SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Signora Diana By His Majesty"/1) | (@(roleclean,performerclean) "Signora Diana By His Majesty")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1180 matches on Event Comments, 705 matches on Performance Comments, 270 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: [T$Their Majesties, Prince, and Three eldest Princesses present.] Daily Advertiser, 5 March: Signora Strada, on Account of whose Indisposition the Run of the new Opera of Orlando was interrupted, continues very ill

Performances

Mainpiece Title: Floridante

Event Comment: A new Comic Opera, music by several celebrated Composers. With new Cloaths, new Decorations, and new Dances. Pit and Boxes put together, and no Persons to be admitted without Tickets, which will be delivered that Day, at half a Guinea each. Gallery 5s. By Their Majesties Command no Persons whatsoever to be admitted behind the Scenes, nor into the Orchestra. Gallery, Pit and Boxes will be opened at Five; To begin at 6:30. [Prices, terms of admission, and time repeated in subsequent bills.] Subscription Money to be paid to Andrew Drummond and Co. Bankers, or to Mr Crawford, Treasurer, for Silver t ickets. Signor Giardini the principal serious singer has arrived, and serious opera will begin as soon as possible (Public Advertiser). [Signora Mattei was again the promoter of Operas this season; Crawford the Treasurer.

Performances

Mainpiece Title: Il Tutore E La Pupilla

Event Comment: By Command of Their Majesties. Tickets and places to be taken of Mr Johnston at the Stage Door of the Theatre at Half a Guinea. Pit 5s. First Gallery 3s. 6d. Second Gallery 2s. Doors to be opened at Five o'clock. To begin at Half past Six. Theatrical Review (London, 1772), appendix, pp. 207-8: The Oratorios performed at this House were conducted by Messrs. Stanley and Smith, for their own emolument; the Managers of the theatre having had no Share of the profit arising from these performances, nor any advantage, except a premium for the use of the house. Mr Stanley's musical abilities are well known. Mr Smith, was, if we are not mistaken, a pupil of the celebrated Mr Handel's; and, we believe, that Gentleman left Mr Smith the greatest part of his music, if not his whole library; so that Mr Smith may with great propriety claim the right of succeeding Mr Handel in the exhibition and conduct of his Oratorios, which he has undertaken (in conjunction with Mr Stanley) every since Mr Handel's death. Their band was composed of some of the most capital performers in this kingdom, and was led by Mr Ximenes. The vocal performers (exclusive of Chorus singers) were Mr Norris, well known to all lovers of Music, for his taste and delicacy of execution. Mr Parry (a Bass voice) from the Cathedral Church of Salisbury. This gentleman, though very young, has an extensive compass, and a great power of voice, and acquits himself with considerable reputation. Mrs Weichsel and Mrs Scott, of whom it would be superfluous and unnecessary to say anything, since their abilities are generally known. And lastly Signora Grassi, a performer of great merit. Theatrical Review, 6 March: This is Mr Dryden's celebrated Ode on St Cecelia's Day, and not an Oratorio, but performed as such...It contains many beauties and such as are worthy of Mr Handel's genius...Being much shorter than the usual length of oratorios, Mr Handel's celebrated Coronation Anthems were added in order to make the evening's entertainment of a proper length. Also a Solo on the Violincello by Mr Janson...lately arrived from Paris, said to have been a pupil of Mr Duport's but, though his taste and excution is very astonishing, we cannot give him the preference of his master. [See 13 April 1773.Charge seems to have been #28 per night plus expenses for oil, candles &c.

Performances

Mainpiece Title: Alexander's Feast, With Coronation Anthems

Music: First Violin-Mr Ximene; with a Solo on the Violincello-Mr Janson, lately arrived from Paris, (Who has never performed in Public in England)

Performances

Mainpiece Title: Etearco

Performance Comment: Edition of 1711 lists: Etearco-Giuseppe Boschi; Polinnesto-Cavaliero Nicolino Grimaldi; Aristeno-Signora Francesca Vannini Boschi; Temiso-Giuseppe Cassani; Delbo-Lawrence; Fronima-Signora Isabella Girardeau; Mirene-Signora Pilotti Schiavonetti.

Performances

Mainpiece Title: Antiochus

Performance Comment: Edition of 1712 lists; Ptolomy-Cassani; Antiochus-Cavaliero Nicolini Grimaldi; Leonildo-Mrs Barbier; Ormonte-Lawrence; Arsinoe-Signora Elizabetta Pilotti Schiavonetti; Oronte-Signora Isabella Girardeau; Janisbe-Signora Margarita del'Epine.

Performances

Mainpiece Title: Rinaldo

Performance Comment: Godofredo-Signora Margaretta; Argantes-Leveridge; Rinaldo-Mrs Barbier; Armida-Signora Pelotti; Eustacio-Valentini; Almirena-Signora Manina.

Performances

Mainpiece Title: Arminius

Performance Comment: Arminius-Signora Galerati; Ismena-Mrs Robinson; Segestes-Philippo Salatri; Cilene-Signora Margaritta d'lePine; Cecina-Signora Stradiotti.

Performances

Mainpiece Title: Arsaces; Or, Amore E Maesta

Performance Comment: Edition of 1721 lists: Statira-Signora Marg. Durastanti; Arsace-Francesco Bernardi called Senesino; Megabise-Matteo Berselli; Rosmiri-Signora Madalena Salvai; Mitrane-Signora Galerati; Artabano-Guiseppe Boschi.
Event Comment: [Music by Ariosti, Bononcini, Handel. Text by P. A. Rolli.] Admission as 19 Nov. 1720. De Fabrice to Flemming, 21 April (in Deutsch, Handel, p. 126): The Princess of Wales was safely delivered of a son last Saturday. The news was taken to the King by Lord Herbert during...Mutius Scevola, where there was a particularly large audience on account of its being the first performance. The audience celebrated the event with loud applause and huzzas. Each act of this opera is by a different composer, -the first by a certain Pipo, the second by Bononcini, and the third by Hendell, who easily triumphed over the others

Performances

Mainpiece Title: Mutius Scaevola

Performance Comment: Edition of 1721 lists: Muzio-Francesco Bernardo , called Senesino; Orazio-Matteo Berselli; Larte Porsena-Boschi; Lucio Tarquinio-Signora Galerati; Clelia-Signora Marg. Durastanti; Irene-Mrs Anastasia Robinson; Fidalma-Signora Madalena Salvai.

Performances

Mainpiece Title: Cyrus; Or, Odio Ed Amore

Performance Comment: Edition of 1721 lists: Tomiri-Signora Margherita Durastanti; Telesta-Mrs Anastasia Robinson; Zelinda-Signora Madalena Salvai; Ciro-Francesco Bernardo, called Senesino; Arbace-Matteo Berselli; Silante-Guiseppe Boschi; Miceno-Signora Caterina Galerati.

Performances

Mainpiece Title: Vespasian

Performance Comment: Edition of 1724 lists: Vespasiano-Boschi; Tito-Senesino; Domiziano-Signora Durastanti; Arricidi-Signora Cuzzoni; Gesilla-Signora Robinson; Sergio-Berenstadt; Licinio-Bigonzi.

Performances

Mainpiece Title: Darius

Performance Comment: Edition of 1725 lists: Siderme-Borosini; Statira-Signora Cuzzoni; Dario-Senesino; Mandane-Signora Dotti; Delia-Signora Sorosini; Agesilao-Pacini; Artabano-Boschi.
Cast
Role: Statira Actor: Signora Cuzzoni
Role: Mandane Actor: Signora Dotti
Role: Delia Actor: Signora Sorosini

Performances

Mainpiece Title: Lucius Verus

Performance Comment: Edition of 1727 lists: Lucio Vero-Senesino; Lucilla-Signora Cuzzoni; Flavio-Boschi; Vologesso-Baldi; Berenice-Signora Faustina; Amiceto-Signora Dotti.
Cast
Role: Lucilla Actor: Signora Cuzzoni
Role: Berenice Actor: Signora Faustina
Role: Amiceto Actor: Signora Dotti.

Performances

Mainpiece Title: Admetus

Performance Comment: Admetus-Senesino; Alcestes-Signora Faustina Bordoni; Hercules-Boschi; Orindo-Signora Dotti; Thrasymede-Baldi; Antigona-Signora Cuzzoni; Meraspes-Palmerini.

Performances

Mainpiece Title: Astyanax

Performance Comment: Edition of 1727 lists: Pyrrhus-Senesino; Andromache-Signora Cuzzoni; Creon-Boschi; Hermione-Signora Faustina Bordoni; Orestes-Baldi; Pilades-Signora Dotti.

Performances

Mainpiece Title: Lotharius

Performance Comment: Edition of 1729 lists: Adelaide-Signora Anna StradadelPo; Berengario-Annibale Pio Fabri; Idelberto-Signora Francesca Bertolli; Clodomiro-Giovanni Goffreddo Riemschneider; Matilde-Signora Antonia Merighi; Lotario-Antonio Bernacchi.

Performances

Mainpiece Title: Parthenope

Performance Comment: Edition of 1730 lists: Partenope-Signora Anna StradadelPo; Emilio-Annibale Pio Fabri; Armindo-Signora Francesca Bertolli; Ormonte-Goffeddro Giovanni Riemschnieder; Rosmira-Signora Antonia Merighi; Arsace-Antonio Bernacchi.

Performances

Mainpiece Title: Ormisda

Performance Comment: Edition of 1730 lists: Artenice-Signora Anna StradadelPo; Ormisda-Annibale Pio Fabri; Arsace-Signora Francesca Bertoldi; Erismeno-Goffredo Giovanni Riemschneider; Palmira-Signora Antonia Merighi; Cosroe-Antonio Bernacchi.

Performances

Mainpiece Title: Ptolemy

Performance Comment: Deutsch, Handel, p. 254 lists: Tolomeo-Bernacchi; Seleuce-Signora Strada; Elisa-Signora Merighi; Alessandro-Signora Bertolli; Araspe-Fabri.
Cast
Role: Seleuce Actor: Signora Strada
Role: Elisa Actor: Signora Merighi
Role: Alessandro Actor: Signora Bertolli

Performances

Mainpiece Title: Scipio

Performance Comment: Edition of 1730 lists: P. C. Scipione-Fabri; Lucejo-Senesino; C. Lelio-Signora Bertolli; Ernando-Commano; Berenice-Signora Strada; Armira-Signora Merighi.
Cast
Role: Lelio Actor: Signora Bertolli
Role: Berenice Actor: Signora Strada
Role: Armira Actor: Signora Merighi.

Performances

Mainpiece Title: Porus

Performance Comment: Edition of 1731 lists: Poro-Francesco Bernardi called Senesino; Cleofide-Signora Anna StradadePo; Erissena-Signora Antonia Merighi; Gandarte-Signora Francesco Bertolli; Alessandro-Annibale Pio Fabri; Timagene-Giovannie Giuseppe Commano.

Performances

Mainpiece Title: Rinaldo

Performance Comment: Edition of 1731 lists: Goffredo-Annibale Pio Fabri; Almirena-Signora Anna StradadelPo; Rinaldo-Francesco Bernardi called Senesino; Armida-Signora Antonio Merighi; Argante-Signora Francesca Bertolli; Mago-Giovanni Giuseppe Commano.

Performances

Mainpiece Title: Aetius

Performance Comment: Edition of 1731 lists: Valentiniano-Signora Anna Bagnolesi; Fulvia-Signora Anna StradadelPo; Ezio-Senesino; Onoria-Signora Francesca Bertoli; Massimo-Gio Battista Pinacci; Varo-Antonio Montagnnana.

Performances

Mainpiece Title: Lucius Papirius, The Dictator

Performance Comment: Edition of 1732 lists: Lucio Papirio-Pinacci; M. Fabio-Montagnana; Papiria-Signora Strada; Rutilia-Signora Bertoldi; Q Fabio-Senesino; Servilio-Signora Bagnolesi; Cominio-Campioli.
Cast
Role: Papiria Actor: Signora Strada
Role: Rutilia Actor: Signora Bertoldi
Role: Servilio Actor: Signora Bagnolesi

Performances

Mainpiece Title: Acis And Galatea

Performance Comment: King's Music MSS (BM) R.M. 20d. 2 and R.M. 19.f.7 lists: Galatea-Signora Strada; Acis-Senesino; Damon-Campioli; Polifemo-Montagnana; Clori-Miss Robinson; Filli-Signora Bagnolesi; Dorinda-Signora Bertoli; Eurillo-Mrs Davis; Silvio-Pinacci.
Cast
Role: Galatea Actor: Signora Strada
Role: Filli Actor: Signora Bagnolesi
Role: Dorinda Actor: Signora Bertoli