SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sir John Chapman"/1) | (@(roleclean,performerclean) "Sir John Chapman")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 11246 matches on Author, 7470 matches on Performance Comments, 1749 matches on Event Comments, 693 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: On Sunday Charles, Duke of Cambridge, the son of the Duke of York, died. On 7 May 1661, Francis Newport wrote to Sir Richard Leveson: The Duke of Cambridge dyed on Sunday in the afternoon and was buryed yesternight without any solemnity, noe mourning in the Court for him (HMC, Sutherland MSS, 5th Report, Appendix, 1876, p. 151). If the theatres were closed because of this death, the closure was for not more than ten days

Performances

Event Comment: The Duke's Company. If the run of The Wits occurred as it is outlined above, this would presumably be the first day of Hamlet. Pepys, Diary: To the Opera, and there saw Hamlet, Prince of Denmark, done with scenes very well, but above all, Betterton did the prince's part beyond imagination. Downes (p. 21): The Tragedy of Hamlet: Hamlet being Perform'd by Mr Betterton, Sir William (having seen Mr Taylor of the Black-Fryars Company Act it, who being Instructed by the Author Mr Shakespear) taught Mr Betterton in every Particle of it; which by his exact Performance of it, gain'd him Esteem and Reputation, Superlative to all other Plays...No succeeding Tragedy for several Years got more Reputation, or Money to the Company than this

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Related Works
Related Work: Hamlet Author(s): Sir William Davenant
Event Comment: The King's Company. Pepys, Diary: Sir W. Pen, my wife and I to the Theatre, and there saw The Country Captain, the first time it hath been acted this twenty-five years, a play of my Lord Newcastle's, but so silly a play as in all my life I never saw, and the first that ever I was weary of in my life. Herbert (Dramatic Records, p. 118) lists Love's Mistress for this date for Vere St., but the item is out of the normal order of the entries. To move it to 26 Oct. 1662 would place it on a Sunday. The play had been given previously (2 March 1661, 11 March 1661, 25 March 1661) by both the Duke's Company and King's Company. Possibly Herbert entered it on the wrong day. On Herbert's list, following Love's Mistress, are two plays, The Contented Collinell [Brenoralt] and Love at First Sight, each listed without a date. The former, under the title Brenoralt, had been acted at Vere St. on 23 July 1661; the second was soon to be acted there on 29 Nov. 1661

Performances

Mainpiece Title: The Country Captain

Event Comment: The King's Company. Pepys, Diary: Sir W. Pen and I to the Theatre, and there saw The Country Captain, a dull play

Performances

Mainpiece Title: The Country Captain

Event Comment: The King's Company. See Herbert, Dramatic Records, p. 118. Langbaine (English Dramatic Poets, p. 477): This Play has been received with Success (as I said) in our Time; and as I remember, the deceas'd Mr Lacy acted Jonny Thump, Sir Gervase Simple's Man, with general Applause

Performances

Mainpiece Title: Love In A Maze

Event Comment: Hotson (Commonwealth and Restoration Stage, pp. 178-79) believes that this was Jolly's organization. See also the list of Sir Edward Browne's attendance at plays in the introduction to this season. An edition of this play appeared in 1663, but the title page does not state at what theatre the play was given. Pepys, Diary: Thence to taken my wife to the redd bull, where we saw Doctor Faustus, but so wretchedly and poorly done, that we were sick of it, and the worse because by a former resolution it is to be the last play we are to see till Michaelmas

Performances

Mainpiece Title: Doctor Faustus

Related Works
Related Work: Harlequin Doctor Faustus Author(s): John Thurmond
Related Work: The Necromancer; or, Harlequin Doctor Faustus Author(s): John Rich
Event Comment: In the Prologue to The Cheats (mid-March 1663) are allusions to three plays which apparently were popular on the stage at this time: Jonson's The Silent Woman ("Sir Poll"); Jonson's The Devil is an Ass ("No little Pugge, nor Devil"); and Davenant's The Siege of Rhodes ("No tedious Sieges in the Musick-room")

Performances

Event Comment: It is possible that Katherine Phillips' Pompey, which was given in Dublin in February 1662@3, may have been presented in London in the late spring of 1663. Sir William Davenant's The Playhouse To Be Let, which apparently appeared in London in the late summer of 1663, has in Act V some elements of travesty upon Pompey. It is unlikely that its appearances in Dublin would make satire upon it have much point to London audiences without a performance in London; the spring of 1663 would be the most likely time for a presentation in London

Performances

Event Comment: Pepys, Diary: And called at Wotton's.... He tells me that by the Duke of York's persuasion Harris is come again to Sir W. Davenant upon his terms that he demanded, which will make him very high and proud

Performances

Event Comment: Pepys, Diary: Calling at Wotton's...he tells me...that Harris is come to the Duke's house again; and of a rare play to be acted this week of Sir William Davenant's; the story of Henry the Eighth with all his wives

Performances

Event Comment: The King's Company. Pepys, Diary: By coach to White Hall, thinking to have met at a Committee of Tangier, but nobody being there but my Lord Rutherford, he would needs carry me and another Scotch Lord to a play, and so we saw, coming late, part of The Generall, my Lord Orrery's (Broghill) second play; but, Lord! to see how no more either in words, sense, or design, it is to his Harry the 5th is not imaginable, and so poorly acted, though in finer clothes, is strange. And here I must confess breach of a vowe in appearance, but I not desiring it, but against my will, and my oathe being to go neither at my own charge nor at another's, as I had done by becoming liable to give them another, as I am to Sir W. Pen and Mr Creed; but here I neither know which of them paid for me, nor, If I did, am I obliged ever to return the like

Performances

Mainpiece Title: The Generall

Related Works
Related Work: The Roman Generalls; or, The Distressed Ladies Author(s): John Dover
Event Comment: The King's Company. Pepys, Diary: Alone to the Kings' house, to a play, The Traytor, where, unfortunately, I met with Sir W. Pen, so that I must be forced to confess it to my wife, which troubles me. Thence walked home, being ill-satisfied with the present actings of the House, and prefer the other House before this infinitely

Performances

Mainpiece Title: The Traytor

Event Comment: The Vestal-Virgin; or, The Roman Ladies (by Sir Robert Howard) was probably acted by February 1664@5. It was entered in the Stationers' Register on 7 March 1664@5 and published in 1665 in Four New plays. Downes (Roscius Anglicanus p. 15) lists it by title only. The King's Company

Performances

Event Comment: The Duke's Company. Pepys, Diary: With Creed, my wife, and Mercer to a play at the Duke's, of my Lord Orrery's, called Mustapha, which being not good, made Betterton's part and Ianthe's but ordinary too, so that we were not contented with it at all...All the pleasure of the play was, the King and my Lady Castlemayne wer there; and pretty witty Nell Gwin?, at the King's house, and the younger Rebecca? Marshall sat next us; which pleased me mightily. Downes (p. 26): All the Parts being new Cloath's with new Scenes, Sir William's great Care of having it perfect and exactly perform'd, it produc'd to himself and Company vast Profit

Performances

Mainpiece Title: Mustapha, The Son Of Solyman The Magnificent

Event Comment: On this day Pepys heard a report about the reopening of the play-houses which probably was an erroneous rumor: And found Sir W. Pen talking to Orange Moll [Mary Meggs] of the King's house, who, to our great comfort, told us that they begun to act on the 18th of this month

Performances

Event Comment: Pepys, Diary: Sir W. Pen and my wife and Mercer and I to Polichinelly, but were there horribly frighted to see Young Killigrew come in with a great many more young sparks; but we hid ourselves, so as we think they did not see us. By and by they went away, and then we were at rest again; and so, the play being done

Performances

Mainpiece Title: Puppetry

Event Comment: The Duke's Company, presumably. Evelyn, Diary: This night was acted my Lord Brahals Tragedy cal'd Mustapha before their Majesties &c: at Court: at which I was present, very seldom at any time, going to the publique Theaters, for Women now (& never 'til now) permitted to appeare & act, which inflaming severall young noble-men & gallants, became their whores, & to some their Wives, wittnesse the Earle of Oxford, Sir R. Howard, Pr. Rupert, the E. of Dorset, & another greater person than any of these, who fell into their snares, to the reproch of their noble families, & ruine both of body & Soule: I was invited to see this Tragedie, exceedingly well writ, by my Lord Chamberlain, though in my mind, I did not approve of any such passe time, in a season of such Judgements & Calamitie. Pepys, Diary: Here my Lord Bruncker proffered to carry me and my wife into a play at court to-night, and to lend me his coach home, which tempted me much; but I shall not do it

Performances

Mainpiece Title: Mustapha

Event Comment: Pepys, Diary: By and by with Lord Bruncker by coach to his house, there to hear some Italian musique: and here we met Tom Killigrew, Sir Robert Murray, and the Italian Signor Baptista, who hath composed a play in Italian for the Opera, which T. Killigrew do intend to have up; and here he did sing one one of the acts. He himself is the poet as well as the musician.... This done, T. Killigrew and I to talk: and he tells me how the audience at his house [Bridges St.] is not above half so much as it used to be before the late fire. That Knipp is like to make the best actor that ever come upon the stage, she understanding so well: that they are going to give her #30 a-year more. That the stage is now by his pains a thousand times better and more glorious than ever heretofore. Now, wax candles, and many of them; then, not above 3 l6s. of tallow: now, all things civil, no rudeness anywhere; then, as in a bear-garden: then, two to three fiddlers; now, nine or ten of the best: then, nothing but rushes upon the ground, and every thing else mean; and now, all otherwise: then, the Queen seldom and the King never would come; now, not the King only for state, but all civil people do think they may come as well as any....That he hath gathered our Italians from several Courts in Christendome, to come to make a concert for the King, which he do give #200 a-year a-piece to: but badly paid, and do come in room of keeping four ridiculous gundilows, he having got the King to put them away, and lay out money this way; and indeed I do commend him for it, for I think it is a very noble undertaking. He do intend to have some times of the year these operas to be performed at the two present theatres, since he is defeated in what he intended in Moorefields on purpose for it; and he tells me plainly that the City audience was as good as the Court, but now they are most gone

Performances

Event Comment: The King's Company. For an edition of this play from the MS prompt copy, see The Change of Crownes, ed. F. S. Boas (Oxford University Press, 1949). For the consequences of Lacy's ad libbing, see 16, 20, and 22 April, and 1 May. Pepys, Diary: I to the King's house by chance, where a new play: so full as I never saw it; I forced to stand all the while close to the very till I took cold, and many people went away for want of room. The King and Queene, and Duke of York and Duchesse of York there, and all the Court, and Sir W. Coventry. The play called The Change of Crownes; a play of Ned Howard's the best that ever I saw at that house, being a great play and serious; only Lacy did act the country-gentleman come up to Court, who do abuse the Court with all the imaginable wit and plainness about selling of places, and doing every thing for money. The play took very much.... Gervase Jaquis to the Earl of Huntington, 16 April: Here is another play house erected in Hatton buildings called the Duke of Cambridgs play-house, and yester-day his Matie the Duke & many more were at the King's Playe house to see some new thing Acted (Hastings MSS, HA 7654, Huntington Library)

Performances

Mainpiece Title: The Change Of Crowns

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, by agreement met Sir W. Pen, and saw Love in a Maze: but a sorry play: only Lacy's clowne's part, which he did most admirably indeed; and I am glad to find the rogue at liberty again. Here was but little, and that ordinary, company. We sat at the upper bench next the boxes, and I find it do pretty well, and have the advantage of seeing and hearing the great people, which may be pleasant when there is good store. Now was only Prince Rupert and my Lord Lauderdale, and my Lord [...]...But here was neither Hart, Nell, nor Knipp; therefore, the play was not likely to please me

Performances

Mainpiece Title: The Changes; Or, Love In A Maze

Event Comment: Pepys, Diary I home to dinner, where Mr Pierce dined with us, who tells us what troubles me, that my Lord Buckhurst hath got Nell Gwin? away from the King's house, lies with her, and gives her #100 a year, so as she hath sent her parts to the house, and will act no more. And yesterday Sir Thomas Crew told me that Lacy lies a-dying of the pox

Performances

Event Comment: The King's Company. Pepys, Diary: My wife and I and Sir W. Pen to the King's playhouse, where the house extraordinary full; and there was the King and Duke of York to see the new play, Queen Elizabeth's Troubles, and the History of Eighty Eight. I confess I have sucked in so much of the sad story of Queen Elizabeth, for my cradle, that I was ready to weep for her sometimes; but the play is the most ridiculous that sure ever come upon the stage; and, indeed, is merely a shew, only shews the true garbe of the Queen in those days, just as we see Queen Mary and Queen Elizabeth painted; but the play is merely a puppet play, acted by living puppets. Neither the design nor language better; and one stands by and tells us the meaning of things: only I was pleased to see Knipp dance among the milkmaids, and to hear her sing a song to Queen Elizabeth; and too see her come out in her night-gowne with no lockes on, but her bare face and hair only tied up in a knot behind; which is the comeliest dress that ever I saw her in to her advantage

Performances

Mainpiece Title: Queen Elizabeth's Troubles; And The History Of Eighty Eight

Event Comment: The King's Company. The date of the first performance is not known; Pepys does not suggest that this day was the premiere. Pepys, Diary: Sir W. Pen...and I by coach to the King's playhouse, and there saw The Mad Couple, which I do not remember that I have seen; it is a pretty pleasant play. Thence home, and my wife and I to walk in the garden, she having been at the same play with Jane, in the 18d. seat, to shew Jane the play

Performances

Mainpiece Title: All Mistaken; Or, The Mad Couple

Related Works
Related Work: The Mistake Author(s): John Vanbrugh
Related Work: Like Master Like Man Author(s): John Vanbrugh
Related Work: The Wrangling Lovers Author(s): John Vanbrugh
Related Work: Lovers' Quarrels Author(s): John Vanbrugh
Event Comment: The King's Company. Pepys, Diary: [Sir W. Pen] and I to the King's house, and there, in one of the upper boxes, saw Flora's Vagarys, which is a very silly play; and the more, I being out of humour, being at a play without my wife

Performances

Mainpiece Title: Flora's Vagaries

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, and there saw The English Monsieur; sitting for privacy sake in an upper box: the play hath much mirth in it as to that particular humour. After the play done, I down to Knipp, and did stay her undressing herself; and there saw the several players, men and women go by; and pretty to see how strange they are all, one to another, after the play is done. Here I saw a wonderful pretty maid of her own, that come to undress her, and one so pretty that she says she intends not to keep her, for fear of her being undone in her service, by coming to the playhouse. Here I hear Sir W. Davenant is just now dead; and so who will succeed him in the mastership of the house is not yet known. The eldest Davenport is, it seems, gone from this house to be kept by somebody; which I am glad of, she being a very bad actor.... [Mrs Knepp] tells me mighty news, that my Lady Castlemayne is mightily in love with Hart of their house; and he is much with her in private, and she goes to him, and do give him many Presents; and that the thing is most certain, and Becke Marshall only privy to it, and the means of bringing them together, which is a very odd thing; and by this means she is even with the King's love to Mrs Davis

Performances

Mainpiece Title: The English Monsieur