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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sig Victoria"/1) | (@(roleclean,performerclean) "Sig Victoria")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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175 results for: Keyword - Sig Victoria
We found 110 matches on Performance Comments, 44 matches on Event Comments, 24 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

151
11 February 1754 @ Covent Garden

Event Comment: Comic Opera in Italian and French, 3 Acts (Larpent MS 107). Subtitle, O Sia, Il Finto Femmina. La Musica e del Sig Leonardo Leo, Maestro di Capella Napolitano (Edition of 1752, Amsterdam). [Rich had applied for license to Duke of Grafton 8 Feb.] This day at Noon will be publish'd at 1s. L'Amor Costante, Dramma Comico, pe Musica, as it is acted at Covent Garden. With an English translation. Sold by H. Woodfall

Performances

Mainpiece Title: L'amour Costante

Dance: [Unspecified.]

152
29 November 1755 @ King's Theatre

Event Comment: Composed by Sig Perez. [The first advance bill attributed it to Hasse.

Performances

Mainpiece Title: Ezio

Performance Comment: Signora Mingotti will sing this evening.

153
10 February 1756 @ King's Theatre

Event Comment: A new Opera. [But not performed.] 'Twas with inexpressible Concern that Mr Vanneschi found the Nobility and Gentry disappointed last Night, by the new Opera's not being then performed; a circumstance wholly owing to Sig Ricciarelli's being, on a sudden, taken extremely ill Yesterday, at an hour too late for its being made known to the Public (Public Advertiser, 11 Feb.)

Performances

Mainpiece Title: L'olimpiade

154
10 April 1756 @ King's Theatre

Event Comment: A New Opera. First performance in England. The Musick composed by Sig Abos

Performances

Mainpiece Title: Tito Manlio

Performance Comment: Titus Manlius-Pazzagli; Manlius-Ricciarelli; Servilia-Signora Mingotti; Sabina-Signora Frasi; Lucius-Signora Mattei; Decius-Signora Mondini (1756 libretto).
Cast
Role: Servilia Actor: Signora Mingotti
Role: Sabina Actor: Signora Frasi
Role: Lucius Actor: Signora Mattei
Role: Decius Actor: Signora Mondini

Dance: NNew Dances-

155
08 March 1757 @ King's Theatre

Event Comment: With new Music compos'd by Sig Nicola Conforto, and new Dances. A new Scene painted by Mr Mitermayer. [Repeated in the bills.

Performances

Mainpiece Title: Antigono

156
26 April 1757 @ King's Theatre

Event Comment: Opera by Sig Hasse

Performances

Mainpiece Title: Il Re Pastore

Dance: With Dances

157
31 May 1757 @ King's Theatre

Event Comment: A New Opera. The Musick by Sig Baldassare Galuppi. [Mingotti had been advertising for subscriptions for next season but now Vanneschi announces that he was secured the licence for next year from the Lord Chamberlain and he is the new Director of the operas (Daily Advertiser).

Performances

Mainpiece Title: Euristeo

Performance Comment: Creonte-Pazzaglia; Antigona-Signora Mingotti; Eurifreo-Ricciarelli; Ermione-Signora Passerini; Learco-Signora Grandis; Ormonte-Mareschi (Larpent MS).
Cast
Role: Antigona Actor: Signora Mingotti
Role: Ermione Actor: Signora Passerini
Role: Learco Actor: Signora Grandis

Dance: With New dances-

158
14 March 1758 @ King's Theatre

Event Comment: A New Opera. Ths Musick newly composed by Sig Cocchi. New Clothes, Decorations, and Dances. [On Monday 13 March Sga Frasi published in the Public Advertiser thanks for those who supported her benefit (6 March) and apologized for deficiencies in the performances. Some of the principals were engaged in the run of the new tragedy [The Prophetess? Mariamne?] whose run she could not anticipate.

Performances

Mainpiece Title: Issipile

159
16 January 1759 @ King's Theatre

Event Comment: A new Opera, the music newly compos'd by Sig Cocchi. With New Decorations and New Dances

Performances

Mainpiece Title: Il Ciro Riconosiuto

Performance Comment: Libretto of 1759 lists: Astioges-Gaetano Quilici; Mandane-Signora Colomba Mattei; Cyrus-Paquale Potenza; Cambises-Ferdinando Tenducci called Senesino; Arpalice-Signora Angiola Calori; Egistus-Laura Rosa.
Cast
Role: Mandane Actor: Signora Colomba Mattei
Role: Arpalice Actor: Signora Angiola Calori

Dance: Director of Dances: Giovanni Gallini Dancers-Gallini, Signora Rosa Carlini, Giuseppe Forti, Signora Giac. Bonomi

160
21 April 1759 @ King's Theatre

Event Comment: A New Opera. Music by Sig Perez. New Scenes, New Cloaths, and New Dances

Performances

Mainpiece Title: Farnace

161
22 May 1759 @ King's Theatre

Event Comment: Benefit Sig and Signora Forti. [Actually a charity benefit, as the ship with their costumes was seized by the French.

Performances

Mainpiece Title: Il Ciro Riconosiuto

Dance: new dance% Il Divertimento Napolitano-

162
14 December 1759 @ Drury Lane Theatre

Event Comment: Afterpiece: An English Burtetta from the Italian. Music by Sig Adolfo Hasse (playbill). Burletta Damn'd (Cross). Acted but once and not printed (Genest, IV, 579). Mainpiece: By Particular Desire. Receipts: #140 (Cross)

Performances

Mainpiece Title: Zara

Cast
Role: Lusignan Actor: Garrick

Afterpiece Title: The Tutor

163
24 March 1763 @ King's Theatre

Event Comment: Benefit for Sga DeAmicis, who will present it [the afterpiece] in its own natural beauty, such as it originally came from the hands of the ingenious author Sig Pergolesi, and as it was first done at Naples, in order to give the Nobility and Gentry the most favorable idea of so masterly a piece. Pit and Boxes to be put together at Half a Guinea each. Gallery 5s

Performances

Mainpiece Title: Il Tutore E La Pupilla

Afterpiece Title: La Serva Padrona

Dance:

164
07 March 1765 @ King's Theatre

Event Comment: Benefit for Manzoli. The Music entirely new, composed by Giardini. On account of the great Demand for Gallery Tickets, Sig Manzoli is obliged to appropriate the Upper Gallery for this Night. Gallery, Pit and Boxes will be open at 4. To begin precisely at 6:30 p.m

Performances

Mainpiece Title: Il Re Pastore

165
23 May 1769 @ King's Theatre

Performances

Mainpiece Title: La Buona Figliola

Performance Comment: cnl, but Sig Lovatini will perform tonight.

166
10 August 1769 @ Mary-le-Bone Gardens

Event Comment: A Concert of Vocal and Instrumental Music benefit for Mrs Pinto. Songs by Mrs Forbes, Master Brown, and Mrs Pinto. Concertos on the organ and Hautboy by Hook and Park. After which will be performed for the first time a Pastoral Serenata called Love and Innocence, in two acts composed by Mr Hook, with chorusses. An elegant transparent Temple of Apollo designed and painted by Sig Bigar, machinist to the Opera House. The Gardens will be additionally illuminated. Fireworks. The whole to conclude with a Ball

Performances

Mainpiece Title: Love And Innocence

167
04 December 1770 @ King's Theatre

Event Comment: The above opera will be perform'd owing to the sudden indisposition of Sig Lovattini, the first man in the Comic Opera

Performances

Mainpiece Title: Cosroe

168
23 November 1771 @ King's Theatre

Event Comment: A New comic Opera Written by Sig Badini; The Music entirely new composed by Guglielmi. With New Dances and Decorations

Performances

Mainpiece Title: Il Disertore

169
26 March 1772 @ King's Theatre

Event Comment: Benefit Sig & Signora Guglielmi. Music by Guglielmi

Performances

Mainpiece Title: Le Pazzie D'orlando

170
24 November 1778 @ King's Theatre

Performances

Mainpiece Title: L'avaro Deluso

Dance: With new Dances composed by Simonet. End II: La Noche Hollandoise-Banti, Zuchelli, Slingsby, Sga Zuchelli, Sga Tinti; End Opera: a new grand Serious Ballet, Les Nymphes de Diane; ou, L'Amour Faune-Mons Simonet, Mme Simonet, Banti, Sga Tinti

Ballet: End I: new Pantomime Ballet Annette et Lubin. Bailly-LeDet; Sig. du Village-Simonet; Lubin-Slingsby; Annette-Mme Simonet; unassigned-Sg Zuchelli, Sga Zuchelli

Performance Comment: Bailly-LeDet; Sig. du Village-Simonet; Lubin-Slingsby; Annette-Mme Simonet; unassigned-Sg Zuchelli, Sga Zuchelli.
Cast
Role: unassigned Actor: Sg Zuchelli, Sga Zuchelli.

171
02 October 1661 @ Theatre in Vere Street

Event Comment: The King's Company. Pepys, Diary: We [Pepys and his wife] went to the Theatre, but coming late, and sitting in an ill place, I never had so little pleasure in a play in my life, yet it was the first time that ever I saw it, Victoria Corombona. Methinks a very poor play. Pepys, Diary, 3 Oct.. I...calling at Sir W. Batten's, where his son and his wife were, who had yesterday been at the play where we were, and it was good sport to hear how she talked of it with admiration like a fool

Performances

Mainpiece Title: Vittoria Corombona

172
04 October 1661 @ Theatre in Vere Street

Event Comment: Pepys, Diary: Captain Ferrers and I to the Theatre, and there came too late, so we staid and saw a bit of Victoria, which pleased me worse than it did the other day. So we staid not to see it out

Performances

Mainpiece Title: Vittoria Corombona

173
09 April 1713 @ Hickford's Room

Event Comment: Benefit Signora Victoria Albergotti Romano. At 6 p.m. Tickets half a guinea

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; performing several Songs out of the newest Operas-; with One and Two Trumpets-; With variety of new Concertos for Flutes, German Flutes, Trumpets, Hautboys, other Instruments; by Mr Corbet-Mr Corbet, others of the best Masters in the Opera

174
01 March 1744 @ Drury Lane Theatre

Event Comment: Benefit the Author. Tickets as before. Regulus publish'd. As it is acted by his Majesties Servants at the Theatre Royal in Drury Lane, by Mr Havard, Author of King Charles the First. Inter omnes suos laudabiles & Virtutum insignibus illustres Viros, non preferunt Romani meliorem; quem neque Felicitas corruperit, nam in tanta Victoria, mansit pauperrimus; Nec Infelicitas fregerit, nam ad tanta Exitia revertit intrepidus. (St. Aust. de Regulo. Lib I. de Civitat. Dei.) Printed for H. Woodfall, Jr. in Little Britain, by Paul Vaillant facing Southampton Street in the Strand. J. Watts and B. Dodd also advertised King Charles the First, an Historical Tragedy, written in imitation of Shakespear, and Scanderbeg, a Tragedy. Both written by Mr Havard, author of Regulus

Performances

Mainpiece Title: Regulus

Afterpiece Title: The Amorous Goddess

175
01 January 1756 @ Covent Garden

Event Comment: [No paper for this day. Rich's Register suggests Romeo and Juliet but gives no afterpiece. Hogan quotes from a Playbill in the Enthoven Collection, Victoria and Albert Museum.

Performances

Mainpiece Title: Romeo And Juliet