SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sir Henry Herbert"/1) | (@(roleclean,performerclean) "Sir Henry Herbert")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 6588 matches on Performance Comments, 4877 matches on Author, 1593 matches on Performance Title, 1363 matches on Event Comments, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: Written by the late Sir John Vanbrugh. Egerton 2320: Receipts: #78. Phaeton posted but the Devil to pay done

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: The Devil to Pay

Dance: As17370920

Event Comment: Mainpiece: Written by the late $Sir John Vanbrugh.

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: The Fall of Phaeton

Event Comment: Mainpiece: Written by the late Sir John Vanbrugh

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: Harlequin Grand Volgi

Dance: II: Russian Sailor-Denoyer; IV: Ballet-Muilment, Mrs Walter, Livier, Miss Thompson, Pelling

Event Comment: Benefit Bradshadow (Boxkeeper) and Moor (Box Bookkeeper). Mainpiece: Written by the late Sir John Vanbrugh

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: The Lovers Opera

Dance: I: Minuet-Master Ferg, Miss Harwood; III: Drunken Peasant-Phillips; V: Grand Ballet, in Comic Characters, -the Lilliputians

Song: IV: See from the Silent Groves-Beard; End Afterpiece: The Life of a Beau-

Music: II: Preamble on the Kettle Drums-Master Ferg

Event Comment: By Authority. By the French Company of Comedians. Boxes 5s. Pit 3s. Gallery 2s. Victor, History of the Theatres, I, 54-60: People went early to the Theatre, as a crouded House was certain. I was there, in the Centre of the Pit; where I soon perceived that we were visited by two Westminster Justices, Deveil and Manning. The Leaders, that had the Conduct of the Opposition, were known to be there; one of whom called aloud for the Song in Praise of English Roast Beef, which was accordingly sung in the Gallery by a Person prepared for that Purpose; and the whole House besides joining in the Chorus, saluted the Close with three Huzzas! This, Justice Deveil was pleased to say, was a Riot; upon which Disputes commenced directly, which were carried on with some Degree of Decency on both Sides. The Justice at first informed us, 'That he was come there as a Magistrate to maintain the King's Authority; that Colonel Pulteney, with a full Company of the Guards, were without, to support him in the Execution of his Office; that it was the King's Command the Play should be acted; and that the obstructing it was opposing the King's Authority; and if that was done, he must read the Proclamation; after which all Offenders would be secured directly by the Guards in waiting.' To all these most arbitrary Threatnings, this Abuse of his Majesty's Name, the Reply was to the following Effect:-'That the Audience had a legal Right to shew their Dislike to any Play or Actor; that the common Laws of the Land were nothing but common Custom, and the antient Usuage of the People; that the Judicature of the Pit had been acknowledged and acquiesced to, Time immemorial; and as the present Set of Actors were to take their Fate from the Public, they were free to receive them as they Pleased.' By this Time the Hour of Six drew near; and the French and Spanish Embassadors, with their Ladies; the late Lord and Lady Gage, and Sir T@R@, a Commissioner of the Excise, all appeared in the Stage Boxes together! At that Instant the Curtain drew up, and discovered the Actors standing between two Files of Grenadiers, with their Bayonets fixed, and resting on their Firelocks. There was a Sight! enough to animate the coldest Briton. At this the whole Pit rose, and unanimously turned to the Justices, who sat in the Middle of it, to demand the Reason of such arbitary Proceedings? The Justices either knew nothing of the Soldiers being placed there, or thought it safest to declare so. At that Declaratinn, they demanded of Justice Deveil (who had owned himself the commanding Officer in the Affair) to order them off the Stage. He did so immediately, and they disappeared. Then began the Serenade; not only Catcalls, but all the various portable Instruments, that could make a disagreeable Noise, were brought up on this Occasion, which were continually tuning in all Parts of the House; and as an Attempt to speaking was ridiculous, the Actors retired, and they opened with a grand Dance of twelve Men and twelve Woman; but even that was prepared for; and they were directly saluted with a Bushel or two of Peas, which made their Capering very unsafe. After this they attempted to open the Comedy; but had the Actor the voice of Thunder, it would have been lost in the confused Sounds from a thousand Various Instruments. Here, at the waving Deviel's Hand, all was silent, and (standing up on his Seat) he made a Proposal to the House to this Effect:-'That if they persisted in the Opposition, he must read the Proclamation; that if they would permit the Play to go on, and to be acted through that Night, he would promise, (on his Honour) to lay their Dislikes, and Resentment to the Actors, before the King, and he doubted not but a speedy End would be put to their acting.' The Answer to this Proposal was very short, and very expressive. 'No Treaties, No Treaties!' At this the Justice called for Candles to read the Proclamation, and ordered the Guards to be in Readiness; but a Gentleman seizing Mr Deveil's Hand, stretched out for the Candle, begged of him to consider what he was going to do, for his own Sake, for ours, for the King's! that he saw the unanimous Resolution of the House; and that the Appearance of Soldiers in the Pit would throw us all into a Tumult, which must end with the Lives of many. This earnest Remostrance made the Justice turn pale and passive. At this Pause the Actors made a second Attempt to go on, and the Uproar revived; which continuing some Time, the Embassadors and their Ladies left their Box, which occasioned a universal. Huzza from the whole House! and after calling out some Time for the Falling of the Curtain, down it fell. [For other accounts of this evening, see Daily Advertiser, 9 and 10 Oct.; London Evening Post, 12 Oct.; Gentleman's Magazine, VIII (1938), 545; Historical Register, XXIII, 278-87.

Performances

Mainpiece Title: Lembaras Des Richesses

Afterpiece Title: Arlequin Poli Par L'Amour

Dance: Paquorel, Mlle Chateauneuf, LeFevre, Madem LeFevre

Event Comment: Mainpiece: Written by the late Sir John Vanbrugh

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: Robin Goodfellow

Event Comment: By Command of his Royal Highness the Duke, and Their Royal Highnesses the Princesses Amelia, Caroline, Mary, and Louisa. Mainpiece: Written by the late Sir John Vanbrugh

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: Robin Goodfellow

Dance: III: Dance of Moors-Muilment, Mrs Walter

Event Comment: Mainpiece: Written by the late Sir John Vanbrugh

Performances

Mainpiece Title: The False Friend

Afterpiece Title: The Rape of Proserpine

Event Comment: Mainpiece: Alter'd from Beaumont and Fletcher by Sir John Vanbrugh and Mr Dryden

Performances

Mainpiece Title: The Pilgrim

Afterpiece Title: Colombine Courtezan

Dance: II: Flanderkins-Master Ferg, Miss Wright; III: Drunken Peasant-Philips; IV: Grand Dance-Mlle Roland

Event Comment: Mainpiece: Written by the late Sir John Vanbrugh

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: Colombine Courtezan

Event Comment: Mainpiece: Written by the late Sir John Vanbrugh

Performances

Mainpiece Title: The Mistake; Or, The Amorous Quarrel

Related Works
Related Work: Cephalus and Procris: With The Mistakes Author(s): Henry Carey

Afterpiece Title: Apollo and Daphne

Related Works
Related Work: Apollo and Daphne; or, Harlequin Mercury Author(s): Henry Carey
Event Comment: Mainpiece: Written by the late Sir Richard Steele. At Common Prices

Performances

Mainpiece Title: The Funeral; Or, Grief A La Mode

Afterpiece Title: The Toy Shop

Dance: I: Comic Ballet-Villeneuve, Miss Oates; III: La Badinage de Provence-Poitier, Mlle Roland; V: Scotch Dance-Glover, Mlle Anne Roland

Event Comment: Mainpiece: Alter'd from Beaumont and Fletcher by Sir John Vanbrugh and Mr Dryden

Performances

Mainpiece Title: The Pilgrim

Afterpiece Title: Robin Goodfellow

Dance: I: Drunken Peasant-Master Ferg; II: L'Allamande-Mlle Chateauneuf

Event Comment: Mainpiece: Written by the late Sir Richard Steele

Performances

Mainpiece Title: The Funeral

Afterpiece Title: Perseus and Andromeda

Dance: As17391226

Ballet: GGrand Dance in Momus. As17391204, but Country Lasses-Mrs _Rogers, Miss Dancy

Performances

Mainpiece Title: Lady Jane Gray

Performance Comment: Pembroke-Walker; Lord Guilford Dudley-Giffard; Northumberland-Nelson; Suffolk-Crofts; Sussex-Linnet; Gardiner-Paget; Sir J. Gates-Marr; Dutchess of Suffolk-Mrs Steel; Lady Jane Gray-Mrs Giffard.

Afterpiece Title: The Virgin Unmask'd

Related Works
Related Work: An Old Man Taught Wisdom; or, The Virgin Unmask'd Author(s): Henry Fielding

Dance: III: A new dance-Master Matthews; V: Drunken Peasant-Chettle

Performances

Mainpiece Title: The Stratagem

Performance Comment: Aimwell-Gentleman who never appear'd on any Stage before; Archer-Giffard; Scrub-Yates; Sullen-Paget; Sir Chas. Freeman-Blakes; Foigard-Julian; Gibbet-Vaughan; Hounslow-Marr; Bagshot-Clough; Lady Bountiful-Mrs Bishop; Dorinda-Mrs E. Giffard; Cherry-Miss Hippisley; Gypsey-Mrs Dunstall; Countrywoman-Crofts; Mrs Sullen-Mrs Giffard.
Related Works
Related Work: The Clown's Stratagem; or, A New Way to get a Wife Author(s): Henry Carey

Afterpiece Title: The Virgin Unmasked

Dance: As17410928

Song: As17410928

Event Comment: Mainpiece: Written by Sir John Vanbrugh. By Command of their Royal Highnesses the Princesses Amelia, Caroline, and Louisa

Performances

Mainpiece Title: The Provok'd Wife

Song: Leveridge, Salway

Event Comment: Afterpiece: a New Dramatic Entertainment of Dancing combin'd With a New Pantomime in Grotesque Characters. [Author unknown. Apparently not printed.] Mainpiece: Written by Sir John Vanbrugh

Performances

Mainpiece Title: The Mistake; Or, The Lover's Quarrel

Related Works
Related Work: Cephalus and Procris: With The Mistakes Author(s): Henry Carey

Afterpiece Title: Orpheus and Eurydice: with Metamorphoses of Harlequin

Dance: TThe Italian Peasants-Lalauze, Sga Barberini, accompanied by Villeneuve, Delagarde, Richardson, Dupre, Sga Domitella, Mrs LeBrun, Mrs Wright, Mrs Villeneuve; Villagers-Waltz, Thompson, Roberts, Smith, Davis, Stoppelaer, Miss Davis, Miss Dodson

Related Works
Related Work: The Princess of Parma Author(s): Henry Smith
Related Work: Teraminta Author(s): Henry Carey
Related Work: The Blind Lady Author(s): Sir Robert Howard
Event Comment: WWalpole to H. Mann 5 Nov.: Vanneschi and Rolli allowes 300 guineas...Montevolli and Visconti to have a thousand guineas apiece; Amorevoli 850; the Muscovite 600.-Horace Walpole's Correspondence with Sir Horace Mann, I, 191

Performances

Mainpiece Title: Alexander In Persia

Event Comment: HH. Walpole to H. Mann, 24 Dec.: House full on Saturdays, never on Tuesday.-From Walpole's Correspondence with Sir Horace Mann, I, 282

Performances

Mainpiece Title: Penelope

Dance: Bettina

Event Comment: Written by Sir John Vanbrugh

Performances

Mainpiece Title: The Provok'd Wife

Dance: As17421026

Event Comment: HHorace Walpole to Horace Mann, 24 Feb.: Handel has set up an Oratorio against the Operas and succeeds. He has hired all the goddesses from farces [i.e., Kitty Clive] and the singers of Roast Beef [i.e., Lowe] from between the acts at both theatres, with a man with one note in his voice [i.e., Beard] and a girl without ever a one [i.e., Mrs Cibber]; and so they sing.-Horace Walpole's Correspondence with Sir Horace Mann, II, 180

Performances

Mainpiece Title: Sampson

Event Comment: WWalpole to H. Mann 14 April: To be performed by three good voices and forty bad ones, from Oxford, Canterbury, and the farces.-Horace Walpole's Correspondence with Sir Horace Mann, II, 231. An Entertainment of Vocal and Instrumental Musick, consisting of various Motetts, Chorus's, Concerto's & to be divided into three parts, after the manner of an Oratorio. The whole to conclude with the celebrated Piece of Vocal Musick from Rome. [Usual prices.

Performances

Mainpiece Title: Concert

Event Comment: WWalpole to Horace Mann, 14 Aug.: We were thirty subscribers, at two hundred pounds each, which was to last four years, and no other demands ever to be made. Instead of that we have been made to pay 56 pounds over and above the subscription in one winter.--Horace Walpole's Correspondence with Sir Horace Mann, II, 293-94

Performances

Event Comment: FFawkes and Pinchbeck's Great Theatrical Booth, facing the Hospital Gate, West Smithfield. Taken from Shakespear. [Possibly a puppet show.] The occasion is the Retaking the English Standard belonging to Sir Robert Rich's Regiment of Horse by George Darraugh

Performances

Mainpiece Title: Ephesian Duke; Or, Blunder Upon Blunder, Yet All's Right At Last

Afterpiece Title: The Battle of Dettingen

Dance: WWooden@Shoe Dance-LaPierre, never performed by any but himself; Le Paisans Leger-LaPierre, Mlle Mariette

Song: Blogg, Miss Atherton; The Whole to conclude with a Song made upon that Occasion, set to Musick, and-Mr Blogg