SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sir Charles Sedley"/1) | (@(roleclean,performerclean) "Sir Charles Sedley")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 6332 matches on Performance Comments, 3958 matches on Author, 1217 matches on Event Comments, 548 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Rivals

Performance Comment: Sir Anthony Absolute-Munden; Captain Absolute-Betterton; Faulkland-Holman; Sir Lucius O'Trigger-Johnstone; David-Townsend; Fag-Farley; Coachman-Thompson; Acres-Knight; Julia-Mrs Egerson (1st appearance in that character); Mrs Malaprop-Mrs Davenport; Lucy-Miss Leserve; Maid-Mrs Norton; Lydia Languish-Mrs Glover.
Related Works
Related Work: The Rivals Author(s): Sir William Davenant

Afterpiece Title: Hartford Bridge

Cast
Role: Sir Gregory Forrester Actor: Emery

Song: End II: A New Hunting Song- (never [previously] performed, composed by Davy); End III: Sally in our Alley-Incledon; End: The Red Cross Knight, as18000426; End I afterpiece: The Sailor's Journal-Incledon

Performances

Mainpiece Title: The Comical Revenge; Or, Love In A Tub

Performance Comment: Sir Frederick?-Harris. See also March 1663@4.
Related Works
Related Work: The Comical Revenge; or, Love in a Tub Author(s): Sir George Etherege
Event Comment: At the Desire of several Persons of Quality

Performances

Mainpiece Title: She Wou'd If She Cou'd

Performance Comment: Sir Oliver Cockwood-Dogget.
Cast
Role: Sir Oliver Cockwood Actor: Dogget.
Related Works
Related Work: She Would If She Could Author(s): Sir George Etherege

Music: As17040404

Performances

Mainpiece Title: The Comical Revenge; Or, Love In A Tub

Performance Comment: Sir Frederick-Powell; Palmer-Estcourt; du Foy-a Person that never appear'd on the Stage before.
Cast
Role: Sir Frederick Actor: Powell
Related Works
Related Work: The Comical Revenge; or, Love in a Tub Author(s): Sir George Etherege

Song: the best Performers

Dance: the best Performers

Performances

Mainpiece Title: The Comical Revenge; Or, Love In A Tub

Performance Comment: Sir Frederick-Wilks; Widow Rich-Mrs Oldfield.
Cast
Role: Sir Frederick Actor: Wilks
Related Works
Related Work: The Comical Revenge; or, Love in a Tub Author(s): Sir George Etherege
Event Comment: At the Desire of several Ladies of Quality

Performances

Mainpiece Title: The Man Of Mode

Performance Comment: Sir Fopling-Cibber; Dorimant-Wilks; Old Bellair-Penkethman; Young Bellair-Ryan; Medley-Mills; Loveit-Mrs Oldfield; Harriet-Mrs Mountfort; Emilia-Miss Younger; Pert-Mrs Bicknell; Belinda-Mrs Porter.
Cast
Role: Sir Fopling Actor: Cibber
Related Works
Related Work: The Man of Mode; or, Sir Fopling Flutter Author(s): Sir George Etherege

Dance: As17161112

Performances

Mainpiece Title: The Man Of Mode

Performance Comment: Sir Fopling-Woodward; Dorimont-Ross; Medley-Havard; Old Bellair-Philips; Young Bellair-Palmer; Belinda-Mrs Davies; Emilia-Mrs Graham; Lady Townly-Mrs Bennet; Pert-Mrs Cross; Busy-Miss Minors; Mrs Loveit-Mrs Cibber; Harriet-Miss Haughton; Lady Woodvil-Mrs Havard.
Cast
Role: Sir Fopling Actor: Woodward
Related Works
Related Work: The Man of Mode; or, Sir Fopling Flutter Author(s): Sir George Etherege

Afterpiece Title: Proteus

Performances

Mainpiece Title: The City Heiress; Or, Sir Timothy Treatall

Performance Comment: Edition of 1682: The Prologue by Mr Otway-Mrs Barry; Sir Timothy Treatall-Nokes; Tom Wilding-Betterton; Sir Anthony Meriwill-Lee; Sir Charles Meriwill-Williams; Dresswell-Boman; Fopington-Jevon; Lady Galliard-Mrs Barry; Charlot-Mrs Butler; Diana-Mrs Corror; Mrs Clacket-Mrs Norice; Mrs Closet-Mrs Lee; Epilogue by a Person of Quality-Mrs Butler.
Event Comment: The Duke's Company. This date marks the opening of the new theatre in Dorset Garden. Downes (Roscius Anglicanus, p. 31): The new Theatre in Dorset-Garden being Finish'd, and our Company after Sir William's Death, being under the Rule and Dominion of his Widow the Lady Davenant, Mr Betterton and Mr Harris, (Mr Charles Davenant her Son Acting for her) they remov'd from Lincolns-Inn-Fields thither. And on the Ninth Day of November 1671, they open'd their new Theatre with Sir Martin Marral, which continu'd Acting 3 Days together, with a full Audience each Day; notwithstanding it had been Acted 30 Days before in Lincolns-Inn-Fields, and above 4 times at court. [This play is also on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", p. 18: Sir Martin.

Performances

Mainpiece Title: Feign'd Innocence; Or, Sir Martin Marall

Performance Comment: For a previous cast, see16670815. A Prologue by Sir George Etherege is in A Collection of Poems (1701), p. 293-.
Event Comment: The Duke's Company. The date of the first performance is not known, but Downes (Roscius Anglicanus, p. 32) states: The first new Play Acted there, was King Charles the VIII. of France; it was all new Cloath'd, yet lasted but 6 Days together, but 'twas Acted now and then afterwards. Two songs for this play, Too justly alas, set by James Hart, and O love if e'er thou'lt ease a heart, set by Pelham Humphrey, are in Choice Songs and Ayres, First Book, 1673

Performances

Mainpiece Title: The History Of Charles The Eighth Of France; Or, The Invasion Of Naples Of The French

Performance Comment: Edition of 1672: The Prologue-; Alphonso-Metbourn; Ferdinand-Harris; Prince of Salerne-Smith; Ascanio-Young; Trivultio-Sandford; Gonsalvo-Burford; Ghost-Cademan; Charles the Eighth-Batterton; Lewis-Crosby; Mompensier-Norris; Isabella-Mrs Batterton; Cornelia-Mrs Slaughter; Irene-Mrs Shadwell; Julia-Mrs Dixon; Epilogue-.
Cast
Role: Charles the Eighth Actor: Batterton
Event Comment: The Duke's Company. It is not certain this is the first performance, but it may well have been. This performance is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 346. Pepys, Diary: Sir W. Pen and I to the Duke's house, where a new play. The King and Court there: the house full, and an act begun. And so went to the King's. Downes (p. 28): Sir Martin Marral, The Duke of New-Castle, giving Mr Dryden a bare translation of it, out of a Comedy of the Famous French Poet Monseur Moleire: He adapted the Part purposely for the Mouth of Mr Nokes, and curiously Polishing the whole....All the Parts being very Just and Exactly perform'd, specially Sir Martin and his Man, Mr Smith, and several others since have come very near him, but none Equall'd, nor yet Mr Nokes in Sir Martin: This Comedy was Crown'd with an Excellent Entry. In the Last Act at the Mask, by Mr Priest and Madam Davies; This, and Love in a Tub, got the Company more Money than any preceding Comedy

Performances

Mainpiece Title: Feign'd Innocence; Or, Sir Martin Marall

Performance Comment: Edition of 1668: No actors' names. Prologue-; Epilogue-; Downes (Roscius Anglicanus, p. 28): Sir Martin Marall-Nokes; Sir John Swallow-Smith; Lord Dartmouth-Young; Old Moody-Underhill; Warner-Harris; Lady Dupe-Mrs Norris; Mrs Millisent-Mrs Davies.
Cast
Role: Sir Martin Marall Actor: Nokes
Role: Sir John Swallow Actor: Smith

Performances

Mainpiece Title: The Man Of Mode; Or, Sir Fopling Flutter

Related Works
Related Work: The Man of Mode; or, Sir Fopling Flutter Author(s): Sir George Etherege
Event Comment: At the Desire of several Persons of Quality. Afterpiece: several Musical Entertainments composed by Henry Purcell. [Monday 10--Saturday 15: PASSION WEEK]

Performances

Mainpiece Title: The Man Of Mode; Or, Sir Fopling Flutter

Related Works
Related Work: The Man of Mode; or, Sir Fopling Flutter Author(s): Sir George Etherege

Afterpiece Title: Aeneas and Dido

Dance: New Scotch dances-

Event Comment: At the Desire of several Persons of Quality. Boxes 5s. Pit 3s. Gallery 2s

Performances

Mainpiece Title: The Man Of Mode; Or, Sir Fopling Flutter

Related Works
Related Work: The Man of Mode; or, Sir Fopling Flutter Author(s): Sir George Etherege

Dance: Mlle delaVal, Mrs Elford

Performances

Mainpiece Title: The Man Of Mode; Or, Sir Fopling Flutter

Related Works
Related Work: The Man of Mode; or, Sir Fopling Flutter Author(s): Sir George Etherege

Dance: As17051106

Event Comment: At the Desire of several Ladies of Quality. And the principal Characters new Dress'd

Performances

Mainpiece Title: The Man Of Mode; Or, Sir Fopling Flutter

Related Works
Related Work: The Man of Mode; or, Sir Fopling Flutter Author(s): Sir George Etherege

Performances

Mainpiece Title: The Man Of Mode; Or, Sir Fopling Flutter

Related Works
Related Work: The Man of Mode; or, Sir Fopling Flutter Author(s): Sir George Etherege

Dance: As17161027

Performances

Mainpiece Title: The Man Of Mode; Or, Sir Fopling Flutter

Related Works
Related Work: The Man of Mode; or, Sir Fopling Flutter Author(s): Sir George Etherege

Afterpiece Title: The Loves of Mars and Venus

Performances

Mainpiece Title: The Man Of Mode; Or, Sir Fopling Flutter

Related Works
Related Work: The Man of Mode; or, Sir Fopling Flutter Author(s): Sir George Etherege

Performances

Mainpiece Title: The Man Of Mode; Or, Sir Fopling Flutter

Related Works
Related Work: The Man of Mode; or, Sir Fopling Flutter Author(s): Sir George Etherege

Afterpiece Title: Perseus and Andromeda

Related Works
Related Work: The Medley; or, Harlequin At-All Author(s): Charles Dibdin
Event Comment: The King's Company. Pepys, Diary: With my wife by coach to the Duke of York's play-house, expecting a new play, and so stayed not no more than other people, but to the King's house, to The Mayd's Tragedy; but vexed all the while with two talking ladies and Sir Charles Sedley; yet pleased to hear their discourse, he being a stranger. And one of the ladies would, and did sit with her mask on, all the play, and, being exceeding witty as ever I heard woman, did talk most pleasantly with him; but was, I believe, a virtuous woman, and of quality. He would fain know who she was, but she would not tell.... By that means lost the pleasure of the play wholly, to which now and then Sir Charles Sedley's exceptions against both words and pronouncing were very pretty

Performances

Mainpiece Title: The Maid's Tragedy

Performances

Mainpiece Title: Epsom Wells

Performance Comment: Edition of 1673: Prologue [by Sir C. S. [Sir Charles Sedley]-; Prologue to the King and Queen [spoken at Whitehall-; Epilogue-; [Downes (Roscius Anglicanus, p. 33): Rains-Harris; Bevil-Betterton; Woodly-Smith; Justice Clodpate-Underhill; Carolina-Mrs Johnson; Lucia-Mrs Gibbs; Mrs Jilt-Mrs Betterton; Bisket-Nokes; Fribble-Angel.
Event Comment: Benefit for Mr Pritchard--pretty well (Cross). Tickets at Pritchard's Warehouse. The only time this play and farce will be performed this season. Afterpiece: Taken from Sir Charles Sedley. [The Larpent MS 112 indicates additional parts in The Grumbler: Lovemore-$Jefferson; Capt. Bellmount-$Ackman; Sir John Rightou'd-?; +Rigant-$Marr; Shallow-$Vaughan; Victoria-$Mrs Simson; Sersnet-Miss ?; +Footboy-?; The MS contains prompt notes also.] Receipts: #160 (Cross)

Performances

Mainpiece Title: Much Ado About Nothing

Related Works
Related Work: The Law Against Lovers Author(s): Sir William Davenant

Afterpiece Title: The Grumbler

Dance: II: Masquerade Dance-

Event Comment: Pepys, Diary: To the King's playhouse, thinking to have seen The Heyress, first acted on Saturday [Friday (?)] last; but when we come thither, we find no play there; Kinaston, that did act a part therein, in abuse to Sir Charles Sedley, being last night exceedingly beaten with sticks, by two or three that assaulted him, so as he is mightily bruised, and forced to keep his bed

Performances

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, where The Heyress, notwithstanding Kinaston's being beaten, is acted: and they say the King is very angry with Sir Charles Sedley for his being beaten, but he do deny it. But his part is done by Beeston, who is fain to read it out of a book all the while, and thereby spoils the part, and almost the play, it being one of the best parts in it; and though the design is, in the first conception of it, pretty good, yet it is but an indifferent play, wrote, they say, by my Lord Newcastle, But it was pleasant to see Beeston come in with others, supposing it to be dark, and yet he is forced to read his part by the light of the candles. and this I observing to a gentleman that sat by me, he was mightily pleased therewith, and spread it up and down. But that, that pleased me most in the play is, the first song that Knepp sings, she singing three or four; and, indeed, it was very finely sung, so as to make the whole house clap her.... My wife being in mighty ill humour all night, and in the morning I found it to be from her observing Knepp to wink and smile on me, and she says I smiled on her; and, poor wretch! I did perceive that she did, and do on all such occasions, mind my eyes. I did, with much difficulty, pacify her, and were friends, she desiring that hereafter, at that house, we might always sit either above in a box, or, if there be [no] room, close up to the lower boxes

Performances

Mainpiece Title: The Heiress