SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sheriffs of London"/1) | (@(roleclean,performerclean) "Sheriffs of London")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 846 matches on Event Comments, 604 matches on Performance Title, 433 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece [1st time in London; T 5, by Hannah Brand, 1st acted at Norwich, 7 Apr. 1791. Again acted at king's on 2 Feb. as Agmunda; text 1st published in Miss Brand's@Plays@and@Poems (Norwich: Beatniffe and Payne, 1798) as Huniades; or, The Siege of Belgrade. Prologue and Epilogue by the author (London Chronicle, 19 Jan. 1792)]: The Dresses, Decorations, &c. entirely new. Receipts: #367 1s. 6d. (314.2.6; 51.8.0; 1.11.0)

Performances

Mainpiece Title: Huniades

Performance Comment: The Christian Characters by Kemble, R. Palmer, Wroughton, Barrymore, Aickin, Dignum, Whitfield, Maddocks, Packer, Bland, Jones, Cooke, Lyons, A Young Lady (Author of the Tragedy; 1st appearance on any stage), Miss Collins. The Mahometan Characters by Palmer, Benson, Webb, Sedgwick, Caulfield. Cast from London Chronicle, 21 Jan.: Hungarians: Huniades-Kemble; Vilach-R. Palmer; Corvinus-Wroughton; Count of Cilley-Barrymore; Campestran-Aickin; Zilugo-Whitfield; Old Officer-Packer; Agmunda-Miss Brand; Ella-Miss Collins; Turks: Mahomet II-Palmer; Mustapha-Benson; Zoganus-Webb; Aga-Sedgwick; Chusanes-Caulfield; Dignum, Maddocks, Bland, Jones, Cooke, Lyons; Prologue-Miss Farren; Epilogue-Bannister Jun.

Afterpiece Title: The Deaf Lover

Performances

Mainpiece Title: London's Tryumph

Performances

Mainpiece Title: London's Glory Represented By Time, Truth, And Fame

Performances

Mainpiece Title: London's Triumphs

Performances

Mainpiece Title: London's Triumph: Presented In Severall Delightfull Scaenes

Performances

Mainpiece Title: London's Anniversary Festival Performed On Monday, October The 29th, 1688, For

Event Comment: Afterpiece: A Masque (in three parts) [by George Colman] never perform'd, in which will be introduc'd the Principal Solemnities at the Installation of the Knights of the Garter. With New Music, composed by Dr Arne, Habits, Decorations and Scenes. Books of the Masque to be had at the Theatre. Receipts: #220 10s. 6d. (Account Book). The greater part is borrowed with some variation from Ben Jonson [Masque of Oberon]. The same liberty has been taken with a few passages of Shakespeare, and a Chorus of the late Gilbert West, Esq. The final chorus is from Dryden...an effort to entertain the public by the combined powers of the most eminent proficients in the arts of Music, Painting and Poetry (Adv. to Printed Edn., Colman's Dramatic Works, IV, London, 1777)

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Fairy Prince, with Installation of Knights of the Garter

Performance Comment: Parts-Mattocks, DuBellamy, Phillips, Reinhold, Baker, Fox, Two Children (1st time on any stage), Mrs Baker, a Gentlewoman; Dances-Fishar, Aldridge, Sga Manesiere. Silenus-Reinhold; +1st Satyr-Mattocks; +2nd Satyr, Echo-DuBellamy; +3rd Satyr-Phillips; +4th Satyr-Baker; +5th Satyr-Fox; +Sylvan-Owenson; +Principal Fairies-Mas. Wood, Miss Brown (two children, their 1st appearance on any stage); +Nymphs-Mrs Baker, a Gentlewoman ($Mrs Woodman); The Dances-Fisher, Aldridge, Sga Manesiere (Edition in Colman's Works, IV, London, 1777).
Event Comment: Benefit for a Fund, for the Relief of those who from their Infirmities shall be obliged to retire from the Stage. Prelude [1st time; M. PREL 1, by David Garrick, and others. In a synopsis of the plot the London Chronicle assigns Bannister; it lists the names of the other performers and, separately, their parts. The assignments given above are my own conjecture. Not in Larpent MS; the composer of the vaudeville written by Garrick is unknown]. The Words of the Songs will be given at the Theatre. Ladies and Gentlemen are requested to come early, to prevent Confusion. And to send their Servants by Five o'clock to keep the Places. Receipts: #217 8s. 6d. (100.9.0; 25.14.6; 0.0.0; tickets: 91.5.0) (charge: free)

Performances

Mainpiece Title: A Bundle Of Prologues

Performance Comment: Cast from London Chronicle, 29 Apr.: Mr Tragedy Truncheon-Bannister; Mr Quaver-Davies; Mr Smirk-Parsons; Patrick Boosely-Moody; Mrs Ranter-Mrs Davies; Mrs Stately-Mrs Bradshaw.

Afterpiece Title: Twelfth Night

Afterpiece Title: The Jubilee

Event Comment: [This was Mrs Hitchcock's 1st appearance in London. Miss Farren was from the Manchester theatre. Miss Twist is identified in playbill of 14 July.] Because of Foote's acting scarcely anything but his own plays "a relaxation of discipline has been fallen into at the Haymarket... The audience last night, however, were not less surprized than pleased at the very regular manner in which the Comedy and the Burletta were exhibited. All the business of the stage perfect, all the little parts smoothly given, and the whole rather superior than inferior to a performance at either of the Winter Theatres" (Morning Chronicle, 10 June)

Performances

Mainpiece Title: She Stoops To Conquer

Performance Comment: Young Marlow-Palmer; Hastings (with a song)-DuBellamy; Sir Charles Marlow-Fearon; Diggory-Massey; Landlord-Griffiths; Tony Lumpkin-Jackson; Hardcastle-Edwin; Miss Neville-Mrs Hitchcock [from the Theatre Royal, Bath (on playbill of 6 June)]; Mrs Hardcastle-Mrs Gardner; Betty-Mrs Poussin; Miss Hardcastle-Miss Farren (1st appearance in London).

Afterpiece Title: Midas

Event Comment: [Digges refused to make use of "the too familiar modern manner of speaking blank verse" (London Chronicle, 30 Aug., which also identifies Fotteral, although misspelling his name as "Fotheril").

Performances

Mainpiece Title: King Henry Viii

Performance Comment: Cardinal Wolsey-Digges; Buckingham-Palmer; Cranmer-Younger; Surry-Davies; Cromwell-R. Palmer; Gardiner-Parsons; Lord Sands-Jackson; Lord Chamberlain-Egan; Norfolk-T. Davis; Suffolk-Fearon; King Henry-A Gentleman (from the Theatre Royal, Dublin; 1st appearance in London [Fotteral]); Anne Bullen-Mrs Colles; Patience (with a song)-Miss Twist; Queen Catherine-Mrs Massey (1st appearance in that character).

Afterpiece Title: The Portrait

Event Comment: Mainpiece [1st time; CO 3, by George Colman elder, based on Le Barbier de Seville; ou, La Precaution Inutile, by Pierre Augustin Caron de Beaumarchais; music by Samuel Arnold and, by attribution, Pierre Alexandre Monsigny. Prologue by the author (Collection...of English Prologues and Epilogues, II, 209). Epilogue by David Garrick (Garrick's Poetical Works, II, 340). Larpent MS 436; not published; synopsis of plot in London Magazine, Sept. 1777, pp. 467-69]: With New Dresses and Scenes

Performances

Mainpiece Title: The Spanish Barber; Or, The Fruitless Precaution

Performance Comment: Principal Parts by Palmer, Parsons, Blissett, Jackson, R. Palmer, Egan, Stevens, Edwin, Miss Farren. [Cast from London Chronicle, 1 Sept.: Count Almaviva-Palmer; Dr Bartholo-Parsons; Basil-Blissett; Argus-Jackson; Pall@Boy-R. Palmer; Alcade-Egan; Notary-Stevens; Lazarillo-Edwin; Rosina-Miss Farren; Prologue-Parsons; Epilogue-Miss Farren. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: Thomasand Sally

Dance: End: Dance-. [This was included in all subsequent performances.

Event Comment: Mainpiece [1st time; T 5, by John Home. Prologue by the author (London Chronicle, 16 Feb.). Epilogue by David Garrick (ibid.)]: New Scenes, Dresses, &c. Account-Book, 26 Jan.: Paid Wild for [obtaining] license for Alfred #2 2s. Public Advertiser, 14 Feb. 1778: This Day is published Alfred (1s. 6d.). Receipts: #246 (241.17.6; 4.2.6)

Performances

Mainpiece Title: Alfred

Performance Comment: Principal Characters by Lewis, Hull, Whitfield, L'Estrange, Fearon, Booth, Robson, Smith, Thompson, Aickin, Mrs Jackson, Miss Ambrose, Miss Green, Mrs Barry. [Cast from text (T. Becket, 1778) and London Chronicle, 22 Jan.: Alfred-Lewis; Edwin-Hull; Earl of Surrey-Whitfield; Rollo-L'Estrange; Officers-Booth, Robson, Thompson; Hinguar-Aickin; Ronex-Mrs Jackson; Edda-Miss Ambrose; Elisa-Miss Green; Ethelswida-Mrs Barry; Fearon, Smith; [New Prologue-Wroughton; [New Epilogue-Mrs Barry. [These were spoken, as here assigned, at both subsequent performances.]These were spoken, as here assigned, at both subsequent performances.]

Afterpiece Title: The Padlock

Dance: End: The Villagers-Aldridge, Langrish, Master Jackson, Miss Valois

Event Comment: Benefit for Mrs Bulkley. Mainpiece: With the Triumphal Entry of Alexander into Babylon. [This was included in both subsequent performances.] Afterpiece [1st time; C 1, author unknown. Not in Larpent MS; not published; synopsis of plot in London Chronicle, 23 Apr.]. Public Advertiser, 9 Apr.: Tickets to be had of Mrs Bulkley, No. 10, New Ormond-street. Receipts: #195 13s. 6d. [166.16.6; tickets: 28.17.0) (charge: #73 7s.)

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: True-Blue

Afterpiece Title: The Dutiful Deception

Performance Comment: Principal Characters by Wilson, Whitfield, Lee Lewes, Mrs Wilson, Mrs Bulkley. Cast from London Chronicle, 23 Apr.: Sir Oliver Beaufort-Wilson; Beaufort-Whitfield; Harrison-Lee Lewes; Betty-Mrs Wilson; Clarissa-Mrs Bulkley.

Dance: New Dance, Allemande-Aldridge, Mrs Bulkley

Event Comment: Benefit for Mrs Jackson. Mainpiece [1st time in London; T 5, by John Jackson, 1st acted at Crow Street Theatre, Dublin, 13 Jan. 1777, as Gerilda. Larpent MS 448, which also lists the following unassigned parts: Halard, Bragances, Setoc, Bruno, Grindal, Clara. Authors of Prologue and Epilogue unknown]. [Robinson, who is identified in Morning Chronicle, 6 May, was from the Smock Alley Theatre, Dublin.] Account-Book, 4 May: Paid Hull in lieu of a Benefit #100. Public Advertiser, 18 Apr.: Tickets to be had of Mrs Jackson, Great Piazza, Covent Garden. Receipts: #188 15s. 6d. (99.19.6; tickets: 88.16.0) (charge: #105)

Performances

Mainpiece Title: The British Heroine

Afterpiece Title: Midas

Entertainment: Monologue.End: Tony Lumpkin's Ramble through London-Quick

Performance Comment: End: Tony Lumpkin's Ramble through London-Quick.
Event Comment: Mainpiece: Altered from [The Artful Wife, by William? Taverner. [1st time; C 3, by George Colman elder. Not in Larpent MS; not published; synopsis of plot in London Chronicle, 20 May. Public Advertiser, 19 May, notes that the Prologue was the same as that spoken on 15 May 1777. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Servants to keep Places are to be at the door in Suffolk-street by Five o'clock. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. On account of the Performers employed at other Theatres the second Night of Representation cannot be till Thursday, the 21st inst. [On this night, the 18th, Baddeley's name is in the playbills at both dl and hay.

Performances

Mainpiece Title: The Female Chevalier

Performance Comment: Principal Characters by Palmer, Aickin, Baddeley, R. Palmer, Massey, Davis, Kenny, Silvester, Parsons, Miss Sherry, Mrs Love, Miss Walton, Mrs Greville. Cast from London Chronicle, 20 May: Sir Harry Freelove-Palmer; Ned Winworth-Aickin; Servants-Baddeley, Massey, Davis, Kenny, Silvester; Young Upstart-R. Palmer; Mr Stockwell-Parsons; Mrs Upstart-Miss Sherry; Landlady-Mrs Love; Mademoiselle-Miss Walton; Belinda-Mrs Greville; The occasional Prologue on Opening the Theatre, with Alterations,-Palmer.

Afterpiece Title: Piety in Pattens

Dance: End I: The Merry Lasses-(see17780529); End: Provencalle Dance-Master and Miss Byrn

Event Comment: Mainpiece [1st time; c 4, by George Colman elder. Prologue by the author (Prose on Several Occasions, III, 244). Epilogue by David Garrick (Poetical Works, II, 351). Larpent MS 450; synopsis of plot in London Chronicle, 11 July Postcript; not published]

Performances

Mainpiece Title: The Suicide

Performance Comment: Principal Characters by Palmer, Aickin, Edwin, R. Palmer, Webb, Lamash, Gardner, Baddeley, Blissett, Massey, Davis, Egan, Peirce, Sdevens, Bannister, Mrs Webb, Miss Hale, Miss Farren. [Cast from London Chronicle, 11 July: Tobine-Palmer; Tabby-Aickin; Wingrave-Edwin; Squib-R. Palmer; Bounce-Webb; Robin-Lamash; Cathartic-Gardner; Catchpenny-Baddeley; Dr Truby-Blissett; Juggins-Massey; Waiters-Davis, Egan, Stevens; Watchman-Peirce; Ranter-Bannister; Mrs Grogram-Mrs Webb; Peggy-Miss Hale; Nancy-Miss Farren; [The MS also lists Bolus [an unassigned part.-; Prologue-Palmer; Epilogue-Miss Farren. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: Miss in her Teens

Event Comment: Mainpiece [1st time; CO 5, by Richard Cumberland. Larpent MS 508, which also lists the following parts: Marsyas, Gumias, Chloris. Text not published; synopsis of plot in London Chronicle, 2 Feb. Songs published, without listings parts (G. Kearsley, 1780)]: With new Scenes, Dresses and Decorations. The Songs set to music and a new Overture by Butler. Book of the Songs to be had at the Theatre. Public Advertiser, 1 Feb. 1780: This Afternoon is published the Songs in The Widow of Delphi (6d.). Receipts: #228 4s. 6d. (227.4.6; 1.0.0)

Performances

Mainpiece Title: The Widow Of Delphi; Or, The Descent Of The Dieties

Performance Comment: Principal Characters by Lewis, Quick, Edwin, Wilson, Lee Lewes, Fearon, Booth, Baker, Wordsworth, Bates, Mattocks, Miss Brown, Mrs Wilson, Miss Green, Mrs Kennedy, Mrs Hartley. Cast from London Chronicle, 2 Feb.: Phormio-Lewis; Megadorus-Quick; Mercurius-Edwin; Pertinax-Wilson; Tranio-Lee Lewes; Apollo-Mattocks; Venus-Miss Brown; Lucretia-Mrs Wilson; Philaenis-Mrs Kennedy; Agapea-Mrs Hartley; Fearon, Booth, Baker, Wordsworth, Bates, Miss Green. Fearon, Booth, Baker, Wordsworth, Bates, Miss Green.

Afterpiece Title: The Upholsterer

Event Comment: 1st piece [1st time; PREL I, by George Colman, the elder]. "The ground-work was the apologies received from the great actors, who all preferred their suburban shades to the temperature of the Haymarket...The prompter enters to apologize to the audience and return the money, but his plea is rendered nugatory by certain oratorical and mimetic personages stationed in the pit and boxes, who not at first being recognized by the house as professional people, a great confusion was produced. When Mrs Webb arose to address the audience, the joke became apparent, and a prodigious interest was excited' (Boaden, Siddons, 1,208). [In 2nd piece the playbill lists Baddeley, but "Previous to the beginning of the Play, Palmer came forward...and acquainted [the audience] that Baddeley then lay speechless [as the result of a stroke], and Hitchcock, the prompter, would, with their permission, read Baddeley's Part" (London Chronicle, 31 May). The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. Places for the Boxes to be taken of Rice at the Theatre. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Public Advertiser, 6 July 1780: This Day is published The Manager in Distress (1s.)

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The Suicide

Afterpiece Title: Midas

Performance Comment: Midas-Edwin; Apollo-Du-Bellamy (1st appearance in London these 3 years); Sileno-Massey; Jupiter-Simpkinson; Damaetas-Lamash [Public Advertiser: Blissett]; Pan-Bannister; Daphne-Mrs Hitchcock; Juno-Mrs Poussin; Mysis-Mrs Love; Nysa-Miss Twist.

Dance: End 2nd piece: new dance, The Italian Peasants-Master Byrne, Miss Byrne

Event Comment: Mainpiece [1st time; C 5, by Hannah Cowley. Not published. An alteration of her The World as it Goes, acted on 24 Feb. Prologue by B. Walwyn (London Chronicle, 28 Mar.)]: With New Scenes and Dresses. Receipts: #170 1s. (168.14.6; 1.6.6)

Performances

Mainpiece Title: Second Thoughts Are Best

Performance Comment: Principal Characters by Lewis, Lee Lewes, Quick, Wilson, Edwin, Wewitzer, Robson, Miss Younge, Mrs Mattocks, Miss Satchell, Mrs Wilson, Mrs Morton, Miss Platt, Mrs White, Mrs Davenett, Miss Langrish, Mrs Yates; [Cast adjusted from playbill of 24 Feb. and from London Chronicle, 26 Mar.: Sir Charles Danvers-Lewis; Fairfax-Lee Lewes; Grub-Quick; Col. Sparwell-Wilson; Bronze-Edwin; von Irkin-Wewitzer; Le Rouge-Robson; Molly Gurb-Miss Younge; Mrs Sparwell-Mrs Mattocks; Sidney Grub-Miss Satchell; French Countess-Mrs Wilson; Lady Danvers-Mrs Yates; [Mrs Morton, Miss Platt, Mrs White, Mrs Davenett, Miss Langrish are unassigned.] Prologue-Lee Lewes.

Afterpiece Title: The Upholsterer

Dance: As17801107

Event Comment: Mainpiece [1st time; T 5, by Robert Jephson. Prologue by the author (Gentleman's Magazine, Jan, 1782, p. 36). Another Prologue, by the Right Hon. Luke Gardiner, "not arriving in London time enough for the first exhibition of the Count of Narbonne, was not spoken" (ibid.). Epilogue by Richard Josceline Goodenough, but beginning with 20 Nov. it was superseded by a new Epilogue written by Edmond Malone (see text)]: With new Scenery and Dresses. Public Advertiser, 1 Nov.: The Management of The Count of Narbonne is . . . under very good Care: Mr Horace Walpole, with a Fondness nothing less than fatherly, directs that part of the Affair which respects the Scenes and Dresses, while Henderson takes Charge of the Rehearsals and the casting of inferior Parts... [Henderson] is to wear a Dress which is lent him from among the Antiquities at Strawberry Hill. "I have been at the theatre, and compromised the affair of the epilogues: one is to be spoken to-morrow, the friend's on the author's night. I have been tumbling into trap-doors, seeing dresses tried on in the green-room, and directing armour in the painting-room" (Walpole [16 Nov. 1781], XII, 95). "I never saw a more unprejudiced audience, nor more attention. There was not the slightest symptom of disapprobation to any part ... It is impossible to say how much justice Miss Younge did to your writing. She has shown herself a great mistress of her profession, mistress of dignity, passion, and of all the sentiments you have put into her hands. The applause given to her description of Raymond's death lasted some minutes, and recommenced; and her scene in the fourth act, after the Count's ill-usage, was played in the highest perfection. Mr Henderson was far better than I excepted from his weakness, and from his rehearsal yesterday, with which he was much discontented himself. Mr Wroughton was very animated, and played the part of the Count much better than any man now on the stage would have done. I wish I could say Mr Lewis satisfied me; and that poor child Miss Satchell was very inferior to what she appeared at the rehearsals, where the total silence and our nearness deceived us. Her voice has no strength, nor is she yet at all mistress of the stage. I have begged Miss Younge to try what she can do with her by Monday. However, there is no danger to your play: it is fully established" (Walpole [to the author, 18 Nov. 1781], XII, 95-96). Public Advertiser, 28 Nov. 1781: This Day is published The Count of Narbonne (price not listed). Receipts: #164 10s. 6d. (163/0/6; 1/10/0)

Performances

Mainpiece Title: The Count Of Narbonne

Performance Comment: The Characters by Henderson, Wroughton, Lewis, Thompson, Fearon, J. Bates; Miss Satchell, Mrs Morton, Miss Younge. [Cast from text (T. Cadell, 1781), and London Chronicle, 19 Nov.: Austin-Henderson; Raymond-Wroughton; Theodore-Lewis; Fabian-Thompson; Officers of the Count-Fearon, J. Bates, Painter, &c.; Adelaide-Miss Satchell; Jacqueline-Mrs Morton; Hortensia-Miss Younge.] With a new Prologue [spoken by Wroughtton] and Epilogue [spoken by Miss Younge (see text). These were spoken, as here assigned, at the first 13 performances only (see17811215)] . With a new Prologue [spoken by Wroughtton] and Epilogue [spoken by Miss Younge (see text). These were spoken, as here assigned, at the first 13 performances only (see17811215)] .

Afterpiece Title: The Deaf Lover

Event Comment: Mainpiece: In Act I a Statute Scene. [Meadows had 1st appeard in London, from the Crow Street Theatre, Dublin, at the HAY, 12 Feb. 1785.]

Performances

Mainpiece Title: Love In A Village

Performance Comment: Hawthorn-Bannister; Justice Woodcock-Edwin; Sir William Meadows-Aickin; Hodge-Wewitzer; Eustace-Davies; Young Meadows-Meadows (1st appearance in London); Luanda-Miss Langrish; Madge-Mrs Wells; Deborah Woodcock-Mrs Love; Rosetta-Miss George .

Afterpiece Title: Hunt the Slipper

Dance: End of Act II of mainpiece, as17850601

Event Comment: Afterpiece [1st time in London; F 2, by John Philip Kemble, 1st acted at Manchester, 25 Mar. 1778, as The Female Officer. MS: Larpent 723; not published; synopsis of plot in Public Advertiser, 20 Feb. Prologue by James Cobb (European Magazine, Feb. 1786, p. 129)]. Receipts: #222 8s. 6d. (192/0/0; 29/6/0; 0/7/6; tickets not come in: 0/15/0)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Projects

Performance Comment: Characters by Parsons, Baddeley, Suett, Barrymore, R. Palmer, Bannister Jun.; Mrs Wilson, Mrs Forster, Miss Kemble. [Cast from London Chronicle, 20 Feb.: Don Francisco-Parsons; Don Pedro-Baddeley; Lopez-Suett; Antonio-Barrymore; Carlos-R. Palmer; Sancho-Bannister Jun.; Jacintha-Mrs Wilson; Laura-Mrs Forster; Julia-Miss Kemble.] Prologue spoken by Bannister Jun . Prologue spoken by Bannister Jun .

Dance: End of Act I of mainpiece The Lucky Return, as17860105

Song: In Act V of mainpiece a song by Mrs Forster

Event Comment: Mainpiece [1st time; T 5, by Andrew McDonald. Prologue by the author (London Chronicle, 6 Sept.). Epilogue by Henry Mackenzie (see text)]

Performances

Mainpiece Title: Vimonda

Performance Comment: [Principal Characters by Bensley, Aickin, Kemble, Johnson, Bannister Jun., Miss Woollery, Mrs Kemble. Cast from text (J. Murray [et al], 1788), and London Chronicle, 6 Sept.: Dundore-Bensley; Barnard-Aickin; Rothsay-Kemble; Seton-Johnson; Melville-Bannister Jun.; Alfreda-Miss Woollery; Vimonda-Mrs Kemble; Prologue-Bensley; Epilogue-Mrs Kemble.

Afterpiece Title: The Golden Pippin

Event Comment: Mainpiece [1st time; C 5, by Elizabeth Inchbald. Larpent MS 789; not published. Prologue by Henry Sampson Woodfall Jun. (London Chronicle, 17 Dec.); Epilogue by Frederick Pilon (Public Advertiser, 19 Dec.)]. [Miss Blower had 1st appeared at dl, 27 Apr. 1782, and thereafter in Dublin.] Receipts: #180 7s. 6d. (169.19.0; 10.8.6)

Performances

Mainpiece Title: All On A Summer's Day

Performance Comment: Principal Characters by Lewis, Quick, Aickin, Farren, Fearon, Macready, Helme, Miss Brunton, Mrs Webb, Mrs Lewis, Mrs Mattocks. Cast from London Chronicle, 17 Dec.: Wildlove-Lewis; Sir Ralph Mooneye-Quick; Governor Morton-Aickin; Sir William Carrol-Farren; Chrysostom-Fearon; Lord Henley-Macready; Servant-Helme; Louisa-Miss Brunton; Mrs Goodly-Mrs Webb; Lady Henrietta-Mrs Lewis; Lady Carrol-Mrs Mattocks; Prologue-Farren; Epilogue-Mrs Mattocks.

Afterpiece Title: Miss in her Teens

Event Comment: Benefit for Bannister. [Wathen had 1st appeared in London at Lord Barrymore's private theatre, Savile Row, 22 July 1790.] Morning Herald, 16 Aug.: Tickets to be had of Bannister, No. 7, Suffolk-street

Performances

Mainpiece Title: The Battle Of Hexham

Afterpiece Title: The Padlock

Performance Comment: Mungo-Captain Wathen (1st public appearance in London); Leander-Davies; Scholars-Waldron Jun., Fisher; Diego-Bannister; Ursula-Mrs Webb; Leonora-Miss DeCamp (1st appearance in that character).