SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sir Francis Fane"/1) | (@(roleclean,performerclean) "Sir Francis Fane")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 6311 matches on Performance Comments, 2587 matches on Author, 1026 matches on Event Comments, 522 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: The King's Company. Pepys, Diary: [Sir W. Pen] and I into the King's house, and there The Mayd's Tragedy, a good play, but Knepp not there

Performances

Mainpiece Title: The Maid's Tragedy

Related Works
Related Work: The Maid's Tragedy Author(s): Francis Beaumont
Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, and there saw Philaster; where it is pretty to see how I could remember almost all along, ever since I was a boy, Arethusa, the part which I was to have acted at Sir Robert Cooke's; and it was very pleasant to me, but more to think what a ridiculous thing it would have been for me to have acted a beautiful woman

Performances

Mainpiece Title: Philaster; Or, Love Lies A Bleeding

Related Works
Related Work: Philaster; or, Love Lies a Bleeding Author(s): Francis Beaumont
Related Work: Philaster Author(s): Francis Beaumont
Related Work: The Restoration; or, Right Will Take Place Author(s): Francis Beaumont
Event Comment: Mainpiece: By Beaumont and Fletcher, reviv'd. Afterpiece: Not acted these three years. [See 8 Aug. 1761.] Mr Powell made his first appearance this Night in Philaster. His Reception was very great, he play'd the part amazingly well, & Seems to have Requisites to make a very Capital Performer. N.B. Covent Garden Theater begun to play every Night (Hopkins). Philaster by Mr Powell. Prodigious applause (Cross Diary). This play [Philaster] was wrote by Beaumont and Fletcher, and is now altered by Mr Colman. Mr Powell, a young gentleman clerk to Sir Robert Ladbrook, made his first appearance in the character of Philaster.--A greater reception was never shown to anybody,--he was so very much frightened, he could not speak for some time, and, when he did, the tears ran fast down his cheeks,--but he soon recovered himself, and went through the part with a great deal of nature and feeling,--Continued claps and huzza of bravo! &c. &c. Upon the whole I think him possessed of every requisite necessary to make him an ornament to the stage.--N.B. Mr D. Garrick instructed him in this part--when I see him in another shall be able to judge better of his capabilities.--Miss Pope appeared this Night in the character of Maria in the Citizen,--by endeavoring to be very fine she overdid it,--and it was plain to see she wanted her master. N.B.--Covent Garden began to play of our nights--the first time they ever begin first since Mr Garrick was manager (Hopkins Diary--MacMillan). Receipts: #258 11s. 6d. (MacMillan)

Performances

Mainpiece Title: Philaster

Related Works
Related Work: Philaster; or, Love Lies a Bleeding Author(s): Francis Beaumont
Related Work: Philaster Author(s): Francis Beaumont
Related Work: The Restoration; or, Right Will Take Place Author(s): Francis Beaumont

Afterpiece Title: The Citizen

Event Comment: Never Perform'd. Founded on Beaumont and Fletcher. Music by Thomas Linley. A Comic Opera the Music entirely new. [By Thomas Hull altered from The Royal Merchant; or the Beggar's Bush (Biographia Dramatica). See 19 Dec. 1767 for further note on Music.] Paid Mr Horne for 4 Tambourines #1 10s. (Account Book). Went into the Pit to see the opera founded on Beaumont and Fletcher, performed for the first time....The music may be good, but the piece is trifling and childish, barren of incident and character except that of Clause played by Bensley and the frightened peasant. The performers are in the Flemish dresses of the times, and do the piece much justice. At the beginning of the 2nd act some fellows in the 2s. Gallery began a disturbance, but were turn'd out and carried before Sir John Fielding, where they confessed that they were hired to disturb this performance by a publican, but refused to say whom....Stood in the well (Neville MS Diary). Receipts: #225 1s. (Account Book)

Performances

Mainpiece Title: The Royal Merchant

Related Works
Related Work: The Royal Merchant Author(s): Francis Beaumont

Dance: I: A New Comic Dance, as17671021; II: A Grand Ballet The Garland-Fishar, Mrs Bulkley. [See17651003.

Performances

Mainpiece Title: The Female Pursuit; Or, Stop Her Who Can

Afterpiece Title: The Fugitive

Afterpiece Title: The Death of Captain Cook

Performance Comment: ["Follett played the part of Koah in the room of Delpini" (Diary, 8 Nov.). The other characters probably were: Terreeobo-$Blurton; Pareea-$Byrne; Captain Cook-$Cranfield; His Lieutenant-$Evatt; Lieutenant of the Marines-$Ratchford; Emai-$Miss Francis (see17890921).]
Cast
Role: Emai Actor: Miss Francis
Related Works
Related Work: The Death of Captain Cook Author(s): Sir George Collier

Performances

Mainpiece Title: The Female Pursuit; Or, Stop Her Who Can

Afterpiece Title: The Fugitive

Cast
Role: Sir Gregory Forrester Actor: Quick

Afterpiece Title: The Death of Captain Cook

Performance Comment: ["Follett played the part of Koah in the room of Delpini" (Diary, 8 Nov.). The other characters probably were: Terreeobo-$Blurton; Pareea-$Byrne; Captain Cook-$Cranfield; His Lieutenant-$Evatt; Lieutenant of the Marines-$Ratchford; Emai-$Miss Francis (see17890921).]
Cast
Role: Emai Actor: Miss Francis
Related Works
Related Work: The Death of Captain Cook Author(s): Sir George Collier

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: THE MAID OF THE OAKS

Performance Comment: Hurry-Quick; Dupely-Bernard; Oldworth-Thompson; Sir H. Groveby-Davies;-Old Groveby-Munden; Musical Characters-Cubitt, Miss Stuart, Mrs Follett//Maria (with the original song)-Mrs Mountain; Lady Bab Lardoon-Mrs Esten .
Related Works
Related Work: The Maid of the Oaks Author(s): Francis Barthélémon

Dance: End of mainpiece The Drunken Swiss, as17931015; In Act I of afterpiece a Dance by Holland and Mlle St. Amand

Event Comment: [By Francis Manning. Date of premiere unknown. Published 10 Nov.

Performances

Mainpiece Title: All For The Better; Or, The Infallible Cure

Related Works
Related Work: All for the Better: or, The Infallible Cure Author(s): Francis Manning
Event Comment: [By Francis Tolson.] Never Acted before

Performances

Mainpiece Title: The Earl Of Warwick; Or, The British Exile

Related Works
Related Work: The Earl of Warwick; or, The British Exile Author(s): Francis Tolson
Event Comment: A New Opera. [By Metastasio. Music by Francis Veracini. For a full account of this opera and opera in general, see Ilchester, Lord Hervey and his Friends, pp. 238-39.] Daily Advertiser, 26 Nov.: Their Majesties, his Royal Highness, and the Princesses [attended] Adriano, compos'd by the famous Signior Veracini, who perform'd the first Fiddle

Performances

Mainpiece Title: Adriano

Related Works
Related Work: Adriano Author(s): Francis Veracini
Event Comment: Mainpiece: A New Comedy [By Francis Lynch]

Performances

Mainpiece Title: The Independent Patriot; Or, Musical Folly

Related Works
Related Work: The Independent Patriot; or, Musical Folly Author(s): Francis Lynch

Afterpiece Title: Hymen's Triumph

Event Comment: A New Opera. [Music by Francis Veracini.

Performances

Mainpiece Title: Partenio

Related Works
Related Work: Partenio Author(s): Francis Veracini
Event Comment: Benefit for Barry. Mainpiece: A Tragedy never acted there, Taken from Southern's Oroonoko [by Francis Gentleman]. Tickets deliver'd for Alexander will be admitted. Ladies send servants by 4 o'clock

Performances

Mainpiece Title: The Royal Slave

Related Works
Related Work: The Royal Slave Author(s): Francis Gentleman

Afterpiece Title: A Peep behind the Curtain

Cast
Role: Sir Toby Fuz Actor: Love
Role: Sir Macaroni Virtue Actor: Dodd

Dance: V: New Comic Dance, as17681210

Event Comment: Mainpiece: A new Comedy [by Francis Gentleman, first perform'd at Chester, 1760 (Biographia Dramatica)]. By Permission. Benefit for Mrs Williams. Note: For performances at dl and cg 18 and 20 September, see Season of 1773-1774, p. 1745

Performances

Mainpiece Title: The Modish Wife; Or, Love In A Puzzle

Related Works
Related Work: The Modish Wife; or, Love in a Puzzle Author(s): Francis Gentleman

Afterpiece Title: The Irish Widow

Performance Comment: Sir Patrick-Creswick; Old Whittle-Follett; Nephew-Farren; Old Kecksy-Courtney; Bates-Lloyd; Thomas-Williams; Irish Widow (with Epilogue song in character)-Mrs Greville (from Richmond).
Cast
Role: Sir Patrick Actor: Creswick

Entertainment: End of Play: A Comic Medley-Cresswick; and a Variety of Imitations-Hutton

Event Comment: Mainpiece [1st time; MD 3, by the Hon. Francis North. Johnstone was from cg]: The Music partly new by Gyrowetz, and partly compiled [by Miss Monck, or Monckton] from Paisiello, Sacchini, and Guglielmi. With new Dresses, Decorations, &c. Books of the Songs to be had at the Theatre. Oracle, 27 June: The chief excellence of this piece is the preservation of costume. Gazetteer, 27 June: Bensley disgraced a performance otherwise good by concluding his sentences with a rant, and a look at the gallery. Times, 9 July 1791: This day is published The Kentish Barons (1s. 6d.)

Performances

Mainpiece Title: Seeing Is Believing

Cast
Role: Sir Credule Actor: Barrett

Afterpiece Title: The Kentish Barons

Related Works
Related Work: The Kentish Barons Author(s): Francis North
Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 361: The King at ye Mistress. See also Nicoll, Restoration Drama, p. 351. There is no indication as to whether this performance was the premiere. As the play was licensed on 24 May 1687, the premiere may have been as late as 12 May, but possibly was earlier. Sir George Etherege to Will Richards, 19 May 1687: I have heard of the success of The Eunuch, and am very glad the town has so good a taste to give the same just applause to Sir Charles Sedley's writing, which his friends have always done to his conversation (Letterbook, ed. Rosenfeld, p. 212). Sir George Etherege to Middleton, 2O June 1687: I saw a play about ten years ago Called the Eunuch, so heavy a lump the players durst not charge themselves with the dead weight, but it seems Sir Charles Sedley has animated the mighty mass and now it treads the stage lightly (ibid., p. 227). [See also 26 March 1687 and season of 1676-77.] Thomas Shadwell, The Tenth Satyr of Juvenal (licensed, 25 May 1687.) Dedication to Sir Charles Sedley: Your late great obligation in giving me the advantage [presumably the third day's gain] of your comedy, call'd Bellamira, or the Mistress, has given me a fresh subject for my Thanks; and my Publishing this Translation affords me a new opportunity of owning to the world my grateful resentments to you. I am heartily glad that your Comedy (as I never doubted) found such success, that I never met with any Man of Sence but applauded it: And that there is abundance of Wit in it, your Enemies have been forced to confess....For the Judgment of some Ladies upon it that it is obscene, I must needs say they are Ladies of a very quick apprehension, and did not find their thoughts lye very much that way, they could not find more obscenity in that than there is in every other Comedy. A song, Thyrsis unjustly you complain, headed A Song in Bellamira, or, the Mistress. Set by Mr Tho. Shadwell, is in Vinculum Societatis, 1687 (licensed 8 June 1687)

Performances

Mainpiece Title: Bellamira; Or, The Mistress

Related Works
Related Work: Bellamira; or, The Mistress Author(s): Sir Charles Sedley

Performances

Mainpiece Title: Sir Patient Fancy

Performance Comment: Edition of 1678: Prologue-Mr Betterton; Sir Patient Fancy-Anthony Leigh; Leander Fancy-Crosby; Wittmore-Betterton; Lodwick Knowell-Smith; Sir Credulous Easy-Nokes; Curry-Richards; Lady Fancy-Mrs Corrar; Lady Knowell-Mrs Gwin [Quin]; Lucretia-Mrs Price; Isabella-Mrs Betterton; Maundy-Mrs Gibbs; Epilogue-Mrs Gwin [Quin].Quin].

Performances

Mainpiece Title: Sir Martin Marall; Or, The Feign'd Innocence

Performance Comment: Dartmouth-Cory; Moody-Johnson; Sir Martin-Bullock; Warner-Booth; Sir John-Mills; Carrier-Cross; Lady Dupe-Mrs Powell; Mrs Christian-Mrs Baker; Mrs Millisent-Mrs Porter; Rose-Mrs Bradshaw.
Cast
Role: Sir Martin Actor: Bullock
Role: Sir John Actor: Mills

Performances

Mainpiece Title: Sir Walter Raleigh

Performance Comment: Edition of 1719 lists: Sir Walter-Quin; Howard-Ryan; Young Raleigh-Leigh; Salisbury-Cory; Gundamor-C. Bullock; Lord Cobham-Boheme; Sir Julius Caesar-Smith; Carew-Egleton; Wade-Ogden; Lady Raleigh-Mrs Seymour; Olympia-Mrs Bullock; Florella-Mrs Robertson; Prologue by Major Pack-Ryan; Epilogue-Mrs Bullock.
Cast
Role: Sir Walter Actor: Quin
Role: Sir Julius Caesar Actor: Smith

Performances

Mainpiece Title: Sir Thomas Overbury

Performance Comment: Edition of 1724 lists: Earl of Northampton-Bridgwater; Earl of Somerset-Cibber Jr; Sir ThomasOverbury-Savage; Sir George Elloways-Keith; Lady Frances Howard-Mrs Campbell; Isabella-Mrs Bret; Cleora-Mrs Davidson; Prologue by Aaron Hill-Cibber Jr; Epilogue by Aaron Hill-Mrs Bret.
Cast
Role: Sir ThomasOverbury Actor: Savage
Role: Sir George Elloways Actor: Keith
Event Comment: By Command of their Royal Highnesses the Prince and Princess of Wales. Benefit the Author of Sir John Cockle at Court. Mainpiece: Written by the late Sir Richard Steele

Performances

Mainpiece Title: The Conscious Lovers

Cast
Role: Sir John Actor: Wright

Afterpiece Title: Sir John Cockle at Court

Cast
Role: Sir John Cockle Actor: Miller
Role: Sir Timothy Flash Actor: Beard

Performances

Mainpiece Title: Sir John Cockle, At Court

Performance Comment: King-Williamson; Sir John Cockle-Kemble; Sir Timothy Flash-Davies; French Cook-Wewitzer; Joe-Edwin; with The Tower of London-Edwin; Mrs Starch-Mrs Edwin; Miss Kitty-Mrs Brown.
Cast
Role: Sir John Cockle Actor: Kemble
Role: Sir Timothy Flash Actor: Davies

Afterpiece Title: The Village Lawyer

Performance Comment: [Principal Characters by Edwin, Bannister Jun., Moss, Lawrence, Parsons, Mrs Brown, Miss Francis, Mrs Webb. Cast adjusted from text (no pub. [pirated], 1795, and London Chronicle, 29 Aug.: Sheepface-Edwin; Scout-Bannister Jun.; Justice Mittimus-Moss; Charles-Lawrence; Snarl-Parsons; Kate-Mrs Brown; Mrs Scout-Mrs Webb; unassigned-Miss Francis.
Cast
Role: unassigned Actor: Miss Francis.

Afterpiece Title: The Ghost; or, The Man Bewitch'd

Performance Comment: Farmer Hodge-Edwin; Trusty-Moss; Captain Constant-Davies; Sir Jeffery-Usher; Clinch-R. Palmer; Belinda-Miss Palmer; Dolly-Mrs Edwin.
Cast
Role: Sir Jeffery Actor: Usher

Song: End 2nd piece: the new Four@and@twenty Fiddlers all on a Row-Edwin

Entertainment: Monologue End: Lingo's Opinions on Men and Manners (a Comical, Whimsical, Operatical, Farcical Rhapsody)-Edwin

Event Comment: The Duke's Company. On Thursday 10 Dec. 1663, Pepys reported that this play was to be acted the following week, but the date of the first performance is uncertain. But--except for the holidays--it was probably acted on consecutive days until 1 Jan. 1663@4, when Pepys saw it. The play is also in Herbert, Dramatic Records, p. 138, as a "Revived Play." Pepys, Diary: I perceive the King and Duke and the Court was going to the Duke's playhouse to see Henry VIII. acted, which is said to be an admirable play. But, Lord! to see now near I was to have broken my oathe, or run the hazard of 20s. losse, so much my nature was hot to have gone thither; but I did not go. Downes (p.24): King Henry the 8th, This Play, by Order of Sir William Davenant, was all new Cloath'd in proper Habits: The King's was new, all the Lords, the Cardinals, the Bishops, the Doctors, Proctors, Lawyers, Tip-staves, new Scenes: The part of the King was so right and justly done by Mr Betterton, he being Instructed in it by Sir William, who had it from Old Mr Lowen, that had his Instructions from Mr Shakespear himself, that I dare and will aver, none can, or will come near him in this Age, in the performance of that part: Mr Harris's performance of Cardinal Wolsey, was little Inferior to that, he doing it with such just State, Port, and Mein, that I dare affirm, none hitherto has Equall'd him:...Every part by the great Care of Sir William, being exactly perform'd; it being all new Scenes; it continu'd Acting 15 Days together with general Applause

Performances

Mainpiece Title: Henry Viii

Related Works
Related Work: Henry VIII Author(s): Sir William Davenant

Performances

Mainpiece Title: Love In A Tub

Performance Comment: [See16640300 The Prologue-; The Epilogue-the Widow?, Wheadle?; Lord Beanford-Betterton?; Colonel Bruce-Smith?; Lovis-Morris?; Sir NicholasCully-Nokes?; Palmer-Underhill?; Wheadle-Saunford?; Graciana-Mrs Betterton?; Aurelia-Mrs Davies?; Widow-Mrs Long?; Sir Frederick Frolick-Harris?; Dufoy-Price?.
Cast
Role: Sir NicholasCully Actor: Nokes?
Role: Sir Frederick Frolick Actor: Harris?
Related Works
Related Work: The Comical Revenge; or, Love in a Tub Author(s): Sir George Etherege

Performances

Mainpiece Title: She Would If She Could

Performance Comment: Edition of 1668: No actors' names, no prologue, no epilogue. Downes (Roscius Anglicanus, p. 28): Courtall-Smith; Freeman-Young; Sir Joslin-Harris; Sir Oliver-Nokes; Ariana-Mrs Jenning; Getty-Mrs Davies; Lady Cockwood-Mrs Shadwell.
Cast
Role: Sir Joslin Actor: Harris
Role: Sir Oliver Actor: Nokes