SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sir Jeremy Smith"/1) | (@(roleclean,performerclean) "Sir Jeremy Smith")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 7596 matches on Performance Comments, 1616 matches on Author, 1280 matches on Event Comments, 695 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: By Their Majesties' Command. Mainpiece: Written by the late Sir John Vanbrugh. Receipts: #147 1s. [Their Majesties, Duke, and Princesses Caroline, Mary, and Louisa present.]

Performances

Mainpiece Title: The False Friend

Afterpiece Title: The Royal Chace

Event Comment: Mainpiece: Written by Sir J. Vanbrugh. Receipts: #53 17s

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: The Fall of Phaeton

Afterpiece Title: The Royal Chace

Event Comment: Benefit Mrs Horton. Afterpiece: Written by the late Sir John Vanbrugh. Receipts: money #65 15s.; tickets #51 18s

Performances

Mainpiece Title: All For Love

Related Works
Related Work: The Comical Revenge; or, Love in a Tub Author(s): Sir George Etherege

Afterpiece Title: The Country House

Dance: A Ballet by Glover, Miss Rogers, Tench, Desse, Livier, Dupre, Mrs Ogden, Mlle Delorme, Miss Sandham, Miss Norman. Scot's Dance, as17360226

Event Comment: Benefit Desse. Mainpiece: Written by the late Sir John Vanbrugh. [Tickets at Desse's House in Bagnio Lane in Newgate Street.] Receipts: money #15 19s.; tickets #28 11s

Performances

Mainpiece Title: The False Friend

Afterpiece Title: The Cheats of Scapin

Song:

Dance:

Event Comment: Not Acted these Thirty Years. Benefit Mrs Roberts. At the Desire of several Persons of Quality

Performances

Mainpiece Title: The Maid's The Mistress

Performance Comment: Gaylove-Johnson; Beauford-Wright; Sir D. Fancy-W. Giffard; Empty-Penkethman; Roger-Norris; Nicholas-Yates; Lady Fancy-Mrs Marshall; Harriet-Mrs Hamilton; Charlot-Mrs Roberts.

Afterpiece Title: The Lovers Opera

Dance: I: Pierrots-Vallois, Delagarde; V: Scots Dance-Haughton, Mlle Roland

Song: II: The Early Horn Salutes the Morn-Miss Jones; III: Singing in Italian-Mrs Chambers

Performances

Mainpiece Title: The Fond Husband; Or, The Plotting Sisters

Performance Comment: Pergrine-Penkethman; Rashly-Giffard; Emilia-Mrs Haughton; Maria-Mrs Roberts; Ranger-Richardson; Old Fumble-Norris; Sneak-Woodward; Sir R. Petulant-Lyon; Spatterdash-Hamilton; Mrs Snare-Mrs M. Giffard; Governess-Mrs Wetherilt; Betty-Miss Tollet; Cordelia-Mrs Penkethman; the first time of her appearing on any stage. Likewise (by Desire) an Epilogue-Penkethman, riding on an Ass.

Afterpiece Title: Hymen's Triumph

Event Comment: At the particular Desire of several Ladies of Quality. Mainpiece: Alter'd from Shakespear by Sir W. Davenant, Mr Dryden

Performances

Mainpiece Title: The Tempest

Related Works
Related Work: The Tempest Author(s): Sir William Davenant
Related Work: The Tempest; or, The Enchanted Island Author(s): Sir William Davenant

Afterpiece Title: Harlequin Restor'd

Dance: In II: Dance of Winds-Muilment, Thurmond; In IV: Comic Dance of Fantastical Spirits (in Grostesque Characters)-Thurmond, Villeneuve, Levier, Pelling; In V: Waterman's Dance-Harper; with a Grand ballet of Sailors-Mlle Roland

Event Comment: At the particular Desire of several Ladies of Quality. Mainpiece: Alter'd from Shakespear by Sir W. Davenant, Mr Dryden

Performances

Mainpiece Title: The Tempest

Related Works
Related Work: The Tempest Author(s): Sir William Davenant
Related Work: The Tempest; or, The Enchanted Island Author(s): Sir William Davenant

Afterpiece Title: Harlequin Restor'd

Dance: As17370411

Event Comment: EEgmont, Diary, II, 390: To the Haymarket Playhouse, where a farce was acted called Eurydice First Hiss'd?, an allegory on the loss of the Excise Bill. The whole was a satire on Sir Robert Walpole, and I observed that when any strong passages fell, the Prince, who was there, clapped, especially when in favour of liberty. [The Princess of Wales was also present.

Performances

Mainpiece Title: The Historical Register

Afterpiece Title: Eurydice Hiss'd

Event Comment: At the particular Desire of several Ladies of Quality. Mainpiece: Alter'd from Shakespear by Sir W. Davenant, Mr Dryden. Afterpiece: Written by the Author of the Toy Shop

Performances

Mainpiece Title: The Tempest

Related Works
Related Work: The Tempest Author(s): Sir William Davenant
Related Work: The Tempest; or, The Enchanted Island Author(s): Sir William Davenant

Afterpiece Title: The King and the Miller of Mansfield

Dance: As17370411

Performances

Mainpiece Title: Pasquin

Afterpiece Title: Fame; or, Queen Elizabeth's Trumpets; or, Never plead's Hopes of being a Lord Chancellor; or, The Lover turn'd Philosopher; or, The Miser's Resolve upon the Lowering of Interest

Performance Comment: The Characters are, Sir Hardheart Pelf, an Usurer, and Justice of the Peace-; Counsellor Pleadwell, a Man of Honour-; in love with Charlotte, the Miser's Daughter-; Counsellor Neverplead, of Brick-Court in the Temple, an Original-; Fustian turn'd Auctioneer, preparatory to a Presbyterian Parson-; Mr Jamaica, an honest Merchant, sent as a Vagrant to the House of Correction-; Mr Quidnunc, a very deep-headed Man-; a Pack of fashionable Ladies and Beaux-; Famine, the Usurer's Servant-; George, Counsellor Neverplead's chief Clerk-.
Event Comment: Mainpiece: Written by the late Sir John Vanbrugh. Egerton 2320: Receipts: #78. Phaeton posted but the Devil to pay done

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: The Devil to Pay

Dance: As17370920

Event Comment: Mainpiece: Written by the late Sir John Vanbrugh

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: Damon and Phillida

Dance: As17370920

Event Comment: Mainpiece: Written by the late $Sir John Vanbrugh.

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: The Fall of Phaeton

Event Comment: Mainpiece: Written by the late Sir John Vanbrugh

Performances

Mainpiece Title: The Mistake

Related Works
Related Work: She Stoops to Conquer; or, The Mistakes of a Night Author(s): Oliver Goldsmith

Afterpiece Title: The Dragon of Wantley

Dance: Glover, Mlle Roland, Villeneuve, Miss Oates

Event Comment: Mainpiece: Written by the late Sir John Vanbrugh

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: Harlequin Grand Volgi

Dance: II: Russian Sailor-Denoyer; IV: Ballet-Muilment, Mrs Walter, Livier, Miss Thompson, Pelling

Event Comment: Mainpiece: Written by the late Sir John Vanbrugh

Performances

Mainpiece Title: The False Friend

Afterpiece Title: The Dragon of Wantley

Dance: FFrench Peasant, as17380316 Grand Ballet-Glover, Mlle Roland, Tench, Villeneuve, Desse, Mrs Moreau, Miss Moreau, Miss Norman, Miss Cantrel

Event Comment: Benefit Bradshadow (Boxkeeper) and Moor (Box Bookkeeper). Mainpiece: Written by the late Sir John Vanbrugh

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: The Lovers Opera

Dance: I: Minuet-Master Ferg, Miss Harwood; III: Drunken Peasant-Phillips; V: Grand Ballet, in Comic Characters, -the Lilliputians

Song: IV: See from the Silent Groves-Beard; End Afterpiece: The Life of a Beau-

Music: II: Preamble on the Kettle Drums-Master Ferg

Event Comment: By Authority. By the French Company of Comedians. Boxes 5s. Pit 3s. Gallery 2s. Victor, History of the Theatres, I, 54-60: People went early to the Theatre, as a crouded House was certain. I was there, in the Centre of the Pit; where I soon perceived that we were visited by two Westminster Justices, Deveil and Manning. The Leaders, that had the Conduct of the Opposition, were known to be there; one of whom called aloud for the Song in Praise of English Roast Beef, which was accordingly sung in the Gallery by a Person prepared for that Purpose; and the whole House besides joining in the Chorus, saluted the Close with three Huzzas! This, Justice Deveil was pleased to say, was a Riot; upon which Disputes commenced directly, which were carried on with some Degree of Decency on both Sides. The Justice at first informed us, 'That he was come there as a Magistrate to maintain the King's Authority; that Colonel Pulteney, with a full Company of the Guards, were without, to support him in the Execution of his Office; that it was the King's Command the Play should be acted; and that the obstructing it was opposing the King's Authority; and if that was done, he must read the Proclamation; after which all Offenders would be secured directly by the Guards in waiting.' To all these most arbitrary Threatnings, this Abuse of his Majesty's Name, the Reply was to the following Effect:-'That the Audience had a legal Right to shew their Dislike to any Play or Actor; that the common Laws of the Land were nothing but common Custom, and the antient Usuage of the People; that the Judicature of the Pit had been acknowledged and acquiesced to, Time immemorial; and as the present Set of Actors were to take their Fate from the Public, they were free to receive them as they Pleased.' By this Time the Hour of Six drew near; and the French and Spanish Embassadors, with their Ladies; the late Lord and Lady Gage, and Sir T@R@, a Commissioner of the Excise, all appeared in the Stage Boxes together! At that Instant the Curtain drew up, and discovered the Actors standing between two Files of Grenadiers, with their Bayonets fixed, and resting on their Firelocks. There was a Sight! enough to animate the coldest Briton. At this the whole Pit rose, and unanimously turned to the Justices, who sat in the Middle of it, to demand the Reason of such arbitary Proceedings? The Justices either knew nothing of the Soldiers being placed there, or thought it safest to declare so. At that Declaratinn, they demanded of Justice Deveil (who had owned himself the commanding Officer in the Affair) to order them off the Stage. He did so immediately, and they disappeared. Then began the Serenade; not only Catcalls, but all the various portable Instruments, that could make a disagreeable Noise, were brought up on this Occasion, which were continually tuning in all Parts of the House; and as an Attempt to speaking was ridiculous, the Actors retired, and they opened with a grand Dance of twelve Men and twelve Woman; but even that was prepared for; and they were directly saluted with a Bushel or two of Peas, which made their Capering very unsafe. After this they attempted to open the Comedy; but had the Actor the voice of Thunder, it would have been lost in the confused Sounds from a thousand Various Instruments. Here, at the waving Deviel's Hand, all was silent, and (standing up on his Seat) he made a Proposal to the House to this Effect:-'That if they persisted in the Opposition, he must read the Proclamation; that if they would permit the Play to go on, and to be acted through that Night, he would promise, (on his Honour) to lay their Dislikes, and Resentment to the Actors, before the King, and he doubted not but a speedy End would be put to their acting.' The Answer to this Proposal was very short, and very expressive. 'No Treaties, No Treaties!' At this the Justice called for Candles to read the Proclamation, and ordered the Guards to be in Readiness; but a Gentleman seizing Mr Deveil's Hand, stretched out for the Candle, begged of him to consider what he was going to do, for his own Sake, for ours, for the King's! that he saw the unanimous Resolution of the House; and that the Appearance of Soldiers in the Pit would throw us all into a Tumult, which must end with the Lives of many. This earnest Remostrance made the Justice turn pale and passive. At this Pause the Actors made a second Attempt to go on, and the Uproar revived; which continuing some Time, the Embassadors and their Ladies left their Box, which occasioned a universal. Huzza from the whole House! and after calling out some Time for the Falling of the Curtain, down it fell. [For other accounts of this evening, see Daily Advertiser, 9 and 10 Oct.; London Evening Post, 12 Oct.; Gentleman's Magazine, VIII (1938), 545; Historical Register, XXIII, 278-87.

Performances

Mainpiece Title: Lembaras Des Richesses

Afterpiece Title: Arlequin Poli Par L'Amour

Dance: Paquorel, Mlle Chateauneuf, LeFevre, Madem LeFevre

Event Comment: Mainpiece: Written by the late Sir John Vanbrugh

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: Robin Goodfellow

Event Comment: By Command of his Royal Highness the Duke, and Their Royal Highnesses the Princesses Amelia, Caroline, Mary, and Louisa. Mainpiece: Written by the late Sir John Vanbrugh

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: Robin Goodfellow

Dance: III: Dance of Moors-Muilment, Mrs Walter

Event Comment: Mainpiece: Written by the late Sir John Vanbrugh

Performances

Mainpiece Title: The False Friend

Afterpiece Title: The Rape of Proserpine

Cast
Role: Old Man Actor: Smith
Event Comment: Mainpiece: Alter'd from Beaumont and Fletcher by Sir John Vanbrugh and Mr Dryden

Performances

Mainpiece Title: The Pilgrim

Afterpiece Title: Colombine Courtezan

Dance: II: Flanderkins-Master Ferg, Miss Wright; III: Drunken Peasant-Philips; IV: Grand Dance-Mlle Roland

Event Comment: Mainpiece: Written by the late Sir John Vanbrugh

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: Colombine Courtezan

Event Comment: As 27 Nov. 1738. Mainpiece: Alter'd from Shakespear. Victor, History of the Theatres, II, 48: In the Year 1738, having, as he [Colley Cibber] said, Health and Strength enough to be as useful as ever, he came to Terms with Mr Fleetwood for his performing Richard, Fondlewife, Sir John Brute, &c. All his Comedy Parts he was right in, but in Richard he found his Mistake; his usual Strength and Spirit failed him most unhappily. I went behind the Scenes in the third Act, and asking him how he fared? He whispered me in the Ear, "That he wou'd give fifty Guineas to be then sitting in his easy Chair by his own Fireside.

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Mock Doctor

Dance: Muilment