Event Comment: 1st piece [1st time; PREL I, by George Colman elder; also ascribed to George Keate. Larpent MS 565; not published]: In Three Scenes of Dialogue. 2nd piece: The Music compiled by Dr Pepusch. 3rd piece [1st time; B. BALL I (see king's, 29 Mar.)]: Ballet Tragi-Comique by Signior Novestris [i.e. George Colman, the elder]. The Music by Signior Gluck. With New Scenes, Dresses and Decorations. Machinist and Painter-Signior Rookereschi. Tailor-Signior Walkerino. Morning Chronicle, 9 Aug.: Bannister with great good sense played chastely, and suffered the burlesque to arise out of his serious performance of Polly, not attempting to render the character ridiculous by making it more outre than it was rendered by his voice and figure

Event Comment: A New Opera [a pasticcio by Gluck, chiefly from Tigrane, Sofonisbe, and Ipermestra; libretto revised by F. Vanneschi from B. Vitturi (Loewenberg, Annals of Opera, p. 104); see also W. B Squire, Musical Quarterly, I (1915).

Event Comment: Benefit for Mrs Billington. Mainpiece: 1st time at this Theatre [1st performed at Smock Alley Theatre, Dublin, 3 Jan. 1784]. The Music by Gluck [whose opera this actually was, with additions by] Handel, Bach, Sacchini, Reeve, and Mazzinghi. With an entire new Overture composed by Gyrowetz. In II Weichsel will accompany an obligato song on the violin. Dances by Byrne and Mlle St.Amand. With new Scenery, Dresses, and Decorations. Afterpiece: Not acted these 2 years [acted 27 May 1791]. Morning Herald, 9 Feb.: Tickets to be had of Mrs Billington, No. 53, Poland-street. Receipts: #371 15s. (257.18.6; 8.15.6; tickets: 105.1.0) (charge: #105)

Event Comment: Benefit for Mme Banti. A Grand Serious Opera (1st time in this Country [1st performed at Paris, 1779]); the Music by Gluck. Accompanied With Chorusses under the Direction of Kelly. With entirely new Scenes designed by Marinari, and executed under his direction, Dresses and Decorations. Tickets to be had of Mme Banti, No. 7, Hay Market. The Company are respectfully entreated not to come upon the Stage this Night, as the Iphigenia is accompanied with a degree of Spectacle on which the effect of the Performance chiefly depends; besides, the Machinery used in this Opera will make it dangerous for the Company to be upon the Stage during the time of the representation. "We never saw a House more splendid, more crowded, nor more gratified...In spite of the request not to crowd upon the stage, it was quite thronged; and it was impossible to move the complicated and superb scenery with effect. We lament that no means can be devised to save the stage from this perpetual intrusion" (Morning Chronicle, 8 Apr.). "Banti had a crowded house for her benefit, and is said to have netted 1500 guineas" (Monthly Magazine, May 1796 p. 321)

Event Comment: Benefit Mrs Hodgson and Signior Baptist. The Musick will begin between 8 and 9 at night

Event Comment: Benefit Signior Dall'Abaco. Tickets half a guinea

Event Comment: 1st piece: In 3 Scenes of Dialogue. 2nd piece: The Music compiled by Pepusch. [The playbill assigns Filch to Mrs Wilson and Mat o' th' Mint to Miss Morris, but "Miss Morris was merely a temporary substitute for Mrs Wilson who, it seems, is too far advanced in her pregnancy to dress en bomme" (Miming Chronicle, 4 June). But beginning with 7 June Mrs Wilson acted regularly until 3 Aug. Who acted Mat o' th' Mint on this present night has not come to light; the part was perhaps omitted.] 3rd piece: Ballet Tragi-comique. Composed by Signior Novestris [i.e. George Colman, the elder]. The Music by Gluck. With new Scenes, Dresses and Decorations. Machinist and Painter-Sg Rookereschi. Tailor-Sg Walkerino. Places for the Boxes to be taken of Rice at the Theatre. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s

Event Comment: Benefit Gluck, composer of the operas at the King's Opera House in the Haymarket. Pit and Boxes together Half a guinea, Gallery 5s. 6:30 p.m. Tickets at Prince of Orange Coffee House in Haymarket