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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sig Cocchi"/1) | (@(roleclean,performerclean) "Sig Cocchi")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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218 results for: Keyword - Sig Cocchi
We found 120 matches on Author, 48 matches on Event Comments, 38 matches on Performance Comments, 24 matches on Performance Title, and 0 matches on Roles/Actors.

176
27 March 1772 @ Covent Garden

Event Comment: Never performed in this Kingdom. In the manner of an Oratorio. This is a species of entertainment borrowed from our volatile neighbors on the continent, and never performed in England before; that is not directly in this manner. [But see 4 May 1759.] The performance was divided into three parts: the First consisted of Mr Addison's celebrated Hymn, set to music by Mr Handel, which is a masterly performance; the second contained Miserere mei Dei, &c., the music compsoed by Sig Pergolesi; this is a noble performance; the third part consisted of a very fine anthem, by Sig Nigri of Milan, a work of great merit. A concerto on the French Horn (as 6 March) and a concerto on the Violin (as 11 March) (Theatrical Review, p. 220). Charges: #35 (Account Book)

Performances

Mainpiece Title: Concerto Spirituale

177
20 March 1775 @ Covent Garden

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Druids with two New Scenes

Performance Comment: As17750316 but Sig_ Rossignol and "With Alterations to make room for Two Entire New Scenes; The Characters of the Pantomime and Dances as Usual".
Cast
Role: 7750102 but Imitations of Birds Actor: Sig Rossignol , being his first appearance here
Role: Country Fiddler Actor: Sig Rossignol

178
06 March 1776 @ Covent Garden

Performances

Mainpiece Title: Concerto Spirituale; Judas Maccabaeus

Performance Comment: See17760223, but Part I: An Anthem by Dr Arnold-; Part II: Stabat Mater-Sig B. Pergolesi , with additional chorusses; Part III: The Power of Harmony an Ode by Dr Arnold-.
Cast
Role: Stabat Mater Actor: Sig B. Pergolesi , with additional chorusses

Music: First Violin, as17760223; After I: Concerto on German Flute, as17760223; End II: Concerto on Violin-Lamotte

179
21 March 1749 @ King's Theatre

Performances

Mainpiece Title: An Entertainment Of Music

Performance Comment: PartI. An Overture by Paradies-; Songs: Perdona Amato Bene (Lampugnani)-Saiz; Contento in Grembo a Morte (Cocchi)-Laschi; Ritorn' al Caro Bene (Bernasconi)-Sga Galli; Concerto-Pasqualino; Pupille Amobile (Jomelli)-Guadagni; Scherza il Nocchier (Brevio)-Sga Frasi; Part II. Concerto-Carbonelli; Songs: Peno si per un Ingrata (Jomelli)-Sga Mellini; Spezza lo Stral piagato (Jomelli)-Sga Saiz; Parto non ho Costanza (Galuppi)-Sga Frasi; Concerto-Miller; Ah! non lasciarmi No (Bertoni)-Guadagni; Prove Sono (Handel)-Sga Galli; Part III. Concerto-Vincent; Songs: Di questo Cor Fedele (Lampugnani)-Laschi; Horses When with Glory Burning (Handel)-Signora Galli; O Sleep (Handel)-Sga Frasi; Son Confusa Pastorella (Jomelli)-Sga Mellini; O Lovely Peace (Handel)-Signora Frasi, Signora Galli; A Grand Concerto of Handel's-.
Cast
Role: Horses When with Glory Burning Actor: Signora Galli
Role: O Lovely Peace Actor: Signora Frasi, Signora Galli

180
10 April 1750 @ King's Theatre

Performances

Mainpiece Title: Entertainment Of Vocal And Instrumental Music

Performance Comment: Part I: A New Overture by Chiampi-; Jo Son quell Pellegrino (Terradellas)-Sga Giacomazzi; Dille che d'altra Face (Cocchi)-Laschi; Questo core amato bene (Ariaja)-Sga Galli; Concerto-Pasqualino; Le Dolcezze dell' Amor (Chiampi)-Guadagni; Infelice Van milagno (Chiampi)-Sga Frasi; Part II: Concerto-Dubourg; Qual Nocchiero (Chiampi)-Sga Mellini; Dal Labro (Chiampi)-Sga Giacomazzi; Oh dio mancar mi Sento (Chiampi)-Sga Frasi; Concerto-Miller; Son sventurato (Chiampi)-Guadagni; Fair and Comely is my Love (Handel)-Sga Galli; Part III: Concerto-Vincent; Crudo Amore (Fini)-Laschi; Alla selva al prato (Fini)-Mellini; Se torna il gelo usato (Pulli)-Sga Giacomazzi; So che per Gioco (Pulli)-Sga Galli; Duet O Fairest of Ten Thousand Fair (Handel)-Sga Frasi, Guadagni; A Grand Concerto by Handel-.

181
17 March 1755 @ King's Theatre

Performances

Mainpiece Title: Entertainment Of Vocal And Instrumental Music

Performance Comment: Part I: New Overture by DuBourg-; Non Pensi (Latilles)-Mondini; Cantata (Arne)-Beard; Voglio Amor-Sga Curioni; Concerto on violincello-Pasqualino; Pensa che amante (Cocchi)-Guadagni; S'e spoze (Hasse)-Mingotti; Part II: Concerto on Bassoon-Miller; Per lei fra l'armi-Ciprandi; Sorge nell' alma mia (Perez)-Sga Mattei; Concerto on Violin-Dubourg; Tremende oscuri atroci (Pergolesi)-Sga Frasi; Fra quest Ombra (Hasse)-Ricciarelli; Part III: Concerto on oboe-Vincent; Non via Piaque (Conforto)-Sga Mingotti; Destrir che all' armi usato (Ciampi)-Guadagni; Return O God of Hosts (Handel)-Sga Frasi; Uniti a Lupi (Hasse)-Ricciarelli; Grand Concerto-Handel.

182
24 March 1757 @ King's Theatre

Performances

Mainpiece Title: Concert Of Vocal And Instrumental Music

Performance Comment: Part I. Overture by Giardini-; Nocchiero s'abbandona (Galuppi)-Sga Grandis; Quel Ciglio che mesto (Cocchi)-Pazzagli; Concerto on Violincello-Gordon; Ogn' Amante (Scarlatti)-Ricciarelli; Numi se giusti siete (Hasse)-Sga Mingotti; Concerto on German Flute-Tacet; Part II. Concerto on Bassoon-Miller; Al caro nume appresso (Galuppi)-Sga Mareschi; Disciolta da pene (Graun)-Sga Passerini; Concerto on violin-Giardini; Se Amor provaste mei (Jomelli)-Sga Grandis; La Destra ti chiedo (duetto nel Demofoonte)-Sga Mingotti, Ricciarelli; Part III. Concerto on Hautboy-Vincent; Lascia giacer sul prato (Scarlatti)-Pazzagli; Innocente e quell'affetto (Graun)-Sga Passerini; Verdi prati (Handel)-Ricciarelli; S'espone a perdersi (Hasse)-Sga Mingotti; Concerto composed by Martini of Milan-; Coronation Anthem, God Save the King-.

183
11 November 1758 @ King's Theatre

Event Comment: A new opera. [Edition of 1758: Musick by Signor Galuppi and directed by Gioacchino Cocchi.] Pit and Boxes together at half a guinea. Gallery 5s. By His Majesty's Command, No Persons whatsoever to be admitted behind the Scenes. 6:30 p.m. [For an additional five guineas, subscribers may secure 15 pit tickets, good on Tuesday.

Performances

Mainpiece Title: Attalo

Dance: With New Dances-; Edition of 1758: Ballerini-Giovanni Gallini, Sga Rosa Carlini, Giuseppe Forti, Sga Giac. Bonomi

184
06 January 1761 @ King's Theatre

Event Comment: A new Comic Opera--Music by Galuppi. [Text--Goldoni. First performance in England. The text notes music originally by Baldassar Galuppi called Buranello, and perfected by Gioacchino Cocchi. Burney (History of Music, II, 860) notes the extreme popularity of this piece, and the success of the Paganinis as singers in it.

Performances

Mainpiece Title: Il Filosofo Di Campagna

Performance Comment: Eugenia-Signora Angiola Calori; Rinaldo-Pietro Sorbellini; Nardo-Carlo Paganini; Lesbina-Signora Angiola Paganini; Capocchio-Christiano Tedeschini; Mezzi Caratteri Don Tritemio-Gaetano Quilici; Lena-Signora Teresa Eberardi (Libretto, 1761).
Cast
Role: Eugenia Actor: Signora Angiola Calori
Role: Lesbina Actor: Signora Angiola Paganini
Role: Lena Actor: Signora Teresa Eberardi

Dance: New Dances , as17601216-Gherardi, Mlle Asselin, Polly Capitani, Tariot

185
15 May 1716 @ King's Theatre

Event Comment: By His Royal Highness's Command. With Magnificent New Scenes, Particularly one in Perspective of a Royal Palacev, which exceeds any that has been seen in England, containing about One Thousand Yards of Painting by Sig Roberto Clerici, and to be seen again this Year. Admission as 1 Feb. [The Prince and Princess present.

Performances

Mainpiece Title: Pyrrhus And Demetrius

Cast
Role: Marius Actor: Signora Diana Vico
Role: Deidamia Actor: Signora Elena Croce Viviani.

Music: As17160502

186
01 October 1719 @ Drury Lane Theatre

Event Comment: Afterpiece: A Cantata (divided into two Entertainments) set to Musick by Sig Attilio Ariosti

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: Diana on Mount Latmos

187
23 March 1727 @ King's Theatre

Event Comment: Benefit Sig Victoria and the Doctor. By His Majesty's Command. Mainpiece: Being a particular Fatigue of Argentina, with her Comical Affectation of her New Title; wherein the Doctor will perform by the Name of Tabarin , a New Character, very Comical and Jocose, never yet seen on the Stage, which has been reserved for that Day, and may be continued hereafter, if he has the Happiness of pleasing his most Noble Spectators better than by his former

Performances

Mainpiece Title: Argentina Ortolana Contessa Per Forza

Dance: new Scaramouch , lately arriv'd from Italy; Serious and Grotesque Dancing particularly-M deCamp, Mlle Mimi l'Post , first Dancers of the Opera at Brussels, just arrived

188
08 April 1734 @ Hickford's Room

Performances

Mainpiece Title: Concert

Music: By the best Performers. [Thumoth] performs several Lessons on the Harpsichord, and several Solos of Sig Quontz's on the German Flute, and Grand Concertos compos'd for the Trumpet

Performance Comment: [Thumoth] performs several Lessons on the Harpsichord, and several Solos of Sig Quontz's on the German Flute, and Grand Concertos compos'd for the Trumpet .

189
16 April 1734 @ Lincoln's Inn Fields

Event Comment: Composed by Sig Bononcini

Performances

Mainpiece Title: Astartus

190
14 March 1738 @ Covent Garden

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Honest Yorkshireman

Music: Musical Medley called The Topers; or The Sons of Bacchus. Written and set to Musick, by Sig Carini, Author of The Dragon of Wantley; Vocals-Leveridge, Laguerre, Salway, Roberts

Performance Comment: Written and set to Musick, by Sig Carini, Author of The Dragon of Wantley; Vocals-Leveridge, Laguerre, Salway, Roberts.

Dance: IV: Peasant-Lalauze, Mlle Roland; V: Clown-Nivelon; End Afterpiece: Dance of Sailors-Glover

191
29 January 1743 @ King's Theatre

Event Comment: N.B. Sig Sodi being recover'd of his last indisposition, will dance this Night as usual

Performances

Mainpiece Title: Enrico

192
19 March 1743 @ Drury Lane Theatre

Event Comment: Benefit Sig Checo Torinese. Mainpiece: By Particular desire. Tickets deliver'd out for Venice Preserv'd will be taken. Tickets and places to be had of Hobson at the stage door

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Lying Valet

Dance: I: The Sicilian Peasant, as17430310 III: La Mascarade de Florana-Checo, Chiaretta; V: Italian Gardeners, as17421231

193
16 May 1744 @ Hickford's Room

Performances

Mainpiece Title: Orpheus Seeking After Eurydice

Performance Comment: Vocal Parts-Palma, Rochetti, Fratestanti; who sing some song composed in Italy in Comic Style; for the first time in publick, the famous Cantata by the late Sig. Pergolesi-.

194
14 March 1748 @ King's Theatre

Event Comment: We hear from the King's Theatre in the Haymarket, that as the Celebrated Opera Dido, wrote by Abbat Metastasio, and set to Musick by Sig Hasse, cannot be got ready for Representation till almost a fortnight, the Opera Lucius Verus (consisting of chosen Airs from the Compositions of Mr Handel) will be performed next Saturday (Daily Advertiser)

Performances

195
23 August 1749 @ Bartholomew Fair

Event Comment: At Phillips's Great Theatrical Booth opposite Cow Lane. With the surprising performances of an Englishman and a Citizen of London [Lort] who performs all the Equilibres on the Slack Rope that were performed by the muchfamed Turk. Prices: 2s. 6d., 1s. 6d., 1s., 6d. To begin at Twelve. [Time and prices the same at all booths.] Afterpiece: With the Escape of Harlequin into a Glass Bottle, also the last new additional Scene of Sig Jumpedo Jumping Down his own Throat. [An unhappy evening, for "last night the gallery of Phillips' booth fell down, with a great number of people in it, by which accident several persons were hurt, and some dangerously. This misfortune could be owing to nothing but the carelessness of the workmen, who upon such occasions deserve to be severely punished" (General Advertiser, 24 Aug.). The Daily Advertiser noted that Mr Stringellow, a goldsmith, in Aldersgate St., and Thomas Hodges, a journeyman-plaisterer in Golden Lane, were killed.

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Harlot's Progress

196
20 March 1750 @ King's Theatre

Event Comment: By Desire of Several Persons of Quality. [Scheduled performance of 17 March, cancelled because of "The Indisposition of Sig Laschi."

Performances

Mainpiece Title: Il Negligente

197
27 March 1750 @ King's Theatre

Event Comment: Benefit Signor Laschi, with Comic Interludes between the Acts, called La Serva Padrona. The music composed by Sig Gio. Batista Pergolesi

Performances

Mainpiece Title: Adriano In Siria

Afterpiece Title: La Serva Padrona

198
07 April 1750 @ King's Theatre

Event Comment: Benefit Sig Croza

Performances

Mainpiece Title: Il Trionfo Di Camilla

199
11 December 1752 @ Haymarket Theatre

Performances

Mainpiece Title: The Old Woman's Oratory

Cast
Role: particularly a Piece Actor: Signor Spoonatissimo on an Instrument dug out of the Ruins of Herculaneumv, much used by the Ancient Romans, and celebrated by Virgil in his Georgics

Afterpiece Title: Animal Pantomime

Performance Comment: Pantomime Entertainment. The Animal Comedians brought from Italy by Sig Ballard.

200
10 April 1753 @ Haymarket Theatre

Event Comment: Benefit for Master Benjamin Hallet and Sig Gapatono

Performances

Mainpiece Title: The Old Woman's Oratory

Song: TThe Dust Cart-Toe; accompanied-, Bombasto; Grand Dance in the Old British Taste-; Hornpipe-Timertoe