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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Signora Fausan"/1) | (@(roleclean,performerclean) "Signora Fausan")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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606 results for: Keyword - Signora Fausan
We found 316 matches on Performance Comments, 206 matches on Performance Title, 129 matches on Event Comments, 9 matches on Roles/Actors, and 0 matches on Author.

51
16 December 1740 @ Drury Lane Theatre

Performances

Mainpiece Title: Othello, Moor Of Venice

Afterpiece Title: The Intriguing Chambermaid

Dance: II: Le Boufon, as17401201

Ballet: V: The Enchanted Garden. As17401213

Cast
Role: Harlequin Man and Woman Actor: Fausan, Signora Fausan

52
18 December 1740 @ Drury Lane Theatre

Performances

Mainpiece Title: The Pilgrim

Dance: II: The Lunaticks, as17401213

Ballet: V: The Enchanted Garden. As17401213

Cast
Role: Harlequin Man and Woman Actor: Fausan, Signora Fausan

53
26 December 1740 @ Drury Lane Theatre

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Robin Goodfellow

Dance: II: French Peasants-Nivelon, Mlle Duval; V: Serious Ballet-Maltere, Mlle Maltere

Ballet: I: The Enchanted Garden. As17401215, but Magician-Leviez

Cast
Role: Harlequin Man and Woman Actor: Fausan, Signora Fausan

54
13 January 1741 @ Drury Lane Theatre

Performances

Mainpiece Title: As You Like It

Dance: III: La Matelote-Mlle Chateauneuf; V: Les Jardiniers Suedois, as17410102

Ballet: II: The Enchanted Garden. As17401226

Cast
Role: Harlequin Man and Woman Actor: Fausan, Signora Fausan

55
30 October 1741 @ Drury Lane Theatre

Event Comment: Masque: By Particular Desire. The Gentlemen's Magazine for Jan. 1742 (p. 28) in an article On Two Italian Dancers comments rather fully on the Fausans' performance in Le Boufon; or the Idiot: My expectation was rais'd to the height but at their entrance on the stage, they alarm'd me by the inexpressive Agility and descriptive Action, Look and Motion, which were all performed With such mimic Variety, that I defy the most severe Cynic to say that they wou'd not at least raise in him an agreeable surprise, to see all the attitudes, Oddities and mock Gesticulations of the two Idiots, who may be suppos'd to be in Love with one another. It is not any distortion of Body or unnatural transposition of the limbs which they exhibit to the view, but the extravagant Idiotry which the passions of Love, Disdain, Joy, Resentment, would on a real occasion actuate on the personages they represent: Nor do they so manage their Dance that it is ungraceful: they take opportunities to show by actions and movements, that in their comic Humour they have an elegancy. This performance therefore, on Reflection, appear'd to me, instead of an unnatural extravaganza to be founded on the nicest Observations of Human Nature, and prove Signor and Signora to be persons of good judgment, as well as agility. Receipts: #80

Performances

Mainpiece Title: Comus

Dance: LLe Boufon-the Fausans; Le Genereux Corsaire, as17411021

56
01 February 1742 @ Drury Lane Theatre

Event Comment: RRylands: Benefit Fausan. At the Particular desire of several Ladies of Quality. Three rows of the Pit will be rail'd in at the Price of the Boxes. Tickets and places to be had of Mr West at the Green Door in Duke's St, Lincoln's Inn Fields; and at Mr Bradshaws, King's Arms in Russel St., near the theatre. Tickets deliver'd out for As You Like It will be taken this night, the play being oblig'd to be chang'd on Account of the indisposition of Mr Milward. Receipts: #173

Performances

Mainpiece Title: The Miser

Dance: I: A New Dance call'd Le Petit Scaramouche-the Fausans; III: Les Matelotes, as17411110; V: A New Dance call'd Arlequin Petit@Maitre-the Fausans

57
14 February 1741 @ Covent Garden

Event Comment: By His Majesty's Command. Benefit Signora Barberini. Written by the late Mr Farquhar. The Stage will be formed into Boxes. Receipts: money #174 6s.; seals #65 15s. (Account Book); #270 (Rylands MS.)

Performances

Mainpiece Title: The Recruiting Officer

Dance: A new Tambourine-Desnoyer, Signora Barberini; Les Savoyards (new)-Villeneuve, Signora Barberini; By particular Desire, Louvre, Minuet-Denoyer, Signora Barberini; Glover

58
30 March 1756 @ King's Theatre

Event Comment: Benefit for Signora Banti

Performances

Mainpiece Title: Ricimero

Dance: End I: New Dance-Signora Banti, Lucas (first time of appearing on this Stage); II: Dancing-Signora Banti, Poitier Jun; III: Minuet-Signora Banti, Bugiani

59
25 April 1713 @ Queen's Theatre

Event Comment: Benefit Signora Margaretta. [She received #76 5s. 8d. See Deutsch, p. 58.

Performances

Mainpiece Title: Dorinda (acts I And Ii)

Music: An Entertainment of the choicest Songs out of several Operas-; Also a Piece (never perform'd before)-Signior Cavaliero Valeriano; The Songs out of the Opera will be as follows Convezzo luinghiero, Pria che la doglia-Signora Pilotti; Del fallo ful camin, Ti stringo o miodiletto-Signor Valentini; E vano ognipensiero, To Beauty devoted, Love wou'd invade me-Signora Margaretta; Di se senti, Nume Alata-Mrs Barbier; Solo pieta vi chiedo-; Di luci adourno-Mrs Manina; concluding with the Chorus of Clotilda-; a new piece-Signior Cavaliero Valeriano

60
29 April 1714 @ Hickford's Room

Event Comment: Benefit Signora Stradiotti, who has never yet perform'd in Publick since her Arrival here in England. Tickets 5s

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; With several extraordinary new Songs-Signora Stradiotti; End Consort: she will perform alone a Solo for the Harpsichord-Signora Stradiotti

61
27 March 1760 @ Haymarket Theatre

Event Comment: Benefit for Signora Provenzale. Pit and boxes together at Half a Guinea. Gallery 5s. The Music by Jomelli. N.B. As Miss Asolin cannot dance this day having sprained her ankle, Mr Gallini will be so humane as to perform with Miss Provenzale that she may not be disappointed of her benefit

Performances

Mainpiece Title: L'isola Disabitata; Or, The Desert Island

Performance Comment: Vocal Parts-Signora Angiola Calori, Signora Cassandra Frederick, Fernando Tenducci, Gaetano Quilici.
Cast
Role: Vocal Parts Actor: Signora Angiola Calori, Signora Cassandra Frederick, Fernando Tenducci, Gaetano Quilici.

Dance: New Grand Dances-Signora Provenzale, Signora Asselin, who will dance in men's clothes

Music: Concerto on the Violin-Sg Candoni

62
02 April 1705 @ York Buildings

Event Comment: Benefit Signora Celotti. At the Desire of several Persons of Quality. At 7 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and instrumental Music-; the vocal part-Signora Juliana Celotti; the instrumental part-twenty of the most eminent masters in London

63
25 March 1713 @ Hickford's Room

Event Comment: Benefit Signora Lodi and Corbett. Tickets 5s

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; with the Echo Flute-Paisible; accompanied on the Harpsichord-Babel Jr; Vocal music-Signora Lodi

64
27 March 1718 @ York Buildings

Event Comment: Benefit Signora Mons. At 7 p.m. By Subscription

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; The Vocal-Signora Mons

65
29 April 1720 @ King's Theatre

Event Comment: At the Desire of several Persons of Quality. Written by the famous Molliere. Daily Courant, 2 May: Monsieur deGrimbergue, Director of the French Comedians, hereby gives Notice, that he is extreamly sorry he could not give on Friday last all the Entertainment he had promised in his Publick Bills, by reason that Signora Violenta unluckily fell sick that very day; and Mons Dangeville refused to Dance, being puft up by the Applause he had the good Fortune to meet with; fancying he hath a Right to do so whenever he pleases

Performances

Mainpiece Title: Le Bourgeois Gentilhomme

Entertainment: The Great Turkish Ceremony-; Dancing-Danjeville; Tumbling-; particularly a lame tumbler (who never performed before in England); The Flourishing of the Colors-Signora Violenta

66
05 July 1721 @ King's Theatre

Event Comment: Benefit Signora Durastanti. At 7 p.m. Admission as 14 June

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-the best Masters; Particularly, Two new Cantatas by Mr Hendel and Sig Sandoni-; Four Songs, Six Duettos by the famous Signor Stefan-Signora Durastanti, Signor Senesino

67
16 March 1727 @ King's Theatre

Event Comment: [Benefit +Harlequin and Signora Constantini. By His Majesty's Command

Performances

Mainpiece Title: il Proteo Novello: Viz, The New Proteus

Entertainment: The Comical Scene of the Stuttering Master of Musick-Brighella

Dance: End I: +Hornpipe-Cornet, Mrs Anderson; II: Peasant's Dance-Welman, Mrs Anderson; III: The Character of Signora Cattina Venetiana-; IV: Niais and Niaise-; Foolish Man and Woman-; V: Twelve Grotesque Character, viz. Punchanello, Dame Ragonde, Pierrots, Harlequins, Scaramouches, Peasants, Mad Men and Women-

68
18 June 1757 @ King's Theatre

Event Comment: Benefit for the Marine Society, the whole Profits of which are generously given by Signora Mingotti and deGiardini, towards clothing men and boys at Sea

Performances

Mainpiece Title: Rosmira

Song: New song-Signora Mingotti

69
26 July 1759 @ Mary-le-Bone Gardens

Event Comment: Benefit Signora Saratina. A new tragicomical Burletta, Musick composed by Pergolesi. Scenes and Cloaths entirely new. Tickets at Mr Oswald's Music Shop. 2s. 6d

Performances

Mainpiece Title: La Strattaggemma; Or, The Stratagem

Song: Before the Burletta: Singing-; several songs, a duetto-Signora Saratina, Reinhold

70
10 March 1760 @ King's Theatre

Event Comment: Benefit for Signora Asselin

Performances

Mainpiece Title: Arminio

Dance: II: Signora Asselin (a New Dance of her own composing), Miss Polly (a child of seven years and a Scholar of Sga Asselin), who appeared in the Opera of Farnace will also dance

71
13 March 1742 @ Drury Lane Theatre

Event Comment: By Particular Desire. Rylands MS.: Young Gentleman-Hill. Being the last time of the Fausan's performing in England. [The Fausans had created twelve new Dances for the English during this tour.] Receipts: #120

Performances

Mainpiece Title: The Provoked Wife

Song: I: a Ballad-Lowe; III: Song-Mrs Arne; IV: Bright Author of my Present Flame-Lowe

Dance: II: Les Egyptiens, as17420224

Ballet: V: a Grand Comic Ballet The Peasant. Peasants-The Fausans; Shepherds-LaCroix, Desse, Constantini; Shepherdesses-Mrs Walter, Mrs Thompson, Miss Story

Performance Comment: Peasants-The Fausans; Shepherds-LaCroix, Desse, Constantini; Shepherdesses-Mrs Walter, Mrs Thompson, Miss Story.
Cast
Role: Peasants Actor: The Fausans

72
31 January 1758 @ King's Theatre

Performances

Mainpiece Title: Solimano

Performance Comment: Larpent MS lists: Solimano-Pazzaglia; Selim-Potenza; Narsea-Signora Mattei; Osmino-Signora Galori; Emira-Signora Frasi; Resteno-Signora Rosa; Maestra de Balli-Lescot.
Cast
Role: Narsea Actor: Signora Mattei
Role: Osmino Actor: Signora Galori
Role: Emira Actor: Signora Frasi
Role: Resteno Actor: Signora Rosa

Dance: Signora Forti, Signora Bonomi, Grimaldi, Signora Lescot

73
16 December 1760 @ King's Theatre

Event Comment: A new serious Opera [a pasticcio]. Music by different Masters. To begin at 6 p.m. on account of the Prologue. [Note: The 1760 Libretto at Library of Congress designates the "Musical Prologue sung by Signora Mattei" on 22 Nov. The prologue consists of recitative and a brief air of two quatrains.

Performances

Mainpiece Title: Arianna E Teseo

Performance Comment: Minos-Gaetano Quilici; Ariadne-Signora Colomba Mattei; Theseus-Filipo Elisi; Tauris-Pietro Sorbelloni; Laodice-Signora Angiola Calori; Alcestes-Signora Teresa Eberardi; Director-Giocchino Cocchi; New Musical Prologue before the Opera begins-Signora Mattei--1760 Libretto; Director of Dancers-Gherardi; Dancers-Gherardi, Mlle Asselin, Polly Capitani, Tariot (Larpent MS).
Cast
Role: Ariadne Actor: Signora Colomba Mattei
Role: Laodice Actor: Signora Angiola Calori
Role: Alcestes Actor: Signora Teresa Eberardi
Role: New Musical Prologue before the Opera begin Actor: Signora Mattei--1760 Libretto

74
04 November 1732 @ King's Theatre

Event Comment: A New Opera. [Text by Pietro Metastasio. Done into English by Humphreys. Music presumably by Leonardo Leo.] Pit and Boxes at half a guinea. [Their Majesties, Prince, and three eldest Princesses present.] See also Lord Hervey and his Friends, pp. 145-46. Daily Advertiser, 6 Nov.: There were present a very numerous Audience; and Signora Celeste Gismondi, who lately arriv'd here, perform'd a principal Part in it with universal Applause. We hear that this Opera was not compos'd by Mr Handell, but by some very eminent Master in Italy

Performances

Mainpiece Title: Cato

Performance Comment: Edition of 1732 lists: Catone-Senesino; Marzia-Signora Strada; Emilia-Signora Celeste Gismondi; Arbace-Signora Bertolli; Cesare-Montagnana.
Cast
Role: Marzia Actor: Signora Strada
Role: Emilia Actor: Signora Celeste Gismondi
Role: Arbace Actor: Signora Bertolli

75
29 April 1760 @ Hickford's Room

Event Comment: Benefit for Signora Laura Rosa...having sustainedthe loss of her Salary by the late Failure at the Opera House. At Hickford's Room, Brewer St

Performances

Mainpiece Title: L'isola Dissabitata

Performance Comment: Parts-Signora Calori, Miss Frederick, Signora Laura Rosa, Tenducci, Quilici.
Cast
Role: Parts Actor: Signora Calori, Miss Frederick, Signora Laura Rosa, Tenducci, Quilici.

Music: First Violin-Sg Cardoni