Event Comment: The King's Company. Pepys, Diary: I walked to the King's playhouse, there to meet Sir W. Pen, and saw The Surprizall, a very mean play, I thought; or else it was because I was out of humour, and but very little company in the house. But there Sir W. Pen had a good deal of discourse with Moll Meggs?; who tells us that Nell Gwyn? is already left by my Lord Buckhurst, and that he makes sport of her, and swears she hath had all she could get of him; and Hart, her great admirer, now hates ner; and that she is very poor, and hath lost my Lady Castlemayne, who was her great friend also: but she is come to the House, but is neglected by them all

Event Comment: The Duke's Company. Downes (p. 30): This Comedy in general was very well Perform'd. Pepys, Diary: I alone to the Duke of York's house, to see the new play, called The Man is the Master, where the house was, it being not above one o'clock, very full. But my wife and Deb. being there before, with Mrs Pierce and Corbet and Betty Turner, whom my Wife carried with her, they made me room; and there I sat, it costing me 8s. upon them in oranges, at 6d. apiece. By and by the King come; and we sat just under him, so that I durst not turn my back all the play. The play is a translation out of French, and the plot Spanish, but not anything extraordinary at all in it, though translated by Sir W. Davenant, and so I found the King and his company did think meanly of it, though there was here and there something Pretty: but the most of the mirth was sorry, poor stuffe, of eating of sack posset and slabbering themselves, and mirth fit for clownes; the prologue but poor, and the epilogue little in it but the extraordinariness of it, it being sung by Harris and another in the form of a ballet

Event Comment: As it was altered from Shakespear by Sir Wil. D'Avenant, and the late Mr Dryden, Poets Laureat. With new Scenes, Machines, and all the Original Decorations proper to the Play. By her Majesty's Command no Persons are to be admitted behind the Scenes

Event Comment: As it was alter'd from Shakespear by Sir Will. d'Avenant, and the late Mr Dryden, Poets Laureat: With new Scenes, Machines, and all the original Decorations proper to the Play

Event Comment: As it was altered from Shakespear by Sir William D'Avenant and Mr Dryden. With all the Songs, Dances, and other Decorations proper to the Play

Event Comment: As it was alter'd from Shakespear by Sir William D'Avenant and Mr Dryden. With all the Songs, Dances, and other Decorations proper to the Play. At Common Prices

Event Comment: As it was alter'd from Shakespear, by Sir William D'Avenant and Mr Dryden. With all the Songs, Dances, and other Decorations proper to the Play

Event Comment: Mainpiece: As it was alter'd from Shakespear by Sir William D'Avenant and Mr Dryden. With all the Songs, Dances, and other Decorations proper to the Play. At Common Prices

Event Comment: As it was alter'd from Shakespear by Sir William D'Avenant and Mr Dryden. With all the Songs, Dances, and other Decorations proper to the Play

Event Comment: Not Acted these Twelve Years. Written by Sir William D'Avenant, and carefully revised. Receipts. #28 7s. 6d

Event Comment: As it was altered from Shakespear by Sir William D'Avenant and Mr Dryden. With all the Songs, Dances, and other Decorations proper to the Play. [The Rural Modes intended, but deferred by the indisposition of a player.

Event Comment: As it was alter'd from Shakespear by Sir William D'Avenant and Mr Dryden. With all the Songs, Dances, and other Decorations proper to the Play

Event Comment: Alter'd from Shakespear by Sir Wm. Davenant and Mr Dryden. With Songs, Machines, and other Decorations proper to the Play

Event Comment: Mainpiece: Alter'd from Shakespear, by Sir William Davenant and Mr Dryden

Event Comment: Mainpiece: Alter'd form Shakespear by Sir William Davenant and Mr Dryden

Event Comment: Mainpiece: Alter'd from Shakespear by Sir Wm. Davenant and Mr Dryden

Event Comment: At the particular Desire of several Ladies of Quality. Mainpiece: Alter'd from Shakespear by Sir W. Davenant and Mr Dryden. Afterpiece: Written by the Author of the Toy Shop

Event Comment: As altered by Mr Dryden and Sir William Davenant from Shakespear

Event Comment: As alter'd by Mr Dryden and Sir William Davenant from Shakespeare

Event Comment: Mainpiece: By Particular Desire. My oath & Mrs Simson's appear'd in ye G: Advertiser, & Mr Fitzpatrick now swore (in ye Inspector) to what before he had given his Honour to--when Woodward appear'd in ye Pant: great Noise, he said gentlemen, if you think the two affidavids to-day not sufficient I will corroberate 'em on Monday with six or Seven more. quiet on Sunday Mr Fitz: waited on Lord Chamberlain, to complain of Woodward's Insolence, my Lord sent for Garrick who told ye whole Story; & upon Mr Fitz owing he threw an apple at him, my Lord said, that act put upon a Footing with ye lowest, & judg'd him the Agressor,--upon wch Fitz; desir'd all affidavids &c shoul'd cease & he wou'd drop his resentment. which was done (Cross). Receipts: #100 (Cross). [In the General Advertiser appeared (1) Letter to the Public from Woodward disclaiming any note of insolence, and accusing Fitzpatrick of having a bad memory; (2) an Affidavit from Cross that he was present and heard Woodward say distincly "Sir I thank you," without any air of menace. He heard this from his prompter's seat "next adjoining the Stage box call'd the Prince of Wale's box"; (3) an Affidavit from Mrs Elizabeth Simson, who was standing in the "First entrance next the stage door, on the Prompter's side," that she heard what Cross Heard and no more, and understood no air of Menace to be present. In the General Advertiser also appeared a letter from one T. C. explaining the approach of Birnam Wood to Dunsinane in Macbeth on the basis of a story told him by a Scots Laird of a nearby castle, to the effect that the Clans used to distinguish themselves in battle by sprays from different trees attached to their bonnets. From this T. C. developed a theory that Macbeth's experience was one of historical face rather tahn a figment of Shakespeare's imagination.