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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Signora Gardel"/1) | (@(roleclean,performerclean) "Signora Gardel")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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610 results for: Keyword - Signora Gardel
We found 324 matches on Performance Comments, 211 matches on Performance Title, 129 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.

1
09 May 1782 @ King's Theatre

Event Comment: By Desire of His Royal Highness the Prince of Wales. Benefit for Gardel. Tickets, half a guinea each, to be had of Gardel, No. 26, Margaret-street, Cavendish-square. 1st ballet: With entirely new Music, and a new Overture by Carter (Morning Herald, 25 May)

Performances

Mainpiece Title: L'eroe Cinese

Dance: End of Act I an entire new Ballet (composed by Gardel Sen.), Mirsa (Taken from an American Anecdote), by Gardel, Mlle Baccelli, Nivelon, Mlle Theodore, Sga Crespi, Mons and Mme Simonet, in which a Minuet and Gavet: composed by Gardel Jun. who, in the Concert Scene, will execute a concerto on the violin [Scenario (Paris, 1779) lists the parts: Mondor, Son Epouse, Mirsa, Lindor, Officier Corsaire, Gouvernante de Mirsa, Officiers Americains, Creoles, Officiers Francais, Negres]; End of Act II Apollon et les Muses, as17820502, but Slingsby in place of Nivelon; End of Opera Adela of Pontbieu, as17820411

Performance Comment: ), Mirsa (Taken from an American Anecdote), by Gardel, Mlle Baccelli, Nivelon, Mlle Theodore, Sga Crespi, Mons and Mme Simonet, in which a Minuet and Gavet: composed by Gardel Jun. who, in the Concert Scene, will execute a concerto on the violin [Scenario (Paris, 1779) lists the parts: Mondor, Son Epouse, Mirsa, Lindor, Officier Corsaire, Gouvernante de Mirsa, Officiers Americains, Creoles, Officiers Francais, Negres]; End of Act II Apollon et les Muses, as17820502, but Slingsby in place of Nivelon; End of Opera Adela of Pontbieu, as17820411.

2
21 August 1758 @ Mary-le-Bone Gardens

Event Comment: Benefit for Signora Seratina and Reinhold. Tickets 3s. 6d

Performances

Mainpiece Title: La Serva Padrona

Song: Signora Seratina, Miss Granville, Reinhold, Kear

Music: Solo concerto on hautboy-Pirkins; Organ Concerto-Reinhold; Violin solo-Soderini

3
17 November 1781 @ King's Theatre

Performances

Mainpiece Title: Ezio

Dance: End of Act I a Pastoral Dance (composed by Simonet) by Henry, Bournonville, Raymond, Sga Crespi, Mlle Dumont; End of Act II A Divertisement Dance (composed by Noverre) by Gardel, Mlle Baccelli, Nivelon, Mlle Theodore, Henry. Sga Crespi, Bournonville, &c; End of Opera a new Tragi-Pantomime Ballet (composed by Noverre), Les Amans Reunis, by Gardel, Mlle Baccelli, Nivelon, Mlle Theodore, Slingsby, Simonet, Henry, Bournonville, Raymond, Mlle Dumont, Sga Crespi. [Partial cast, with synopsis of action, from Morning Herald, 18 Dec: Alphonso-Gardel; Ines-Mlle Baccelli; Chief of the Island-Slingsby.]

Performance Comment: Sga Crespi, Bournonville, &c; End of Opera a new Tragi-Pantomime Ballet (composed by Noverre), Les Amans Reunis, by Gardel, Mlle Baccelli, Nivelon, Mlle Theodore, Slingsby, Simonet, Henry, Bournonville, Raymond, Mlle Dumont, Sga Crespi. [Partial cast, with synopsis of action, from Morning Herald, 18 Dec: Alphonso-Gardel; Ines-Mlle Baccelli; Chief of the Island-Slingsby.] hathi. hathi.
Cast
Role: Alphonso Actor: Gardel

4
11 April 1782 @ King's Theatre

Event Comment: Benefit for Noverre. Tickets, half-a-guinea each, to be had of Noverre, No. 40, Great Marlborough-street. 1st ballet: The Music entirely new, composed by Le Brun. [Scenario(Milan, 1774) lists the parts: Guillaume, Raymond, Alphonse, Renaud, Adele, Alise, Beatrix, Isabellc, Eleonore. In 2nd ballet Jason to be danced by Gardel (Morning Herald, n Apr.); the overture by Gluck, and rest of the music by Noferi (Public Advertiser, 12 Apr.).]

Performances

Mainpiece Title: I Viaggiatori Felici

Dance: End of Act I an entirely new Ballet, composed by Noverre, Adela of Pontbieu (the subject taken from the History of ancient Chivalry), by Gardel, Mme Simonet, Nivelon, Mlle Theodore, Simonet, Sga Crespi, Mlle Baccelli; End of Opera Medea and Jason, as originally composed by Noverre, by Gardel, Mme Simonet, Nivelon, Simonet, Mlle Theodore, Mlle Baccelli

5
03 April 1788 @ King's Theatre

Event Comment: Benefit for Mlle Coulon. Tickets to be had of Mlle Coulon, No. 8, Great Suffolk-street, Charing-cross. "The Dance between Gardel and Vestris on Thursday is everywhere talked of, in the highest terms of admiration. Such excellence no audience ever before witnessed" (General Advertiser, 5 Apr.). Receipts not listed

Performances

Mainpiece Title: Gli Schiavi Per Amore

Dance: End I: a New Ballet serious and demi-charactere (composed by Noverre)-Gardel, Mlle Coulon, Mlle Hilligsberg, Didelot, Chevalier, Henry, the two Miss Simonets, Miss Harvey, Vestris; End Opera: Euthyme et Eucharis-see17880313 conclude with: the celebrated Pas de Quatre of Panurge-Gardel, Mlle Hilligsberg, Mlle Coulon, Vestris

6
10 January 1782 @ King's Theatre

Performances

Mainpiece Title: La Buona Figliuola

Dance: End of Act I Pastoral Dance, as17811128; End of Act II Divertisement Dance, as17811117; End of Act in a new Serious Dance, composed by Noverre, Le Triompbe de l'Amour Conjugal, by Gardel, Mme Simonet, Nivelon, Mlle Theodore, Mlle Baccelli. [Cast from libretto of Giunio Bruto (E. Cox, 1781), where it is entitled Alceste: Admetus-Gardel; Alceste-Mme Simonet; Apollo-Nivelon; Hebe-Mlle Theodore; Iris-Mlle Baccelli.]

Performance Comment: [Cast from libretto of Giunio Bruto (E. Cox, 1781), where it is entitled Alceste: Admetus-Gardel; Alceste-Mme Simonet; Apollo-Nivelon; Hebe-Mlle Theodore; Iris-Mlle Baccelli.] hathi. hathi.
Cast
Role: : Admetus Actor: Gardel
Role: Alphonso Actor: Gardel

7
05 June 1782 @ King's Theatre

Performances

Mainpiece Title: La Buona Figliuola

Dance: End of Act I New Dance, as17820603 but added: a Minuet by Le Picq and Mme Simonet; End of Act II an entirely new heroic Ballet, composed by Noverre, Apelles and Campaspe; or, The Generosity of Alexander the Great, by Le Picq, Mme Simonet, Gardel, Simonet, Sga Crespi, Mlle Theodore. [Partial cast from Morning Herald, 6 June (which also has a synopsis of the action): Apelles-Le Picq; Alexander-Gardel; Campaspe-Mme Simonet.]

Performance Comment: [Partial cast from Morning Herald, 6 June (which also has a synopsis of the action): Apelles-Le Picq; Alexander-Gardel; Campaspe-Mme Simonet.] hathi. hathi.
Cast
Role: Alexander Actor: Gardel

8
11 June 1793 @ King's Theatre

Event Comment: A New Serious Opera [1st time; SER 2, by Teresa Bandettino]; the Music [a pasticcio] by Sarti, Giardanello [i.e. G. Giordani], Tarchi and Federici. Under the direction of Federici. With new Dresses, Scenes, &c. [In 2nd ballet the playbill retains Nivelon as Achilles , but "Favre Gardel took the part of Achilles, vice Nivelon' (Diary, 12 June).

Performances

Mainpiece Title: Odenato And Zenobia

Dance: End I: Le Jaloux Puni, as17930601 but Mlle _Gardel, Master Menage; +The Court Minuet-Favre Gardel, Mlle Millerd; a new Pas Seul-Mlle Hilligsberg

Ballet: End Opera: Iphiginia in Aulide. As17930423, but Achilles-Favre Gardel; Egisthus-Aumer? [see17930615 and 17930618

Performance Comment: As17930423, but Achilles-Favre Gardel; Egisthus-Aumer? [see17930615 and 17930618.see17930615 and 17930618.
Cast
Role: Achilles Actor: Favre Gardel

9
09 February 1741 @ Drury Lane Theatre

Event Comment: Benefit Signora Fausan. Tickets at her Lodgings, Mr Cheek's Apothecary, Bow Street

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: The Devil to Pay

Dance: LLes Sabotiers-Fausan, Signora Fausan; Les Egyptiens (new)-Fausan, Signora Fausan, Muilment; L'Hydropique Amoreux (new)-Fausan, Signora Fausan

10
14 February 1741 @ Covent Garden

Event Comment: By His Majesty's Command. Benefit Signora Barberini. Written by the late Mr Farquhar. The Stage will be formed into Boxes. Receipts: money #174 6s.; seals #65 15s. (Account Book); #270 (Rylands MS.)

Performances

Mainpiece Title: The Recruiting Officer

Dance: A new Tambourine-Desnoyer, Signora Barberini; Les Savoyards (new)-Villeneuve, Signora Barberini; By particular Desire, Louvre, Minuet-Denoyer, Signora Barberini; Glover

11
30 March 1756 @ King's Theatre

Event Comment: Benefit for Signora Banti

Performances

Mainpiece Title: Ricimero

Dance: End I: New Dance-Signora Banti, Lucas (first time of appearing on this Stage); II: Dancing-Signora Banti, Poitier Jun; III: Minuet-Signora Banti, Bugiani

12
25 April 1713 @ Queen's Theatre

Event Comment: Benefit Signora Margaretta. [She received #76 5s. 8d. See Deutsch, p. 58.

Performances

Mainpiece Title: Dorinda (acts I And Ii)

Music: An Entertainment of the choicest Songs out of several Operas-; Also a Piece (never perform'd before)-Signior Cavaliero Valeriano; The Songs out of the Opera will be as follows Convezzo luinghiero, Pria che la doglia-Signora Pilotti; Del fallo ful camin, Ti stringo o miodiletto-Signor Valentini; E vano ognipensiero, To Beauty devoted, Love wou'd invade me-Signora Margaretta; Di se senti, Nume Alata-Mrs Barbier; Solo pieta vi chiedo-; Di luci adourno-Mrs Manina; concluding with the Chorus of Clotilda-; a new piece-Signior Cavaliero Valeriano

13
29 April 1714 @ Hickford's Room

Event Comment: Benefit Signora Stradiotti, who has never yet perform'd in Publick since her Arrival here in England. Tickets 5s

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; With several extraordinary new Songs-Signora Stradiotti; End Consort: she will perform alone a Solo for the Harpsichord-Signora Stradiotti

14
27 March 1760 @ Haymarket Theatre

Event Comment: Benefit for Signora Provenzale. Pit and boxes together at Half a Guinea. Gallery 5s. The Music by Jomelli. N.B. As Miss Asolin cannot dance this day having sprained her ankle, Mr Gallini will be so humane as to perform with Miss Provenzale that she may not be disappointed of her benefit

Performances

Mainpiece Title: L'isola Disabitata; Or, The Desert Island

Performance Comment: Vocal Parts-Signora Angiola Calori, Signora Cassandra Frederick, Fernando Tenducci, Gaetano Quilici.
Cast
Role: Vocal Parts Actor: Signora Angiola Calori, Signora Cassandra Frederick, Fernando Tenducci, Gaetano Quilici.

Dance: New Grand Dances-Signora Provenzale, Signora Asselin, who will dance in men's clothes

Music: Concerto on the Violin-Sg Candoni

15
02 April 1705 @ York Buildings

Event Comment: Benefit Signora Celotti. At the Desire of several Persons of Quality. At 7 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and instrumental Music-; the vocal part-Signora Juliana Celotti; the instrumental part-twenty of the most eminent masters in London

16
25 March 1713 @ Hickford's Room

Event Comment: Benefit Signora Lodi and Corbett. Tickets 5s

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; with the Echo Flute-Paisible; accompanied on the Harpsichord-Babel Jr; Vocal music-Signora Lodi

17
27 March 1718 @ York Buildings

Event Comment: Benefit Signora Mons. At 7 p.m. By Subscription

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; The Vocal-Signora Mons

18
29 April 1720 @ King's Theatre

Event Comment: At the Desire of several Persons of Quality. Written by the famous Molliere. Daily Courant, 2 May: Monsieur deGrimbergue, Director of the French Comedians, hereby gives Notice, that he is extreamly sorry he could not give on Friday last all the Entertainment he had promised in his Publick Bills, by reason that Signora Violenta unluckily fell sick that very day; and Mons Dangeville refused to Dance, being puft up by the Applause he had the good Fortune to meet with; fancying he hath a Right to do so whenever he pleases

Performances

Mainpiece Title: Le Bourgeois Gentilhomme

Entertainment: The Great Turkish Ceremony-; Dancing-Danjeville; Tumbling-; particularly a lame tumbler (who never performed before in England); The Flourishing of the Colors-Signora Violenta

19
05 July 1721 @ King's Theatre

Event Comment: Benefit Signora Durastanti. At 7 p.m. Admission as 14 June

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-the best Masters; Particularly, Two new Cantatas by Mr Hendel and Sig Sandoni-; Four Songs, Six Duettos by the famous Signor Stefan-Signora Durastanti, Signor Senesino

20
16 March 1727 @ King's Theatre

Event Comment: [Benefit +Harlequin and Signora Constantini. By His Majesty's Command

Performances

Mainpiece Title: il Proteo Novello: Viz, The New Proteus

Entertainment: The Comical Scene of the Stuttering Master of Musick-Brighella

Dance: End I: +Hornpipe-Cornet, Mrs Anderson; II: Peasant's Dance-Welman, Mrs Anderson; III: The Character of Signora Cattina Venetiana-; IV: Niais and Niaise-; Foolish Man and Woman-; V: Twelve Grotesque Character, viz. Punchanello, Dame Ragonde, Pierrots, Harlequins, Scaramouches, Peasants, Mad Men and Women-

21
18 June 1757 @ King's Theatre

Event Comment: Benefit for the Marine Society, the whole Profits of which are generously given by Signora Mingotti and deGiardini, towards clothing men and boys at Sea

Performances

Mainpiece Title: Rosmira

Song: New song-Signora Mingotti

22
26 July 1759 @ Mary-le-Bone Gardens

Event Comment: Benefit Signora Saratina. A new tragicomical Burletta, Musick composed by Pergolesi. Scenes and Cloaths entirely new. Tickets at Mr Oswald's Music Shop. 2s. 6d

Performances

Mainpiece Title: La Strattaggemma; Or, The Stratagem

Song: Before the Burletta: Singing-; several songs, a duetto-Signora Saratina, Reinhold

23
10 March 1760 @ King's Theatre

Event Comment: Benefit for Signora Asselin

Performances

Mainpiece Title: Arminio

Dance: II: Signora Asselin (a New Dance of her own composing), Miss Polly (a child of seven years and a Scholar of Sga Asselin), who appeared in the Opera of Farnace will also dance

24
05 September 1769 @ King's Theatre

Event Comment: PPublic Advertiser, 5 Sept. 1769: Mr Crawford and Co. beg Leave to acquaint the Nobility and Gentry, with the following List of their new Singers, and others engaged for the serious and comic Operas next Season. Those marked thus& are new Performers, viz. Principal Singers for the Serious Operas: &Signior Guadini, first Man. &Signora Cecilia Grassi, first Woman. For comic or serious: Signor Lovattini, first Man. &Sig Zamperini, &Signora Guadini, first Women. &Signor Piatti, 2nd Man serious. &Signor Bianchi, Tenor, Signora Zamperini, Sig Morighi, Signora Piatti. Composer: Sig Guiglielmi. Principal Dancers: Mr Slingsby, &Signor Galiotti, &Signor Siminon, &Signora Guidi, Signora Radicatti, &Signora Gardel. Ballet Master: &Sig Campioni. [See 7 Nov.

Performances

25
31 January 1758 @ King's Theatre

Performances

Mainpiece Title: Solimano

Performance Comment: Larpent MS lists: Solimano-Pazzaglia; Selim-Potenza; Narsea-Signora Mattei; Osmino-Signora Galori; Emira-Signora Frasi; Resteno-Signora Rosa; Maestra de Balli-Lescot.
Cast
Role: Narsea Actor: Signora Mattei
Role: Osmino Actor: Signora Galori
Role: Emira Actor: Signora Frasi
Role: Resteno Actor: Signora Rosa

Dance: Signora Forti, Signora Bonomi, Grimaldi, Signora Lescot