11s. 6d. (219.7.0; 2.4.6)

Event Comment: Benefit for Dibdin. In Act IV of mainpiece the Procession from the Abbey at the Coronation of Anne Bullenv. Paid John Doe for sticking Black Bills #6 3s. Receipts: none listed (charge: #84)

Event Comment: Afterpiece: In 2 acts, taken from Wycherley [by John Lee (Public Advertiser, 14 Dec.)]. Paid Pattinson, Tallow Chandler, #41 19s. Receipts: #167 18s. (166.9.6; 1.8.6)

Event Comment: Ode [1st time; composed by Thomas Linley Jun. (see 18 Mar. 1778), text by John Hoadly]

Event Comment: [Nicoll, III, 280, 390, states that this was an alteration of Shakespear's play by John Lee.] Receipts: #174 5s. (173.10.6; 0.14.6)

Event Comment: Prelude [1st time;PREL I, probably by Richard Cumberland. Larpent MS 472; not published]. Mainpiece [1st time; M 3, by Richard Cumberland, based on Calypso and Telemachus, by John Hughes]: The Overture and all the Music entirely new, and composed by Butler. With new Scenery painted by Richards and Carver, and new Dresses. Books of the Masque to be had at the Theatre. Public Advertiser, 27 Mar. 1779: This Day is published Calypso (1s. 6d.)

Event Comment: [This was Vestris Jun.'s 1st appearance in England.] "Young Vestris astonished John Bull more by his agility than his grace, and some have been known to count the number of times he turned round like a tee-totum. This may be called les tours des jambes-not dancing' (Angelo, II, 320). "The theatre was brimful in expectation of Vestris. At the end of the second act he appeared; but with so much grace, agility, and strength, that the whole audience fell into convulsions of applause: the men thundered; the ladies, forgetting their delicacy and weakness, clapped with such vehemence, that seventeen broke their arms, sixty-nine sprained their wrists, and three cried bravo! bravissimo! so rashly, that they have not been able to utter so much as 'no' since, any more than both Houses of Parliament' (Walpole [17 Dec. 1780], XI, 340-41)

Event Comment: Mainpicce [1st time; burl 3, by Charles Dibdin]: Taken from [Amphitryon, by John] Dryden. [MS: Larpent 573; not published.] With new Scenery, Dresses, &c. The Music by several eminent Composers [Charles Dibdin, William Shield, &c.]. Books of the Songs to be had at the Theatre. Receipts: #153 15s. 6d. (151/8/0; 2/7/6)

Event Comment: Benefit for Lewis. Afterpiece: As performed at the Theatre Royal in the Haymarket [beginning 6 Aug. 1779]; by the Author of the Son-in-Law, the Agreeable Surprise, &c. [John O'Keeffe]. [Prologue by George Colman, the elder.] Receipts: #195 9s. 6d. (161/11/6; tickets: 33/18/0) (charge: #105)

Event Comment: Afterpiece [1st time; P 2, by John O'Keeffe. MS: Larpent 608; not published. CG playbill of 16 Nov. 1795 has a detailed synopsis of the action]: Intermixed with Songs and Dialogue. With new Music, Scenes, Dresses, Machinery, and Decorations. The new Music composed by Shield. The new Scenes designed by Richards, and executed by Richards, Hodgins, and assistants. To conclude with a Representation of the Lord Mayor's Show on the Water. Books of the Songs to be had at the Theatre. Nothing under Full Price will be taken. "As to the Pantomime it wanted nothing on the first Night but Abbreviations . . . [which should be] omission of the Doctors, the two Women of the Town, and the whole of Edwin's Character" (Public Advertiser, 27 Nov.). Gentleman's Magazine, Jan. 1783, pp. 29-31, contains a detailed synopsis of the procession, and adds, "The personages of this procession were all dressed in the characters of the time in which they lived, and before each of them a label, a scroll, or a pageant was carried, bearing their name, or some allusion of the poets to their occupation. The figures in transparency were all painted as large as the life, and had a most grand and beautiful effect . . . The idea of the paintings was furnished by Mr Richards and Mr Smirk [sic], and all of them executed by the latter in a style of so much taste and excellence that it is a matter of some wonder to us, where an artist of Mr Smirk's abilities has been so long concealed . . . The glee introduced with so much applause is the composition of the late Dr Rogers (who lived in 1600); the other airs in the pantomime and procession arc by Handel, Lord Kelly, Abel, Stamitz and Shield, and have very great merit. The expense of preparing this splendid spectacle must have been very great, and the cost of continuing its representation cannot be inconsiderable, since more than 200 supernumeraries are employed to walk in the procession." Receipts: #215 3s. (206/3; 9/0)

Event Comment: [Miss Harper married John Bannister at Hcndon on 26 Jan. 1783.] Receipts: #217 11s. (208/2; 9/9)

Event Comment: Mainpiece [1st time; C 5, by Hannah Cowley. Author of Prologue unknown. Epilogue by John O'Keeffe (O'KeefFe, II, 301); it included a song, music by Carter, When I was a little baby, written by Hannah Cowley]: New Scenes and Dresses. Public Advertiser, 26 Jan. 1784: This Day is published A Bold Stroke for A Husband (1s. 6d.). Receipts: #199 5s. 6d. (194/13/0; 4/12/6)

Event Comment: Benefit for Lewis. Public Advertiser, 25 Mar.: Tickets to be had of Lewis at his house in Broad-court, Bow-street. Afterpiece [1st time in London; co 2. MS: Larpent 620; not published]: Written by the Author of The Castle of Andalusia, The Agreeable Surprise, Son-in-Law, &c &c. [John O'KeefFe, 1st acted at the Crow Street Theatre, Dublin, 15 Apr. 1777, and altered in the CG season of 1783-84 as The Poor Soldier]. The Airs Select [ed by the author from] Irish [airs]. With a New Overture and Accompaniments by Shield, who composed the music of Rosina. The Words of the Songs to be had at the Theatre. Receipts: #256 9s. (201/10; tickets: 54/19) (charge: #105)

Event Comment: [Holman is identified on playbill of 5 Nov. Address by John Barwis (European Magazine, Oct. 1784, p. 336, which also lists name of speaker).] Mainpiece: With new Dresses, Scenery and Decorations. In Act I a Masquerade Scene. [This notice is included in all subsequent playbills.] "This easy and natural performance of Holman . . . will prove a fatal blow to the cause of the Attitudinarians and Face-makers; to those who think dramatic excellence consists in . . . finding out meanings that were never meant ... in stretching out their fingers like monkies dying in convulsions ... in uttering their words like minute-guns at royal funerals" (Public Advertiser, 1 Nov.). "Why does Romeo wear black in the last Act? Is it on account of his banishment? He has not heard of Juliet's death" (Gazetteer, 28 Oct.)

Event Comment: Mainpiece [1st time; D 5]: Altered from Massinger [by John Philip Kemble. Prologue by the Hon. Henry Phipps (London Chronicle, 28 Jan.). Epilogue by George Colman, the elder (ibid). MS: Larpent 687; not published]. "This piece is considerably altered from the original; passages are expunged, and others added, in every scene; and several incidents transposed from the order in which they formerly stood. Some scenes are also introduced from the Maid's Tragedy of Beaumont and Fletcher" (London Magazine, Feb. 1785, p. 137). Receipts: #269 9s. (240/10/0; 27/6/6; 1/12/6)