Event Comment: Benefit Signor Antonio Ambrosia, Operator on the Cremona Staccato, vulgarly call'd the Salt-Box. Tickets delivered for 5 March will be taken. Prices, Boxes 4s. Pit 3s. Gallery 2s. [The fifteenth night.

Event Comment: A New Opera. Ths Musick newly composed by Sig Cocchi. New Clothes, Decorations, and Dances. [On Monday 13 March Sga Frasi published in the Public Advertiser thanks for those who supported her benefit (6 March) and apologized for deficiencies in the performances. Some of the principals were engaged in the run of the new tragedy [The Prophetess? Mariamne?] whose run she could not anticipate.

Event Comment: Mainpiece: Composed by Signior Hasse. Afterpiece: A Comic Interlude. [Music by Giuseppe Maria Orlandini. Text by A. Salvi. Queen and all the Royal Family present.

Event Comment: A new serious opera, music entirely new, by Antonio? Sacchini. Text by G. G. Bottarelli

Event Comment: A New Serious Opera; the Music entirely new by Antonio Sacchini

Event Comment: A new Serious Opera [1st time; SER 3, by Giovanni de Gamerra]. With grand Chorusses. The Music entirely new by Antonio Sacchini

Event Comment: A Comic Opera [1st time; COM 3, by Antonio Andrei]. The Music entirely new by Sacchini

Event Comment: A new Comic Opera [1st time; com 2, by Filippo Livigni, with alterations by Antonio Andrei]: The Music entirely new by Bertoni. [Bartolini was from the Opera, Milan.] The Music and Orchestra under the direction of Giardini. New Scenes and Decorations by Novosielski. Entirely new dresses by Lupino. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. By Command of Their Majesties no Persons to be admitted behind the Scenes. The Doors to be opened at 6:00. To begin exactly at 7:00 [same throughout season]. To prevent inconvenience to the Nobility and Gentry in getting to their carriages, they are most respectfully intreated to give positive orders to their servants to set down and take up with their horses' heads towards Pall-mall. The Door in Market-lane for Chairs only. Subscription tickets will be admitted every Opera Night (Benefits excepted) during the Season

Event Comment: Benefit for D'Auberval, ballet-master. Opera: An entirely new Species of Entertainment, after the French style [1st time; ser 3, by Antonio Andrei]. The Music entirely new, composed by Rauzzini. [Libretto (H. Reynell, 1784) is entitled Alina; o sia, La Regina di Golconda.] The Scenery and Decorations devised and painted by Novosielski. The Dresses in character, and entirely new by Lupino. Tickets, half a guinea each, to be had of D'Auberval, No. 5, Great Pultney-street, Golden-square. To prevent all manner of confusion, the Subscribers are most respectfully entreated to give early notice, addressed as above, of their intention concerning their Boxes

Event Comment: By Command. The Concert will be perform'd in a Magnificent Triumphant Scenev, exceeding 30 Foot in Length any Scene ever seen before. Painted by Sig Roberto Clerici. The Pit and Boxes at half a guinea. Gallery 2s. 6d

Event Comment: New Scenes, Dresses and Decorations for the dances. [No after money.] The New Grand Ballet, call'd the Turkish Pirate, and the Comic Entertainment of Dancing, the Laundress's Visiting Day were perform'd last Monday at Drury Lane, with uncommon applause. The Scenery was well contriv'd, the habits very elegant, and the dance in a taste particularly agreeable. The comic entertainment is a fine piece of low humour, the various characters were well represented and afforded a great deal of Mirth; Sig Salomon especially, in the character of the woman's taylor, show'd a great deal of a good comedian as well as an excellent dancer, and the whole was greatly approv'd of.--London Courant; or New Advertiser, 31 Dec

Event Comment: Benefit Signor Laschi, with Comic Interludes between the Acts, called La Serva Padrona. The music composed by Sig Gio. Batista Pergolesi

Event Comment: Benefit for Sga DeAmicis, who will present it [the afterpiece] in its own natural beauty, such as it originally came from the hands of the ingenious author Sig Pergolesi, and as it was first done at Naples, in order to give the Nobility and Gentry the most favorable idea of so masterly a piece. Pit and Boxes to be put together at Half a Guinea each. Gallery 5s

Event Comment: Afterpiece [1st time; P 2(?), by James Messink and Carlo Antonio Delpini. Not in Larpent MS; synopsis of action in London Chronicle, 26 Nov.]: The Scenery, Machinery, &c. painted new by Carver, Greenwood and Garvey. The Overture and the rest of the Music composed new by Fisher. Nothing under Full Price will be taken. Books of the Songs to be had at the Theatre. Account-Book, 3 Feb. 1778: Paid Fisher for composing songs, &c. in The Tempest [see 27 Dec. 1776], and other pieces, as per bill, #131 11s. Receipts: #190 16s. (182.18; 7.18)

Event Comment: Benefit for Sga Sestini. Public Advertiser, 13 Feb.: Tickets to be had of Sga Sestini, No. 52, Margaret-street, Cavendish Square. Afterpiece [1st time; burl 2, by John O'Keeffe. MS: Larpent 616; not published]: Taken from the Italian of La Serva Padrona [by Gennaro Antonio Federico]. The Music chiefly the Original of Parosasi [i.e. Pergolesi, and so spelled on playbill of 17 Feb.]. The new Music composed by Dr Arnold. Books of the Songs to be had at the Theatre. Receipts: #256 5s. 6d. (198/12/0; 7/3/6; tickets: 50/10/0) (charge: none listed)

Event Comment: [Mainpiece in place of Lord Russel, announced on playbill of 30 Aug. It was deferred on account of Miss Woollery's illness {Public Advertiser, 31 Aug.).] Afterpiece [1st time; P 1, by Carlo Antonio Delpini. MS: Larpent 706; not published]: The Overture and Music composed by Dr Arnold. The Scenes painted by Rooker

Event Comment: Mainpiece: Not acted these 5 years [acted 16 Jan. 1789]. Afterpiece [1st time at a public theatre (1st acted at Lord Barrymore's private theatre at Wargrave, 13 Apr. 1791); P 2, by Carlo Antonio Delpini. Not published]: With entire new Music, Scenery, Machinery, Dresses, and Decorations. The Music composed by Baumgarten. The Scenes painted by Richards, Hodgins, Pugh, Walmsley, and other assistants. Books of the Songs [W. Woodfall, 1791] to be had at the Theatre. Nothing under Full Price will be taken. "The Piece was last night very incorrectly exhibited...The scenes of the destruction of the cottage by fire, the view of Strawberry-hill, and Blue Beard's infernal palace...are worthy of commendation. The last scene was not grand enough: the wings were by no means in unison" (Public Advertiser, 22 Dec.). Receipts: #279 13s. (249.19; 29.14)