Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Signora Sirmen"/1) | (@(roleclean,performerclean) "Signora Sirmen")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
599 results for: Keyword - Signora Sirmen
We found 318 matches on Performance Comments, 203 matches on Performance Title, 126 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.

551
09 June 1744 @ King's Theatre

Event Comment: HHandel to Jennens: I have taken the Opera House in the Hay-marketh, engaged, as Singers, Signora Francesina, Miss Robinson, Beard, Reinhold, Mr Gates with his Boyes's and several of the best Chorus Singers from the Choirs, and I have some hopes that Mrs Cibber will sing for me. She sent word from Bath (where she is now) that she would perform for me next winter with great pleasure if it did not interfere with her playing, but I think I can obtain Mr Riches's permission (with whom she is engaged to play in Covent Garden House) since so obligingly he gave leave to Mr Beard and Mr Reinhold.--Deutsch Handel, pp. 591-92

Performances

Mainpiece Title: Alceste

552
23 March 1745 @ Haymarket Theatre

Event Comment: Benefit Signora Frasi

Performances

Mainpiece Title: L'incostanza Deluza

Music: I: Concerto-Caporale; II: Concerto on the Hautboy-Vincent

553
04 May 1745 @ King's Theatre

Event Comment: [Handel paid Miss Robinson #210; on 11 May he paid Signora Franchesina #400. See Deutsch, Handel, 618-19.

Performances

554
09 April 1746 @ Covent Garden

Event Comment: Benefit Signora Campioni. Mainpiece: At the Particular Desire of several Persons of Quality

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Phebe

Dance: I: The Italian Peasants, as17460306 II: Drunken Tyrolese-Sodi; III: Grand Dance in Momus-Villeneuve, Sga Campioni; V: a Grand Ballet reviv'd, call'd Pigmalion-Cooke, Sga Campioni

Song: IV: Song of Diana, as17460313

555
03 May 1748 @ New Wells, Shepherd's Market

Event Comment: This Day open'd for the Summer Season at the New Wells, Shepherd's Market [near Hyde Park corner]...the usual Diversions after which will be presented Gratis, etc. The Doors to be open'd each day at Two o'Clock. We hear, that the Opera La Semiramide Reconosciuta (in which Signora Cassarini is to act the part of a King) will be performed but twice (General Advertiser)

Performances

Mainpiece Title: Miss In Her Teens

Afterpiece Title: Harlequin Fortune Teller

Entertainment: Italian Fireworks-as perform'd in the Opera House in the Haymarket

556
03 April 1750 @ King's Theatre

Event Comment: Benefit Signora Frasi

Performances

Mainpiece Title: Adriano In Siria

557
05 March 1751 @ Haymarket Theatre

Event Comment: Benefit for Signora Galli

Performances

Mainpiece Title: La Forza D'amore

558
19 March 1751 @ Haymarket Theatre

Event Comment: Benefit for Signora Frasi

Performances

Mainpiece Title: La Forza D'amore

559
23 May 1751 @ Hickford's Room

Event Comment: Benefit for Signora Cuzzoni, since I am "involved in a few debts, before I quit England." At Hickford's Room, Brewer St. To begin at seven Price: 10s. 6d

Performances

Mainpiece Title: A Concert

560
31 March 1753 @ Covent Garden

Event Comment: Benefit for Signora Bugiani. Two rows of the Pit will be rail'd into the boxes

Performances

Mainpiece Title: Theodosius

Afterpiece Title: The What D'ye Call It

Dance: I: Il Pastore, as17521219; III: A New Dance after the Hungarian manner-Maranesi, Sga Bugiani; V: A Mock Minuet-Maranesi, Sga Bugiani

561
02 April 1753 @ Haymarket Theatre

Event Comment: Oratorio by Mr Handel. Benefit for Signora Frasi; To begin at 7 p.m. Prices: Pit and Boxes at half a guinea each; Gallery 5s

Performances

Mainpiece Title: Acis And Galatea

Music: Organ-Stanley; First Violin-Sig Giardini

562
28 January 1754 @ Covent Garden

Event Comment: Benefit for Signora Nicolina Giordani [By Command of] the Duke and Princess Amelia (Cross). The Manager of Covent Garden being under a necessity of interrupting the run of the new Tragedy of Philoclea by a Command, and a Benefit for Sga Nicolina Giordini (which was settled before the coming out of that play) has been so obliging as to give the Author the choice of a day for his second benefit; and many of his friends having taken places for Tuesday, as that would have been his sixth night in course, the Author, lest they should be disappointed, has chosen Tuesday for his second benefit

Performances

Mainpiece Title: Gli Amanti Gelosi

Dance: As17531217

563
03 February 1755 @ Haymarket Theatre

Event Comment: A New Comic Opera presented by Mr Giordani, with his Company, and La Signora Spiletta

Performances

Mainpiece Title: L'albergatrice

564
15 March 1756 @ King's Theatre

Event Comment: Benefit for Ricciarelli. [Il Demofoonte had originally been advertised (24 Feb.) for this Benefit; deferred because of Signora Mingotti's illness.

Performances

Mainpiece Title: Ricimero

Song: With a new song composed by Ricciarelli

565
27 April 1756 @ King's Theatre

Event Comment: Benefit for Signora Frasi

Performances

Mainpiece Title: Il Demofoonte

566
09 December 1756 @ Haberdasher's Hall, Maiden Lane

Event Comment: At the Haberdashers Hall, Maiden Lane. For the Benefit of the City of London Lying-in Hospital, in Aldersgate St. Tickets Half a Guinea. To begin at 6 p.m. [Postponed from 2 Dec. because of indisposition of Signora Frasi.

Performances

Mainpiece Title: Sampson, An Oratorio

567
11 December 1756 @ King's Theatre

Event Comment: Pit and Boxes to be put together, and no Persons to be admitted without Tickets, which will be delivered this Day, at the said Office at Half a Guinea each. Gallery 5s. By His Majesty's Command, No Person will be admitted behind the Scenes. To begin at 6:30 p.m. Great care is taken to keep the House warm. [Repeated in the subesquent bills. Signora Mingotti appears to be the promoter this year.

Performances

Mainpiece Title: Alessandro Nell Indie

Dance: With Dances

568
14 March 1757 @ The Great Room, Dean Street, Soho

Event Comment: At the Great Room, Dean St., Soho. By Mr Handel. Benefit for Signora Frasi. Tickets Half a Guinea. Gallery 5s. To begin at 6:30 p.m

Performances

Mainpiece Title: Samson

569
10 May 1757 @ King's Theatre

Event Comment: Benefit for Signora Mingotti. To begin at 7 p.m

Performances

Mainpiece Title: Il Re Pastore

Song: With addition of somefavorite airs-Sga Mingotti

570
10 April 1758 @ Drury Lane Theatre

Event Comment: Benefit for Signora Lucchi, There will be no building on the stage. Tickets to be had of Sga Lucchi at her lodgings, a Grocer's in James St, CG, and of Varney at the Stage Door. Receipts: #150 (Cross)

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: The King and the Miller of Mansfield

Dance: II: A new Spanish Dance-Giorgi, Sga Lucchi; End: A new Comic Dance-Giorgi, Sga Lucchi

571
05 March 1759 @ King's Theatre

Event Comment: Benefit for Signora Mattei

Performances

Mainpiece Title: Demetrio

Dance: With Dances-

572
14 May 1759 @ King's Theatre

Event Comment: Benefit Signora Mingorri. By Desire

Performances

Mainpiece Title: Concert

573
22 May 1759 @ King's Theatre

Event Comment: Benefit Sig and Signora Forti. [Actually a charity benefit, as the ship with their costumes was seized by the French.

Performances

Mainpiece Title: Il Ciro Riconosiuto

Dance: new dance% Il Divertimento Napolitano-

574
14 February 1760 @ Haymarket Theatre

Performances

Mainpiece Title: Mrs Midnight's Concert And Oratory

Performance Comment: Bombasto, Signora Tambourina, Miss Karver, Miss Gaudry, a young Gentleman (1st appearance on the stage); Orations-Mrs Midnight; Instrumentals-the best performers With a band of originals, viz. Mynheer Broomsticado; Solo-Sg Twangdillo; and a Rhapsody on the Death of a late Noble Commander-Mrs Midnight.

Afterpiece Title: The Contest of Love and Glory

575
25 February 1760 @ King's Theatre

Event Comment: Benefit for Signora Mattei. The Poetry of the Cantata sets forth the glories of the British nation both in war and peace, shewing that Great Britain, in the present, as well as in former ages, doth vie with ancient Rome in its highest grandeur

Performances

Mainpiece Title: La Clemenza Di Tito

Afterpiece Title: La Gran Brettagna Emula Della Antica Roma