Event Comment: [Mainpiece in place of The Point of Honour, advertised on playbill of 29 July. In afterpiece the playbill retains Miss DeCamp as Rosa, but "Mrs Mountain undertook the part of Rosa, as the substitute for Miss DeCamp [and see 29 July]" (Dramatic Censor, III, 80). Quashee's Wife was probably acted by Miss Gaudry, and Sam's Wife by Mrs Castelle (see 31 July).

Event Comment: Benefit for Mr and Mrs Bernard. [Mrs Mountain perhaps did not act Rosa (see 8 May).] Public Advertiser, 24 Apr.: Tickets to be had of Bernard, No. 19, Bedford-street, Covent Garden. Receipts: #255 2s. (147.19; 5.16; tickets: 101.7)

Event Comment: A new serious Opera [a pasticcio]. Music by different Masters. To begin at 6 p.m. on account of the Prologue. [Note: The 1760 Libretto at Library of Congress designates the "Musical Prologue sung by Signora Mattei" on 22 Nov. The prologue consists of recitative and a brief air of two quatrains.

Event Comment: A New Opera. [Text by Pietro Metastasio. Done into English by Humphreys. Music presumably by Leonardo Leo.] Pit and Boxes at half a guinea. [Their Majesties, Prince, and three eldest Princesses present.] See also Lord Hervey and his Friends, pp. 145-46. Daily Advertiser, 6 Nov.: There were present a very numerous Audience; and Signora Celeste Gismondi, who lately arriv'd here, perform'd a principal Part in it with universal Applause. We hear that this Opera was not compos'd by Mr Handell, but by some very eminent Master in Italy

Event Comment: Libretto by Goldoni; Music by Galuppi. A new comic Opera. To begin at 6:30 p.m. Pit and Boxes Half a Guinea. Gallery 5s. By His Majesty's Command No Persons admitted behind the Scenes [Repeated. The 1760 Libretto of Arianne e Teseo calls for Prologue to be sung by Signora Mattei on this night.

Event Comment: Benefit for Signora Galli. Composed by Handel. Signora Galli will sing the Part of Alexander, with all the original songs of Senesino. [As Senesino created this role in 1726, the piece performed tonight may be Handel's, not Lampugnani's; see kings, 15 Nov. 1743 and Deutsch, Handel, p. 647.

Event Comment: By Permission of the Lord Chamberlain. Benefit for Watts. Mainpiece: Written by Mrs Centlivre; Not acted these 40 years [not acted since 27 Apr. 1731, at Goodman's Fields]. Prologue written by a Gentleman [unidentified; printed in Town and Country Magazine, Apr. 1784, p. 214. The playbill for this performance is as printed in Morning Chronicle, 8 Mar. Gazetteer, 8 Mar., assigns Captain Constant to Reynolds, Laura to Miss Beaufield, Maria to Mrs Green, Belinda to Miss Johnson]. The Doors to be opened at 5:00. To begin at 6:30. Tickets to be had of Connolly, at the King's Head Tavern, Fenchurch-street; of Watts, No. 2, Upper James-street, Golden-square

Event Comment: Benefit Signora Margarita del'Epine. N.B. Three Rows of the Pit will be railed in to the Boxes at 5s

Event Comment: A new Opera. [Text by Paul Rolli.] Daily Advertiser, 26 April: The Signora Marchesini's Songs are distributed after such a judicious Manner by the ingenious Author, so as to rise gradually upon the Audience in each Act

Event Comment: Benefit of Signora Bugiani and Maranesi. To begin at 6:30 p.m

Event Comment: Benefit Signora Frasi. At the Great Room, Dean St. A Musical Entertainment by Handel. To begin at half after six

Event Comment: A New English Opera. The Music Compos'd by Mr Rush. Signora Cremonini, Clementini, made her first appearance on this Stage in the Character of Eliza. Sings very well, very Graceful Deportm[en]t & is a great Support to the Opera. many of the Songs were Encor'd. Some few Hisses. but upon the whole, was pretty well receiv'd (Hopkins). Books of the Opera to be sold at the Theatre. A new English Opera, the Royal Shepherd-the Musick composed by Mr Rush.-Siga Cremonini made her first appearance,--sings ver fine,--very graceful deportment, and is a great support to the Opera.--Some hisses--Many of the songs encored. Upon the whole was well liked...On this occasion the Stage was cut near two feet and a half to enlarge the orchestra, to make it contain the additional performers who belong to the Opera House, on whose account the Opera cannot be performed Tuesdays and Saturdays (Hopkins Diary-MacMillan)

Event Comment: Benefit for Signora Frasi