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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Signora Galerati"/1) | (@(roleclean,performerclean) "Signora Galerati")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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602 results for: Keyword - Signora Galerati

We found 314 matches on Performance Comments, 189 matches on Performance Title, 125 matches on Event Comments, 30 matches on Roles/Actors, and 0 matches on Author.

126
01 February 1703 @ Drury Lane Theatre

Performances

Mainpiece Title: The Fairy Queen (one Act)

Afterpiece Title: Marriage a la Mode (made into two acts)

Song: Singing in Italian and French-Signora Joanna Maria; accompanied-Gasperini, Saioni

Dance: As17030123

127
28 April 1704 @ York Buildings

Performances

Mainpiece Title: Concert

Music: Newly composed by Keller, with vocal Music-Signora Maria Gallia; instrumental Music-Paisible, Gasperini, laTour, Banister, others Masters

128
29 January 1706 @ Drury Lane Theatre

Performances

Mainpiece Title: The Pilgrim

Dance: As17051218

Song: Singing in Italian and English-Signora Louvicina[, who] being to return very speedily out of England...will (at the desire of several Ladies of Quality) perform for this one day only; accompanied-Haym, Saggion, Gasperini, others[, who will perform several Airs and Italian Sonatas never yet perform d on the English Stage

129
05 February 1706 @

Performances

Mainpiece Title: The Anatomist; Or, The Sham Doctor

Song: Mrs del'Epine, Signora Maria Gallia, Mrs Lindsey, Mrs Hudson, Leveridge

Dance: l'Abbe, duRuel, Cherrier, Mrs Elford, Miss Campion, Mrs duRuel, Devonshire Girl

130
18 March 1710 @ Queen's Theatre

Performances

Mainpiece Title: The Scornful Lady

Music: ["Select Scenes of Musick" between the Acts by Nicolini, Valentini, and Signora Margaretta had been announced, but in BM 1879 c 3 a notice by Nicolini states that that "sort of Performance" is contrary to his agreement with Swiney and that he intends to observe strictly the "Tenor and Meaning" of the agreement, i.e., to sing during the winter only in "formal OPERAS."]

131
16 May 1715 @ Great Room

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; with Singing-Signora Diana Vico, Angelo Zanoni

132
18 December 1717 @ Hickford's Room

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-the best Masters; The Vocal Part-Signora Mons

133
05 March 1718 @ York Buildings

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; Singing in Italian and English-Signora Margarita, who has not sung in publick this Winter, Mrs Fletcher, Vanbrughe; accompanied with Harp-Mr Powell Jr

134
18 March 1719 @ Coignand's Great Room

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; Singing-Signora Margaritta, Mrs Pulmon; Singing-Vanbrughe; Violin-Rousesini; Solo-Keitch

135
25 April 1719 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Julius Caesar

Song: A new Cantata by Dr Pepusch-Mrs Fletcher; Signora Margarita, Mrs Pulmon

136
12 May 1719 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Macbeth

Song: Leveridge, Signora Margarita, Mrs Pulmon

Dance: As17190430

137
03 May 1720 @ King's Theatre

Performances

Mainpiece Title: Harlequin Laron, Provost, Et Juge

Afterpiece Title: Le Port de Mer

Dance: Mad Men and Mad Women-Mrs Dechaliers, Roger who plays the part of Pierrot; The Flourishing of the Colors-Signora Violenta

138
06 June 1720 @ Lincoln's Inn Fields

Performances

Mainpiece Title: A Woman's Revenge

Dance: With a surprizing Entertainment of Rope@Dancing-Signora Violante lately arriv'd from Italy; and who never yet perform'd in England; a Boy of 5 Years of Age, lately arriv'd from Paris; Topham Jr,Newhouse, Pelling, Miss Bullock

139
15 February 1722 @ King's Theatre

Performances

Mainpiece Title: Ridotto

Music: Consisting of 24 Songs chosen out of the late Operas-Signor Francisco Bernardi Senesino, Signor Benedetto Baldassari, Mrs Anastasia Robinson, Signora Salvai

140
06 March 1722 @ King's Theatre

Performances

Mainpiece Title: Ridotto

Music: Consisting of several Songs chosen out of the last new Operas, some new Cantatas by Signor Bononcini-Signor Francisco Bernardi Senesino, Signor Benedetto Baldassari, Mrs Anastasia Robinson, Signora Salvai

141
27 July 1731 @ Drury Lane Theatre

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: Bayes's Opera

Music: In: Signora Merigghi's Favourite Song in Porus-Miss Raftor; End: The Cuckow-

142
06 September 1732 @ Haymarket Theatre

Performances

Mainpiece Title: The Beggar's Opera

Entertainment: Surprising Entertainments on the Rope-Signora Violante

143
08 September 1732 @ Haymarket Theatre

Performances

Mainpiece Title: The Beggar's Opera

Entertainment: Strait Rope-Signora Violante

Dance: Lalauze, Miss Violante

144
11 September 1732 @ Haymarket Theatre

Performances

Mainpiece Title: The Jealous Husband Outwitted

Entertainment: Several new and surprizing Performances, never perform'd by any one besides herself, on the Strait Rope [the famous-Signora Violante [[1] She Dances a Minuet as Neatly as a Dancing Master on a Floor. [2] She Dances with a Board, ten Foot in length, loose upon the Rope. [3] She Dances with two Boys fastned to her feet; which Occasions great Mirth. [4] She Dances with two heavy Men ty'd to her Feet. [5] She Performs the Exercise of the Colours. After this surprising Performance, Miss Violante will Dance a Louvre in Boys Cloaths

Dance: t the Desire of several Gentlemen and Ladies, the White Joke-will be danced by an Old Woman, with Pierrot in the Basket; Pierrot-Lalauze; Old Woman-Tobin

145
15 September 1732 @ Haymarket Theatre

Performances

Mainpiece Title: The Jealous Husband Outwitted

Entertainment: Strait Rope-Signora Violante

Dance: As17320911

146
21 May 1733 @ Drury Lane Theatre

Performances

Mainpiece Title: Love For Love

Afterpiece Title: Venus, Cupid, and Hymen

Music: Between the Acts: Trumpets, Kettle Drums, French Horns-; With a new Overture (to the Masque) for two Vox Humanes- , a new invented Instrument

Song: II: Mrs Seedo, who never appeared on the stage before; III: (At the particular Request of Seedo's Friends) Signora Margherita (who has not performed on any theatre these 14 years)

Dance: I: Drunken Peasant-LeBrun; IV: The Watteau-Miss Robinson; End Afterpiece: Les Bergeries-Essex, Haughton, Miss Robinson

147
25 October 1740 @ Covent Garden

Performances

Mainpiece Title: The Busy Body

Dance: Desnoyer, Signora Barberini the first time of her appearing on the English stage, Glover, Mlle Roland

148
30 October 1740 @ Covent Garden

Performances

Mainpiece Title: Duke And No Duke

Afterpiece Title: Orpheus and Eurydice

Dance: Desnoyer, Signora Barberini

149
03 November 1740 @ Covent Garden

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Cheats of Scapin

Dance: TThe Swiss-Mechell, Mlle Mechell; Comic Ballet-Villeneuve, Miss Oates; Italian Peasants-Desnoyer, Signora Barberini

150
17 November 1740 @ Covent Garden

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: Orpheus and Eurydice

Dance: Desnoyer, Signora Barberini